Guest Review: Sulwe by Lupita Nyong’o, Illustrated by Vashti Harrison

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Guest Reviewer: Brian, UCF Elementary Education Student

Sulwe
Author: Lupita Nyong’o
Illustrator: Vashti Harrison
Published October 15, 2019 by Simon & Schuster Books for Young Readers

Summary: From Academy Award–winning actress Lupita Nyong’o comes a powerful, moving picture book about colorism, self-esteem, and learning that true beauty comes from within.

Sulwe has skin the color of midnight. She is darker than everyone in her family. She is darker than anyone in her school. Sulwe just wants to be beautiful and bright, like her mother and sister. Then a magical journey in the night sky opens her eyes and changes everything.

In this stunning debut picture book, actress Lupita Nyong’o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.

About the Creators: 

Lupita Nyong’o is a Kenyan actress and producer. Her first feature film role was in the film 12 Years a Slave, for which she received the Academy Award for Best Supporting Actress as well as multiple accolades, including the Screen Actors Guild Award, the Critics’ Choice Award, the Independent Spirit Award, and the NAACP Award. She has since starred in Mira Nair’s Queen of Katwe, Star Wars: The Force Awakens, Ryan Coogler’s record-breaking box office hit Black Panther, and most recently in Jordan’s Peele’s critically acclaimed horror film Us. Nyong’o earned a Tony nomination for her Broadway debut in Danai Gurira’s play Eclipsed. She lives in Brooklyn.

Vashti Harrison, author and illustrator of the bestselling Little Leaders: Bold Women in Black History, is an artist, author, and filmmaker with a passion for storytelling. She earned her MFA in film and video from California Institute of the Arts, where she snuck into animation and illustration classes to learn from Disney and DreamWorks legends. There she rekindled a love for drawing and painting. Now she uses her love for both film and illustration to craft beautiful stories for children.

Review: This book was just amazing! The story, the art, the lesson–everything was perfect. The message that is written in this story is not just for kids, even though the intended audience is children. The book talks about colorism and how one should love themselves just the way they are. We are all unique and special, and we should not try to change ourselves for nobody. In the world we live in today, there is so much negativity, but with this book for children, they can learn to be the light in the midst of darkness, no matter what the color of your skin is. Sulwe’s skin is the color of Midnight, but to me she shines the brightest in her family. Without midnight, everyone else’s shine would be pointless. I hope that when children read this book, they will appreciate who they are and be confident in themselves. This is a story I would definitely keep in my classroom. My favorite quote from the story, “When you are darkest is when you are most beautiful. It is when you are most you.” This left me very emotional and I’m a grown adult now. I should not be tearing up like this!

Teachers’ Tools for Navigation: Sulwe has many topics that can be discussed and is a great read aloud to teach social emotional learning; it can also be used to teach a variety of literacy skills. Here are some ideas that can be used to incorporate Sulwe into the lesson plan:

The first thing the students can do would be to practice their compare and contrast skills by discussing how the character changes and feels throughout the story. Another activity the students can do would be to practice descriptive writing by having them describe their own appearance. The last activity that can be done is having the students practice writing book reviews after they have read the story. If none of these activities work for you or aren’t that interesting, asking questions about the story to the students is always an option. Here, the teacher can discuss important topics like bullying, appreciating others, respect, and loving oneself.

Discussion Questions: 

  • What does the name Sulwe mean?
  • How are the pet names for “day” and “night” different?
  • What types of food did Sulwe eat to try and change her color?
  • What appeared through Sulwe’s window?
  • Why did Sulwe want to change the way she looked?
  • Have you ever been teased because of the way you look? How did that make you feel?

Flagged Passages: 

When you are darkest is when you are most beautiful. It is when you are most you.”

Book Trailer: 

Read This If You Love: Hair Love by Matthew A. Cherry or Eyes that Kiss in the Corner by Joanna Ho

Recommended For: 

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Thank you, Brian, for your review!

Interview with Justin Richardson and Peter Parnell, Authors of And Tango Makes Three

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I am happy to start Pride Month with this interview as books with representations of all families need to be shared with all students as “mirrors, windows, and sliding glass doors” (Sims-Bishop, 1990). As an educator in Florida, we are being challenged as are the books we love and students need. Sharing diverse representation, of race, culture, sexual & gender identity, and more, will only lead to empathy and a safer more happy world.

And Tango Makes Three
Authors: Justin Richardson & Peter Parnell
Illustrator: Henry Cole
Published: June 1st, 2005 by Simon & Schuster Books for Young Readers

Summary: In the zoo there are all kinds of animal families. But Tango’s family is not like any of the others. This illustrated children’s book fictionalizes the true story of two male penguins who became partners and raised a penguin chick in the Central Park Zoo.

Introduction from Simon & Schuster: Florida’s new law, to take effect in July, prohibits classroom “discussion” and “instruction” about “sexual orientation” and “gender identity” in grades K-3, as well as any discussion or instruction about these topics that would be considered not age appropriate in the eyes of the State in grades 4-12. And Tango Makes Three, a multiple award-winning picture book, tells the simple and true story of two male penguins in the Central Park Zoo who pair-bonded, built a nest, and with the help of a kind zoo-keeper, together hatched an egg.

The book is written for children ages 4 to 8, but the new Florida law may prevent their teachers from sharing or discussing it with them. Teachers use And Tango Makes Three and books like it to help children with same-sex parents feel welcome in their school and to help their classmates understand the different family structure of their classmates. Lessons like these are invaluable to children of same-sex parents. Censorship of facts about gay families and lives, like that required by the new law, threatens the mental health of children with same-sex parents as well as that of LGBTQIA+ children themselves.

Since its initial publication, And Tango Makes Three has been challenged and banned countless times. The American Library Association has reported that it was the most frequently challenged book between 2006-2010, and the second most frequently challenged in 2009. It was also the fourth-most banned book between 2000 and 2009, and the sixth-most banned book between 2010 and 2019.

Interview: 

Kellee: How did you first learn about Tango and her family? And why did you choose to tell their story? 

Peter Parnell & Justin Richardson: We first read about the penguins over breakfast one Saturday in a New York Times article by Dinitia Smith entitled “Love That Dare Not Squeak Its Name.”  Justin said, “Peter, you have to listen to this,” and there was just something about hearing the story read aloud that made us think of a children’s book.

As prospective parents ourselves, we knew that there was an unmet need among the children of gay parents for stories involving families like ours.  And we knew that while many parents who are not gay might wish to introduce their children to the subject of gay families, many felt unsure as to how to approach the topic, what language to use, how specific to get, and so on.  This story seemed to us a perfect way for them to open a discussion of about queer families with the confidence of knowing that they were doing it in an age-appropriate way.

K: What was your hope in sharing Tango’s story?

PP & JR: Like any author, we hoped the book would find an audience. We wanted kids to be moved by the story, and to expand their understanding and awareness of different kinds of families. We are most gratified when we hear the book has been a part of a child’s bedtime routine or a family’s life for years.

K: When you first heard about And Tango Makes Three being challenged, what were your first emotions? Reaction? 

PP & JR: We did anticipate that there would be some resistance to the book when we wrote it. But we could never have imagined then the extent of the challenges it would face or the strength of the support it would get around the world.

I think you never forget the first challenge. For us, that was in Missouri, when a library director who had received complaints moved our book from the fiction to the (less browsed) nonfiction section in order not to ‘blindside’ parents. The story got picked up by the AP (much thanks to a local news reporter who read library’s log looking for stories). We heard about it on a Saturday night, and were like, “Okay, this is happening…”  The story literally travelled around the world. Stephen Colbert held up the book on “The Colbert Report,” and proclaimed it the Number Two Threat to the American Way of Life (the number one threat was people who are not blond).

We have a coffee mug at home that we stumbled across in a toy store with our daughter a few years ago. On it are displayed a dozen or so banned book titles. There’s Animal Farm, 1984, and The Origin of Species. And our title is snuggled in there amongst the rest of them. We thought the juxtaposition of our book with these great works was kind of hilarioius. But we’d by lying if we said we weren’t also proud. In the years that we read TANGO aloud at the ALA’s Banned Books Week Readout in Chicago, we did so alongside folks like Steven Chbosky, Robie Harris, and Judy Blume. It’s an honor to be in such great company. But in truth, being banned is painful and infuriating. Any pleasure one can squeeze out of it is worth holding onto, if it softens the blow.

K: The “Don’t Say Gay” bill does not allow any sexual orientation or gender identity instruction in grades K-3. I would argue that And Tango Makes Three is not INSTRUCTION of either listed things; do you agree?

PP & JR: The law is purposely written to be vague, leaving terms like “instruction” and “sexual orientation” undefined. We recently lampooned that aspect of the law in the Washington Post, showing that banning discussion or instruction about sexual orientation and gender identity means there can be no talk about men and women marrying or indeed any book that depicts characters as having a gender.

We wouldn’t recommend going down the rabbit hole of arguing what does or doesn’t qualify as instruction. The law should be attacked for its discriminatory intent, it’s manipulation of parent fears to stoke the political careers of its authors, and the damage it will do to children and families in Florida.

K: If someone tried to state that And Tango Makes Three is not age appropriate for K-3, what would your counterargument be? 

PP & JR: The book actually grew out of Justin’s experience as co-author of a book about the very real challenges parents face when trying to address sexual topics with their children–Everything You Never Wanted Your Kids To Know about Sex (But Were Afraid They’d Ask). It’s hard to imagine that anyone who actually read Tango could consider it as not age appropriate; however, we would place the burden on anyone who made such a claim to explain it. Parents who hold negative views about gay families may object to the book, because it presents one such family in a positive light. But that’s quite a different matter than describing it as inappropriate for all children based on their age. Explaining that sometimes two people of the same sex form a couple and make a family is appropriate at any age.

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All the Places We Call Home by Patrice Gopo, Illustrated by Jenin Mohammed

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All the Places We Call Home
Author: Patrice Gopo
Illustrator: Jenin Mohammed
Published June 14th, 2022 by Worthy Kids

Summary: Fall in love with this lyrically written and lushly illustrated exploration of identity and home that celebrates all the places and people who make us who we are.

“And where shall we go?” Mama asks as she tucks me in.

“South Africa. Where I was born.”

My answer summons Mama’s stories, stories that send us soaring back in time to when I was a baby. Out my window. Down my street. Across water. Across continents.

Where do you come from? Where does your family come from? For many children, the answers to these questions can transform a conversation into a journey around the globe.

In her first picture book, author Patrice Gopo illuminates how family stories help shape children, help form their identity, and help connect them with the broader world. Her lyrical language, paired with Jenin Mohammed’s richly textured artwork, creates a beautiful, stirring portrait of a child’s deep ties to cultures and communities beyond where she lays her head to sleep.

Ultimately, this story speaks a truth that all children need to hear: The places we come from are part of us, even if we can’t always be near them. All the Places We Call Home is a quiet triumph that encourages an awakening to our own stories and to the stories of those around us.

About the Creators: 

Patrice Gopo is the child of Jamaican immigrants and was born and raised in Anchorage, Alaska. She is an award-winning essayist and the author of All the Colors We Will See: Reflections on Barriers, Brokenness, and Finding Our Way (a Fall 2018 Barnes & Noble Discover Great New Writers selection). Her ties to Jamaica and other parts of the world sparked her early desire to travel to the cities and countries she traced on a globe. In time, as she began writing about her experiences, Patrice became interested in how places contribute to the people we become. Ultimately, she hopes her stories celebrate the beauty of living a multifaceted life. Patrice lives with her family in North Carolina—a place she considers another home. All the Places We Call Home is her first picture book.

Winner of the SCBWI 2020 Summer Showcase Award, artist Jenin Mohammed moved into children’s illustration after working to gain entry into storyboarding for television. Just as her dream studio job appeared on the horizon, Jenin realized that her true love for story lay in children’s illustration. Her work uses dynamic shapes and perspective with a layering technique to create a tissue-paper-collage-meets-painterly look. Born and raised in Florida, Jenin grew up in an African American/Caribbean household, providing a personal connection to Patrice’s story.

Review and Teachers’ Tools for Navigation: This book is a beautiful look at family history and culture. It celebrates oral tradition through story and memories, a sense of belonging through place, and a look at one family’s story. The prose is lyrical and calming and the illustrations are vibrant and expressive–it will make a great read aloud for all and a deep dive book for classrooms!

This book would be a great mentor text for writing a family history or visiting the world through memories in another way. Students can connect with their families and friend through the places they call home and create their own pathway around the globe.

Discussion Questions: 

  • Where are your homes?
  • Why does learning about where someone is from help tell their story?
  • Even if not through family, how else could you “travel” the globe through memories?
  • Where would you like to visit if you could?
  • What tradition do you have at bedtime?
  • What do you think the author’s purpose of the story was?
  • Why does the young girl view America, South Africa, Zimbabwe, and Jamaica all as her homes?

Flagged Passages: 

Read This If You Love: Bedtime stories, Multigenerational stories, Stories about family history

Recommended For: 

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**Thank you to Nicole Banholzer PR for providing copies for review!**

Review and Giveaway!: I Am Able to Shine by Korey Watari, Illustrated by Mike Wu

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I Am Able to Shine
Author: Korey Watari
Illustrator: Wike Wu
Published May 1st, 2022 by Two Lions

Summary: An affirmative, empowering story about embracing your identity and finding your voice, inspired in part by debut author Korey Watari’s experiences growing up Asian American, and illustrated by her husband, Mike Wu, Pixar artist and creator of the Ellie series.

I am beautiful.
I belong here.
What I do matters.
I am able to shine.

Each night Keiko whispers to her crane, “I wish to change the world.” She is kind, and she has big dreams. But at times she feels invisible; she knows some people misjudge her. Keiko is also loved, so she perseveres and stands strong. Over time, her confidence grows, she shares more of herself, and she helps lift up others—and eventually lead them. She understands that no matter what, she can shine.

About the Creators: Husband-and-wife team Korey Watari and Mike Wu live in the San Francisco Bay Area in California with their two lively daughters. This is their first picture book together. Korey is a sansei, or third generation Japanese American, born and raised in Los Angeles. She played basketball for a Japanese American League, graduated from the University of California Riverside, and studied at the Fashion Institute of Design and Merchandising. Korey has worked in the animation and fashion industries for companies such as Disney and the Gap. This is her first picture book. Learn more at www.koreywatari.com or on Twitter at @tinyteru.

Mike is the author and illustrator of the acclaimed, bestselling Ellie series, the first picture book of which was named one of NPR’s best books of the year. He is also a Pixar artist and has worked on films including The Incredibles, Ratatouille, Up, Toy Story 3, Coco, and Soul. His illustrations have been hailed as “reminiscent of classics like Harry the Dirty Dog and Curious George.” Visit him at www.theartofmikewu.com or on Instagram at @wudog23.

Review: Keiko’s story is beautiful! Watari’s empowering and inspirational text scream from the pages filled with Wu’s emotional and colorful illustrations. The book begins with our introduction to Keiko and her dream. Her dream to be able to be both kind and courageous, determined and hopeful, strong and loved… She wants to figure out how to balance all of her parts of personality to become who she is meant to be.

Teachers’ Tools for Navigation: The back matter of the text takes the book to another level. The author’s note and aspects of Japanese life reflected in the book allow for an extended discussion about students’ culture, empowering differences, and filling life with “courage, kindness, perseverance, inspiration, hope, and love.”

Discussion Questions: 

  • How do Watari and Wu combine inspiration and narrative in the book?
  • How do the illustrations add to Keiko’s story?
  • How did the author’s life inspire the book?
  • How did the author and illustrate reflect Keiko’s Japanese AND American culture?

Flagged Passages: 

Read This If You Love: Lala’s Word by Gracey Zhang; Brilliant Bea by Shaina Rudolph & Mary Vukadinovich, illustrated by Fiona Lee; Loujain Dreams of Sunflowers by Al-Hathloul Lina, illustrated by Rebecca Green; To Change a Planet by Christina Soontornvat, illustrated by Rahele Jomepour Bell

Recommended For: 

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Giveaway!!:

Giveaway! One lucky winner will receive a copy of I Am Able to Shine, courtesy of Two Lions (U.S. and Canada addresses).

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**Thank you to Blue Slip Media for providing a copy for review!**

Wave by Diana Farid, Illustrated by Kris Goto

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Wave
Author: Diana Farid
Illustrator: Kris Goto
Published March 29th, 2022 by Cameron Kids

Summary: A coming-of-age novel in verse set in 1980s Southern California, about a Persian American girl who rides the waves, falls, and finds her way back to the shore.

Thirteen-year-old Ava loves to surf and to sing. Singing and reading Rumi poems settle her mild OCD, and catching waves with her best friend, Phoenix, lets her fit in—her olive skin looks tan, not foreign. But then Ava has to spend the summer before ninth grade volunteering at the hospital, to follow in her single mother’s footsteps to become a doctor. And when Phoenix’s past lymphoma surges back, not even surfing, singing, or poetry can keep them afloat, threatening Ava’s hold on the one place and the one person that make her feel like she belongs. With ocean-like rhythm and lyricism, Wave is about a girl who rides the waves, tumbles, and finds her way back to the shore.

Praise: 

“Processing her feelings through music empowers Ava and gives her a new understanding of home and the connections she shares with others. Raw and powerful, this free verse novel honestly explores issues of identity, culture, grief, and hope… Rich, layered, and heart-rending.”―Kirkus Reviews

“Farid’s poetry rides the page like a wave, charting the ups and downs of Ava’s emotions. . .The verse format makes this text extremely accessible, and readers will be delighted to find elements of Ava’s Persian heritage and 1980s childhood also woven throughout.” ―School Library Journal

“Farid brings her expertise as an MD to Ava’s story, simplifying the complexity of lymphoma while packing an emotional punch with the musical references that Ava uses to cope.” ―Booklist

About the Creators: 

Diana Farid is the author of When You Breathe, published by Cameron Kids. She is a poet and a physician at Stanford University. She lives in the Bay Area.

Honolulu-based fine artist Kris Goto was born in Japan. She spent most of her adolescence in Hong Kong and New Zealand, where she became inspired by the outside world and a passion for manga.

Review: This book is actually hard for me to write about because it is just so beautiful in all the right ways. It is full of so many emotions, beautiful writing, important topics, characterization, and 80s references. The author’s inclusion of such a specific setting and pop culture references could have easily turned off a reader, but Farid seamlessly blends it into Ava’s story to where it is all part of one amazing package. A package that includes a lot but that is because a 14 year old Persian girl growing up in California would have dealt with a lot: identity, self-love vs. loathing, immigrant experience, expectations, friendship, hobbies, school, racism, family… and on top of that Ava has Phoenix’s and (my favorite character) Room 509’s health to think about, her own broken leg, surfing, music, and a single parent. Add to all of this plot poetry that is robust in its rhythm and variety in a way that makes reading the book an experience, a wonderful reading experience.

Teachers’ Tools for Navigation: In addition to all of the reading discussion that can happen with this book, it is also a wonderful poetry writing mentor text. Each poem has its own format, personality, mood, tone, etc. so students have so many choices about which they would want to be inspired by. Goto’s illustrations show how art can add to poems as well, so students could create their own drawings to accompany their poems. Also, with the inclusion of music, students could turn their poems into songs.

Students could also make their own mix tapes for different characters in the book using Ava’s and Phoenix’s as examples. Students could then explain why they chose the songs they did for the characters.

The inclusion of Rumi’s poetry could also lead to a poetry study of his poetry which could include historical instruction as well.

Discussion Questions: 

  • Why did the author format __[poem]__ the way she did?
  • How did music influence Ava’s time during this point in her life?
  • How do you think Ava’s summer would have been different if she hadn’t broken her leg?
  • How did Phoenix and Ava’s friendship change over time? What caused their friendship to evolve?
  • Why does Ava blow up at Phoenix and Naz at the beach?
  • How does Room 509 play a part in Ava’s summer? What do you think the purpose of this character is?
  • How did Ava’s mother’s decision to leave Iran to go to medical school transform her life?
  • Farid included instances of racism in the book. Why is it important that she includes these? What does it show us about our country?
  • Do you believe Ava has OCD? What parts in the story show you this?
  • How does Ava both embrace her Persian culture but also resent the pressure it holds?
  • The author included Farsi throughout the book. Why is this translanguaging important to include when telling Ava’s story.
  • Find an example of when Farid captured the rhythm of the ocean in her poetry.

Flagged Passages: 

Read This If You Love: Land of the Cranes by Aida Salazar, Starfish by Lisa Fipps, Benbee and the Teacher Griefer by KA Holt, Open Mic edited by Mitali Perkins

Recommended For: 

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**Thank you to Blue Slip Media for providing a copy for review**

Bright Star by Yuyi Morales

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Bright Star
Author and Illustrator: Yuyi Morales
Published September 7, 2021 by Neal Porter Books

Summary: A Pura Belpré Illustrator Honor Book

Inspiring, reassuring, and beautifully illustrated, this new story from the creator of the New York Times bestseller Dreamers is the perfect gift for every child.

New York Times Best Children’s Book of the Year

With the combination of powerful, spare language and sumptuous, complex imagery characteristic of her work, Yuyi Morales weaves the tale of a fawn making her way through a landscape that is dangerous, beautiful—and full of potential.  A gentle voice urges her onward, to face her fears and challenge the obstacles that seek to hold her back.

Child, you are awake!
You are alive!
You are a bright star,
Inside our hearts.

With a voice full of calm, contemplative wisdom, readers are invited to listen and observe, to accept themselves—and to dare to shout!

In a world full of uncertainty, Bright Star seeks to offer reassurance and courage. Yuyi Morales’ first book since her New York Times bestseller Dreamers explores the borderlands—the plants, animals, and insects that make their home in the desert, and the people who live and travel through this unique and beautiful part of the world.

Created with a combination of techniques including hand-embroidered lettering, painting, sketching, digital paintings with textures from photographs of the Sonoran Desert, this stunning book is full of beauty—from the handwoven blanket of the endpapers through the last inspiring spread of young families facing their future with determination and hope.

A Spanish language edition, Lucero, is also available.

Ricki’s Review: I took a deep breath after I finished this book. It’s really quite magnificent. The words, the use of language, the mixed media of the illustrations—it all works together to offer a warm embrace for readers. I felt as if Yuyi was speaking directly to me, as the reader. This is a book that will resonate with all readers. It share the beauty of the borderlands and demonstrates Morales’ flexibility to maneuver language and illustration in ways that are, quite simply, captivating. Typically, I donate my books after I read them, but this is going to be one that I have a hard time giving away. I want to read it again and again. I might just need to buy copies for everyone I know. Most of all, I love how this book offered great hope.

Kellee’s Review: This beautiful book is a guide to life and an ode to parenthood & community. The use of second person engages the reader in a way that wouldn’t have happened without this choice. This moves the reader and really sets the mood of the book and makes it an excellent read aloud! The book is alsoabout facing fears, all types of fears that may come a child’s way during their life. But it also promotes students advocating for their feelings and using their voice to share what they feel. All of this in a beautifully illustrated, scarcely (but specifically) worded text. This shows what a brilliant author and illustrator Yuyi Morales is.

Teachers’ Tools for Navigation: Teachers might ask students to share out the many ways that they can layer literacies—through images and language. Then, they might try to layer literacy themselves. Perhaps they could translanguage or offer images layered in text.

Discussion Questions: 

  • How does the use of second person point of view draw you into the text?
  • What types of illustration and imagery does Morales use?
  • What did you learn about the borderlands?
  • What did you learn about yourself?

Flagged Spread: 

Read This If You Love: Dreamers by Yuyi Morales, The Refuge by Sandra Le Guen, The Arrival by Shaun Tan, Refugee by Alan Gratz, The Name Jar by Yangsook Choi, Each Kindness by Jacqueline Woodson

Recommended For: 

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**Thank you, Sara at Holiday House, for providing copies for review!**

Just Harriet by Elana K. Arnold

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Just Harriet
Author: Elana K. Arnold
Illustrator: Dung Ho
Published February 1st, 2022 by Walden Pond Press

Summary: From the award-winning author of A Boy Called Bat comes a new young middle grade series in the tradition of Ramona and Clementine, starring an unforgettable girl named Harriet.

There are a few things you should know about Harriet Wermer:

– She just finished third grade.

– She has a perfect cat named Matzo Ball.

– She doesn’t always tell the truth.

– She is very happy to be spending summer vacation away from home and her mom and dad and all the wonderful things she had been planning all year.

Okay, maybe that last one isn’t entirely the truth.

Of course, there’s nothing Harriet doesn’t like about Marble Island, the small island off the coast of California where her nanu runs a cozy little bed and breakfast. And nobody doesn’t love Moneypenny, Nanu’s old basset hound. But Harriet doesn’t like the fact that Dad made this decision without even asking her.

When Harriet arrives on Marble Island, however, she discovers that it’s full of surprises, and even a mystery. One that seems to involve her Dad, back when he was a young boy living on Marble Island. One that Harriet is absolutely going to solve.

And that’s the truth.

Praise: 

“An engaging series opener about the power of truth to moor and free even the sulkiest of souls.” -Kirkus Reviews

“This series opener is a winner.” Publishers Weekly

“A gentle, slow-moving summer adventure that’s big on character growth.” -School Library Journal

An appealing chapter book for young readers.” -Booklist

About the Author: Elana K. Arnold is the author of critically acclaimed and award-winning young adult novels and children’s books, including the Printz Honor winner Damsel and the National Book Award finalist What Girls Are Made Of. Several of her books are Junior Library Guild selections and have appeared on many best book lists, including the Amelia Bloomer Project, a catalog of feminist titles for young readers. Elana teaches in Hamline University’s MFA in Writing for Children and Young Adults program and lives in Southern California with her family and menagerie of pets. You can visit her online at www.elanakarnold.com.

Review: When I first read the Bat books by Elana K. Arnold, I was so happy with the new edition to the reading ladder between early chapter books and solid middle grade, and Just Harriet fits solidly in there as well. Harriet is going to be loved the way that Ramona was loved by readers of the past (like me!). She is a bit sassy, super smart, quick witted, and full of curiosity. And her supporting cast of characters fill the background with joy -from her grandma, Nanu, to the owners of the ice cream parlor, Hans & Gretchen. Then add in the very special setting of Marble Island, and you have a special book that is going to find a bunch of happy readers! I can’t wait for more Harriet in the future.

 Teachers’ Tools for Navigation and Discussion Questions: Walden Pond Press has a Chapter-By-Chapter Guiding Questions and Discussion Points guide available!

Flagged Passages: 

Read This If You Love: Ramona Quimby by Beverly Cleary, Bat series by Elana K. Arnold, Aven Green series by Dusti Bowling, Bink and Gollie series by Kate DiCamillo

Recommended For: 

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**Thank you to Walden Pond Press for providing a copy for review!**