Author Guest Post: “The Power of Story: Inspired by the Classroom” by Trevor B. Spisto, Author of The Tiger and the Crane

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“The Power of Story: Inspired by the Classroom”

Hello everyone, my name is Trevor Spisto, and I’m excited to write a blog post for Unleashing Readers about my novel The Tiger and the Crane.

I’m a dual-certified high school history and special education teacher in Staten Island, New York. To my fellow educators, I believe The Tiger and the Crane offers great opportunities for cross-curricular activities in the classroom, a popular initiative within the New York City school system. The book is rich with literacy themes and devices that English teachers can use to structure lessons, while history teachers can dive into the novel’s historical context.

Set in late 19th-century China, the story takes place in an animal village threatened by British poachers encroaching on their land. A crane named Mung ventures beyond the village to scout for danger and discovers an orphaned tiger cub. Believing the tiger could be raised to defend the village, Mung faces resistance from many villagers, led by Ku, a binturong, who argue that the tiger will only bring destruction. Determined to prove that nurturing the tiger is key to the village’s survival, Mung reluctantly promises to convince the cub that he is a goat, easing the villagers’ fears by masking the tiger’s true nature.

My work as a special educator was a point of inspiration for the story, more specifically, my responsibility for writing IEPs, which stands for Individualized Education Programs. These documents outline different teaching approaches that work well for certain students. The act of writing an IEP gives special education teachers unique insight into students that other teachers might not be privy to. For example, writing an IEP requires the case manager’s job is to reach out to parents to gather information about the student. While parents are expected to play a prominent role in providing details for the IEP, the reality can sometimes differ from expectations.

Parent-teacher conferences and phone calls home provide teachers with a window into a student’s life. These interactions offer opportunities to forge relationships with parents, although they are often not particularly extensive. During the IEP process, however, that window becomes much larger. I’ve had spectacular experiences with parents where it became abundantly clear that some of my students come from amazing homes that provide love and support while others come from devastating situations that are no fault of their own. They are young minds trapped in a difficult environment that ultimately shapes their values, morals, behavior, and philosophies that influence everyday decision-making. Analyzing these situations firsthand deepened my understanding of how important a child’s environment is in shaping their character and served as inspiration when writing The Tiger and the Crane.

English teachers will find plenty of material to work with using the book in their classes. All the characters in The Tiger and the Crane are richly developed with motivations and emotions that drive their actions. Teachers can facilitate literary circles around the characters’ reasoning and decisions. Themes such as leadership, fear, kinship, jealousy, manipulation, and the desire for power can be explored, helping students gain a deeper understanding of both the characters and themselves. Additionally, foreshadowing, chapter titles, and the reliability of the narrator can serve as valuable points of analysis for students.

From a historical perspective, the story aligns with units focused on imperialism in the 19th century. A crucial aspect of understanding history is grasping historical context, and The Tiger and the Crane provides a strong foundation that teachers can use to assess students’ comprehension of real events like the Macartney Mission, the Opium Wars, and the Boxer Rebellion. Teachers can also use The Tiger and the Crane to draw parallels between the novel’s characters and indigenous populations, highlighting the effects of imperialism on subjugated peoples. The animals in the story face the encroachment of foreign powers on their lands and struggle with technological disadvantages—challenges that native populations in Asia and Africa also encountered during the 19th century. While these complex topics can be challenging to introduce in the classroom, The Tiger and the Crane presents them in a narrative form that makes them more accessible and engaging for young minds.

The Tiger and the Crane can serve as a valuable tool for teachers but more importantly, it can spark an interest in books among young readers. As educators, we all strive to inspire a love of reading, and I hope this novel becomes a part of the collection of books in a classroom that nurtures that passion in students.

Published October 8, 2024 by Monarex Hollywood

About the Book: The setting of The Tiger and the Crane is an animal village within a vast forest in Qing dynasty-era China. This historical backdrop gives the story a timeless quality, as the clash between the two sides highlights parallels to real-world colonization and its impact on indigenous communities and wildlife. The narrative explores whether Xingfu, the tiger cub, will grow into his nature as a predator or adapt to the nurturing environment of the village. Mung, the red-crowned crane, proposes that Xingfu will assimilate into the village if raised properly, a responsibility he takes on himself. Meanwhile, Ku the binturong and the villagers’ doubts reflect real-world questions about inherent traits versus the influence of upbringing

About the Author: Trevor was born and raised on Staten Island, New York. By nineteen, Trevor penned his first feature-length story, which was developed into an animated film screenplay and later turned into the novel, The Tiger and the Crane.  During that time Trevor earned his Master’s in Special Education and began his teaching career.

Beyond writing, Trevor’s passions include immersing himself in great novels, traveling to historically rich destinations, playing games, and cherishing moments with friends and family.

Thank you, Trevor, for sharing your inspiration!

Author Guest Post: “The Girl Who Gets the Girl” by Zakiya N. Jamal, Author of If We Were a Movie

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“The Girl Who Gets the Girl”

When the idea for If We Were a Movie was first presented to me, it was a rivals-to-lovers story between a boy and a girl. I loved the idea but immediately knew I wanted to tell a sapphic love story, i.e. a rivals-to-lovers story between a girl and another girl. Later, when I’d written various versions of the book and I knew it was going to be published my mom asked me, “What made you decide to make this a love story between two girls?”

I am queer. If I was to put a more specific label on myself, I’d say I’m bisexual. I believe I have always been this way, but I didn’t realize it until around 2019 when I met someone who was not a cisgender guy and started crushing on them. Hard. But even though I’d made this discovery about myself it still took me some time before I was able to say it out loud. Whether it was internalized homophobia or a general shame about my identity, I found it difficult to find the words.

But writing a story about two girls falling for each other? That was easy.

In If We Were a Movie, the main character Rochelle, and her love interest, Amira, are fully out and proud, and their group of friends include a number of LGBTQIA+ identifying people as well. There isn’t a coming out story, not because I don’t think we still need those stories (we do!) but because I wanted to give Rochelle and Amira something I didn’t have at their age and I know, unfortunately, a lot of kids don’t have now. For Rochelle and Amira, being queer is simply a part of them amongst so many other facets of who they are. It is a part of their identity that is known and never questioned by themselves, each other, or anyone else.

When I first started writing If We Were a Movie, way back in 2022, I was writing it for me. It was healing for me to write a character who was so authentically herself and who lived in a world where being queer was just as accepted and understood as being straight. But now when I think about my mom’s question and why I wrote this story it’s a bit more than that. I knew writing a queer love story full of joy was what I needed at the time, but I also knew there was going to be a reader out there like me who was still struggling to accept themselves.

For me, reading books like Red, White, and Royal Blue by Casey McQuiston and You Should See Me in a Crown by Leah Johnson, helped me understand and accept that my feelings were not only normal but should be celebrated. They were mirrors for me to see myself in a way I didn’t think was possible for me before. And that’s what I hope If We Were a Movie is for someone else. Because while romances between a boy and a girl are great, there are plenty of those but still aren’t nearly enough about the girl who gets the girl of her dreams.

Now, there’s at least one more.

Publishing April 22nd, 2025 by HarperCollins

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About the Book: Lights. Camera. Love? Rochelle “the Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job.

When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances at getting into her dream school. There’s only one problem: Amira works there… and is also her boss.

Rochelle feels that working with Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually… like her? But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slimmer, it’s up to the employees to solve the mystery before it’s too late, but will love also find its way into the spotlight?

About the Author: Zakiya N. Jamal was born in Queens, raised in Long Island, and currently resides in Brooklyn. In other words, she’s a New Yorker through and through. She holds a BA in English from Georgetown University and a MFA in Creative Writing with a concentration in Writing for Children and Young Adults from The New School. Her debut novel If We Were a Movie will be published in 2025 by HarperTeen. You can find her on social media at @ZakiyaNJamal.

Thank you, Zakiya, for sharing your inspiration and writing this “one more” that so many readers will love!

Student Voices: George O’Connor’s Visit to Kellee’s Middle School

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I am so lucky because my principal began an initiative at my school where we get to have an author visit our school yearly (2024: Jerry Craft, 2023: Christina Diaz Gonzalez, 2022: Nathan Hale, 2020: Neal Shusterman, 2019: Jennifer A. Nielsen). The author sees all students in the school, so it is a great community literacy event for my school, and I love being able to bring this experience to all of my students each year!

 

This year, we hosted New York Times Best-selling Author George O’Connor!

We are so thankful to George O’Connor for being with us all day. Not only did he present to over 1,000 students, he did a signing time for any student who wanted his autograph; he did an author lunch with students who read over 6 of his books; he stayed after school to draw us a special image, finish signing anything left to sign, including bookmarks for each of our Olympians Community Night finishers (our literacy night that we hosted 2 days before his visit), and take pictures with the library team. It  was phenomenal!

Here are some reflections from my students after the visit. I asked them to think about what they learned, what they enjoyed, how they were impacted, or anything else they wanted to share:

  • I really liked the day. It was a fun experience learning about him and how he became an author.
  • I really liked the day! Meeting the author was exciting, and their presentation was inspiring. The workshop helped me think creatively, and I enjoyed sharing ideas with my classmates. It was a great experience that made me love reading and writing even more!
  • I liked it. George O’ Conner was funny and I liked how he gave a description of the god’s story.
  • I really like how the authors show the process of how they make the books that we read everyday
  • he said that we shouldn’t try to erase our mistakes and try to learn from them
  • George O’Connor taught me that you have to keep trying for your dreams because he got rejected from a job at marvel but eventually got it.
  • My biggest takeaway is that nobody is perfect, and it takes a while to get where you want to be.
  • My biggest take away from George O’Connor’s visit is that it’s ok to make mistakes. He talks about even as an adult, and artists, he still regularly makes mistakes, and going over how it is ok to do so was so refreshing to hear in a world where people are so often afraid to be anything but perfect. Really motivating and inspiring!
  • My biggest take away was when he told us that he started drawing at such a young age and has always had a passion for the Olympian books he has written.
  • An author visit is important because it inspires us to read and write. Meeting a real author shows us that we can be writers too! They share their stories and challenges, which motivates us to keep trying. It makes reading more fun and exciting, helping us appreciate our own creativity!
  • This visit was very important because these author visits can really help people get inspired and help them not doubt themselves.
  • This visit was important because it made me understand how George O’Connor made his books and his journey in general. It’s important and powerful to have an author visit our school because it gives us a chance to learn from people who have experience in actually making a book.

  • His advice about drawing about not being perfect was a HUGE takeaway for me.
  • My biggest take away was that nobody is perfect because I draw a lot and I make mistakes and I learned that it is okay to.
  • My biggest take away from this visit was that our changing moment in life can happen wherever and whenever.
  • My biggest takeaway was that your imagination can take you anywhere in life.
  • That it takes a long time to do things perfectly and to achieve something you are want so you have to be patience
  • George O’ Connor taught me some very valuable life lessons and made the presentation funny.
  • It impacted me because it allowed me to learn more about the writing and illustrating process, something which I didn’t know much about before.
  • It helped me understand better on how the author makes his books and connect to the author better which was good.
  • I learned some new stuff about Greek mythology that I didn’t know before.
  • It helped me understand the whole journey to become an author.
  • It’s important to have authors visit our school because it could help people who want to be authors in the future. It could also help someone find a new favorite book or series.
  • It is important and powerful to have an author visit the school in order to inspire kids to read more books and make the author more relatable and real, which I think could also encourage kids to pick up books and start reading more.
  • This visit was important because he first off is a New York Times best author which is crazy to think that he actually came to our school and that some people really like mythology books and George O’Connor is the best author for that.
  • Author visits are important because it can encourage people to read and for people who want to become authors to learn from them.
  • I think that it’s important and powerful to have an author visit our school because they can help give us advice and tell their story to people who enjoyed reading their books.

  • It was very impactful since I got to see the POV of an author’s life and how he draws!
  • This visit impacted me because it let me learn that even New York Best Time Selling authors make mistakes and learn from them to help them grow as a person and author.
  • The visit impacted me by showing me how much work goes into these books.
  • The visit really inspired me! Hearing the author share their journey made me want to write my own stories. Learning about their creative process showed me that it’s okay to struggle sometimes. The interactive workshop was fun and helped me think more creatively. Overall, it made me excited about reading and writing!
  • I thought it was really cool as his upbringing as an author and it is really motivating.
  • Having a yearly visit means getting to learn about the lives of authors, how they got to where they are, and what inspires them. This. in turn, inspires me to stay motivated and chase my dreams no matter what goes wrong.
  • Yearly author visits mean a lot to not just me but I bet to so many others too because its so cool getting to have a well known author come to our school and tell us their story and their perspective of their own books they wrote.
  • Author visits let me meet “famous people” that other people don’t get to meet and I get to meet the authors of the books that I love.
  • Having a visiting author yearly is something that excites me and is something for me to look forward to.
  • Having a visiting author yearly makes me read more books that I might not have read if it wasn’t for the author visit.
  • Yearly author visits mean that kids get to explore different genres and books. Like I did not know who George O’Connor was and I had never read his books but then I read them and now I love them.
  • Having an author yearly means a lot to me because they are really inspiring.
  • Author visits mean a lot to me because it shows that our school and staff want to put together something fun for us and that they care, Gorge O’Connor also took time out of his day to come see us.
  • Author visits educate children; it always makes them more tempted to read more and learn about the author. Also the author can teach us valuable things.
  • This visit was important because it helped us see and talk to George O’ Connor in-person, it also helped us learn more about Greek Mythology. It is important and powerful to have an author visit our school because it helps us talk or see our favorite authors and learn more about them. In addition, it also gives us a small break from school.

Another teacher also shared her students’ responses to “What I liked the best was…”

  • the way he explained his book and the way he drew ZEUS in 28 seconds; how he is able to make a small period of time into something really cool; When he showed his drawings/drawing fast
  • Book signings and pictures with him after school; seeing him at lunch; really enjoyed when I met him because he was really nice and caring
  • When he said that nobody is perfect and we can all make mistakes, that was really nice of him; 
  • My favorite moment from the author’s visit was when he told us the lesson which was like don’t be afraid to make mistakes and fail
  • How he used the errors without being scared
  • Funny stories; when he was making us laugh
  • I love this part because he explains books and explains how he did it. That’s why I love it.

As you can see from the comments and love, my students and I would highly recommend George for a school visit!

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Author Guest Post: “Me, Myself, and My Five Senses” by Sarah Suk, Author of Meet Me at Blue Hour

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“Me, Myself, and My Five Senses”

I spend a lot of time inside my head. This is something that’s always been true about me. As a kid, one of my favourite pastimes was playing pretend, letting my imagination run loose and turning my ideas into dramatic plays for my stuffed animals to star in or for my friends and I to adopt for the afternoon. Today we are princesses and Pokémon trainers—both, at the same time. Tomorrow we’ll be spies, detectives, dragons on a mission. I could spend hours outside with a bouncy ball, just bouncing it up and down the street while I spun stories inside my head.

Now as an author, many of my days are much of the same, though the rhythm of the bouncy ball has turned into the tapping of keys on my computer. And while I can say that letting my imagination run loose and turning my ideas into dramatic scenarios for my characters to star in is still one of my favourite things to do, there are times when being in my head feels more tumultuous than not. When the feeling of stuckness seeps in and spirals into a state of overthinking and then overthinking the overthinking (as one does), I begin to feel more like I’m in the passenger seat of my own mind than the one behind the wheel.

Something I’ve been trying to do lately is to spend a little less time in my head and a little more time in my body. One of the ways I’ve been doing this is pausing to make note of my five senses in real time. I’ll ask myself, what do I see? A chunky mug, red spines on the bookshelf. Hear? Construction outside my window. Smell? Leeks in the pan, my daughter’s baby scent. Taste? Water, cold and refreshing. Feel? The couch beneath me, holding me up. It brings me back to the moment in a tangible way that reminds me that I’m not actually falling no matter how far my mental spiral seems to go. I’m simply right here.

Curiously, the senses have made an appearance as key details in my most recent young adult novels. The Space between Here & Now follows the story of a teenage girl who has a rare condition that causes her to travel back in time to her memories when she smells a scent linked to them. And in my upcoming book Meet Me at Blue Hour, memories are erased through sounds collected on a mix tape.

While I didn’t necessarily or purposefully plan to write these novels centering the senses, I found that’s where my ideas naturally took me. And in writing these stories, I found something else: leaning into the senses is great for worldbuilding! There’s nothing that makes a setting feel more alive than being able to vividly see what your characters see, hear what they hear, taste what they taste. I recall receiving this writing tip from an author friend of mine years ago, but as someone who often gravitates toward scenes with two talking heads in a description-less room, I feel like I needed to write these stories with the senses as a focal point to truly grasp my own style with it.

Now, no matter what I write, I find this exercise helps ground me in the reality of the story, just like how it grounds me in the reality of my own life. So whenever I’m feeling stuck in my head or stuck in the words, I go back to the senses. I take a breath. I plant my feet on the ground. And I remember that I’m here.

Publishing April 1st, 2025 by Quill Tree Books

About the Book: Eternal Sunshine of the Spotless Mind meets Past Lives in this gripping, emotional story of two childhood friends navigating the fallout of one erasing their memory of the other, from acclaimed author Sarah Suk.

Seventeen-year-old Yena Bae is spending the summer in Busan, South Korea, working at her mom’s memory-erasing clinic. She feels lost and disconnected from people, something she’s felt ever since her best friend, Lucas, moved away four years ago without a word, leaving her in limbo.

Eighteen-year-old Lucas Pak is also in Busan for the summer, visiting his grandpa, who was recently diagnosed with Alzheimer’s disease. But he isn’t just here for a regular visit—he’s determined to get his beloved grandpa into the new study running at the clinic, a trial program seeking to restore lost memories.

When Yena runs into Lucas again, she’s shocked to see him and even more shocked to discover that he doesn’t remember a thing about her. He’s completely erased her from his memories, and she has no idea why.

As the two reconnect, they unravel the mystery and heartache of what happened between them all those years ago—and must now reckon with whether they can forge a new beginning together.

Sarah Suk profile image

About the Author: Sarah Suk (pronounced like soup with a K) lives in Vancouver, Canada, where she writes stories and admires mountains. She is the author of young adult novels Made in Korea and The Space between Here & Now, as well as the co-writer of John Cho’s middle grade novel Troublemaker. When she’s not writing, you can find her hanging out by the water, taking film photos, or eating a bowl of bingsu. You can visit Sarah online at sarahsuk.com and on Twitter and Instagram @_sarahsuk.

Thank you, Sarah, for this writing exercise to bring our writing to life!

Author Guest Post: “The Best Advice is Free” by David A. Anderson, Author of The Drowners

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“The Best Advice is Free”

The digital revolution has irrevocably changed the world. It has given a voice to those who once suffered in silence. And even the poorest among us now have access to a wealth of information. It seems the Silicon Valley pioneers have made John Lennon’s dream a reality by giving power to the people.

Unfortunately, as history has long proved, power corrupts. According to the Pew Research Centre, fake news, misinformation, and propaganda account for 71% of online content. And every snake-oil salesman and extremist now has a platform from which to spread their lies and hate speech.

We now have a generation that receives news from social media feeds and guidance from internet celebrities. Influencers rake in millions from product endorsements, while self-proclaimed gurus sell ‘life-changing’ courses.

We’re all familiar with the proverb ‘You get what you pay for,’ which assumes a relationship between price and quality. In most cases, this idiom rings true. Except, when it comes to advice.

How many people who bought ‘How to write a bestseller?’ have gone on to accomplish this feat? If self-help worked we wouldn’t require psychiatry and the educational system. Or, the self-improvement industry! In today’s world, most guidance you pay for through clicks and credit card details is at best unhelpful. At worst, it’s downright dangerous.

The best advice you get in this life doesn’t cost a dime. Why? Because it comes from people who care. Family. Friends. Teachers. The people who are invested in your well-being. The people who sense when something is not right and want to help. The people who know you.

But how can teachers and parents hope to compete with perma-tanned influencers and their photo-shopped perfection? Is it possible to impart wisdom without hi-tech visual stimuli and ambient mood music? How do you lead pliable young minds away from the enticing mirage of misinformation?

Long before the internet turned the globe into an online community, hell, long before the printing press brought mass-produced wisdom to the public, humanity had a tried and tested way of getting their message across. Myths. Legends. Parables. Fables. Novels. From Aesop to Hemingway, those who seek to enlighten minds do so through the medium of story.

Our way of life may have radically changed with time, but the human condition remains unaltered. Holden Caulfield’s alienation and battle with mental illness still resonates with teenagers 74 years later. And, while nobody makes mix-tapes anymore, Charlie’s struggle to fit in is universal. Unfortunately, Starr Carter’s experience is all too familiar to millions of Americans.

But stories do more than teach, they offer solace. They let readers know they are not alone. Others have felt the same emotions and had similar thoughts. Moreover, books provide hope. Life can be unfair. Justice only exists in comics and superhero movies. The universe doesn’t operate on moral principles. But that doesn’t mean we can’t fight to improve society. That we can’t find meaning and fulfilment in our existence. The billions that went before us did and we can too. It’s all in the stories.

So how do you upstage a bling-dripping influencer sat poolside selling the impossible dream? Recommend a good book. How do you communicate with a kid who has shut themselves off from everyone? Leave a book on their desk.

Will they thank you? Does it matter; The best advice is given without expecting anything in return.

Publishing March 17th, 2025

About the Book: For Aaron, this world is an unfathomable puzzle. Haunted by disturbing dreams, he drifts through empty days, shielding himself behind sarcasm and cynical wit. After being expelled, he sees an opportunity to rewrite his future at a new school. Connecting over a shared love for De Niro films with Robbie, an aspiring actor of Jamaican descent, he unexpectedly finds his companion piece, one person who truly understands him. Together, they navigate the chaotic waters of adolescence, from dramatic first dates to sociopathic bullies, iconic concerts, and a dead body.

With adulthood fast approaching, the crushing weight of societal pressures and devastating revelations threaten to shatter their unique bond. Confronted by the ghosts of his past, Aaron must choose whether to blaze bright or fade away.

A funny and poignant meditation on the forces that shape us, The Drowners is an ode to that time when your tolerance for hypocrisy was zero and life seemed infinite.

About the Author: Hailing from the cold, wet streets of Dublin, David Anderson is the author of The Drowners.

Like a Hummingbird, after college, he migrated south to warmer climes. Namely, sunny Spain, where he teaches English to students who are confused by his Irish brogue. In his early thirties, he caught the writing bug.

He has written several articles for the GMS website about his other obsession in life, football. In 2021, he won a YA Watty award for his novel The Art of Breathing Underwater.

Follow David on Twitter/XInstagram, and Goodreads!

Thank you, David, for this great advice, also free!

Author Guest Post: “Exercises for Being a Professional Daydreamer” by Shveta Thakrar, Author of Divining the Leaves

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“Exercises for Being a Professional Daydreamer”

I love magic. I always have. I always will.

I’ve always also loved reading, because if I can’t do magic myself, I can at least experience it through stories. When I was a kid, my favorite books ranged from Dorrie the Little Witch to Elfquest to the Forgotten Realms tie-in series to fairy tales to mythology from around the world. I ate up the comic books my parents bought me, a series called Amar Chitra Katha, which retold various Indian myths and legends in a colorful, easily digestible form.

But I’m an adult now, and I still absolutely believe in the need for wonder.

So when I started writing my own novels and short stories, of course they were going to be fantasy. Girls who eat colors out of things. Serpentine-human shape-shifters. Candles with rainbow flames. All the shimmering things I want in my life, and if I can’t have them, then you can bet I’m going to write about them! In beautifully detailed, evocative prose, no less, so I can fully immerse the reader in the jewel box of my imagination.

I type these words having just returned from a walk around a nearby pond on a winter’s afternoon. The liquid surface was frozen over, no ducks or geese in sight, with pristine, glittering white snow adorning the withered fallen leaves on the shore. The pond itself shone in the sun, rippling like frosted glass in a window. Above, the sky was a cerulean so deep, I wanted to eat it, like Nilesh does on his visit to the magical Night Market in my newest novel, Divining the Leaves. The buttery gold of the sun’s rays felt like a hug, and the day itself was evocative of the winter elixir Ridhi samples at the Night Market when she goes there to vend her natural perfumes. I could also picture the sky and the snow swept together into a winter queen’s gown, sewn trimmed with sharp icicles like appliqués.

That may sound ethereal and even whimsical, and it is. Whimsy is a lovely thing. The trick, however, is more practical; I trained myself to think like that. To find the wonder in the world around us, even when things seem utterly mundane. It’s so important to me to offer experiences of the numinous in my books, but in order to do that, I first had to learn to do it in my own life.

It’s when we push ourselves to envision the grand and impossible that we can start to devise new solutions in our own universe, both real and fictional. A handy habit to have, if you ask me. *hands around little cups of winter elixir for inspiration*

So now it’s your turn! Try these prompts to get you deep into the heart of your own wonder.

Exercises for being a professional daydreamer:

  • What fantasy novel or movie would you step into, and why?
  • If you were designing your own magical world, what would it look like? What kinds of plants and animals and people?
  • What would be unique to that world? How? Describe it using all five (or more!) senses.
  • If you could have any enchanted power or potion, what would you pick? (Sure, you can have more than one. In fact, you can have as many as you can hold in your mind! It’s magic, after all.)
  • If there were one thing you want to see changed in our world, how would you do it in your imaginary one?
  • If you were to go outside right now, where would you spot magic even if nobody else did?

Publishing March 4th, 2025 by HarperTeen

About the Book: From critically acclaimed author Shveta Thakrar comes a beautifully imagined contemporary fantasy about two teens, one a believer of magic who yearns to belong, the other a skeptic searching for an escape, who find themselves embroiled in a twisty world of court intrigue when they venture into a forest ruled by yakshas, mysterious woodland spirits drawn from Hindu and Buddhist folklore.

Plant-loving Ridhi Kapadia and popular Nilesh Batra were friends once.

Now, seventeen and alone, Ridhi blends natural perfumes, wears flower crowns, and wanders her local woods, listening for the leafy whispers of her beloved trees. Pleading for the yakshas to admit her into their enchanted forest kingdom, where she knows she truly belongs.

After learning his parents’ perfect marriage is a sham and getting suspended from school, a heartsick Nilesh lands at Ridhi’s doorstep—the last thing either of them wants. So when a pretty yakshini offers him the distraction of magic, the same magic he mocked Ridhi for believing in, he jumps at it.

Furious, Ridhi strikes a bargain with a noblewoman named Sulochana. In return for helping restore her reputation, Sulochana will turn Ridhi into the yakshini she yearns to be—and teach her to divine the trees’ murmurs.

But when Nilesh ends up trapped in the yakshas’ realm, Ridhi realizes the leaves might be telling a disturbing story about the forest her heart is rooted in—one that, even if the two of them band together, threatens to shred the future like so many thorns.

About the Author: Shveta Thakrar is a part-time nagini and full-time believer in magic. Her work has appeared in a number of magazines and anthologies, including Enchanted Living, Uncanny magazine, A Thousand Beginnings and Endings, and Toil & Trouble. Her debut young adult fantasy novel, Star Daughter, was a finalist for the 2021 Andre Norton Nebula Award, and her second and third novels, The Dream Runners and Divining the Leaves, take place in the same universe. Her adult fantasy novella, Into the Moon Garden, is available as an original audiobook from Audible. When not spinning stories about spider silk and shadows, magic and marauders, and courageous girls illuminated by dancing rainbow flames, Shveta crafts, devours books, daydreams, travels, bakes, and occasionally even plays her harp.

Thank you, Shveta, for promoting dreaming and magic!

Author Guest Post: “Connecting the Past and the Present for Students” by Sarah Raughley, Author of The Queen’s Spade

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“Connecting the Past and the Present for Students”

How do you teach your students about Sarah Forbes Bonetta?

Well, that’s a tricky question. First of all, who the heck is Sarah and what does she have to do with North American students in the 21st century? Making that link, I think, is key to helping students understand why learning about buried Black histories matters to us today.

Sarah Forbes Bonetta was actually originally named Omoba Ina (though some literature spells her last name as Aina). She was an African Princess, heir of the Egbado Clan, part of the Yoruba Tribe which can be found in present-day Nigeria. After being kidnapped by the Dahomey, a neighboring African Kingdom, she was taken by an English military man Captain Forbes as part of an exchange with Dahomey’s King. Sailing across the Atlantic Ocean on his ship, the HMS Bonetta, she was then presented to Queen Victoria as a ‘gift.’ She was whimsically renamed Sarah Forbes Bonetta, ‘Forbes’ after the Captain who took her from Africa and ‘Bonetta’ after his ship. Queen Victoria made Sarah her goddaughter and thus began Sarah’s new life in England as proof of the Queen and by extension Britain’s benevolence across the world.

By the age of eight, Ina went from princess to kidnaped to gift to a propaganda tool. For all the press and hoopla she got in England for being an African princess in England, Sarah Forbes Bonetta’s actual life was quickly forgotten or rather erased, after she married at age 19 and moved back to Africa. What happened to being the goddaughter of a European Queen? What happened to symbolizing Europe’s hopes for the civilization of so-called ‘savages’ of the world?

I think the racism underlying this very sentiment can offer us a clue. Ina was a vessel for other people’s interests, but never quite allowed to be herself. Archives of letters are the only clues we have as to how Sarah truly felt about her predicament – the violent disruptions in her life, the removal from her home, and her forced assimilation into a British culture that didn’t truly care for her or respect her. And although she did seem to care for the Queen – she named her first daughter after Queen Victoria after all – we’ll never know just how deep the psychological costs of Britain’s actions ran. My book, The Queen’s Spade, tries to answer this. Are you really accepted by a group of people if their love for you is conditional upon you behaving exactly as they need you to for their own purposes? Are you really accepted if even after dancing to their tune they dismiss and erase you so easily as if you never mattered to begin with?

There are many such students who may feel like they have to pretend to belong. They know how much it hurts. The personal is often a gateway through which we can understand the historical, the social, and the political. Learning and teaching Ina’s story in a way that takes seriously her inner self may be exactly the way to make her story legible and relatable to people of today and get them thinking of not only the politics of 19th century Britain but how it’s not so different from the politics of today.

Published January 14th, 2025 by HarperCollins

About the Book: In this riveting historical thriller that’s loosely inspired by true life events, The Count of Monte Cristo meets Bridgerton as revenge, romance, and twisted secrets take center stage in Victorian England’s royal court when Sally, a kidnapped African princess and goddaughter to Queen Victoria, plots her way to take down the monarchy that stole her from her homeland.

A young lady can take only so many injuries before humiliation and insult forge a vow of revenge . . .

The year is 1862, and murderous desires are simmering in England. Nineteen-year-old Sarah Bonetta Forbes (Sally), once a princess of the Egbado Clan, desires one thing above all else: revenge against the British Crown and its system of colonial “humanitarianism,” which stole her dignity and transformed her into royal property. From military men to political leaders, she’s vowed to ruin all who’ve had a hand in her afflictions. The top of her list? Her godmother, Britain’s mighty monarch, Queen Victoria herself.

Taking down the Crown means entering into a twisted game of court politics and manipulating the Queen’s inner circle—even if that means aligning with a dangerous yet alluring crime lord in London’s underworld and exploiting the affections of Queen Victoria’s own son, Prince Albert, as a means to an end. But when Queen Victoria begins to suspect Sally’s true intentions, she plays the only card in Victorian society that could possibly cage Sally once again: marriage. Because if there’s one thing Sally desires more than revenge, it’s her freedom. With time running out and her wedding day looming, Sally’s vengeful game of cat and mouse turns deadly as she’s faced with the striking revelation that that the price for vengeance isn’t just paid in blood. It means sacrificing your heart.

Loosely inspired by the true story of Sarah Forbes Bonetta, Queen Victoria’s African goddaughter, The Queen’s Spade is a lush and riveting historical thriller perfect for fans of A Dowry of Blood and Grave Mercy.

About the Author: Sarah Raughley is the Nigerian-Canadian author of the Effigies series and the Bones of Ruin trilogy. An AuroraAward finalist, Raughley is also an English pro-fessor and public intellectual who has written for journals such as the Walrus, CBC, and Teen Vogue. Her creative work is inspired by a messy confluence of experiences, from being a huge fan girl blerd to being a postcolonial researcher and academic. You can find out more about her work at sarahraughley.com.

Thank you, Sarah, for this candid look at how the past truly inspires the present!