Author Guest Post: “The Powerful Nature of Graphic Memoirs” by Claire Lordon, Author of One in a Million

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“The Powerful Nature of Graphic Memoirs”

I think graphic memoirs are so powerful because not only are you reading a story but you can also visualize things as well. When I was thinking of creating my graphic memoir One in a Million there never was a doubt that it was going to be in graphic memoir format. I wanted to show what I went through. I knew I would have a hard time conveying what depression felt like in writing, but with my illustration background I sure knew how to show it.

Graphic memoirs are just that, memoirs that are created with graphics. While creating this book I first called it a “graphic novel memoir” just because I hadn’t heard the term graphic memoir, and because it gave people an idea that it would be similar to a graphic novel. The term “graphic novel memoir” always seemed like a misnomer because how can something be a novel and a memoir? It was only since Jarret J. Krosoczka’s Hey, Kiddo that I started hearing the term graphic memoir in use. It fit and since then I’ve heard many other books use that term too. I made sure that the term graphic memoir was on the cover of my book because I needed people to know that it’s a true story.

Since I started working on my book I have also learned about the term “graphic medicine”. This is a subgenre of comics, graphic novels, and graphic memoirs that depict or have themes relating to healthcare. One of the interesting ways graphic medicine is being used is in the medical humanities at medical schools. Medical students can gain an understanding of what a patient’s perspective may be.

The importance on memoirs, including graphic memoirs is that they give the reader an insight into another person’s life and perspective. This can help create compassion and empathy for others. My hope is that my book helps others that are going through something similar. I also hope that others gain some understanding of what being sick as a teen can entail (especially if someone looks “normal” on the outside). Everyone has a story to share. What will be yours?

Some of my favorite graphic memoirs:

  • Smile by Raina Telgemeier
  • Hey, Kiddo by Jarret J. Krosoczka
  • A First Time for Everything by Dan Santat
  • Parenthesis by Élodie Durand
  • Fun Home by Alison Bechdel
  • In Limbo by Deb JJ Lee

Writing prompt

Everyone has a story to tell.

Create a short comic about an event in your life. It could be as simple as to your morning routine today to a big life event. Don’t worry about your art skills. Stick figures will work (see xkcd.com).

Some prompts: What is the happiest memory you have? What is the saddest memory you have? What was your day like yesterday? Draw a comic of your most recent birthday.

Create a grid on paper could be 4×4 or more, depending on how long you want your story to be (some comics are even just a single panel! I encourage starting with a 4×4 so you can show time passing). You can work on creating your characters separately or you can just jump into creating. Draw your character(s) and make sure to leave room for the text (if needed). Remember in comics half the story is in the art. So if you want to show someone putting on their shoes you don’t need to state it in the text (ex. ”…and then I put on my shoes.”) We don’t need the text because we can see it. Happy creating!

Published October 10th, 2023 by Candlewick Press

About the Book: Debut graphic novelist Claire Lordon’s medical misfortunes may be one in a million in this relatable memoir, but so is her determination, grit, and passion to beat the odds and reclaim her life.

Something is wrong with Claire, but she doesn’t know what. Nobody does, not even her doctors. All she wants is to return to her happy and athletic teenage self. But her accumulating symptoms—chronic fatigue, pounding headaches, weight gain—hint that there’s something not right inside Claire’s body. Claire’s high school experience becomes filled with MRIs, visits to the Mayo Clinic, and multiple surgeries to remove a brain tumor. But even in her most difficult moments battling chronic illness, Claire manages to find solace in her family, her closest friends, and her art. A deeply personal and visually arresting memoir that draws on the author’s high school diaries and drawings, One in a Million is also a sophisticated portrayal of pain, depression, and fear that any teen or adult can relate to. With a sensitive preface and an author’s note connecting past to present, this true story of resilience strikes a moving balance between raw honesty in the face of medical and mental trauma and the everyday musings of a teenager.

About the Author: Claire Lordon is an author, illustrator, and designer who creates children’s books, comics, murals, maps, and greeting cards. She is the author-illustrator of Lorenzo, the Pizza-Loving Lobster, the Taking a Walk series, and other picture books. One in a Million is her first graphic novel. Claire Lordon lives in Vancouver, Canada.

Thank you, Claire, for these writing prompts to get our students creating!

There Was a Party for Langston by Jason Reynolds, Illustrated by Jerome Pumphrey & Jarrett Pumphrey

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There Was a Party for Langston
Author: Jason Reynolds
Illustrators: Jerome Pumphrey & Jarrett Pumphrey
Published October 3rd, 2023 by Atheneum/Caitlyn Dlouhy Books

Summary: New York Times bestselling and award-winning author Jason Reynolds’s debut picture book is a snappy, joyous ode to Word King, literary genius, and glass-ceiling smasher Langston Hughes and the luminaries he inspired.

Back in the day, there was a heckuva party, a jam, for a word-making man. The King of Letters. Langston Hughes. His ABCs became drums, bumping jumping thumping like a heart the size of the whole country. They sent some people yelling and others, his word-children, to write their own glory.

Maya Angelou, Amiri Baraka, and more came be-bopping to recite poems at their hero’s feet at that heckuva party at the Schomberg Library, dancing boom da boom, stepping and stomping, all in praise and love for Langston, world-mending word man. Oh, yeah, there was hoopla in Harlem, for its Renaissance man. A party for Langston.

Praise:

Melding celebratory text and kinetic, graphical art, the creators underscore the power of the subject’s poetry to move and to inspire. – Publishers Weekly, *STARRED REVIEW*, 8/14/2023

Evocative and celebratory words float around the dancers like strains of music, all the way to a culminating whirl of letters, laughter, and joy. Who knew these esteemed literary lions could cut the rug like that? – Booklist, *STARRED REVIEW*, 08/01/2023

Reynolds and the Pumphrey brothers take readers on a dazzling journey through Langston Hughes’ legacy … A bar set stratospherically high and cleared with room to spare. – Kirkus Reviews, *STARRED REVIEW*, 08/01/2023

This book is an absolute textual and pictorial glory of people, places, word-making, song-singing, storytelling, history-making moments, and images that are unforgettable. A beguiling, bedazzling collaboration that will send children to the shelves to learn more about all the names within, especially Hughes. – School Library Journal, *STARRED REVIEW*, July 2023

About the Creators: 

Jason Reynolds is a #1 New York Times bestselling author, a Newbery Award Honoree, a Printz Award Honoree, a two-time National Book Award finalist, a Kirkus Award winner, a UK Carnegie Medal winner, a two-time Walter Dean Myers Award winner, an NAACP Image Award Winner, an Odyssey Award Winner and two-time honoree, the recipient of multiple Coretta Scott King honors, and the Margaret A. Edwards Award. He was also the 2020–2022 National Ambassador for Young People’s Literature. His many books include All American Boys (cowritten with Brendan Kiely); When I Was the GreatestThe Boy in the Black SuitStampedAs Brave as YouFor Every One; the Track series (Ghost, Patina, Sunny, and Lu); Look Both WaysStuntboy, in the MeantimeAin’t Burned All the Bright (recipient of the Caldecott Honor) and My Name Is Jason. Mine Too. (both cowritten with Jason Griffin); and Long Way Down, which received a Newbery Honor, a Printz Honor, and a Coretta Scott King Honor. He lives in Washington, DC. You can find his ramblings at JasonWritesBooks.com.

Jerome Pumphrey is a designer, illustrator, and writer, originally from Houston, Texas. His work includes It’s a Sign!Somewhere in the BayouThe Old Boat, and The Old Truck, which received seven starred reviews, was named a Best Book of the Year by Publishers Weekly, and received the Ezra Jack Keats Writer Award Honor—all of which he created with his brother Jarrett. They also illustrated Jason Reynolds’s There Was a Party for Langston. Jerome works as a graphic designer at The Walt Disney Company. He lives near Clearwater, Florida.

Jarrett Pumphrey is an award-winning author-illustrator who makes books for kids with his brother, Jerome. Their books include It’s a Sign!Somewhere in the BayouThe Old Boat, and The Old Truck, which received seven starred reviews, was named a Best Book of the Year by Publishers Weekly, and received the Ezra Jack Keats Writer Award Honor. They also illustrated Jason Reynolds’s There Was a Party for Langston. Jarrett lives near Austin, Texas.

Review: This book may just be perfection. All of it–the words, the story, the inspiration, and the art.

First, we have Jason Reynolds’s verse, written with a rhythm that is screaming to be read aloud (I can’t wait for the audiobook). The story is a celebration of Hughes about a celebration of Hughes, so the love is truly emanating off the pages. And the story of Reynolds’s inspiration is just so wholesome and a snapshot into history that deserves this book.

Second, the cherry on top is the pieces of art that illustrate Reynolds’s words. The Pumphrey brothers use handmade stamps to create spreads that complete the book into the complete package that it is. I loved how they included Hughes’s words and Reynolds’s words within the art as well.

I highly recommend reading Betsy Bird’s Goodreads review because she is so much more articulate and detailed than I am about this book in all of its glory.

Tools for Navigation: This text should be combined with Hughes’s work. His words are intertwined within the book which lends directly into picking up Hughes’s work to read alongside it. Readers could also find words within the illustrations and find which of Hughes’s work it comes from and look at why that particular section would be included at that point.

Additionally, other beloved authors were introduced to the readers, not only Maya Angelou and Amiri Baraka but James Baldwin, Gwendolyn Brooks, Ashley Bryan, Octavia Butler, Countee Cullen, W.E.B. DuBois, Paul Laurence Dunbar, Alice Dunbar Nelson, Ralph Ellison, Nikki Giovanni, Alex Haley, Zora Neale Hurston, Claude McKay, Toni Morrison, Alice Walker, and Richard Wright. These introductions could lend themselves to be the start of an author study, including asking why Reynolds and the Pumphreys would have chosen to include these specific authors.

Discussion Questions: 

  • Why did Langston Hughes have a party at the library?
  • What are some ways that Reynolds captured the excitement and glory of the evening with his words?
  • How did the illustrators use words in their art? What does it add to the book?
  • How did some of Hughes’s purposes relate to issues we’re still facing in America?
  • What inspired Jason Reynolds to write this book?
  • How is this picture book biography different than others?

Flagged Spreads: 

Read This If You Love: Poetry, Langston Hughes, Jason Reynolds

Recommended For: 

classroomlibrarybuttonsmall 

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**Thank you to Simon & Schuster’s Children’s Publishing for sharing a copy for review!**

Author Guest Post: “Where Story Ideas Come From & Why Personal Narrative Writing Works Best for Me” by Charlotte Offsay, Author of Challah Day!

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“Where Story Ideas Come From & Why Personal Narrative Writing Works Best for Me”

One of my favorite questions to ask other authors is where their story ideas come from. It fascinates me that everyone seems to harness creativity differently. Some authors I know will take two things that ton’s typically go together and combine them into a story, for example mashing vampires and a beach vacation lead author Laura Lavoie to write Vampire Vacation. Other authors will create lists – emotions, settings, types of narrators etc. – and challenge themselves to combine them into a story.

Personally, I prefer Personal Narrative Writing and tend to mine my own life for story ideas. I find that when I write from experience or from the heart, it shines through in my writing and brings out my best work. Since I write picture books, I like to take my own personal experiences and then channel them through a child lens and onto the page.

Take for example my upcoming picture book Challah Day! illustrated by the talented Jason Kirschner (8/1/23 from Holiday House). The idea for Challah Day! was born out of a personal experience close to my heart – my love of baking challah with my two young children.

Book Description: Challah Day! is a joyful, rhyming story about a Jewish holiday food that’s baked with love. From kneading sticky dough to gathering with family around the table, Challah Day! celebrates family, food, heritage, and tradition! Join this happy family as they bake delicious braided egg bread for their Friday night Shabbat dinner.

I began making challah with my two young children when they grew old enough to stop trying to eat the raw dough. Making Challah with them has brought clouds of flour, broken eggs, endless laughter, delicious bread and a beautiful timeless tradition into our home. Channeling my joy of baking together led to my writing the first draft of Challah Day! after one particularly giggle-filled baking session.

I sat down and wrote an upbeat, rhyming story about a family baking challah together for Shabbat. I included fun details from my own life, for example one page reads:

Crack the eggs – one… two… three… four
Extra if some hit the floor.

These lines were inspired by the countless eggs my children broke while learning to master cracking eggs.

The lines…

Chocolate? Raisins? Which to use?
It’s not hard for us to choose!

…come from my daughter who loves to try and fit an entire bag of chocolate chips into her challah dough.

And the lines…

Grandma lights the candles bright.
She and Grandpa hold us tight.

…were inspired by my in-laws who still scoop my children close every time we light the Shabbat candles together.

Mining personal experiences for story ideas can be a great way to help students create their own stories – everyone has a story to tell! Students can choose to stick close to their personal experiences the way I did with Challah Day! or they can use the concept as inspiration and then take artistic license.

Personal Narrative Writing Prompts:

  1. Write about a food that you love to cook or bake with your family.
  2. Describe a favorite tradition or holiday.
  3. Where is your favorite place to visit and why?
  4. What was the best day you have ever had?
  5. Write about your first sleepover
  6. What is something that you are proud of?
  7. What is the silliest thing that has ever happened to you?

Steps:

  1. Pick a personal narrative writing prompt.
  2. Who are the characters in your story?
  3. What are the steps or order of events in your story?
  4. What fun personal details can you add?
  5. Write an opening line that will introduce your character and make your reader want to keep reading. For example, “The silliest thing that ever happened to me was ____” Or “I am proud of ____ because _____.”
  6. Write about the events that happened in your story while keeping the action moving forward. Follow your order of events using words such as: First, Next, Then, Finally.
  7. Incorporate your fun personal details as you write just like I did for Challah Day! Add adjectives/describing words and answer the following questions within your story: Who, What, Where, Why or How.
  8. Conclude your story with one of the following:
    1. How things ended
    2. What you learned
    3. What you will never forget
    4. How the story changed you/made you look at the world differently
    5. What you look forward to doing next time

Happy creating!

About the Author: CHARLOTTE OFFSAY was born in England, grew up in Boston, and currently lives in Los Angeles with her husband and two children. Through her work, Charlotte hopes to make children laugh, to inspire curiosity, and to create a magical world her readers can lose themselves in time and time again.

Charlotte is the author of The Quiet Forest, illustrated by Abi Cushman (Paula Wiseman Books, 2024), Challah Day!, illustrated by Jason Kirschner (Holiday House, 2023), A Grandma’s Magic, illustrated by Asa Gilland (Doubleday Books for Young Readers, April 2022), The Big Beach Cleanup, illustrated by Kate Rewse (Albert Whitman, 2021), and How to Return a Monster, illustrated by Rea Zhai (Beaming Books, 2021).

Learn more about Charlotte’s work at charlotteoffsay.com and follow her on Twitter and Tiktok at @COffsay and on Instagram at @picturebookrecommendations. Charlotte is represented by Nicole Geiger at Full Circle Literary.

Thank you, Charlotte, for this post about your process and ideas to help kids with theirs!

Author Guest Post: “Fridge Problems” by Josh Funk, Author of Lady Pancake & Sir French Toast #5: The Great Caper Caper

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“Fridge Problems”

First, thank you, Ricki and Kellee, for inviting me to post here at Unleashing Readers! It’s an honor to share on your awesome site.

As the fifth Lady Pancake & Sir French Toast adventure, The Great Caper Caper, was just released, I thought I’d share a little bit of what I talk about with students when I visit schools.

After reading one of the Lady Pancake & Sir French Toast books and discussing how I wrote it and how Brendan Kearney illustrated it and how long (three and a half years) it took from the time I came up with the idea until it was available on bookshelves, I like to get some volunteers and create some characters. I’ll usually ask students to share their favorite foods and jobs they want to have when they grow up – and then we mash them together and end up with Doctor Pizza. Or Professor Cupcake. Or President Peanut. And we’ll make up a little story with these characters, but it doesn’t really get good until we introduce the most important ingredient: Conflict.

I tell students that in a story, we always need our characters to encounter some sort of challenge. Or something bad has to happen that they have to overcome. Or maybe we need … a villain (at which point I’ll rebrand the principal or librarian or some faculty member to be someone’s least favorite food mixed with a super scary animal/monster/creature. Say hello to Evil Mushroom Spider. Or Moldy Broccoli Vampire).

But conflict isn’t always a villain. In fact, when I write the Lady Pancake & Sir French Toast series, the conflict rarely is a villain (at least not directly). It’s usually a fridge problem. And I always try to keep them relatively kid-relatable.

I ask myself (and students) the question: What is a problem that could happen in a fridge?

  • Have you ever fought with a sibling over the last slice of pizza or last cookie or last drop of syrup? That’s what happens in the original Lady Pancake & Sir French Toast (the two titular characters race for the last drop of syrup).
  • Have you ever opened the fridge and smelled something kind of funny? That’s what happens in The Case of the Stinky Stench (a rotten smell threatens to take over the fridge)
  • Have you ever opened the fridge and things were too cold and starting to freeze? That’s what happens in Mission Defrostable (the fridge starts to freeze over).
  • Have you ever been excited to eat something, but when you took it out of the fridge it was all moldy and spoiled and gooey and gross? That’s what happens in Short & Sweet (Lady Pancake and Sir French Toast start to go stale).

And in the newest book in the series, The Great Caper Caper, fridge problem is: Have you ever opened the fridge and the light bulb had gone out?

I believe it’s important that conflicts have high stakes (pun intended). The higher the stakes the more satisfying the ending will be when the characters overcome the challenges. Sometimes the conflict affects the entire fridge community. Other times it’s more personal and affects only our main characters, but those stakes can be just as important.

So when it’s time to break out a pencil and paper and everyone creates their own characters, I always try to ask one question as I go around to see what all of the students have come up with:

What is the worst thing that could happen to your character?

And when they answer that all of the ketchup and mustard and relish paint was stolen from Art Teacher Hot Dog’s classroom, I tell them that that is the story they should write. And I can’t wait to see how their characters solve those conflicts.

Published November 15, 2020 by Union Square & Co

About the Book: Lady Pancake and Sir French Toast are back in a Las Veggies heist for the ages!

Lady Pancake and Sir French Toast awake one morning to near-darkness. Who could possibly have stolen the fridge light? And what if the fridge is—gasp—dark all the time? Not to worry; Lady Pancake and Sir French Toast are on the case! Along with their friends, they assemble blueprints, collect supplies, and investigate. Will they bring the fridge back to its bright self, or will they have to live in semi-darkness . . . forever?

About the Author: Josh Funk writes silly stories such as the Lady Pancake & Sir French Toast series (including sequels The Case of the Stinky Stench, Mission Defrostable, Short & Sweet, and The Great Caper Caper), the How to Code with Pearl and Pascal series (including How to Code a Sandcastle and How to Code a Rollercoaster), the It’s Not a Fairy Tale series (including ​It’s Not Jack and the Beanstalk, It’s Not Hansel and Gretel, It’s Not Little Red Riding Hood, and It’s Not the Three Little Pigs), the A Story of Patience & Fortitude series in conjunction with the New York Public Library (including Lost in the Library and Where Is Our Library?), Dear Dragon, My Pet Feet, and more.

Josh grew up in New England and studied Computer Science in school. Today, he still lives in New England and when not writing Java code or Python scripts, he drinks Java coffee and writes manuscripts. Since the fall of 2015, Josh has presented (or virtually presented) at over 650 schools, classrooms, and libraries.

Josh is terrible at writing bios, so please help fill in the blanks. Josh enjoys _______ during ________ and has always loved __________. He has played ____________ since age __ and his biggest fear in life is being eaten by a __________.

For more information about Josh Funk, visit him at www.joshfunkbooks.com and on Twitter, Instagram, and Facebook at @joshfunkbooks.

Thank you, Josh, for this fantastic idea as well as your always present and loveable humor!

Author Guest Post: “Bring the Text to Life: Baking the Cake” by Stephen Savage, Author of Moonlight

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“Bring the Text to Life: Baking the Cake”

In 2004, when I began my career in children’s books with a book called Polar Bear Night (published by Scholastic, written by Lauren Thompson), I thought I had it all figured out. I was of the mind that picture books were mainly about the visuals (why else would they call them “picture books”). And as crazy as what I am about to say sounds, I didn’t really understand how the text functioned. I knew it filled blank spaces in the illustrations, but that’s about it. It seemed like “the icing on the cake”. Little did I know.

Then in 2010, I decided I wanted to bake a cake and ice it, too. My daughter had just been born, and I felt inspired to write a story about her. One morning, as I stumbled across the Gowanus canal on my way to my studio in Brooklyn (I hadn’t gotten enough sleep the night before), I spotted a tug boat. “That’s my story”, I thought. I could see the visuals perfectly. 

But what about those blank spaces in the images? They’d need words! By this time, I had illustrated three books, visited a few classrooms, gotten to know the reading habits of kids, and was starting to figure things out a bit. I was learning that picture books were read-alouds, and that the words were very important (duh!).

I was on to the fact that words could be fun to say. Words could engage. More importantly, words could create a beginning, middle, and end in a book. I had so much to learn. I spent months writing my ideas down on index cards, until the cards fell together to form Little Tug (Roaring Brook Press/Macmillan).

This summer, my seventh book as both author and illustrator comes out. It’s called Moonlight. And I’m sure if I showed the book to my 2004 self, he’d scoff at the text. At only 85 words, he’d regard it as a very thin layer of icing on top of an already yummy cake.

But here’s what I’d say to my old, uniformed self: effective picture book text may seem effortless, but that’s not the case. I’d point out all the craft that went into the writing, a discussion of which, could be used to stimulate discussion in the classroom.

I’d point out FOUR examples of writing tools I used to bring the text to life:

  1. PERSONIFICATION: The book opens with the line “Something is on the move”. Personifying the moonlight, turning it into the protagonist in the story, was one way I put a new spin on the traditional lullaby/nighttime theme. 
  2. VIVID VERBS: Words like “slithering”, “drifting” and “tumbling” give the reader a sense of action and adventure. They create excitement and drama.
  3. ALLITERATION: “Sliding down silvery tracks” may just be my favorite line in the book. Why? It’s fun to say. And I have my editor, Neal Porter, to thank for that alliterative line. He replaced my original word, “Icy” with “silvery”. PS: I think it’s nice for young readers to hear how professional artists get help from their teachers (er, I mean editors 😉
  4. SENSORY LANGUAGE makes a story relatable. I used the line “Then it rests for a while, next to you” for a rush of emotion at the critical moment in the story when the moonlight journeys into the child’s bedroom. Certainly, the image of the cat snuggled up against the child reinforces this ‘touch’. 

So now that I’m thinking about it, this “icing on the cake” analogy doesn’t really apply anymore. In picture books, images always work together with text to tell the story. I had to work hard to figure this out, and luckily my editors and mentors have been generous with their advice and suggestions. Like most things in life, writing is about practice and good guidance. And a little piece of cake and a glass of milk while you’re working never hurts!

NOTE: Special thanks goes to teacher/reading specialist Renee Davis of Glastonbury, Connecticut (my sister-in-law) for acting as a consultant on this post.

Published August 23rd, 2022 by Neal Porter Books

About the Book: A lyrical bedtime read about the captivating effects of moonlight and its nightly journey.

Something is on the move.”

When moonlight shines, it’s not like most light. In the quietest hours of the night, it swings through trees and slithers down rivers. It drifts in the wake of steamships and catches on the propeller of a passing plane. It blankets neighborhoods before coming to rest by your side.

In this bedtime picture book, Stephen Savage, author and illustrator of And Then Came HopeBabysitter from Another Planet, and the Geisel Honor book Supertruck, presents a lyrical text and illustration full of dramatic light and shadow to pay homage to the mysterious moon and the unique ways it reveals itself each night.

About the Author: STEPHEN SAVAGE is an award-winning children’s book author and illustrator whose accolades include a New York Times Best Illustrated Book (Polar Bear Night) and a Geisel Honor (Supertruck). Polar Bear Night was a New York Times bestseller. He also wrote and illustrated And Then Came Hope and Babysitter from Another Planet. He teaches at the School of Visual Arts and lives in Brooklyn with his wife, daughter and two dogs. 

https://www.savageillustrator.com/
@savageillustrator on Instagram
@savageartist on Twitter

https://holidayhouse.com/book/moonlight/
@holidayhousebks on all platforms

Thank you, Stephen, for sharing sharing your analogy that can move writing to the next level!

Author Guest Post: “Understand the Rules, Then Forget Them” by Erin Entrada Kelly, Author of Surely Surely Marisol Rainey

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“Understand the Rules, Then Forget Them”

I run a kids book club at my local library. It’s for ages eight to twelve. Each month, we read and discuss a middle grade book then complete a related activity. After we read The Year I Flew Away by Marie Arnold, we created a mural inspired by Haitian art. For Jennifer L. Holm’s The Lion of Mars, one of the students crafted a clay astronaut. To celebrate Gregor the Overlander by Suzanne Collins, we excavated bugs.

One afternoon, as we prepared to discuss Dan Santat’s The Aquanaut, I pulled paper and pencils out of my bag. One of the young readers, Anthony, wrinkled his nose.

“Oh, no,” he said. “We’re not gonna write, are we?”

As a lifelong writer, it’s difficult for me to imagine not wanting to write. But over the years I have come to accept a disappointing reality: A lot of kids really hate writing. For them, it feels like work.

“I’m not good at it,” Anthony said. With a tilted whine to his voice, he added: “I haaaate writing.”

While it’s true that some young people hate writing, will forever hate writing, and will instead excel in some other trade or craft, it’s my mission, as a lifelong wordsmith, to make them hate it a little less.

One of the ways to do that is to eliminate all the qualities about writing that feel like work. Anything that shackles them. Anything that limits their imagination. When our goal is to simply create something, without worrying whether it’s grammatically correct or good or even readable, we are suddenly free to make mistakes. And if there’s one thing I know about young people—they don’t like making mistakes. It’s the mistakes that often prevent them from trying. It’s the mistakes that make them think they’re not good at something.

What if we limit the possibility of error? What if we create simply for the joy of creating?

Here are a few things I’ve done with students.

  • Toss the rules. Give students a writing prompt and encourage them to respond however they want. Tell them not to worry about any rules of grammar or spelling. They won’t be graded on either. In fact, they won’t be graded at all. It will be a ten-minute writing sprint and that’s it. Afterward, give them the freedom of choice: They can keep what they wrote, share it with a friend, or toss it in the trash.
  • Encourage storythinking. When you read books together, stop at the end of each chapter and ask them what they think will happen next. If too many students answer at once, take differing answers from two or three students then take a poll with the rest of the class. If you want to incorporate writing, ask your students to write one or two sentences with their predictions. They don’t need to show their predictions to anyone if they don’t want to.
  • Encourage storytelling. When you finish reading a chapter or a book, ask them how they would have written it to make it more interesting. I ask my book club these questions all the time. Their answer is almost always the same: “More dragons.” In their opinion, dragons always make things more interesting. If your students say “more dragons,” your instinct may be similar to mine—you’ll find yourself explaining why dragons aren’t logical in a story like Charlotte’s Web. But instead of launching into your logical explanation, why not embrace all their ideas? That’s what I did with my book club, and they were immediately engaged, firing off one idea after another, until they reached the end of their own story. For me, the importance of the moment wasn’t to force them to think critically about Charlotte’s Web. It was to get them excited about stories and all the possibilities they offer.

To develop a love of writing, we must develop a love of creativity, a love of storytelling, and an appreciation of how words create stories. Rules, logic, grammar, spelling—all of these sound like work. Because they are work. They serve a purpose, certainly, but they also confine us.

There are times when it’s okay to prioritize creativity above all else, and let the work come later. As grown-ups, we often forget that.

Published August 9th, 2022 by Greenwillow Books

About the Book: Everyone loves sports . . . except Marisol! The stand-alone companion to Newbery Medal winner and New York Times-bestselling Erin Entrada Kelly’s Maybe Maybe Marisol Rainey is an irresistible and humorous story about friendship, family, and fitting in. Fans of Clementine, Billy Miller Makes a Wish, and Ramona the Pest will find a new friend in Marisol.

Marisol Rainey’s two least-favorite things are radishes and gym class. She avoids radishes with very little trouble, but gym is another story–especially when Coach Decker announces that they will be learning to play kickball.

There are so many things that can go wrong in kickball. What if Marisol tries to kick the ball . . . but falls down? What if she tries to catch the ball and gets smacked in the nose? What if she’s the worst kickballer in the history of kickball? Marisol and her best friend Jada decide to get help from the most unlikely–and most annoying–athlete in the world: Marisol’s big brother, Oz.

Told in short chapters with illustrations by the author on almost every page, Erin Entrada Kelly’s stand-alone companion novel to Maybe Maybe Marisol Rainey celebrates the small but mighty Marisol, the joys of friendship, the power of being different, and the triumph of persevering.

About the Author: New York Times–bestselling author Erin Entrada Kelly was awarded the Newbery Medal for Hello, Universe and a Newbery Honor for We Dream of Space. She grew up in Lake Charles, Louisiana, and now lives in Delaware. She is a professor of children’s literature in the graduate fiction and publishing programs at Rosemont College, where she earned her MFA, and is on the faculty at Hamline University. Her short fiction has been nominated for the Philippines Free Press Literary Award for Short Fiction and the Pushcart Prize. Erin Entrada Kelly’s debut novel, Blackbird Fly, was a Kirkus Best Book, a School Library Journal Best Book, an ALSC Notable Book, and an Asian/Pacific American Literature Honor Book. She is also the author of The Land of Forgotten Girls, winner of the Asian/Pacific American Award for Literature; You Go First, a Spring 2018 Indie Next Pick; Lalani of the Distant Sea, an Indie Next Pick; and Maybe Maybe Marisol Rainey which she also illustrated.

Thank you, Erin, for this reminder to allow kids to write freely!

Lark & Kasim Start a Revolution by Kacen Callender

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Lark & Kasim Start a Revolution
Author: Kacen Callender
Published: September 27, 2022 by Amulet

Summary: From National Book Award–winner Kacen Callender, a contemporary YA that follows Lark’s journey to speak the truth and discover how their own self-love can be a revolution

Lark Winters wants to be a writer, and for now that means posting on their social media accounts––anything to build their platform. When former best friend Kasim accidentally posts a thread on Lark’s Twitter declaring his love for a secret, unrequited crush, Lark’s tweets are suddenly the talk of the school—and beyond. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark gets closer to their crush, Kasim keeps his privacy, and Lark’s social media stats explode. But living a lie takes a toll—as does the judgment of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes––or for Kasim, who is growing closer to Lark, just like it used to be between them . . .

In the end, Lark must embrace their right to their messy emotions and learn how to be in love.

Review: This is a beautiful book that has so much heart. It feels as if Kacen Callender put their whole soul into it. The characterization, in particular, stood out to me. Even minor characters feel very developed. The characters remind us of the imperfections that we all have, and the value of remembering that we won’t get everything right. I was particular impressed by the ways in which love is depicted throughout the text. It is vast and expansive and knows no rules or boundaries. The LGBTQ representation and attention to intersectionality was among the best I’ve read (and I read a lot of YAL). Callender also depicts the raw brutality that can come with social media. There were moments in this text where I felt sick to my stomach.

The word “revolution” is in the title, and there are many moments where readers are given space to explore conceptions and understanding of activism. I particularly liked that the revolution isn’t explicit, which made me think deeply long after I turned the last page of the text.

I loved this book, and I can’t wait to discuss it with others. I certainly have many pages flagged to read again and again!

As one side note, I couldn’t decide if this book was realistic fiction or if the splash of magical realism made it magical realism. I am not much of a genre sorter, but I thought I’d throw that out there in case you are. 😉

Teachers’ Tools for Navigation: The rep in this book! The rep! I wish I’d been exposed to more books with representation like this when I was in school. If I was teaching this book, I would introduce some of Crenshaw’s intersectionality articles to allow students to dive into these concepts together.

Discussion Questions: 

  • What does Lark learn in this book?
  • How does Kasim develop as a character?
  • What do we, the readers, learn from Sable?
  • What did you learn (or think about) related to social media?
  • How are the characters in this book imperfectly human?

Flagged Passage: “That feeling when you read the last line of a book that you love? I can’t think of a lonelier feeling in the world.”

Read This If You Loved:  Books by Kacen Callender,

Recommended For:

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RickiSig