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Author Guest Post: “Inspiring Young Writers Wound Up Inspiring Me!” by Julia Krebs Patterson, Author of Charlie and the Crystal Cave

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“Inspiring Young Writers Wound Up Inspiring Me!”

When I started writing my first book, I didn’t give a lot of thought to how my work as an educator would support my writing. Yes, being a teacher gives me some great insight into children’s interests, language, and desires. I’m able to tap into the exact age reader I am hoping to excite with this magical world of Charlie and the Crystal Cave. It wasn’t until I spent some time discussing my book with some 4th graders though that I realized just how valuable their insights can be.

My book was in the final stages of editing when I brought it to the 4th and 5th grade classes at the school I teach at. The teachers of these classrooms graciously agreed to use it as a read aloud. I was curious to see if the story made sense to the readers I was hoping to reach and if it would hold their interest. The teachers spent time reading the book aloud, one chapter at a time. The children would ask them to keep going, saying, “One more chapter please!” Different children would see me in the halls or out on playground and come up to me, telling me how much they liked my book.

Upon finishing the book, the teachers invited me to talk with the children about my process. I looked at this as a great opportunity to inspire students to write as well as get some valuable feedback from these readers. What I received was so much more. The teachers asked their students, “Do you have any questions for Miss Julia?” I received some very thoughtful questions about the characters and story as well as, “When will the next book be ready?” Then a child said, “I want more lore and origin story about King Louie.” The children around him nodded their heads. “Yeah, where did he come from?” and “How did he get inside the Crystal Cave?” questions came from across the room.

I was surprised by the enthusiasm of these students. I could see how empowered they felt connecting directly with the author of a story they cared so much about. The energy of the room was electric as we discussed the ins and outs of the story. I wrote down everything they asked or said, as their input was so valuable and I wanted them to know that. I didn’t go into this conversation thinking this would be a brainstorming session for the second book, but that’s exactly what it became.

I left that classroom, my mind ablaze with questions of why and how King Louie, a talking albino alligator, ended up in this cave. Was he born there or did he travel there? Was he always magical and could he always talk or was he once just a regular alligator? How could this back story support Charlie’s adventures moving forward? These young readers got me thinking in ways I hadn’t before and viewing the story from their perspective opened pathways I didn’t see. It’s my hope that these students were as inspired as I was by the discussion. Meeting an author is such a fantastic and tangible way for young readers to explore writing as well. Writing begins with imagining and I hope this experience showed these students how exciting writing can be.

If you are a teacher and have a connection with a local children’s author, consider bringing them in to meet with your students. This exchange is not only beneficial to the students who are exposed to real world creative writing, but also so valuable for the author who desires to create a perfect story for the right readers. Upon finishing the first book I had some thoughts of how the second book would start, but after having this conversation with these students, I have a much more complex plan for the story. I don’t think that would have happened if I hadn’t heard the desires of my targeted readers. And I look forward to giving them what they want! In fact, I can’t wait to get started writing.

Published July 22nd, 2025

About the Book: Some caves hide treasures. This one hides a magic world… and a destiny.

On his way to his first day of school in a new town, Charlie finds himself drawn to a strange cave in the woods. Inside this magical world of the Crystal Cave, he meets King Louie, an albino alligator, and discovers his true calling: he is the Creature Seeker. Charlie is King Louie’s only hope in finding the Crystal Creatures that have been stolen from the Crystal Cave and hidden across the globe.

With the help of the cave’s mysterious magic, Charlie must adventure to new places, overcome hidden dangers, and discover powers within himself he never knew existed.

Charlie and the Crystal Cave is a beautifully imagined fantasy adventure about bravery, discovery, and the shimmering magic just beyond the veil — perfect for readers ages 8-12 who believe the world holds more wonders than we can see. Also a great first chapter book for reading aloud.

About the Author: Julia Krebs Patterson began telling bedtime stories to her older son a few years ago. He specifically requested a story about an albino alligator inside a magic cave. As these stories unfolded, night after night, he would ask her to write a book. She finally wrote the first in a series of books called, Charlie and the Crystal Cave. Julia has a background in theater arts education and she has written plays for children to perform. Julia lives in Louisville, KY with her husband and two boys. They have a dog named Ranger and a bearded dragon named Draco. They all love to go out into the forest to explore or muck about in creeks together. Julia loves teaching children and works as a preschool teacher where she uses her creativity and story telling to infuse their learning.

Thank you, Julia, for sharing how your writers inspired you!

Author Guest Post: “How Literature Saved My Life” by Vivian Jewell, Author of Dani Argyle Takes on the Universe

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“How Literature Saved My Life”

              When I left home for the first time, I met a boy.

              Many stories begin that way.

At college I met a boy who was smart and charming and handsome and interested in me. As we dated, every conversation became an exploration—we left our own known worlds and set off together into a new landscape, awestruck by the ideas we encountered.

I loved him.

But there were many things about college to love, and many conversations to be had. Most conversations—even the fleeting ones—were like journeys into the unknown. I found little discoveries everywhere.

My boyfriend told me that he wanted all of my conversations to be with him. He didn’t like it when I spoke to other men. He told me that my attitude was flirtations and my behavior “inappropriate.”

I considered his words. The first instinct of most young women in our culture is to blame ourselves rather than question others. I wondered if the excitement I was feeling over others’ ideas could be confused with sexual desire. I knew that sex was not my desired goal, but might others see things differently?

At the time I was navigating my new romance, I was taking a class on Shakespeare and reading Othello.

Othello is, arguably, the most poetic and majestic character to walk across the Shakespearean stage—which means he’s the most majestic and poetic character to walk across any stage. To be fair, he was majestic and poetic until he wasn’t—until he was rendered inarticulate and helpless by jealousy.

In Othello, the process and nature of jealousy are laid bare. I read that play and watched the exact moment that jealousy took hold of Othello. In 3.3, Othello looks at himself and says:

Haply for I am black,
And have not those soft parts of conversation
That chamberers have; or for I am declined
Into the vale of years—yet that’s not much—
She’s gone. I am abused, and my relief
Must be to loathe her.

As long as Othello saw himself positively, he loved Desdemona. As soon as he doubted himself, he doubted her. Othello’s jealousy did not stem from Desdemona’s actions but from his own insecurities. When Desdemona explains to Emilia that she never gave Othello a cause to distrust her, Emilia replies:

But jealous souls will not be answered so.
They are not ever jealous for the cause,
But jealous for they’re jealous.

After reading that play, I broke up with that boy. On my own for the first time, without the proximity of parents or the guidance of friends, I had no one to turn to for counsel. It was Shakespeare who saved me. I felt like his genius reached out over four-hundred years of literary history and snatched me from a potentially abusive relationship.

Thank you, Shakespeare.

In Dani Argyle Takes on the Universe, my protagonist is also on her own. She’s not away from home, but her father is missing in action, her mother is missing in grief, and, because she is overweight, she has few friends. When Dani’s boyfriend begins to be controlling, Dani only has literature to guide her.

From Othello, Dani learns about the nature of jealousy. From The Inferno, she learns about the nature of weakness, violence, and fraud—conditions that exist, not only in hell, but also in high school.

From The Odyssey, she learns that suffering can bring wisdom and that it is possible to lose oneself in grief.

It is true that a story once saved me and that stories guided the protagonist in my novel, but these are not individual cases.

Stories save us all.

As Joan Didion explains:

We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be “interesting” to know which…. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely… by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience.

We see stories everywhere. As humans, we can’t help it. Our actual existence might be made up of “disparate images” and a “shifting phantasmagoria,” but, just as nature abhors a vacuum, so does the human mind abhor chaos, and stories are the primary cure for chaos.

Because of story, we see beginning, middle, end. Because of story, we see cause and effect. Because of story, we see change over time. Because of story, there is more than chaos: I was that. I am this. I will be something else.

Aristotle asserted that man is an animal who thinks. Nietzsche that man is an animal that laughs. Mark Twain explained that man is the only animal that blushes—or has a need to.

I would argue that man is an animal who tells stories.

Stories are not superfluous. They are the primary unit we have for communicating meaning. Beware of that man. Things are not as they seem. Suffering saddens us, but it also strengthens.

But stories are not only the primary unit we have for communicating meaning: they are the primary unit we have for creating meaning. We all narrate our own story. We are each our own protagonist. Research reveals that we are more likely to be mentally and physically healthy when we see ourselves as the protagonist of our own story rather than the victim of someone else’s. Because of our ability to tell our own story, we experience agency, and our lives are more clearly understood.

Man is an animal who tells stories. About the world. About others. About ourselves.

Our students’ lives will be richer when full of stories: stories they hear, stories they read, stories they tell, and stories that they—as their own protagonist—journey through.

We enrich our students when we give them story. May their stories be diverse and full of wonder.

Published March 31st, 2025

About the Book: Dani feels like she’s fighting the world. Her peers do not accept her because she is overweight; her school is ill-equipped to handle an astute girl with ADHD, and the popular girls hate her for attracting the attention of the mysterious student from Japan. When everything about her life makes her feel confined and powerless, her only goal becomes dropping out of the institution that makes her feel stupid. But when Dani discovers that a psychic has been gutting her mother’s finances, she finally has an adversary worth fighting . . . if only she can control her emotions long enough—and trust her new romance deeply enough—to out-con a con artist.

This book includes discussion questions for class, small group, and individual reflection

About the Author: Vivian Jewell studied English Literature at The University of Virginia where she graduated with high distinction and studied Medieval and Renaissance Studies at Oxford. Her poetry has appeared in The Virginia Literary Review, The Kindred Spirit, and The English Journal. She is a teacher with Fairfax County Schools. This is her first novel.  

Thank you, Vivian, for sharing your journey and reminding us about the importance of stories!

Author Guest Post: “Something New” by S. Isabelle, Author of The Great Misfortune of Stella Sedgwick

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“Something New”

My first two books are fantasy-horror novels about witches breaking a bloody hex, but my next novel is… a funny, heartfelt, historical romance.

I’ve had to repeat that sentence many times over the past year or so, and it’s always funny to see the flash of surprise on people’s faces, perhaps because this change in genre took me by surprise as well. Despite my love of reading historical romance—and really, most every genre, I’m not picky—I considered myself a fantasy writer first. But during a difficult summer that threw me into a period of writer’s block that felt like a cage, I starting drafting something new and very different. The issue wasn’t that I couldn’t write, it was just that I wasn’t in the mood to draft anything dark or requiring fantasy world-building. My brain, simply, refused to cooperate with my usual stuff. After a comforting re-watch of my favorite period films, I thought, what would this story look like with a Black character front and center?

Next thing I knew, I was drafting a Cinderella-esque Victorian romance about a young Black girl who gets thrust into high society by way of a surprise inheritance. It was fun, it was freeing, and in just a few chapters, Stella quickly became the book of my heart. But is there anything more daunting than trying something completely new? I hate feeling out of place, or out of my comfort zone, and for a long time, Stella’s story was something I was content with keeping to myself.

Before I knew it, that desire changed. With feedback from my writer friends, I began to picture Stella out of my hard drive and onto bookstore shelves. But pursuing publishing, and turning this story into a “real book” came with new worries. What business does a fantasy writer have doing historical romance? Imposter syndrome loves to rear its ugly head, and it didn’t matter how much research I did, I was sure I was doing everything all wrong. On top of that, I struggled with the novel’s tone. Of course, there’s always an element of wish-fulfillment and fantasy in historical romances, but I wanted Stella to feel real, and that meant including the prejudices a girl like her would have faced. And the balance I longed to achieve was a risky one—writing a fun, fluffy, romantic novel that also didn’t sanitize the time period. I wanted the text to be engaging to all teen readers, especially if they’re picking up a historical novel for the first time. I believe that when a book is published, it no longer solely belongs to the author, so I suppose the readers will be the judge of my success. But one thing’s for certain: this book was a balm for me. It was cathartic, it was fun. It was exciting to write. And when I think about the overlapping themes in all of my books—being true to yourself, the importance of friendship, and making good trouble—I think that maybe, writing Stella wasn’t much of a surprise after all.

Now on the cusp of publishing my third novel, I can assuredly say that I’ve never written a book in the same way twice. As much as I would love to have a solid, consistent routine, they always come about in different ways. But without a doubt, I always walk away from a final draft learning a little bit more about my process and myself. In writing Stella, I learned that sometimes, the new thing’s scariness is only in my head, and the only way to get over it is by going through it. And even if Stella’s story remained a secret project, I think the fun I had with it would have been worth it anyway.

Published July 8th, 2025 by Storytide

About the Book: Bridgerton meets The Davenports in this wildly entertaining standalone romance, following a young Black woman trying to balance her independence with her future in 1860s London’s high society.

Stella Sedgwick is a lost cause.

Banished from etiquette lessons and unsure of her future, Stella dreams of a writing career and independence, but 1860s England offers little opportunity beyond marriage or servitude for a sharp-tongued, dark-skinned girl.

When her late mother’s former employer summons Stella to London, he tells her of his intention to bequeath one of the family’s great estates to her. It’s a life-changing inheritance, but one that will precipitate a legal battle that would be easier if Stella were married. With her cousin Olivia by her side, Stella is thrust into London society and must navigate fashion and balls, insults and stares, and a rekindled connection to Nathaniel, her childhood best friend with a rakish reputation.

Beyond the marriage market, living in London presents intriguing opportunities to Stella, like picking up her mother’s anonymous advice column to guide readers through upper-class perils. As new acquaintances are made and old secrets are uncovered, Stella must decide when to play by the rules, when to break them, and when to let herself follow her heart.

About the Author: S. Isabelle is a reader, writer, and hoarder of books. After earning a master’s degree in library science, she took that love of reading to youth librarianship. When she isn’t writing, you can find her binge-watching TV shows, drinking heavily sweetened coffee, or stressing over baseball. She is the author of The Great Misfortune of Stella Sedgwick, The Revolution of Olivia Witherson, The Witchery, and Shadow Coven. Visit her online at sisabellebooks.com.

Thank you for sharing your journey, S.!

Author Guest Post: “Co-Authoring a Novel” by Amie Kaufman & Meagan Spooner, Authors of Lady’s Knight

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“Co-Authoring a Novel”

The number one question that we get asked when we do book events is: how do you co-author a novel?

Even now, over a decade since our first co-authored novel hit the shelves, we find ourselves a little baffled by the ubiquitousness of that question. We get asked it at every event, in every interview, whether we’re talking about a co-authored book or one we’ve written solo. For us, writing together comes so naturally that we find the fascination with the process a bit confusing. At first, we even struggled to answer reader questions on that front because we couldn’t quite figure out why people kept asking us that question.

“But what happens when you disagree?” asked one reader, insistent. “Which one of you has the final say?”

We just eyed each other across the signing table, realizing that we had no answer for that. We never disagree.

To those of you now reading on with some skepticism: yeah, you’re not wrong. Of course we disagree, but the point is we never disagree in ways that put us on opposite sides of an issue. We actually learned very early on in writing our first book together that if we disagreed about what should happen next in our story, or what a character would say, or how the relationship arc would go, what was actually happening was that we were both wrong. Or, rather, we were both right—but going about listening to our instincts the wrong way. Amie thinks it has to be A, Meg thinks it’s obvious that it should be B – what’s really going on is that we’ve both missed the fact that the right answer is really the hidden, secret option C.

For instance, Amie might think the next scene ought to be full of action, but Meg thinks it ought to be a romantic scene. It’s not because one of us is wrong and one of us is right, it’s because actually what we’re picking up on is that neither of us has the perfect next scene. So we talk about why Amie feels the need for a fight scene—we need to see the characters showing off their strengths, perhaps—and why Meg feels more pulled toward romance—because we need to see the characters becoming closer, and cementing their bond. And it turns out that the perfect scene for both those things is actually a scene where they confront an obstacle together in a way that binds them and shows them being good at what they do.

Writing with a partner in a full, 50/50 split of the responsibilities requires the ability to set aside ego in favor of the book. It took us many years to figure out why this seemed to come naturally when it struck so many others, usually budding artists and young writers themselves, as strange. “I could never do that,” we keep hearing from readers. “Give up control that way!” But the truth is that any good, healthy relationship between friends (or anyone, really) demands that you value the strength of your connection over whatever project you might be embarking upon. From the very beginning, we always said that if writing together ever started threatening our friendship, we would simply stop. The friendship mattered most.

When we began writing Lady’s Knight, Amie suggested that we try a new way of outlining the book. Meg was a bit resistant to it, because that’s not how we’d worked before, and it wasn’t what came naturally to her, but we gave it a go and it turned out to be the perfect way of approaching this book. With the plot largely decided upon in advance, it meant that we could pour ourselves into the joyful anachronistic world-building, witty dialogue, and pretty much every joke we’ve ever wanted to put into a book we were writing.

Each book is a little different in terms of how we go about writing it, but Lady’s Knight was an exercise in joy and healing from the very beginning. Conceived of during the height of the pandemic, when we were all confined to our homes and wondering how many years it would be before we could see our loved ones in person again, this book just became our happy place. We’d call each other from opposite sides of the planet, bursting with ideas and jokes, laughing and writing them down as fast as we could.

We wrote about a girl who dreams of being a knight, and a noblewoman who finds herself put up as the prize for a tournament—and rather than waiting for someone to save her, she decides to engineer her own salvation. Each of the girls learn a lot about themselves, during the adventure that ensues. We learned a lot about ourselves, writing them.

We wrote this book to delight each other—whether it was breakfast on the balcony with plates of delicious pastries, a makeover scene with incredible fashion, a breathless rush through the castle after a falling-out, or the satisfaction of skewering a sexist old man (only verbally, don’t worry), we always came back to what we loved. We told a story from our hearts, and in pursuit of joy.

There’s a beautiful merging of egos, when you write something with someone you deeply trust, and even though this was our eighth book together, there was still a special kind of magic as we watched all our ideas merge into a very special “secret option C.” This book ended up being the best of both of us, and a love letter to our friendship, and it was such fun to write.

Published June 3rd, 2025 by Storytide

About the Book: An undeniably fierce, unforgettably funny, unapologetically queer feminist romp through the England of medieval legend. Bestselling and acclaimed authors Amie Kaufman and Meagan Spooner bring readers along on an epic quest for valor, freedom, and, above all, love. A Knight’s Tale meets the Lady Jane series, with a dash of The Great!

Gwen is sick of hiding—hiding the fact that she’s taken over her father’s blacksmithing duties, hiding her attraction to girls, hiding her yearning for glory as a knight.

Meanwhile, Lady Isobelle of Avington, queen bee of the castle, has never once considered hiding who she is—until now. She’s been chosen as the grand prize in the Tournament of Dragonslayers, to be given to whichever knight can claim her hand. And for the first time in her life, she can’t talk her way out of trouble.

When Isobelle discovers Gwen’s knightly ambitions, they hatch a scheme together—Gwen will joust in the tournament, disguised as Sir Gawain. Winning means freedom for Isobelle, and glory for Gwen. Losing means… well, let’s not go there.

One thing’s for sure: Falling in love was never the plan.

But the best laid plans…are often trampled all over by dragons.

About the Authors: Amie Kaufman is a New York Times and international bestselling author of young adult and middle grade fiction and the host of the podcast Amie Kaufman on Writing. Her multi-award-winning work is slated for publication in over thirty countries and has been described as “a game-changer” (Shelf Awareness), “stylistically mesmerizing” (Publishers Weekly), and “out-of-this-world awesome” (Kirkus Reviews). Her series include the Illuminae Files, the Aurora Cycle, the Other Side of the Sky duology, the Starbound trilogy, the Unearthed duology, the Elementalstrilogy, and The World Between Blinks. Her work is in development for film and TV and has taken home multiple Aurealis Awards, an ABIA, and a Gold Inky, made multiple best-of lists, and been shortlisted for the Prime Minister’s Literary Awards. Raised in Australia and occasionally Ireland, Amie has degrees in history, literature, law, and conflict resolution and is currently undertaking a PhD in creative writing. She lives in Melbourne with her husband, daughter, rescue dog, and an extremely large personal library. Learn more about her and subscribe to her newsletter at amiekaufman.com.

New York Times bestselling author Meagan Spooner grew up reading and writing every spare moment of the day while dreaming about life as an archaeologist, a marine biologist, or an astronaut. She graduated from Hamilton College in New York State with a degree in playwriting. She’s traveled all over the world, to places such as Egypt, Australia, South Africa, the Arctic, Greece, Antarctica, and the Galápagos Islands, and there’s a bit of every trip in every story she writes. She currently lives and writes in Asheville, North Carolina, but the siren call of travel is hard to resist, and there’s no telling how long she’ll stay there. She’s the author of Hunted and Sherwood and the coauthor of the award-winning Starbound Trilogy (These Broken Stars, This Shattered World, Their Fractured Light) and the Skylark Trilogy (Skylark, Shadowlark, Lark Ascending). In her spare time she plays guitar, plays video games, plays with her cat, and reads. meaganspooner.com

Thank you, Amie & Meagan, for sharing your process!

Author Guest Post: “Building Writer’s Voice” by K. Ibura, Author of Tempest

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“Building Writer’s Voice”

On a television show I watched once, there was a curvy girl trying out for a ballet program. She got cut almost immediately. Her ballet teacher gave her a wig and told her to audition under another name. She quickly got cut again. Her ballet teacher sent her in under a third name. Someone who was watching said, “This is madness. They saw her, and she got cut.” The ballet teacher said, “They didn’t see her. She’s auditioning with all these skinny girls and they see that she has the biggest thighs and the biggest hips and they cut her. They aren’t actually seeing her. Eventually, she’ll go in with a group of girls and someone else will have big thighs, then they will see her.”

This statement blew my mind. How many times have we been rejected from an opportunity, not based on merit but on some external bias beyond our control? And how many times have we taken that judgment to be a ruling on our talent (or lack thereof) rather than a prejudice against our being. Students fight this battle of perception on a daily basis. I have a colleague who is working in an afterschool program. There are two boys in the program who are constantly getting in trouble together. One of them, however, has a behavior plan and goals that the adults in his life are monitoring. The other boy has nothing. She asked, “Why doesn’t this boy have a plan too?” The head of the program said, “Because we don’t care about him.” He laughed when he said it, but it was true. Two troublemakers, but one was seen as redeemable and one was not. We internalize the judgments that are made on us—but we have no idea what biases may be at play when people are reacting to us. That was really all the ballet teacher in the TV show was looking for. She wasn’t pushing to have her student selected, she was pushing to have the biases stripped away so her student could be seen. Isn’t that what we are all looking for?

As humans we all need relationships in which we are authentically seen, valued and appreciated, but being seen can be a really tricky proposition. For the main character in my YA novel Tempest, being seen is dangerous. Born with the power to control the wind, Veronique grows up knowing that there are threats to her life and her freedom. To keep her safe, her grandmother insists that she hide, but a life of hiding is limiting—and safety based on hiding can quickly become a trap. Over the course of the novel, Veronique learns how to face the forces that are hunting her—and she learns how to face herself and fully embrace her power.

The dangers of being seen may not be life-threatening for all of us, but very early in our lives, we learn how closely judgment is tied to visibility. Being seen means opening ourselves to being criticized. For the entire first half of my career, being seen was an intensely uncomfortable sensation. I didn’t like sharing pictures of myself or personal information about myself. And, the idea of sharing my work—my raw, unpolished, initial drafts—was excruciating. I remember years ago when a magazine editor asked me to submit an article. I told her I didn’t know where to begin. She told me to write a draft off the top of my head and send it to her unedited. I looked at her like she was crazy. She said, “I know sharing your work at such a raw stage feels strange, but I think the first draft holds power.” It was painful for me to even consider turning over a first draft of anything. With MASSIVE reluctance, I shared my first draft with her. The process unfolded just as the editor said it would. She gave me some guidance and I completed the piece.

Fast-forward 12 years. An editor asked me for an essay. I was willing but busy. I sat down and banged out a draft in two hours. I sent it to her without reading it over even once. “I need to edit this piece,” I wrote, “but please review it and let me know if this is what you’re looking for.” I trusted that she could see the essence of the essay in the draft, she could read the bones and I could fill in the flesh later. She reviewed it and affirmed that it was exactly what she was looking for. She gave me a deadline to turn in edits. I made some tweaks and the work was done.

The difference between these two experiences was about a decade of writing. When I was less developed as a writer, I was more rigid and more controlling about my work. Now, I’m happy to hear critique and insight. I welcome new suggestions and perspectives. And I don’t mind sending out an underdeveloped draft for feedback. I believe it is because more experience = more confidence. More confidence = less need for every single thing I write to be perfect.

The biggest thing artists need as they are developing their voices, as well as when they are maturing to deeper and deeper levels of mastery, is the willingness to follow their ideas. So often, the need for perfection stops people from bringing their ideas to life. Willingness and acceptance are the biggest barriers to developing skill and identity as a writer. The only way to grow is to make mistakes, to write clumsily, and to discover the potholes of storytelling. When we are willing to be imperfect, we learn the rhythm of writing more quickly. We must also accept that all writers have both gifts and challenges. No matter how much mastery we gain, we are constantly called to both acknowledge our imperfections AND validate our writing

But how do we get there? If seasoned writing requires time and space, and for so many evolving writers, just staring at the blank page sparks vulnerability and the intense desire to hide, what do we do? Evolving writers need frequent, low-stakes practices that build fluidity and confidence into their writing. It’s a huge gift to offer people—both grown-ups and students alike—the space to play freely and explore creatively. In his excellent Free Play: Improvisation in Life and Art, Stephen Nachmanovitch draws on Buddhist philosophy to talk about the tendency of humans to compare ourselves to others. Nachmanovitch defines the “fear of ghosts” as our habit of measuring ourselves against the talents and directives of our “teachers, authorities, parents or the great masters.” That’s why writing assignments that are not graded, that are short, and that are frequent can give growing writers a little bit of breathing room.

When guiding developing writers, it’s important to remember that for so many people, writing just feels like setting themselves up to be judged. When we share our writing, negative marks can validate self-criticism and strengthen our certainty that our writing voice is faulty and our efforts are useless. If the only focus in writing is the right way to structure a sentence or a paragraph or a paper or a story, we lose our own personal relationship to writing. We rob ourselves of the ability to personally connect to the work and discover our own reasons for writing. The academic side of writing is essential, but without valuing the uniqueness of our voices, we can end up frozen and afraid to write. Finding value in our own writing style is essential— it’s not just about healthy esteem, it is literally the key to forward motion. We all need to learn about topic sentences and paragraphs, but we also need support and guidance to celebrate our authorial voice, just as it is.

Published June 24th, 2025 by Qull Tree Books

About the Book: In this lyrical and epic contemporary novel with magical fantasy elements, a girl must learn to master her powers over the wind before a sinister secret organization finds her. Perfect for fans of Legendborn,  A Song Below Water, and Vespertine.

After Veronique’s parents died, her grandmother raised her on a farm in rural Louisiana. For sixteen years, it’s just been Veronique, MawMaw, and an ocean of trees. That’s because Veronique has a secret—one MawMaw has warned her she must always keep safe.

Veronique has the power to control the wind.

But when MawMaw falls ill, Veronique is forced to move to New Orleans to live with family she never knew she had. New Orleans is a far cry from her old quiet life, but Veronique finally gets her chance for a normal life—one with school, friends, and even love. But when her new life threatens her ability to control her powers, she quickly learns that the world is bigger and more dangerous than she’d ever imagined. Veronique must uncover what MawMaw was trying to protect her from before it’s too late.

About the Author: K. Ibura is a writer and visual artist from New Orleans, Louisiana. The middle child of five, she grew up in a city full of music and culture, a neighborhood full of oak trees and mosquitoes, and a home full of art and activism. She has written two short story collections for adults: Ancient, Ancient—winner of the James Tiptree Jr. Literary Award—and When the World Wounds. Her debut novel and first book for young people, When the World Turned Upside Down, was published in February 2022. Find her online at kiburabooks.com.

Thank you, K, for this thought-provoking and inspiring post!

Author Guest Post: “Finding Inspiration in Video Games” by Julie Kagawa, Author of Fateless

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“Finding Inspiration in Video Games”

“Inspiration” is a very popular word within the writing world. The question “where do you get your inspiration?” is easily the most commonly asked question any writer or author will receive. I think inspiration is different for every author. For me, much of my inspiration comes not from books or movies, but from video games. I’ve been a huge gamer ever since I was a kid playing Super Mario bros. on my Nintendo. And over time, as consoles have gotten even better and game graphics have evolved to movie-like quality, I continue to be immersed in the stories, characters, and worlds of certain games. The phrase “video games will rot your brain” sounds very hollow to me, as all the elements of a good story can be found within a video game world. You become engrossed in these stories and characters because you are the one controlling them. You are the one going through all their hardships, trials and challenges right alongside them. You journey with them, fight with them, discover with them and, in some cases, find love with them.

And if a video game can break your heart or make you feel intense joy because of something that happened to the characters, then it has achieved full emersion, something that all authors should strive for in their own books. I remember the games that did this to me. A few special titles, where I was not okay at one point in the game. Even today, Final Fantasy X will never fail to make me tear up at its heartbreaking conclusion. When I first played it, I sobbed like a baby after the credits rolled. But you can’t just watch the finale of FFX and get it; you have had to have gone through everything with the characters to understand the significance of what was sacrificed at the end. Watching just the end is like flipping to the last page of a book to see what happens. You have to experience the entire story to understand.  In a similiar vein, the ending of Dragon Age: Origins had me smiling and feeling all was right with the world, because the two characters you had been rooting for the entire game finally (if you made certain choices) got their happy ending. (There is also a tragic, “ultimate noble sacrifice ending” as well, which I appreciate just as much, but for this purpose we’ll go with the happy ending.)

So, video games have played a huge part in me becoming a writer. Which brings us to FATELESS, a tale about theives, assassins, curses, and ancient gods, set against the backdrop of a harsh desert world. Think Dune and The Mummy vibes. And while both of these stories did play a small part in creating the world of FATELESS, I owe the largest inspiration to a video game series called Assassin’s Creed.

I think what I loved most about Assassin’s Creed was the world. Throughout the whole series, you are given this massive open world to explore, journey through, and live in. The world feels alive; from bustling city streets to sprawling rooftops to temples that seem to touch the sky, you could move through this world and feel like you were a part of it. I also loved the assassins—their Order, their code (“We work in the dark to serve the light”), even their clothing: the distinguishable red and white outfits that subtly changed throughout the series but still stayed true to the original.  The plot was complex and mind-bending, especially in the earlier games, but it was the world and the characters themselves that fascinated me.  Their individual stories kept me playing, kept me immersed, long after I would have gotten bored of endless repetitive missions where I had to assassinate yet another nameless captain of an outpost.  Whether it was Ezio’s desperation to save his family, Kenway’s journey of self-discovery and redemption, or the ill-fated love between an assassin and their sworn enemy (a templar), the stories presented in Assassin’s Creed are as old as time. And they played a huge part in shaping the world of FATELESS and its characters, especially the two main protagonists, Sparrow and Raithe. One is a thief, the other an assassin. Their stories and fates become entwined with each other’s, as they race to stop the rising of an awakened god that will destroy their world. And, just like the characters in Assassin’s Creed, they are individual souls trying to stand against a far greater darkness.

I could wax poetic about the virtues of video games for hours, but I will end this post with this. For me, gaming has been a huge part of my life, and has definitely shaped me as a writer. So, the next time you hear the phrase “video games will rot your brain,” remember that at least one book might not ever have been written, were it not for the hours spent sitting in front of a screen, playing a video game series about assassins.

Published July 15, 2025 by HarperCollins

About the Book: Deep in the forgotten city of the Deathless Kings, an ancient relic of untold power waits—for one bold enough to steal it.

When seventeen-year-old Sparrow joined the Thieves Guild she made a vow of binding loyalty to their cause. So when a mission comes along from The Circle, a group of mysterious, dangerous beings who control the Thieves Guild from the shadows, Sparrow is determined to cement her place in the guild.

What ensues is a death-defying adventure that has Sparrow and her band of thieves venturing into the heart of the forgotten city of the Deathless King. The fate of Sparrow, her companions, and Raithe, the enigmatic yet alluring assassin Sparrow is forced to join forces with during their quest, all hang in the balance as they find themselves battling ancient forces within the tombs and facing the unwavering hold of fate.

Perfect for fans of Alexandra Bracken and Sabaa Tahir, this new fantasy trilogy from New York Times bestselling author Julie Kagawa will sweep readers into a bold and exciting new world, where a twisted game of destiny has far-reaching consequences.

About the Author: Julie Kagawa is the New York Times, USA TODAY and internationally bestselling author of The Iron Fey, Blood of Eden, The Talon Saga and the Shadow of the Fox series. Born in Sacramento, she has been a bookseller and an animal trainer and enjoys reading, painting, playing in her garden and training in martial arts. She lives in Kentucky with her husband and a plethora of pets. Visit her at www.juliekagawa.com.

Thank you, Julie, for showing how inspiration comes from anywhere someone finds passion!

Student Voices: Looking At Characters from Favorite Books from Omayma H., Abigail D., Cassie W., Ethan S., and Gabriela T.

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Looking at Characters from Favorite Books

“Top Ten Favorite Book Couples” by Omayma H., 8th grade

Romance in books is special. Readers feel connected to characters as they experience love and challenges. Whether it’s enemies to lovers or friends to lovers, here are my top 10 favorite book couples. (Note: These couples are NOT in order.  I can’t pick!)

Powerless – Kai and Paedyn
Trope: Enemies to Lovers

Kai and Paedyn come from two different social classes. Kai, the prince and the future Enforcer of Illya, and Paedyn, an illegal ordinary, who lives in the slums. They aren’t supposed to meet, not when Peadyn is supposed to be hiding from Kai and his job as the enforcer to get rid of all ordinaries. But when Kai gets into trouble in the slums, Paedyn saves him without really knowing who he is, and that results in her getting chosen for the purging trials, all because she saved the prince. Now, Kai and Paedyn have to compete in the trials against each other. But instead of becoming rivals and hating each other, they form a relationship of teasing, pretend hatred, and care. They help each other through the trials, slowly falling for each other at the same time. Despite a small problem that happens in their relationship, Kai and Paedyn grow to trust and love each other through the trilogy. Facing challenges to be with each other, but always caring for each other.

The Cruel Prince – Cardan and Jude
Trope: Enemies to Lovers

Fae and mortal, prince and outcast. Carden and Jude were enemies from the beginning, ever since Jude and her sisters were brought to faerie when they were small. Carden, the youngest and meanest of the kings’ children, had always seemed to have something against Jude. Though during the progression of the series, Jude and Carden get closer as they work together and fall in love. Their relationship is filled with heartfelt words, filled with adorable nicknames, confessions, and teasing. Not to mention supporting each other all the time. Their sharp banter hints at a growing attraction. Cardan’s harshness hides sensitivity, while Jude’s strength draws him in. Their journey shows that love can develop even in rivalry.

The Selection – Maxon and America
Trope: Friends to Lovers

Maxon and America’s relationship starts as a friendship. They get to know each other during the Selection competition. America enters the Selection for other reasons, but begins to have real feelings for Maxon. Maxon is kind, understanding, and supportive. America struggles with her feelings and her past. They share sweet moments and face challenges together. They learn to trust each other. Their relationship is built on friendship, respect, and a growing romantic bond as they navigate their world. Both of them face hard challenges, but are always there for each other. Filled with sweet first times and love like no other.

The Inheritance Games – Jameson and Avery
Trope: Friends to Lovers

Jameson and Avery’s relationship begins as a friendship. They work together to solve puzzles and uncover secrets in a game set by Jameson’s grandfather for Avery’s inheritance. As they spend time together, they develop a strong connection and trust. Jameson is protective and supportive of Avery, while she brings out his softer side. Their bond grows as they face challenges, leading to deeper feelings for each other. No matter what challenges they face, both of them stay by each other’s side and help each other no matter what. 

Percy Jackson and the Olympians – Percy and Annabeth
Trope: Friends to Lovers

Percy and Annabeth’s relationship begins as a friendship, but it slowly develops into something deeper. They face many adventures and challenges together as demigods, supporting and protecting each other along the way. Their bond is built on trust, loyalty, and mutual respect. They also share a lot of playful banter, which adds a fun dynamic to their connection. Over time, their feelings grow, and they become a strong couple, always there for one another through thick and thin. 

Shatter Me – Aaron and Juliette
Trope: Enemies to Lovers

Aaron Warner and Juliette’s relationship is intense and complicated. At first, they are enemies, with Warner being a powerful figure who represents the world Juliette is trying to escape. However, as they spend more time together, they start to understand each other’s struggles. Warner reveals his softer side, showing he cares for her deeply, while Juliette learns to trust him. Their relationship evolves from hatred to a deep emotional connection, filled with passion and support as they face challenges together. At the end, they become a strong couple who help each other heal and grow.

Once Upon a Broken Heart – Jacks and Evangeline
Trope: Enemies to Lovers

Jacks and Evangeline’s relationship starts with them as enemies. Jacks is mysterious and often manipulative, while Evangeline is strong and wants to protect herself and her loved ones. As they spend time together, they begin to understand each other. This leads to unexpected feelings between them. Despite the tension and challenges they face, their connection grows stronger. They learn to trust and care for one another, turning their rivalry into a romantic relationship.

Caraval – Julian and Scarlet
Trope: Enemies to Lovers

Julian and Scarlet have a strong friendship that grows into a romantic relationship. They start by supporting each other and face challenges together. As they spend time together, their trust in each other deepens, and they develop romantic feelings. Throughout their journey, they help each other grow and overcome obstacles. Even though their relationship has some problems like lies and hidden secrets, they learn to trust each other.

Keeper of the Lost Cities – Keefe and Sophie
Trope: Friends to Lovers

Keefe and Sophie are close friends with a complicated relationship. They start as friends and build a strong bond based on trust and support. Keefe is playful and brings fun to their friendship, while Sophie is serious and focused on her tasks. Their differences balance each other. They understand one another and help each other with challenges. As they go on adventures together, their feelings for each other deepen. Overall, their relationship includes friendship, loyalty, and growing emotions. Keefe had feelings for Sophie from the beginning, and even so, Sophie was oblivious to it all and had her own crush. And despite it not being him (and also feeling all her emotions, which makes it harder), Keefe always supported her and was happy for her no matter what. And when she finally realized her feelings for him, Sophie did not wait to tell him, hoping he still felt the same, which started this relationship.

Carval – Donatella and Legend
Trope: Enemies to Lovers

Donatella and Legend have a complicated relationship that changes throughout the story. At first, they seem like enemies because they have different goals and backgrounds. As they spend more time together, they start to understand each other better. Tella sees that Legend is more than just mysterious and manipulative, and Legend appreciates Tella’s strength and determination. Their relationship has tension and challenges, but they learn to trust and care for each other despite their differences.

“Thoughts on Characters from my Favorite Graphic Novels” by Abigail D., 7th grade

The Tryout by Christina Soontornvat

I’m making my thoughts on  Christina because I love her story and how much of a good impact she made in this book. She’s the kind of girl with confidence in everything she does which I admire so much.

Ghost by Raina Telgemeier

I’m making my thoughts on Catalina because I love how much she inspired her little sister. I’ve noticed this in every book but this one is my favorite yet. I enjoy their relationship and how Raina was the best role model she could be.

Logan Likes Mary-Anne! by Ann M. Martin

I’m making my thoughts on Mary-Anne because at first in the story she was really shy around new people but as the story went on she progressed to be herself more and even when she would be embarrassed she always had someone by her side and Mary-Anne wasn’t afraid.

The Squad by Christina Soontornvat

I’m making my thoughts on Megan because when Christina was going through a really hard time in this book, Megan stood by her side and never left. She was an amazing friend toward Christina which I love most about Megan.

Drama by Raina Telgemeier

I’m making my thought on Cassie because I love how she has a love and passion for theater/drama because it suits her incredibly well which makes the story so much better, In my opinion when you can see that in a story the actually have a passion for what they do, it makes the story 10x better.

Sisters by Raina Telgemeier

I’m making my thoughts about Amara because while they were on a road trip they all got to spend quality time with each other and even though it got to a point where they got tired of each other, Amara was always making the story more and more interesting for me.

Smile by Raina Telgemeier

I’m making my thoughts on Raina because when her teeth got ruined, she thought that she didn’t look pretty and she was in a lot of pain but later in the story she learns that she’s pretty no matter what and doesn’t let that define who she is. Meanwhile her teeth end up looking so much better in the end!

Guts by Raina Telgemeier

I’m making my thoughts about Raina’s mom because in this book Raina was so afraid of sickness and she was very overwhelmed but her mom was by her side attempting to make her feel better and was really trying to the best of her abilities for her daughter.

Real Friends by Shannon Hale

I’m making thoughts on Jen because I feel like her perspective on things is real and genuinely takes things seriously. She has a whole group of friends but doesn’t know if some of them could be real or not is a big determination that is important to realize.

New Kid by Jerry Craft

I’m making thoughts on Jordan because when he moved to a whole new place and school he was very shy and didn’t have any friends but soon enough he made friends. I love how he also had an amazing passion for drawing and how much he admired it.

“10 Characters I’d Be Friends With in Real Life” by Cassie W., 8th grade

Percy Jackson from Percy Jackson and the Olympians by Rick Riordan

Percy would do absolutely anything for his friends, he is very funny, and his mom is arguably the best book mom out there. Who wouldn’t want to be friends with him?

Molly Frost from Dress Coded by Carrie Firestone

Molly stands up and does something when her friends aren’t being treated right. I want to be more like Molly and speak up more.

Apollo/Lester Papadopoulos from The Trials of Apollo by Rick Riordan

Lester is dramatic and sassy,(I mean when you get cast down to Earth from Mount Olympus, who wouldn’t be?) which is a lot like me, so I think we would have fun together.

Marlee Tames from The Selection by Kiera Cass

Marlee is a very fun and happy person to be around. She knows how to turn a bad situation into a good one. I really like being around people that are happy, so me and Marlee would have lots of fun together.

Taylor Jewel from The Summer I Turned Pretty by Jenny Han

Taylor is a very good friend to Belly. Even when they are fighting, Taylor still loves Belly and helps her through her problems. I would love to have Taylor as a friend.

Hazel Levesque from The Heroes of Olympus

Hazel is very sweet and she has been through a lot, so I really want to be her friend and comfort her.

Annabeth Chase from Percy Jackson and the Olympians

Annabeth is very smart and she likes designing things. I also like design, so we could talk about design and she could help me with Geometry.😭

Bianca Di Angelo from The Titan’s Curse

Bianca is someone who would do anything for her brother, and I would also do anything for my family. I think our brothers would get along well because my brother likes Pokemon and Nico likes Mythomagic.

Bronwyn Rojas from One of Us is Lying

Bronwyn would not give up until she found out how Simon died. I also like investigating things and figuring out how things happen.

Harper Lancaster from 12 to 22

Harper is a big fan of Taylor Swift and likes makeup. I also like those things, so I think we would have a good time together.

“Books That I’d Want to Be the Main Character In” by Ethan S., 7th grade

The Wild Robot Protects by Peter Brown

The main character in this book is so interesting, she was able to lead a whole group of fish and whales and basically the whole ocean to destroy a ship that was producing a lot of pollution which was killing a lot of sea life. I would want to be Roz (the main character) in this because I would want to know how it would feel when your whole family is dyeing and you had to do something to stop it. 

Wings of Fire: The Dragonet Prophecy by Tui T. Sutherland

I’d love to be the main character in Wings of Fire because getting to be Clay, a dragon with a big heart and hidden strength, sounds amazing. He’s brave even when he’s scared, and he cares deeply about his friends, which I really admire. Being part of a secret prophecy and going on wild adventures would make life so exciting. I think it would be incredible to discover who I really am while helping save the world. Plus, flying and breathing fire? That’s just awesome.

The Liars Society by Alyson Gerber

I’d like to be the main character in The Liar Society because Kate is fearless, clever, and never gives up, even when the truth is buried deep. She’s willing to risk everything to solve a mystery and stand up for her best friend, which I really admire. Being in her shoes would be intense, but also thrilling—I love the idea of uncovering secrets and outsmarting people who think they can get away with lies. Kate’s loyalty and determination make her someone I’d want to be. Plus, who wouldn’t want to wear a pink hair ribbon and take down a secret society?

A Rover’s Story by Jasmine Warga

I’d love to be the main character in A Rover’s Story because getting to explore Mars and learn new things every day sounds incredible. Even though I’m a robot, I start to feel emotions, which makes me unique—and I think that’s something really special. I’d get to help people by sending back important information, and that would give my journey a real purpose. It might be lonely out there, but I’d still feel connected to the humans who believe in me. Being curious, brave, and learning what it means to care—that’s the kind of adventure I’d want to have.

“Top 5 Best Book Characters” by Ethan S., 7th grade

While reading books, there is always that one character that gets you attention. Whether it’s for their good acts and intentions, or even for their sense of humor, these characters are often loved by all. Here are my top 5 favorite book characters:

  1. Celeste Newsome – The Selection series

Although Celeste is one of the main “villains” in the first book, she has grown a lot throughout the series. She has shown guilt by what she has done wrong, and changed to be a better person after the selection, even though life had other plans for her.

  1. Cammie Morgan – Gallagher Girl series

Cammie is a brave, smart character, who is determined to do everything for what she believes in. She and her friends use what they learned to protect their sisterhood and investigate Cammie’s first love.

  1. Lina – Love & Gelato

Lina shows how good her heart is by attending to her deceased mother’s last wish, even though it was something she did not want to do. By moving to Tuscany with her long lost father and visiting Italy with her new friend ren, she shows bravery to end up discovering a secret that will change everything she knows.

  1. Melody Brooks – Out of My Mind (series)

Melody is the definition of bravery and determination, after everything she went through. Diagnosed with Cerebral Palsy, her life started out as a challenge since the beginning. It was hard for her to make friends because of her disability, but even then, she was able to prove herself into making a national TV competition. She says that although her body might be broken, she is not.

  1. Paedyn – Powerless

Paedyn is brave and fights for her survival everyday. Being an ordinary, she has to live in the shadows and steal in order to survive. After making a good deed, she is given the place in the Purging trials, a deadly battle that could make her rich, or dead. She sacrifices everything and goes to these trials, where unexpected things happen.

Thank you so much to my student voices today and their look at characters in books they love!