Writing

Author Guest Post: “Fridge Problems” by Josh Funk, Author of Lady Pancake & Sir French Toast #5: The Great Caper Caper

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“Fridge Problems”

First, thank you, Ricki and Kellee, for inviting me to post here at Unleashing Readers! It’s an honor to share on your awesome site.

As the fifth Lady Pancake & Sir French Toast adventure, The Great Caper Caper, was just released, I thought I’d share a little bit of what I talk about with students when I visit schools.

After reading one of the Lady Pancake & Sir French Toast books and discussing how I wrote it and how Brendan Kearney illustrated it and how long (three and a half years) it took from the time I came up with the idea until it was available on bookshelves, I like to get some volunteers and create some characters. I’ll usually ask students to share their favorite foods and jobs they want to have when they grow up – and then we mash them together and end up with Doctor Pizza. Or Professor Cupcake. Or President Peanut. And we’ll make up a little story with these characters, but it doesn’t really get good until we introduce the most important ingredient: Conflict.

I tell students that in a story, we always need our characters to encounter some sort of challenge. Or something bad has to happen that they have to overcome. Or maybe we need … a villain (at which point I’ll rebrand the principal or librarian or some faculty member to be someone’s least favorite food mixed with a super scary animal/monster/creature. Say hello to Evil Mushroom Spider. Or Moldy Broccoli Vampire).

But conflict isn’t always a villain. In fact, when I write the Lady Pancake & Sir French Toast series, the conflict rarely is a villain (at least not directly). It’s usually a fridge problem. And I always try to keep them relatively kid-relatable.

I ask myself (and students) the question: What is a problem that could happen in a fridge?

  • Have you ever fought with a sibling over the last slice of pizza or last cookie or last drop of syrup? That’s what happens in the original Lady Pancake & Sir French Toast (the two titular characters race for the last drop of syrup).
  • Have you ever opened the fridge and smelled something kind of funny? That’s what happens in The Case of the Stinky Stench (a rotten smell threatens to take over the fridge)
  • Have you ever opened the fridge and things were too cold and starting to freeze? That’s what happens in Mission Defrostable (the fridge starts to freeze over).
  • Have you ever been excited to eat something, but when you took it out of the fridge it was all moldy and spoiled and gooey and gross? That’s what happens in Short & Sweet (Lady Pancake and Sir French Toast start to go stale).

And in the newest book in the series, The Great Caper Caper, fridge problem is: Have you ever opened the fridge and the light bulb had gone out?

I believe it’s important that conflicts have high stakes (pun intended). The higher the stakes the more satisfying the ending will be when the characters overcome the challenges. Sometimes the conflict affects the entire fridge community. Other times it’s more personal and affects only our main characters, but those stakes can be just as important.

So when it’s time to break out a pencil and paper and everyone creates their own characters, I always try to ask one question as I go around to see what all of the students have come up with:

What is the worst thing that could happen to your character?

And when they answer that all of the ketchup and mustard and relish paint was stolen from Art Teacher Hot Dog’s classroom, I tell them that that is the story they should write. And I can’t wait to see how their characters solve those conflicts.

Published November 15, 2020 by Union Square & Co

About the Book: Lady Pancake and Sir French Toast are back in a Las Veggies heist for the ages!

Lady Pancake and Sir French Toast awake one morning to near-darkness. Who could possibly have stolen the fridge light? And what if the fridge is—gasp—dark all the time? Not to worry; Lady Pancake and Sir French Toast are on the case! Along with their friends, they assemble blueprints, collect supplies, and investigate. Will they bring the fridge back to its bright self, or will they have to live in semi-darkness . . . forever?

About the Author: Josh Funk writes silly stories such as the Lady Pancake & Sir French Toast series (including sequels The Case of the Stinky Stench, Mission Defrostable, Short & Sweet, and The Great Caper Caper), the How to Code with Pearl and Pascal series (including How to Code a Sandcastle and How to Code a Rollercoaster), the It’s Not a Fairy Tale series (including ​It’s Not Jack and the Beanstalk, It’s Not Hansel and Gretel, It’s Not Little Red Riding Hood, and It’s Not the Three Little Pigs), the A Story of Patience & Fortitude series in conjunction with the New York Public Library (including Lost in the Library and Where Is Our Library?), Dear Dragon, My Pet Feet, and more.

Josh grew up in New England and studied Computer Science in school. Today, he still lives in New England and when not writing Java code or Python scripts, he drinks Java coffee and writes manuscripts. Since the fall of 2015, Josh has presented (or virtually presented) at over 650 schools, classrooms, and libraries.

Josh is terrible at writing bios, so please help fill in the blanks. Josh enjoys _______ during ________ and has always loved __________. He has played ____________ since age __ and his biggest fear in life is being eaten by a __________.

For more information about Josh Funk, visit him at www.joshfunkbooks.com and on Twitter, Instagram, and Facebook at @joshfunkbooks.

Thank you, Josh, for this fantastic idea as well as your always present and loveable humor!

Author Guest Post: “Bring the Text to Life: Baking the Cake” by Stephen Savage, Author of Moonlight

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“Bring the Text to Life: Baking the Cake”

In 2004, when I began my career in children’s books with a book called Polar Bear Night (published by Scholastic, written by Lauren Thompson), I thought I had it all figured out. I was of the mind that picture books were mainly about the visuals (why else would they call them “picture books”). And as crazy as what I am about to say sounds, I didn’t really understand how the text functioned. I knew it filled blank spaces in the illustrations, but that’s about it. It seemed like “the icing on the cake”. Little did I know.

Then in 2010, I decided I wanted to bake a cake and ice it, too. My daughter had just been born, and I felt inspired to write a story about her. One morning, as I stumbled across the Gowanus canal on my way to my studio in Brooklyn (I hadn’t gotten enough sleep the night before), I spotted a tug boat. “That’s my story”, I thought. I could see the visuals perfectly. 

But what about those blank spaces in the images? They’d need words! By this time, I had illustrated three books, visited a few classrooms, gotten to know the reading habits of kids, and was starting to figure things out a bit. I was learning that picture books were read-alouds, and that the words were very important (duh!).

I was on to the fact that words could be fun to say. Words could engage. More importantly, words could create a beginning, middle, and end in a book. I had so much to learn. I spent months writing my ideas down on index cards, until the cards fell together to form Little Tug (Roaring Brook Press/Macmillan).

This summer, my seventh book as both author and illustrator comes out. It’s called Moonlight. And I’m sure if I showed the book to my 2004 self, he’d scoff at the text. At only 85 words, he’d regard it as a very thin layer of icing on top of an already yummy cake.

But here’s what I’d say to my old, uniformed self: effective picture book text may seem effortless, but that’s not the case. I’d point out all the craft that went into the writing, a discussion of which, could be used to stimulate discussion in the classroom.

I’d point out FOUR examples of writing tools I used to bring the text to life:

  1. PERSONIFICATION: The book opens with the line “Something is on the move”. Personifying the moonlight, turning it into the protagonist in the story, was one way I put a new spin on the traditional lullaby/nighttime theme. 
  2. VIVID VERBS: Words like “slithering”, “drifting” and “tumbling” give the reader a sense of action and adventure. They create excitement and drama.
  3. ALLITERATION: “Sliding down silvery tracks” may just be my favorite line in the book. Why? It’s fun to say. And I have my editor, Neal Porter, to thank for that alliterative line. He replaced my original word, “Icy” with “silvery”. PS: I think it’s nice for young readers to hear how professional artists get help from their teachers (er, I mean editors 😉
  4. SENSORY LANGUAGE makes a story relatable. I used the line “Then it rests for a while, next to you” for a rush of emotion at the critical moment in the story when the moonlight journeys into the child’s bedroom. Certainly, the image of the cat snuggled up against the child reinforces this ‘touch’. 

So now that I’m thinking about it, this “icing on the cake” analogy doesn’t really apply anymore. In picture books, images always work together with text to tell the story. I had to work hard to figure this out, and luckily my editors and mentors have been generous with their advice and suggestions. Like most things in life, writing is about practice and good guidance. And a little piece of cake and a glass of milk while you’re working never hurts!

NOTE: Special thanks goes to teacher/reading specialist Renee Davis of Glastonbury, Connecticut (my sister-in-law) for acting as a consultant on this post.

Published August 23rd, 2022 by Neal Porter Books

About the Book: A lyrical bedtime read about the captivating effects of moonlight and its nightly journey.

“Something is on the move.”

When moonlight shines, it’s not like most light. In the quietest hours of the night, it swings through trees and slithers down rivers. It drifts in the wake of steamships and catches on the propeller of a passing plane. It blankets neighborhoods before coming to rest by your side.

In this bedtime picture book, Stephen Savage, author and illustrator of And Then Came Hope, Babysitter from Another Planet, and the Geisel Honor book Supertruck, presents a lyrical text and illustration full of dramatic light and shadow to pay homage to the mysterious moon and the unique ways it reveals itself each night.

About the Author: STEPHEN SAVAGE is an award-winning children’s book author and illustrator whose accolades include a New York Times Best Illustrated Book (Polar Bear Night) and a Geisel Honor (Supertruck). Polar Bear Night was a New York Times bestseller. He also wrote and illustrated And Then Came Hope and Babysitter from Another Planet. He teaches at the School of Visual Arts and lives in Brooklyn with his wife, daughter and two dogs. 

https://www.savageillustrator.com/
@savageillustrator on Instagram
@savageartist on Twitter

https://holidayhouse.com/book/moonlight/
@holidayhousebks on all platforms

Thank you, Stephen, for sharing sharing your analogy that can move writing to the next level!

Author Guest Post: “Understand the Rules, Then Forget Them” by Erin Entrada Kelly, Author of Surely Surely Marisol Rainey

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“Understand the Rules, Then Forget Them”

I run a kids book club at my local library. It’s for ages eight to twelve. Each month, we read and discuss a middle grade book then complete a related activity. After we read The Year I Flew Away by Marie Arnold, we created a mural inspired by Haitian art. For Jennifer L. Holm’s The Lion of Mars, one of the students crafted a clay astronaut. To celebrate Gregor the Overlander by Suzanne Collins, we excavated bugs.

One afternoon, as we prepared to discuss Dan Santat’s The Aquanaut, I pulled paper and pencils out of my bag. One of the young readers, Anthony, wrinkled his nose.

“Oh, no,” he said. “We’re not gonna write, are we?”

As a lifelong writer, it’s difficult for me to imagine not wanting to write. But over the years I have come to accept a disappointing reality: A lot of kids really hate writing. For them, it feels like work.

“I’m not good at it,” Anthony said. With a tilted whine to his voice, he added: “I haaaate writing.”

While it’s true that some young people hate writing, will forever hate writing, and will instead excel in some other trade or craft, it’s my mission, as a lifelong wordsmith, to make them hate it a little less.

One of the ways to do that is to eliminate all the qualities about writing that feel like work. Anything that shackles them. Anything that limits their imagination. When our goal is to simply create something, without worrying whether it’s grammatically correct or good or even readable, we are suddenly free to make mistakes. And if there’s one thing I know about young people—they don’t like making mistakes. It’s the mistakes that often prevent them from trying. It’s the mistakes that make them think they’re not good at something.

What if we limit the possibility of error? What if we create simply for the joy of creating?

Here are a few things I’ve done with students.

  • Toss the rules. Give students a writing prompt and encourage them to respond however they want. Tell them not to worry about any rules of grammar or spelling. They won’t be graded on either. In fact, they won’t be graded at all. It will be a ten-minute writing sprint and that’s it. Afterward, give them the freedom of choice: They can keep what they wrote, share it with a friend, or toss it in the trash.
  • Encourage storythinking. When you read books together, stop at the end of each chapter and ask them what they think will happen next. If too many students answer at once, take differing answers from two or three students then take a poll with the rest of the class. If you want to incorporate writing, ask your students to write one or two sentences with their predictions. They don’t need to show their predictions to anyone if they don’t want to.
  • Encourage storytelling. When you finish reading a chapter or a book, ask them how they would have written it to make it more interesting. I ask my book club these questions all the time. Their answer is almost always the same: “More dragons.” In their opinion, dragons always make things more interesting. If your students say “more dragons,” your instinct may be similar to mine—you’ll find yourself explaining why dragons aren’t logical in a story like Charlotte’s Web. But instead of launching into your logical explanation, why not embrace all their ideas? That’s what I did with my book club, and they were immediately engaged, firing off one idea after another, until they reached the end of their own story. For me, the importance of the moment wasn’t to force them to think critically about Charlotte’s Web. It was to get them excited about stories and all the possibilities they offer.

To develop a love of writing, we must develop a love of creativity, a love of storytelling, and an appreciation of how words create stories. Rules, logic, grammar, spelling—all of these sound like work. Because they are work. They serve a purpose, certainly, but they also confine us.

There are times when it’s okay to prioritize creativity above all else, and let the work come later. As grown-ups, we often forget that.

Published August 9th, 2022 by Greenwillow Books

About the Book: Everyone loves sports . . . except Marisol! The stand-alone companion to Newbery Medal winner and New York Times-bestselling Erin Entrada Kelly’s Maybe Maybe Marisol Rainey is an irresistible and humorous story about friendship, family, and fitting in. Fans of Clementine, Billy Miller Makes a Wish, and Ramona the Pest will find a new friend in Marisol.

Marisol Rainey’s two least-favorite things are radishes and gym class. She avoids radishes with very little trouble, but gym is another story–especially when Coach Decker announces that they will be learning to play kickball.

There are so many things that can go wrong in kickball. What if Marisol tries to kick the ball . . . but falls down? What if she tries to catch the ball and gets smacked in the nose? What if she’s the worst kickballer in the history of kickball? Marisol and her best friend Jada decide to get help from the most unlikely–and most annoying–athlete in the world: Marisol’s big brother, Oz.

Told in short chapters with illustrations by the author on almost every page, Erin Entrada Kelly’s stand-alone companion novel to Maybe Maybe Marisol Rainey celebrates the small but mighty Marisol, the joys of friendship, the power of being different, and the triumph of persevering.

About the Author: New York Times–bestselling author Erin Entrada Kelly was awarded the Newbery Medal for Hello, Universe and a Newbery Honor for We Dream of Space. She grew up in Lake Charles, Louisiana, and now lives in Delaware. She is a professor of children’s literature in the graduate fiction and publishing programs at Rosemont College, where she earned her MFA, and is on the faculty at Hamline University. Her short fiction has been nominated for the Philippines Free Press Literary Award for Short Fiction and the Pushcart Prize. Erin Entrada Kelly’s debut novel, Blackbird Fly, was a Kirkus Best Book, a School Library Journal Best Book, an ALSC Notable Book, and an Asian/Pacific American Literature Honor Book. She is also the author of The Land of Forgotten Girls, winner of the Asian/Pacific American Award for Literature; You Go First, a Spring 2018 Indie Next Pick; Lalani of the Distant Sea, an Indie Next Pick; and Maybe Maybe Marisol Rainey which she also illustrated.

Thank you, Erin, for this reminder to allow kids to write freely!

Lark & Kasim Start a Revolution by Kacen Callender

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Lark & Kasim Start a Revolution
Author: Kacen Callender
Published: September 27, 2022 by Amulet

Summary: From National Book Award–winner Kacen Callender, a contemporary YA that follows Lark’s journey to speak the truth and discover how their own self-love can be a revolution

Lark Winters wants to be a writer, and for now that means posting on their social media accounts––anything to build their platform. When former best friend Kasim accidentally posts a thread on Lark’s Twitter declaring his love for a secret, unrequited crush, Lark’s tweets are suddenly the talk of the school—and beyond. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark gets closer to their crush, Kasim keeps his privacy, and Lark’s social media stats explode. But living a lie takes a toll—as does the judgment of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes––or for Kasim, who is growing closer to Lark, just like it used to be between them . . .

In the end, Lark must embrace their right to their messy emotions and learn how to be in love.

Review: This is a beautiful book that has so much heart. It feels as if Kacen Callender put their whole soul into it. The characterization, in particular, stood out to me. Even minor characters feel very developed. The characters remind us of the imperfections that we all have, and the value of remembering that we won’t get everything right. I was particular impressed by the ways in which love is depicted throughout the text. It is vast and expansive and knows no rules or boundaries. The LGBTQ representation and attention to intersectionality was among the best I’ve read (and I read a lot of YAL). Callender also depicts the raw brutality that can come with social media. There were moments in this text where I felt sick to my stomach.

The word “revolution” is in the title, and there are many moments where readers are given space to explore conceptions and understanding of activism. I particularly liked that the revolution isn’t explicit, which made me think deeply long after I turned the last page of the text.

I loved this book, and I can’t wait to discuss it with others. I certainly have many pages flagged to read again and again!

As one side note, I couldn’t decide if this book was realistic fiction or if the splash of magical realism made it magical realism. I am not much of a genre sorter, but I thought I’d throw that out there in case you are. 😉

Teachers’ Tools for Navigation: The rep in this book! The rep! I wish I’d been exposed to more books with representation like this when I was in school. If I was teaching this book, I would introduce some of Crenshaw’s intersectionality articles to allow students to dive into these concepts together.

Discussion Questions: 

  • What does Lark learn in this book?
  • How does Kasim develop as a character?
  • What do we, the readers, learn from Sable?
  • What did you learn (or think about) related to social media?
  • How are the characters in this book imperfectly human?

Flagged Passage: “That feeling when you read the last line of a book that you love? I can’t think of a lonelier feeling in the world.”

Read This If You Loved:  Books by Kacen Callender,

Recommended For:

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RickiSig

Author Guest Post: “Five Tips to Excite Students About Writing” by Laurel Solorzano, Author of The Land of Fake Believe

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“Five Tips to Excite Students About Writing”

One of the most difficult parts of teaching writing is convincing all students to be involved in the various activities. Some of my students have reached the end of the writing period with NOTHING on their paper. How many distractions could they possibly have had? These five tips should help you get those students not only involved but excited to tell their story.

Tip #1

Allow Alternative Ways to Tell Their Story. Most of the time, my students who have trouble putting words on paper are the ones who talk. Everyone else may be working quietly, but they are talking- to me, to the other students, to themselves. It doesn’t matter if anyone is responding or not, their mouths are moving.

One way I’ve been able to get these students involved is by using a recording device (a phone or an app on a tablet works well). I move them out into the hall and have them record themselves telling their story or answering the prompt. I usually tell them that they have two minutes to record it (any longer than that, and transcription takes a while).

They LOVE doing this, because they can talk and avoid writing for a few minutes with the teacher’s permission!

Once they’ve recorded themselves, depending on the student’s age, I can either use an online program to transcribe it for them (I then have them read what they “wrote” and fix the errors), OR I’ll have them transcribe it themselves.

Tip #2

SHARE their writing. Some of my students have disliked writing because they don’t get the chance to talk/share with their classmates. They prefer to tell the story out loud rather than write it down and pass it to me.

Whenever I’ve given them the chance to read their story/writing out loud, then they get more excited about writing it. They can’t wait to make their classmates laugh!

I give other students the chance to share too, but don’t force it on the quieter ones who already enjoy the writing.

Tip #3

Give them creative freedom. While mentor texts or examples that students can follow is helpful for SOME students, it can make others struggle. How can they make their writing sound like that writing? They become overwhelmed trying to make it perfect, so they either don’t try at all or copy the example writing and just change a word or two.

For example, if you give them the topic of writing about a favorite memory, then give them subject examples, but not paragraph examples. “Did you ever receive a special Christmas or birthday present? What made it special? Where have you gone that you really enjoyed? The zoo, amusement park?” This can get their ideas pumping without feeling like they have to churn out a perfect paragraph.

Tip #4

Don’t compare writing. You probably already know this, and you wouldn’t do it on purpose. However, sometimes, comments slip out accidentally. “Wow! Did everyone see what a great paragraph Johnny wrote?” or maybe even something that you think is more subtle because you are just speaking to the student. “Johnny, that was really great. I don’t know how you do it!”

Written feedback helps avoid this comparison. I always write one thing each student did well and one thing they can improve. Instead of writing that one student needs to fix their verb tenses and their quotation marks, indent their paragraphs, not use fragments, and. . . well, you get the idea. That would be overwhelming as an adult.

Pick one, concrete thing that they can improve, and write that one. For example, “Don’t start sentences with ‘and’” or “Use an apostrophe to show possession.” That way, they can improve and not be overwhelmed.

Tip #5

Connect reading and writing. A lot of students who don’t necessarily enjoy writing do enjoy listening to stories. Even when students can read on their own, they aren’t too old to be read to as well.

Once they have a story in their head, writing prompts related to the story can turn on their creativity.

Read-aloud continues in my classroom even through fifth grade, which is why I love picking stories that are fun not only for the kids but for me to read year after year as well. Check out my book below for a fun classroom read!

Fun Writing Ideas

Now that you have some ideas about how to involve the non-writers in writing time, here are some prompts to use in your class.

  • If you could meet one fairy tale character, who would it be? What would happen when you meet them?
  • (After reading a book or part of a book together) What do you think should happen in the next chapter?
  • Pick one notoriously bad guy (the Joker, the Big Bad Wolf, or Maleficent for example) and write about them as if they were good.

Published September 1st, 2022

About the Book: The Land of Fake Believe is a twisted fairy tale about two siblings and their fateful encounter with real amusement park characters. It is geared to children ages eight to twelve, but can be read aloud to younger children.

In this fractured fairy tale story, twelve-year-old Taylan is angry when her mom scolds her for telling her five-year-old sister, Judy, that Cinderella isn’t real, just as the little girl is about to meet her favorite princess at the famed Happily Ever After amusement park. Relegated to their vacation hotel room for the evening as a punishment, Taylan enlists the help of her ten-year-old brother, Colby, to prove her mom wrong. What they discover in the park after dark is beyond their wildest dreams—or nightmares.

Soon, the siblings find themselves in the middle of a secret century-long battle among the park’s characters—the good Ever Afters and the dark Ever Afters—and are in a race to help their new friends before the Evil Queen takes over the park for good. With Beauty, Cindy, and Peter Pan on their side, will they be able to survive the conflict before it’s too late?

Fun activities after reading the book including a coloring sheet, quiz, and maze: https://www.laurelsolorzano.com/activities

About the Author: Children’s book author Laurel Solorzano has been creating stories since she first learned how to write, completing her first full-length novel while in middle school. Her love for fairy tales is what inspired her to write The Land of Fake Believe.

Hailing from Raleigh, North Carolina, where she lives with her husband, Yader, Laurel is a Spanish and English teacher. When she’s not penning creative stories for young readers, Laurel enjoys reading and spending time with her two dogs. Also the published author of five young adult books, Laurel’s book The Land of Fake Believe is the debut book in a series of twisted fairy tales including book 2-Once Upon a Climb and book 3- The Princess and the Key.

Author Q&A can be seen here. https://www.laurelsolorzano.com/about

Facebook- https://www.facebook.com/laurelsbooks

Signing up for her newsletter on her website is the best way to stay connected!

Thank you, Laurel, for these amazing engaging tips!

Author Guest Post: “Finding ‘HOME’ in Poetry” by Dianne White, Author of Look and Listen

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“FINDING ‘HOME’ in POETRY”

When I was growing up, my middle sister was the storyteller in our family. Her vivid imagination and ability to embellish details to suit the occasion came in handy whenever it was time to write. 

I was not that kind of storyteller. I did my assignments as asked, but never once did I think of myself as a writer.  It wouldn’t be until years later, towards the end grad school, when that changed. How? My professor complimented my writing. She’d admired the way I’d organized my thoughts and supported my opinions succinctly and thoroughly. Though it was a completely different kind of writing – preparation for the comprehensive exams – it was the boost I needed.

Strange, isn’t it? One sincere complement changed my relationship to writing. As soon I finished my advanced degree, I was ready for a new challenge, and I knew exactly what it would be: I wanted to write for children. 

My experiences in the classroom had already introduced me to hundreds of picture books. It was the late 80s, early 90s, a time when Whole Language was a buzz word and using “real books” to support reading and writing was common practice. I loved everything about this kind of teaching and discovered a new-found appreciation for the complexities and possibilities of picture books. 

Also at that time, as a bilingual educator in California, primary language instruction (Spanish, in my classroom) was the rule of the day. I loved that, too, but as a first-grade teacher responsible for helping kids learn to read, I was looking for more… 

I remembered a favorite record of Mother Goose rhymes that my sister and I had listened to as kids the week we were both sick in bed with the mumps. (No vaccines yet!)  I wondered – what was the Spanish version of those early childhood rhymes that I remembered so fondly?

That’s when I discovered poems and songs in Spanish: “Luna, Lunera/ Cascabelera/Cinco pollitos y una ternera.” 

I began to integrate more poetry – rhymes, songs, anthologies, and collections – into my classroom. We read oodles of children’s poetry in both English and Spanish, and we began to write it, too. The same lessons that inspired my students to write became inspiration for me. But it took a while to realize that my most true writing home – my querencia, as poet and teacher Georgia Heard speaks about in her book, WRITING TOWARD HOME – is poetry.

So that’s my invitation to teachers. Bring poetry into the classroom. Perhaps your students will find their home there, too. 

Here are 3 ways to do that:

  1. Start with something familiar. School. Someone special –a grandparent? A friend? A pet? Or something as ordinary as the coming and going of a rainstorm, the inspiration for my first book, BLUE on BLUE.

    Brainstorm a long list of words related to the topic. Nouns. Strong verbs. Phrases. Colors. Include words that address the senses. Think image and sound, taste and touch. Kids don’t need to be overly fussy. Nor do they need to rhyme. Let them play with words, moving them around, breaking the lines, and experimenting with the shapes of their poems. This is poetry exploration at its best. Let them have fun creating!

  2. Pick a subject you’re studying in class or a discovery the children have made. I remember one morning, as the bell rang and the kids lined up, a child spotted a praying mantis waiting for us beside the classroom door. We picked her up and placed her in a container, poked some holes in the lid, and settled ourselves in a big circle to share our discovery. This would become our writing workshop for the day.

    We observed, noticed, asked questions. I pulled up a photo of a praying mantis on the smart board and we looked closer, noting the three body parts, the mandible, the spines on the front legs. We used our imaginations. What did this photo remind us of? An alien? A warrior? A conductor? Then, we wrote, starting with an image and a simile: “Like a conductor, the praying mantis raises her baton…”

  3. Write a riddle, as I do in my latest book, LOOK and LISTEN: Who’s in the Garden, Meadow, Brook?, illustrated by Amy Schimler-Safford. Have each student choose an animal and then describe it in the form of a question. Feel free to use the structure of the first riddle in the book as a poetry frame (example below). Don’t insist on rhyme but do let kids experiment. And while you’re at it? Why not have them draw an imaginary animal and describe it! They can choose a SOUND their creature makes and a made-up (rhyming) NAME for the last line.

    One of the best parts of writing workshop is sharing new work with an audience. Short on time? Do a version of “popcorn reading” – one student reads a line from their poem, pauses, makes eye contact with another student, who then reads a line, and so on. Although this takes a little practice, once kids get the hang of this version of “shared reading”, it’s a nice, centering way to close out the day.

Happy Poetry Writing! 

Look and Listen: Who’s in the Garden, Meadow, Brook?
Author: Dianne White
Illustrator: Amy Schimler-Safford
Published June 14th, 2022 by Margaret Ferguson Books

About the Book: A guessing game in a book that celebrates the curiosity and delight of a jaunt through a garden, meadow, and alongside a brook.

A child steps outside and strolls along, taking in the sights and sounds of nature. Rhythmic, rhyming text tracks his journey through a garden, meadow, and next to a brook, introducing a new color and animal found in that ecosystem with every turn of the page, transforming an ordinary walk into a feast for the senses.

Complete with material that explains the rich variety of wildlife and natural habitats found in the book, author Dianne White’s playful text is paired with the vibrant collage artwork of Amy Schimler-Safford, making for an exciting read-aloud and guessing game for budding nature lovers. 

About the Author: Dianne White is the award-winning author of numerous children’s picture books, including Blue Blue, Green on Green, and Who Eats Orange? As a teacher who was privileged to share her love of books and poetry with many students over many years, she now has the pleasure of  writing full-time. Most days, she strolls the neighborhood and fields near her home in sunny Arizona, looking and listening for buzzing bees, hopping bunnies and croaking frogs. Visit her at diannewrites.com.

Thank you, Dianne, for helping bring poetry into the classroom!

Teachers’ Guide for The Beatryce Prophecy by Kate DiCamillo, Illustrated by Sophie Blackall

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The Beatryce Prophecy
Author: Kate DiCamillo
Illustrator: Sophie Blackall
Publishing September 28th, 2021 by Candlewick Press

Summary: From two-time Newbery Medalist Kate DiCamillo and two-time Caldecott Medalist Sophie Blackall comes a fantastical meditation on fate, love, and the power of words to spell the world.

We shall all, in the end, be led to where we belong. We shall all, in the end, find our way home.

In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat. As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all–for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why.

And so it is that a girl with a head full of stories–powerful tales-within-the-tale of queens and kings, mermaids and wolves–ventures into a dark wood in search of the castle of one who wishes her dead. But Beatryce knows that, should she lose her way, those who love her–a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone–will never give up searching for her, and to know this is to know everything. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo’s lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters.

Teachers’ Tools for Navigation and Discussion Questions: 

Please view and enjoy the teachers’ guide I created for Candlewick Press for The Beatryce Prophecy:

You can also access the teaching guide here.

You can learn more about The Beatryce Prophecy on Candlewick’s page.

Recommended For: 

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