Author Guest Post: “The Power of Story: Inspired by the Classroom” by Trevor B. Spisto, Author of The Tiger and the Crane

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“The Power of Story: Inspired by the Classroom”

Hello everyone, my name is Trevor Spisto, and I’m excited to write a blog post for Unleashing Readers about my novel The Tiger and the Crane.

I’m a dual-certified high school history and special education teacher in Staten Island, New York. To my fellow educators, I believe The Tiger and the Crane offers great opportunities for cross-curricular activities in the classroom, a popular initiative within the New York City school system. The book is rich with literacy themes and devices that English teachers can use to structure lessons, while history teachers can dive into the novel’s historical context.

Set in late 19th-century China, the story takes place in an animal village threatened by British poachers encroaching on their land. A crane named Mung ventures beyond the village to scout for danger and discovers an orphaned tiger cub. Believing the tiger could be raised to defend the village, Mung faces resistance from many villagers, led by Ku, a binturong, who argue that the tiger will only bring destruction. Determined to prove that nurturing the tiger is key to the village’s survival, Mung reluctantly promises to convince the cub that he is a goat, easing the villagers’ fears by masking the tiger’s true nature.

My work as a special educator was a point of inspiration for the story, more specifically, my responsibility for writing IEPs, which stands for Individualized Education Programs. These documents outline different teaching approaches that work well for certain students. The act of writing an IEP gives special education teachers unique insight into students that other teachers might not be privy to. For example, writing an IEP requires the case manager’s job is to reach out to parents to gather information about the student. While parents are expected to play a prominent role in providing details for the IEP, the reality can sometimes differ from expectations.

Parent-teacher conferences and phone calls home provide teachers with a window into a student’s life. These interactions offer opportunities to forge relationships with parents, although they are often not particularly extensive. During the IEP process, however, that window becomes much larger. I’ve had spectacular experiences with parents where it became abundantly clear that some of my students come from amazing homes that provide love and support while others come from devastating situations that are no fault of their own. They are young minds trapped in a difficult environment that ultimately shapes their values, morals, behavior, and philosophies that influence everyday decision-making. Analyzing these situations firsthand deepened my understanding of how important a child’s environment is in shaping their character and served as inspiration when writing The Tiger and the Crane.

English teachers will find plenty of material to work with using the book in their classes. All the characters in The Tiger and the Crane are richly developed with motivations and emotions that drive their actions. Teachers can facilitate literary circles around the characters’ reasoning and decisions. Themes such as leadership, fear, kinship, jealousy, manipulation, and the desire for power can be explored, helping students gain a deeper understanding of both the characters and themselves. Additionally, foreshadowing, chapter titles, and the reliability of the narrator can serve as valuable points of analysis for students.

From a historical perspective, the story aligns with units focused on imperialism in the 19th century. A crucial aspect of understanding history is grasping historical context, and The Tiger and the Crane provides a strong foundation that teachers can use to assess students’ comprehension of real events like the Macartney Mission, the Opium Wars, and the Boxer Rebellion. Teachers can also use The Tiger and the Crane to draw parallels between the novel’s characters and indigenous populations, highlighting the effects of imperialism on subjugated peoples. The animals in the story face the encroachment of foreign powers on their lands and struggle with technological disadvantages—challenges that native populations in Asia and Africa also encountered during the 19th century. While these complex topics can be challenging to introduce in the classroom, The Tiger and the Crane presents them in a narrative form that makes them more accessible and engaging for young minds.

The Tiger and the Crane can serve as a valuable tool for teachers but more importantly, it can spark an interest in books among young readers. As educators, we all strive to inspire a love of reading, and I hope this novel becomes a part of the collection of books in a classroom that nurtures that passion in students.

Published October 8, 2024 by Monarex Hollywood

About the Book: The setting of The Tiger and the Crane is an animal village within a vast forest in Qing dynasty-era China. This historical backdrop gives the story a timeless quality, as the clash between the two sides highlights parallels to real-world colonization and its impact on indigenous communities and wildlife. The narrative explores whether Xingfu, the tiger cub, will grow into his nature as a predator or adapt to the nurturing environment of the village. Mung, the red-crowned crane, proposes that Xingfu will assimilate into the village if raised properly, a responsibility he takes on himself. Meanwhile, Ku the binturong and the villagers’ doubts reflect real-world questions about inherent traits versus the influence of upbringing

About the Author: Trevor was born and raised on Staten Island, New York. By nineteen, Trevor penned his first feature-length story, which was developed into an animated film screenplay and later turned into the novel, The Tiger and the Crane.  During that time Trevor earned his Master’s in Special Education and began his teaching career.

Beyond writing, Trevor’s passions include immersing himself in great novels, traveling to historically rich destinations, playing games, and cherishing moments with friends and family.

Thank you, Trevor, for sharing your inspiration!

Student Voices: What Kellee’s Middle Schoolers are Reading, Loving, and Promoting

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My Student Literacy Leaders (students who help out in the library as their elective) recently were asked them to pick books they’ve loved that they feel should be checked out more than they are.

For these titles, they completed reading promotion projects which included Book Snaps (a snapshot of a book that is supposed to help get kids interested in the book), Title Talkers (a summary and extra info about the book to help share books with students), and Book Trailers (like a movie trailer but for a book).

Here are the titles they decided to promote (alphabetical by title) with some examples of their projects:

  • 12 to 22 by Jen Calonita
  • All’s Faire in Middle School by Victoria Jamieson
  • A-Okay by Jarad Greene

  • Amari and the Night Brothers by B.B. Alston
  • Among the Hidden by Margaret Peterson Haddix

  • Awkward by Svetlana Chmakova
  • Baby-Sitters Little Sister: Karen’s Witch by Katy Farina, Created by Ann M. Martin
  • Bedhead Ted by Scott SanGiacomo

  • Big Apple Diaries by Alyssa Bermudez
  • Blended by Sharon Draper
  • Class Act by Jerry Craft

  • Concealed by Christina Diaz Gonzalez
  • Coraline by Neil Gaiman

  • Cross Game: Vol. 1 by Mitsuru Adachi
  • Curse So Dark and Lonely by Brigid Kemmerer
  • Daybreak on Raven Island by Fleur Bradley

  • Delirium by Lauren Oliver
  • The Diary of a Young Girl by Anne Frank

  • The Dirt Diary by Anna Staniszewski
  • Divergent by Veronica Roth
  • The Door of No Return by Kwame Alexander

  • Dress Coded by Carrie Firestone
  • The Dumbest Idea Ever by Jimmy Gownley
  • Escape by K.R. Alexander
  • Esperanza Rising by Pam Muñoz Ryan

  • Fever 1793 by Laurie Halse Anderson
  • Fourth Stall by Chris Rylander
  • Frizzy by Claribel A. Ortega and Rose Bousamra

  • From the Desk of Zoe Washington by Janae Marks
  • Frost Blood by Elly Blake
  • Fruits Basket: Omnibus 1 by Natsuki Takaya

  • The Genius Files: Mission Unstoppable by Dan Gutman
  • Goddess Girls: Athena the Brain by Joan Holub and Suzanne Williams
  • Go with the Flow by Lily Williams and Karen Schneemann
  • Grace Needs Space by Benjamin A. Wilgus and Rii Abrego

  • Ground Zero by Alan Gratz
  • Holes by Louis Sachar
  • Hooky: Vol. 1 by Míriam Bonastre Tur

  • House Arrest by K.A. Holt
  • How I Became a Spy by Deborah Hopkinson

  • How to Train Your Dragon by Cressida Cowell
  • Huda F Caresby Huda Fahmy
  • Insignia by S.J. Kincaid

  • I Survived: The Destruction of Pompeii, 79 A.D. by Lauren Tarshis
  • I Survived: The Eruption of Mt. St. Helens, 1980 by Lauren Tarshis
  • I Survived: The Nazi Invasion, 1944 (Graphic Novel) by Lauren Tarshis and Álvaro Sarraseca
  • Join the Club, Maggie Diaz by Nina Moreno

  • Just Roll with It by Veronica Agarwal and Lee Durfey-Lavoie
  • Katie the Catsitter by Colleen A.F. Venable and Stephanie Yue
  • Keeper of the Lost Cities by Shannon Messenger
  • Land of Stories: The Wishing Spell by Chris Colfer
  • Legend by Marie Lu

  • The Legend of Zelda: Ocarina of Time by Akira Himekawa

  • The Lizzie Borden Ax Murders by Carla Mooney
  • Looking Up by Stephan Pastis
  • The Lost Hero by Rick Riordan

  • Making Friends by Kristen Gudsnuk
  • Matched by Ally Condie
  • Measuring Up by Lily Lamotte and Ann Xu

  • Midnight at the Barclay by Fleur Bradley
  • Miss Quinces by Kat Fajardo

  • Moo by Sharon Creech
  • The Murders of Tupac and Biggie Smalls by Sue Bradford Edwards
  • No Place by Todd Strasser

  • One Punch Man by ONE
  • Orange: The Complete Collection, Volume 1 by Ichigo Takano

  • Orbiting Jupiter by Gary Schmidt
  • Orphan Island by Laurel Snyder
  • Out of My Mind by Sharon Draper

  • P.S. I Like You by Kasie West
  • Querido Evan Hansen by Val Emmich, Steven Levenson, Ben J. Pasek, and Justin Paul
  • Puzzled by Pan Cooke
  • Real Friends by Shannon Hale and LeUyen Pham

  • Refugee by Alan Gratz
  • Renegades by Marissa Meyers
  • Restart by Gordon Korman
  • School Trip by Jerry Craft

  • Scout is Not a Band Kid by Jade Armstrong
  • The Selection by Kiera Cass

  • Shadow and Bone by Leigh Bardugo
  • Shiver by Maggie Stiefvater
  • Sick Kids in Love by Hannah Moskowitz

  • Sink or Swim by Veronica Agarwal
  • Sisters by Raina Telgemeier
  • Slacker by Gordon Korman
  • Speak by Laurie Halse Anderson
  • Spy School by Stuart Gibbs

  • Trapped by Michael Northrop
  • The Tryout by Christina Soontornvat and Joanna Cacao

  • Turtle in Paradise by Jennifer L. Holm and Savanna Ganucheau
  • Twins by Varian Johnson and Shannon Wright

  • Uglies by Scott Westerfeld
  • Unplugged by Gordon Korman
  • Unwind by Neal Shusterman
  • War Cross by Marie Lu
  • When Stars are Scattered by Victoria Jamieson and Omar Mohamed

  • White Cat by Holly Black
  • The Wild Robot by Peter Brown
  • Wings of Fire: The Dragonet Prophecy by Tui T. Sutherland
  • Wonder by R.J. Palacios
  • The Young Elites by Marie Lu

Thank you to my students for sharing their favorite books and creating these great reading promotion projects!

Author Guest Post: “The Girl Who Gets the Girl” by Zakiya N. Jamal, Author of If We Were a Movie

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“The Girl Who Gets the Girl”

When the idea for If We Were a Movie was first presented to me, it was a rivals-to-lovers story between a boy and a girl. I loved the idea but immediately knew I wanted to tell a sapphic love story, i.e. a rivals-to-lovers story between a girl and another girl. Later, when I’d written various versions of the book and I knew it was going to be published my mom asked me, “What made you decide to make this a love story between two girls?”

I am queer. If I was to put a more specific label on myself, I’d say I’m bisexual. I believe I have always been this way, but I didn’t realize it until around 2019 when I met someone who was not a cisgender guy and started crushing on them. Hard. But even though I’d made this discovery about myself it still took me some time before I was able to say it out loud. Whether it was internalized homophobia or a general shame about my identity, I found it difficult to find the words.

But writing a story about two girls falling for each other? That was easy.

In If We Were a Movie, the main character Rochelle, and her love interest, Amira, are fully out and proud, and their group of friends include a number of LGBTQIA+ identifying people as well. There isn’t a coming out story, not because I don’t think we still need those stories (we do!) but because I wanted to give Rochelle and Amira something I didn’t have at their age and I know, unfortunately, a lot of kids don’t have now. For Rochelle and Amira, being queer is simply a part of them amongst so many other facets of who they are. It is a part of their identity that is known and never questioned by themselves, each other, or anyone else.

When I first started writing If We Were a Movie, way back in 2022, I was writing it for me. It was healing for me to write a character who was so authentically herself and who lived in a world where being queer was just as accepted and understood as being straight. But now when I think about my mom’s question and why I wrote this story it’s a bit more than that. I knew writing a queer love story full of joy was what I needed at the time, but I also knew there was going to be a reader out there like me who was still struggling to accept themselves.

For me, reading books like Red, White, and Royal Blue by Casey McQuiston and You Should See Me in a Crown by Leah Johnson, helped me understand and accept that my feelings were not only normal but should be celebrated. They were mirrors for me to see myself in a way I didn’t think was possible for me before. And that’s what I hope If We Were a Movie is for someone else. Because while romances between a boy and a girl are great, there are plenty of those but still aren’t nearly enough about the girl who gets the girl of her dreams.

Now, there’s at least one more.

Publishing April 22nd, 2025 by HarperCollins

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About the Book: Lights. Camera. Love? Rochelle “the Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job.

When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances at getting into her dream school. There’s only one problem: Amira works there… and is also her boss.

Rochelle feels that working with Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually… like her? But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slimmer, it’s up to the employees to solve the mystery before it’s too late, but will love also find its way into the spotlight?

About the Author: Zakiya N. Jamal was born in Queens, raised in Long Island, and currently resides in Brooklyn. In other words, she’s a New Yorker through and through. She holds a BA in English from Georgetown University and a MFA in Creative Writing with a concentration in Writing for Children and Young Adults from The New School. Her debut novel If We Were a Movie will be published in 2025 by HarperTeen. You can find her on social media at @ZakiyaNJamal.

Thank you, Zakiya, for sharing your inspiration and writing this “one more” that so many readers will love!

Werewolf Hamlet by Kerry Madden-Lunsford

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Werewolf Hamlet
Author: Kerry Madden-Lunsford
Published February 18th, 2025 by Charlesbridge Moves

Summary: Humor, heart, and Shakespeare abound in this middle-grade novel about Angus, a 10-year-old theater fanatic, his struggling family, and his changing relationship with big brother Liam.

Perfect for fans of books that handle difficult subjects and family dynamics in a sensitive way, like Better Nate Than Ever and Rule of Threes.

10-year-old Angus is unique. He quotes Shakespeare and wants to stage a Werewolf Hamlet play for his 5th grade legacy project. Angus’s 17-year-old brother, Liam, is like a werewolf now—Angus never knows if he’ll be nice or mean or when he’ll sneak out to get drunk or worse.

Meanwhile, tension continues to build for Liam’s family in Los Angeles. Mom and Dad are going to default on the mortgage. Older sister Hannah is fed up and ready to move herself to Maine, and little sister Sidney doesn’t really get what’s happening. Then Liam goes missing, and Angus decides he has to find him.

A realistic, heartfelt look at the complexities of family relationships and struggles. Along with Angus’s loveable charm, sense of humor, and desire to stage his original play, Werewolf Hamlet is sure to win its audience—on and off the page—over.

“A story that is rich in wise insights.”—Booklist (starred)

About the Author: Kerry Madden-Lunsford has been a regular contributor to the LA Times OpEd page. For several years, she directed the creative writing program at the University of Alabama at Birmingham, where she is still a professor, and she taught in Antioch University’s MFA program in Los Angeles for a decade. She is the author of the picture book Ernestine’s Milky Way. She also wrote the Maggie Valley Trilogy, which includes Gentle’s Holler, Louisiana’s Song, and Jessie’s Mountain. Her book, Up Close Harper Lee, was one Booklist’s Ten Top Biographies for Youth. Her first novel, Offsides, was a New York Public Library Pick for the Teen Age. Kerry is the mother of three adult children, and she now lives full-time in Birmingham, Alabama. Visit her at kerrymadden.com.

Check out Kerry Madden-Lunsford on social!
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Review: As an educator, I have over the years sadly heard about so many different tough situations that my students were dealing with: being unhoused, divorce, death in the family, mental health struggles, etc. Too often, middle grade books stay away from tough topics because they are “too mature,” but anyone who has worked with middle graders has wished at different times that there was the perfect book to give to students at a certain moment of time but couldn’t find it–this book is going to be the perfect book at one of those times.

What an interesting mix within this book: Shakespeare, classic movies & movie stars, Los Angeles, growing up, foreclosure, runaway, pet wellness, friendship, and more. It seems like a lot, but it just works in this book because all of it is what makes Angus and his story come to life. Parts were hard to read, such as descriptions of Angus’s brother spiraling into addiction; Angus and his friends making more choices to find his brother; Angus’s families financial struggles and eviction; Angus’s dogs illness; and Angus’s struggles at school, but the author does a great job with including enough for emotional response and plot/character development and keeping the story developmentally relevant.

Educators’ Tools for Navigation: The publisher has created an amazing supplemental page for Werewolf Hamlet which will be perfect to use if teaching the book as a whole or if students are reading it in groups or independently! Visit https://www.charlesbridge.com/pages/werewolf-hamlet for resources about:

  • Insulting like Shakespeare
  • Geography and landmarks around Los Angeles
  • Classic films
  • Heroes of the silver screen
  • Hamlet

I also think that the book could be a great introduction to one-man plays, and students could take a story and transform it like Angus did with Hamlet.

Discussion Questions: 

There is a Reader’s Group Guide found on the publisher’s resource page, too!

Flagged Passages/Spreads: 

The Tar Feeling

Anybody can forget to wear shoes to school. Well, almost anybody. It’s an innocent mistake. And I didn’t forget my trumpet. Why doesn’t that count?

“Mom,” I say as she needles her way through crazy Los Angeles traffic to make it to the bus stop on time with all four of us kids in the car.

“People, I’m trying to sleep,” says my brother, Liam, who is seventeen and always sleeps on the way to school. That’s because he sneaks out at night. I’m not supposed to tell, and I’m going to make him quit doing it.

“We’re going to be late,” Hannah warns. She’s sixteen and thinks life would be perfect if only she’d been born in a hippie commune in the 1960s in Maine, the farthest state from California. She also loves sunflowers and paints them on her ceiling and makes us tiedye shirts. Mom and Dad call her a sunflower girl. She also loves an old-time singer, Joni Mitchell, and she plays her music loud to drown us out sometimes.

Sidney and I are who get dropped off at the bus stop first because we go to a magnet school far away. Sometimes we miss it, making Mom and Liam and Hannah late, and that means Mom grits her teeth and races to the next bus stop in hopes of still catching our bus. Those are not good mornings. After she drops us off, Mom drives to the high school where Liam and Hannah go, where she is the assistant girls’ volleyball coach and PE teacher. Their mascot is a tiger, so they are the Lady Tigers. Roar!

“Mom!” I yell again.

“What, Angus?” She blasts through a yellow light, eyes on the prize of the bus.

“I forgot my shoes at home.”

“We’re not turning around!” yells Hannah. “I have a test first period.”

Liam says, “Show some respect. I need to sleep. Geez.”

“Did you hear me, Mom?” I ask her.

Stony silence. From the look on her face in the rearview mirror, flaring nostrils like a bull and her fingers gripping the steering wheel, she hears me all right. But instead of turning around, she pulls up to the bus stop and says in a low voice, “Out. Now. Have a good day.”

“But Mom! I’m wearing only socks!” I stick a foot in the air.

Mom growls. Maybe more wolf than Lady Tiger, but for sure a growl.

My little sister, Sidney, tugs my arm. “Better forget it, Angus.”

“Fine! I’ll go shoeless! Who cares?” I climb out of the van, and then it happens. Mom yanks off her tennis shoes and hurls them out the window at my head while I’m standing in my socks on the curb with Sidney.

BAM! BAM!

Good thing I duck. Isn’t it against the law to throw shoes at your own children?

Read This If You Love: Sunny Side Up by Jennifer L. & Matthew Holm, The Seventh Wish by Kate Messner

Recommended For: 

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**Thank you to Blue Slip Media for providing a copy for review!**

Author Guest Post: “Me, Myself, and My Five Senses” by Sarah Suk, Author of Meet Me at Blue Hour

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“Me, Myself, and My Five Senses”

I spend a lot of time inside my head. This is something that’s always been true about me. As a kid, one of my favourite pastimes was playing pretend, letting my imagination run loose and turning my ideas into dramatic plays for my stuffed animals to star in or for my friends and I to adopt for the afternoon. Today we are princesses and Pokémon trainers—both, at the same time. Tomorrow we’ll be spies, detectives, dragons on a mission. I could spend hours outside with a bouncy ball, just bouncing it up and down the street while I spun stories inside my head.

Now as an author, many of my days are much of the same, though the rhythm of the bouncy ball has turned into the tapping of keys on my computer. And while I can say that letting my imagination run loose and turning my ideas into dramatic scenarios for my characters to star in is still one of my favourite things to do, there are times when being in my head feels more tumultuous than not. When the feeling of stuckness seeps in and spirals into a state of overthinking and then overthinking the overthinking (as one does), I begin to feel more like I’m in the passenger seat of my own mind than the one behind the wheel.

Something I’ve been trying to do lately is to spend a little less time in my head and a little more time in my body. One of the ways I’ve been doing this is pausing to make note of my five senses in real time. I’ll ask myself, what do I see? A chunky mug, red spines on the bookshelf. Hear? Construction outside my window. Smell? Leeks in the pan, my daughter’s baby scent. Taste? Water, cold and refreshing. Feel? The couch beneath me, holding me up. It brings me back to the moment in a tangible way that reminds me that I’m not actually falling no matter how far my mental spiral seems to go. I’m simply right here.

Curiously, the senses have made an appearance as key details in my most recent young adult novels. The Space between Here & Now follows the story of a teenage girl who has a rare condition that causes her to travel back in time to her memories when she smells a scent linked to them. And in my upcoming book Meet Me at Blue Hour, memories are erased through sounds collected on a mix tape.

While I didn’t necessarily or purposefully plan to write these novels centering the senses, I found that’s where my ideas naturally took me. And in writing these stories, I found something else: leaning into the senses is great for worldbuilding! There’s nothing that makes a setting feel more alive than being able to vividly see what your characters see, hear what they hear, taste what they taste. I recall receiving this writing tip from an author friend of mine years ago, but as someone who often gravitates toward scenes with two talking heads in a description-less room, I feel like I needed to write these stories with the senses as a focal point to truly grasp my own style with it.

Now, no matter what I write, I find this exercise helps ground me in the reality of the story, just like how it grounds me in the reality of my own life. So whenever I’m feeling stuck in my head or stuck in the words, I go back to the senses. I take a breath. I plant my feet on the ground. And I remember that I’m here.

Publishing April 1st, 2025 by Quill Tree Books

About the Book: Eternal Sunshine of the Spotless Mind meets Past Lives in this gripping, emotional story of two childhood friends navigating the fallout of one erasing their memory of the other, from acclaimed author Sarah Suk.

Seventeen-year-old Yena Bae is spending the summer in Busan, South Korea, working at her mom’s memory-erasing clinic. She feels lost and disconnected from people, something she’s felt ever since her best friend, Lucas, moved away four years ago without a word, leaving her in limbo.

Eighteen-year-old Lucas Pak is also in Busan for the summer, visiting his grandpa, who was recently diagnosed with Alzheimer’s disease. But he isn’t just here for a regular visit—he’s determined to get his beloved grandpa into the new study running at the clinic, a trial program seeking to restore lost memories.

When Yena runs into Lucas again, she’s shocked to see him and even more shocked to discover that he doesn’t remember a thing about her. He’s completely erased her from his memories, and she has no idea why.

As the two reconnect, they unravel the mystery and heartache of what happened between them all those years ago—and must now reckon with whether they can forge a new beginning together.

Sarah Suk profile image

About the Author: Sarah Suk (pronounced like soup with a K) lives in Vancouver, Canada, where she writes stories and admires mountains. She is the author of young adult novels Made in Korea and The Space between Here & Now, as well as the co-writer of John Cho’s middle grade novel Troublemaker. When she’s not writing, you can find her hanging out by the water, taking film photos, or eating a bowl of bingsu. You can visit Sarah online at sarahsuk.com and on Twitter and Instagram @_sarahsuk.

Thank you, Sarah, for this writing exercise to bring our writing to life!

Author Guest Post: “The Best Advice is Free” by David A. Anderson, Author of The Drowners

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“The Best Advice is Free”

The digital revolution has irrevocably changed the world. It has given a voice to those who once suffered in silence. And even the poorest among us now have access to a wealth of information. It seems the Silicon Valley pioneers have made John Lennon’s dream a reality by giving power to the people.

Unfortunately, as history has long proved, power corrupts. According to the Pew Research Centre, fake news, misinformation, and propaganda account for 71% of online content. And every snake-oil salesman and extremist now has a platform from which to spread their lies and hate speech.

We now have a generation that receives news from social media feeds and guidance from internet celebrities. Influencers rake in millions from product endorsements, while self-proclaimed gurus sell ‘life-changing’ courses.

We’re all familiar with the proverb ‘You get what you pay for,’ which assumes a relationship between price and quality. In most cases, this idiom rings true. Except, when it comes to advice.

How many people who bought ‘How to write a bestseller?’ have gone on to accomplish this feat? If self-help worked we wouldn’t require psychiatry and the educational system. Or, the self-improvement industry! In today’s world, most guidance you pay for through clicks and credit card details is at best unhelpful. At worst, it’s downright dangerous.

The best advice you get in this life doesn’t cost a dime. Why? Because it comes from people who care. Family. Friends. Teachers. The people who are invested in your well-being. The people who sense when something is not right and want to help. The people who know you.

But how can teachers and parents hope to compete with perma-tanned influencers and their photo-shopped perfection? Is it possible to impart wisdom without hi-tech visual stimuli and ambient mood music? How do you lead pliable young minds away from the enticing mirage of misinformation?

Long before the internet turned the globe into an online community, hell, long before the printing press brought mass-produced wisdom to the public, humanity had a tried and tested way of getting their message across. Myths. Legends. Parables. Fables. Novels. From Aesop to Hemingway, those who seek to enlighten minds do so through the medium of story.

Our way of life may have radically changed with time, but the human condition remains unaltered. Holden Caulfield’s alienation and battle with mental illness still resonates with teenagers 74 years later. And, while nobody makes mix-tapes anymore, Charlie’s struggle to fit in is universal. Unfortunately, Starr Carter’s experience is all too familiar to millions of Americans.

But stories do more than teach, they offer solace. They let readers know they are not alone. Others have felt the same emotions and had similar thoughts. Moreover, books provide hope. Life can be unfair. Justice only exists in comics and superhero movies. The universe doesn’t operate on moral principles. But that doesn’t mean we can’t fight to improve society. That we can’t find meaning and fulfilment in our existence. The billions that went before us did and we can too. It’s all in the stories.

So how do you upstage a bling-dripping influencer sat poolside selling the impossible dream? Recommend a good book. How do you communicate with a kid who has shut themselves off from everyone? Leave a book on their desk.

Will they thank you? Does it matter; The best advice is given without expecting anything in return.

Publishing March 17th, 2025

About the Book: For Aaron, this world is an unfathomable puzzle. Haunted by disturbing dreams, he drifts through empty days, shielding himself behind sarcasm and cynical wit. After being expelled, he sees an opportunity to rewrite his future at a new school. Connecting over a shared love for De Niro films with Robbie, an aspiring actor of Jamaican descent, he unexpectedly finds his companion piece, one person who truly understands him. Together, they navigate the chaotic waters of adolescence, from dramatic first dates to sociopathic bullies, iconic concerts, and a dead body.

With adulthood fast approaching, the crushing weight of societal pressures and devastating revelations threaten to shatter their unique bond. Confronted by the ghosts of his past, Aaron must choose whether to blaze bright or fade away.

A funny and poignant meditation on the forces that shape us, The Drowners is an ode to that time when your tolerance for hypocrisy was zero and life seemed infinite.

About the Author: Hailing from the cold, wet streets of Dublin, David Anderson is the author of The Drowners.

Like a Hummingbird, after college, he migrated south to warmer climes. Namely, sunny Spain, where he teaches English to students who are confused by his Irish brogue. In his early thirties, he caught the writing bug.

He has written several articles for the GMS website about his other obsession in life, football. In 2021, he won a YA Watty award for his novel The Art of Breathing Underwater.

Follow David on Twitter/XInstagram, and Goodreads!

Thank you, David, for this great advice, also free!

Author Guest Post: “Exercises for Being a Professional Daydreamer” by Shveta Thakrar, Author of Divining the Leaves

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“Exercises for Being a Professional Daydreamer”

I love magic. I always have. I always will.

I’ve always also loved reading, because if I can’t do magic myself, I can at least experience it through stories. When I was a kid, my favorite books ranged from Dorrie the Little Witch to Elfquest to the Forgotten Realms tie-in series to fairy tales to mythology from around the world. I ate up the comic books my parents bought me, a series called Amar Chitra Katha, which retold various Indian myths and legends in a colorful, easily digestible form.

But I’m an adult now, and I still absolutely believe in the need for wonder.

So when I started writing my own novels and short stories, of course they were going to be fantasy. Girls who eat colors out of things. Serpentine-human shape-shifters. Candles with rainbow flames. All the shimmering things I want in my life, and if I can’t have them, then you can bet I’m going to write about them! In beautifully detailed, evocative prose, no less, so I can fully immerse the reader in the jewel box of my imagination.

I type these words having just returned from a walk around a nearby pond on a winter’s afternoon. The liquid surface was frozen over, no ducks or geese in sight, with pristine, glittering white snow adorning the withered fallen leaves on the shore. The pond itself shone in the sun, rippling like frosted glass in a window. Above, the sky was a cerulean so deep, I wanted to eat it, like Nilesh does on his visit to the magical Night Market in my newest novel, Divining the Leaves. The buttery gold of the sun’s rays felt like a hug, and the day itself was evocative of the winter elixir Ridhi samples at the Night Market when she goes there to vend her natural perfumes. I could also picture the sky and the snow swept together into a winter queen’s gown, sewn trimmed with sharp icicles like appliqués.

That may sound ethereal and even whimsical, and it is. Whimsy is a lovely thing. The trick, however, is more practical; I trained myself to think like that. To find the wonder in the world around us, even when things seem utterly mundane. It’s so important to me to offer experiences of the numinous in my books, but in order to do that, I first had to learn to do it in my own life.

It’s when we push ourselves to envision the grand and impossible that we can start to devise new solutions in our own universe, both real and fictional. A handy habit to have, if you ask me. *hands around little cups of winter elixir for inspiration*

So now it’s your turn! Try these prompts to get you deep into the heart of your own wonder.

Exercises for being a professional daydreamer:

  • What fantasy novel or movie would you step into, and why?
  • If you were designing your own magical world, what would it look like? What kinds of plants and animals and people?
  • What would be unique to that world? How? Describe it using all five (or more!) senses.
  • If you could have any enchanted power or potion, what would you pick? (Sure, you can have more than one. In fact, you can have as many as you can hold in your mind! It’s magic, after all.)
  • If there were one thing you want to see changed in our world, how would you do it in your imaginary one?
  • If you were to go outside right now, where would you spot magic even if nobody else did?

Publishing March 4th, 2025 by HarperTeen

About the Book: From critically acclaimed author Shveta Thakrar comes a beautifully imagined contemporary fantasy about two teens, one a believer of magic who yearns to belong, the other a skeptic searching for an escape, who find themselves embroiled in a twisty world of court intrigue when they venture into a forest ruled by yakshas, mysterious woodland spirits drawn from Hindu and Buddhist folklore.

Plant-loving Ridhi Kapadia and popular Nilesh Batra were friends once.

Now, seventeen and alone, Ridhi blends natural perfumes, wears flower crowns, and wanders her local woods, listening for the leafy whispers of her beloved trees. Pleading for the yakshas to admit her into their enchanted forest kingdom, where she knows she truly belongs.

After learning his parents’ perfect marriage is a sham and getting suspended from school, a heartsick Nilesh lands at Ridhi’s doorstep—the last thing either of them wants. So when a pretty yakshini offers him the distraction of magic, the same magic he mocked Ridhi for believing in, he jumps at it.

Furious, Ridhi strikes a bargain with a noblewoman named Sulochana. In return for helping restore her reputation, Sulochana will turn Ridhi into the yakshini she yearns to be—and teach her to divine the trees’ murmurs.

But when Nilesh ends up trapped in the yakshas’ realm, Ridhi realizes the leaves might be telling a disturbing story about the forest her heart is rooted in—one that, even if the two of them band together, threatens to shred the future like so many thorns.

About the Author: Shveta Thakrar is a part-time nagini and full-time believer in magic. Her work has appeared in a number of magazines and anthologies, including Enchanted Living, Uncanny magazine, A Thousand Beginnings and Endings, and Toil & Trouble. Her debut young adult fantasy novel, Star Daughter, was a finalist for the 2021 Andre Norton Nebula Award, and her second and third novels, The Dream Runners and Divining the Leaves, take place in the same universe. Her adult fantasy novella, Into the Moon Garden, is available as an original audiobook from Audible. When not spinning stories about spider silk and shadows, magic and marauders, and courageous girls illuminated by dancing rainbow flames, Shveta crafts, devours books, daydreams, travels, bakes, and occasionally even plays her harp.

Thank you, Shveta, for promoting dreaming and magic!