Writing

Author Guest Post: “Five Tips to Excite Students About Writing” by Laurel Solorzano, Author of The Land of Fake Believe

by
Share

“Five Tips to Excite Students About Writing”

One of the most difficult parts of teaching writing is convincing all students to be involved in the various activities. Some of my students have reached the end of the writing period with NOTHING on their paper. How many distractions could they possibly have had? These five tips should help you get those students not only involved but excited to tell their story.

Tip #1

Allow Alternative Ways to Tell Their Story. Most of the time, my students who have trouble putting words on paper are the ones who talk. Everyone else may be working quietly, but they are talking- to me, to the other students, to themselves. It doesn’t matter if anyone is responding or not, their mouths are moving.

One way I’ve been able to get these students involved is by using a recording device (a phone or an app on a tablet works well). I move them out into the hall and have them record themselves telling their story or answering the prompt. I usually tell them that they have two minutes to record it (any longer than that, and transcription takes a while).

They LOVE doing this, because they can talk and avoid writing for a few minutes with the teacher’s permission!

Once they’ve recorded themselves, depending on the student’s age, I can either use an online program to transcribe it for them (I then have them read what they “wrote” and fix the errors), OR I’ll have them transcribe it themselves.

Tip #2

SHARE their writing. Some of my students have disliked writing because they don’t get the chance to talk/share with their classmates. They prefer to tell the story out loud rather than write it down and pass it to me.

Whenever I’ve given them the chance to read their story/writing out loud, then they get more excited about writing it. They can’t wait to make their classmates laugh!

I give other students the chance to share too, but don’t force it on the quieter ones who already enjoy the writing.

Tip #3

Give them creative freedom. While mentor texts or examples that students can follow is helpful for SOME students, it can make others struggle. How can they make their writing sound like that writing? They become overwhelmed trying to make it perfect, so they either don’t try at all or copy the example writing and just change a word or two.

For example, if you give them the topic of writing about a favorite memory, then give them subject examples, but not paragraph examples. “Did you ever receive a special Christmas or birthday present? What made it special? Where have you gone that you really enjoyed? The zoo, amusement park?” This can get their ideas pumping without feeling like they have to churn out a perfect paragraph.

Tip #4

Don’t compare writing. You probably already know this, and you wouldn’t do it on purpose. However, sometimes, comments slip out accidentally. “Wow! Did everyone see what a great paragraph Johnny wrote?” or maybe even something that you think is more subtle because you are just speaking to the student. “Johnny, that was really great. I don’t know how you do it!”

Written feedback helps avoid this comparison. I always write one thing each student did well and one thing they can improve. Instead of writing that one student needs to fix their verb tenses and their quotation marks, indent their paragraphs, not use fragments, and. . . well, you get the idea. That would be overwhelming as an adult.

Pick one, concrete thing that they can improve, and write that one. For example, “Don’t start sentences with ‘and’” or “Use an apostrophe to show possession.” That way, they can improve and not be overwhelmed.

Tip #5

Connect reading and writing. A lot of students who don’t necessarily enjoy writing do enjoy listening to stories. Even when students can read on their own, they aren’t too old to be read to as well.

Once they have a story in their head, writing prompts related to the story can turn on their creativity.

Read-aloud continues in my classroom even through fifth grade, which is why I love picking stories that are fun not only for the kids but for me to read year after year as well. Check out my book below for a fun classroom read!

Fun Writing Ideas

Now that you have some ideas about how to involve the non-writers in writing time, here are some prompts to use in your class.

  • If you could meet one fairy tale character, who would it be? What would happen when you meet them?
  • (After reading a book or part of a book together) What do you think should happen in the next chapter?
  • Pick one notoriously bad guy (the Joker, the Big Bad Wolf, or Maleficent for example) and write about them as if they were good.

Published September 1st, 2022

About the Book: The Land of Fake Believe is a twisted fairy tale about two siblings and their fateful encounter with real amusement park characters. It is geared to children ages eight to twelve, but can be read aloud to younger children.

In this fractured fairy tale story, twelve-year-old Taylan is angry when her mom scolds her for telling her five-year-old sister, Judy, that Cinderella isn’t real, just as the little girl is about to meet her favorite princess at the famed Happily Ever After amusement park. Relegated to their vacation hotel room for the evening as a punishment, Taylan enlists the help of her ten-year-old brother, Colby, to prove her mom wrong. What they discover in the park after dark is beyond their wildest dreams—or nightmares.

Soon, the siblings find themselves in the middle of a secret century-long battle among the park’s characters—the good Ever Afters and the dark Ever Afters—and are in a race to help their new friends before the Evil Queen takes over the park for good. With Beauty, Cindy, and Peter Pan on their side, will they be able to survive the conflict before it’s too late?

Fun activities after reading the book including a coloring sheet, quiz, and maze: https://www.laurelsolorzano.com/activities

About the Author: Children’s book author Laurel Solorzano has been creating stories since she first learned how to write, completing her first full-length novel while in middle school. Her love for fairy tales is what inspired her to write The Land of Fake Believe.

Hailing from Raleigh, North Carolina, where she lives with her husband, Yader, Laurel is a Spanish and English teacher. When she’s not penning creative stories for young readers, Laurel enjoys reading and spending time with her two dogs. Also the published author of five young adult books, Laurel’s book The Land of Fake Believe is the debut book in a series of twisted fairy tales including book 2-Once Upon a Climb and book 3- The Princess and the Key.

Author Q&A can be seen here. https://www.laurelsolorzano.com/about

Facebook- https://www.facebook.com/laurelsbooks

Signing up for her newsletter on her website is the best way to stay connected!

Thank you, Laurel, for these amazing engaging tips!

Author Guest Post: “Finding ‘HOME’ in Poetry” by Dianne White, Author of Look and Listen

by
Share

“FINDING ‘HOME’ in POETRY”

When I was growing up, my middle sister was the storyteller in our family. Her vivid imagination and ability to embellish details to suit the occasion came in handy whenever it was time to write. 

I was not that kind of storyteller. I did my assignments as asked, but never once did I think of myself as a writer.  It wouldn’t be until years later, towards the end grad school, when that changed. How? My professor complimented my writing. She’d admired the way I’d organized my thoughts and supported my opinions succinctly and thoroughly. Though it was a completely different kind of writing – preparation for the comprehensive exams – it was the boost I needed.

Strange, isn’t it? One sincere complement changed my relationship to writing. As soon I finished my advanced degree, I was ready for a new challenge, and I knew exactly what it would be: I wanted to write for children. 

My experiences in the classroom had already introduced me to hundreds of picture books. It was the late 80s, early 90s, a time when Whole Language was a buzz word and using “real books” to support reading and writing was common practice. I loved everything about this kind of teaching and discovered a new-found appreciation for the complexities and possibilities of picture books. 

Also at that time, as a bilingual educator in California, primary language instruction (Spanish, in my classroom) was the rule of the day. I loved that, too, but as a first-grade teacher responsible for helping kids learn to read, I was looking for more… 

I remembered a favorite record of Mother Goose rhymes that my sister and I had listened to as kids the week we were both sick in bed with the mumps. (No vaccines yet!)  I wondered – what was the Spanish version of those early childhood rhymes that I remembered so fondly?

That’s when I discovered poems and songs in Spanish: “Luna, Lunera/ Cascabelera/Cinco pollitos y una ternera.” 

I began to integrate more poetry – rhymes, songs, anthologies, and collections – into my classroom. We read oodles of children’s poetry in both English and Spanish, and we began to write it, too. The same lessons that inspired my students to write became inspiration for me. But it took a while to realize that my most true writing home – my querencia, as poet and teacher Georgia Heard speaks about in her book, WRITING TOWARD HOME – is poetry.

So that’s my invitation to teachers. Bring poetry into the classroom. Perhaps your students will find their home there, too. 

Here are 3 ways to do that:

  1. Start with something familiar. School. Someone special –a grandparent? A friend? A pet? Or something as ordinary as the coming and going of a rainstorm, the inspiration for my first book, BLUE on BLUE.

    Brainstorm a long list of words related to the topic. Nouns. Strong verbs. Phrases. Colors. Include words that address the senses. Think image and sound, taste and touch. Kids don’t need to be overly fussy. Nor do they need to rhyme. Let them play with words, moving them around, breaking the lines, and experimenting with the shapes of their poems. This is poetry exploration at its best. Let them have fun creating!

  2. Pick a subject you’re studying in class or a discovery the children have made. I remember one morning, as the bell rang and the kids lined up, a child spotted a praying mantis waiting for us beside the classroom door. We picked her up and placed her in a container, poked some holes in the lid, and settled ourselves in a big circle to share our discovery. This would become our writing workshop for the day.

    We observed, noticed, asked questions. I pulled up a photo of a praying mantis on the smart board and we looked closer, noting the three body parts, the mandible, the spines on the front legs. We used our imaginations. What did this photo remind us of? An alien? A warrior? A conductor? Then, we wrote, starting with an image and a simile: “Like a conductor, the praying mantis raises her baton…”

  3. Write a riddle, as I do in my latest book, LOOK and LISTEN: Who’s in the Garden, Meadow, Brook?, illustrated by Amy Schimler-Safford. Have each student choose an animal and then describe it in the form of a question. Feel free to use the structure of the first riddle in the book as a poetry frame (example below). Don’t insist on rhyme but do let kids experiment. And while you’re at it? Why not have them draw an imaginary animal and describe it! They can choose a SOUND their creature makes and a made-up (rhyming) NAME for the last line.

    One of the best parts of writing workshop is sharing new work with an audience. Short on time? Do a version of “popcorn reading” – one student reads a line from their poem, pauses, makes eye contact with another student, who then reads a line, and so on. Although this takes a little practice, once kids get the hang of this version of “shared reading”, it’s a nice, centering way to close out the day.

Happy Poetry Writing! 

Look and Listen: Who’s in the Garden, Meadow, Brook?
Author: Dianne White
Illustrator: Amy Schimler-Safford
Published June 14th, 2022 by Margaret Ferguson Books

About the Book: A guessing game in a book that celebrates the curiosity and delight of a jaunt through a garden, meadow, and alongside a brook.

A child steps outside and strolls along, taking in the sights and sounds of nature. Rhythmic, rhyming text tracks his journey through a garden, meadow, and next to a brook, introducing a new color and animal found in that ecosystem with every turn of the page, transforming an ordinary walk into a feast for the senses.

Complete with material that explains the rich variety of wildlife and natural habitats found in the book, author Dianne White’s playful text is paired with the vibrant collage artwork of Amy Schimler-Safford, making for an exciting read-aloud and guessing game for budding nature lovers. 

About the Author: Dianne White is the award-winning author of numerous children’s picture books, including Blue Blue, Green on Green, and Who Eats Orange? As a teacher who was privileged to share her love of books and poetry with many students over many years, she now has the pleasure of  writing full-time. Most days, she strolls the neighborhood and fields near her home in sunny Arizona, looking and listening for buzzing bees, hopping bunnies and croaking frogs. Visit her at diannewrites.com.

Thank you, Dianne, for helping bring poetry into the classroom!

Teachers’ Guide for The Beatryce Prophecy by Kate DiCamillo, Illustrated by Sophie Blackall

by
Share

The Beatryce Prophecy
Author: Kate DiCamillo
Illustrator: Sophie Blackall
Publishing September 28th, 2021 by Candlewick Press

Summary: From two-time Newbery Medalist Kate DiCamillo and two-time Caldecott Medalist Sophie Blackall comes a fantastical meditation on fate, love, and the power of words to spell the world.

We shall all, in the end, be led to where we belong. We shall all, in the end, find our way home.

In a time of war, a mysterious child appears at the monastery of the Order of the Chronicles of Sorrowing. Gentle Brother Edik finds the girl, Beatryce, curled in a stall, wracked with fever, coated in dirt and blood, and holding fast to the ear of Answelica the goat. As the monk nurses Beatryce to health, he uncovers her dangerous secret, one that imperils them all–for the king of the land seeks just such a girl, and Brother Edik, who penned the prophecy himself, knows why.

And so it is that a girl with a head full of stories–powerful tales-within-the-tale of queens and kings, mermaids and wolves–ventures into a dark wood in search of the castle of one who wishes her dead. But Beatryce knows that, should she lose her way, those who love her–a wild-eyed monk, a man who had once been king, a boy with a terrible sword, and a goat with a head as hard as stone–will never give up searching for her, and to know this is to know everything. With its timeless themes, unforgettable cast, and magical medieval setting, Kate DiCamillo’s lyrical tale, paired with resonant black-and-white illustrations by Caldecott Medalist Sophie Blackall, is a true collaboration between masters.

Teachers’ Tools for Navigation and Discussion Questions: 

Please view and enjoy the teachers’ guide I created for Candlewick Press for The Beatryce Prophecy:

You can also access the teaching guide here.

You can learn more about The Beatryce Prophecy on Candlewick’s page.

Recommended For: 

readaloudbuttonsmall classroomlibrarybuttonsmall litcirclesbuttonsmall closereadinganalysisbuttonsmall

Kellee Signature

Author Guest Post: “Using Anthologies to Teach Writing” by Rochelle Melander, Author of Mightier than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World Through Writing

by
Share

“Using Anthologies to Teach Writing”

When I was growing up, our family had an Anthology of Children’s Literature. (No doubt one of my mom’s college textbooks!) Even though we regularly checked out books from the library, I spent a lot of time browsing through that book. I loved that I could find stories from all over the world. In that volume, I discovered new tongue twisters, Lewis Carroll’s “Jabberwocky,” and James Weldon Johnson’s “The Creation.”

Today, biographical anthologies have become popular in the children’s literature market. You can find anthologies on a wide range of topics like sports, science, technology, math, and more. They provide young people with an easy way to access stories about people who overcame obstacles to achieve success.

Because anthologies collect the stories of people around a theme, they offer many ways for readers to engage with the stories. Readers can take a treasure hunt through the essays in search for someone that interests them. Students might seek someone who:

+Champions a cause that matters to them.

+Overcame difficulties in school.

+Plays their favorite sport.

+Works in a career that interests them.

+Did something brave.

But how do you get young people to engage with these stories? When I wrote Mightier Than the Sword, an anthology of stories about people who used their words to change the world, I chose people from many disciplines because I wanted young people to see that many people write, not just storytellers. I added interactive writing exercises so that young people could write to change their own worlds.

I’ve been an artist educator since 2001, teaching in classrooms, libraries, and museums. I often use mentor texts and anthologies to engage young people in learning history and inspire their writing. Here are three writing exercises—and an art exercise—I use with historical texts:

Writing Exercise #1: Social Media Profile

Sei Shonagon (965-1010) captured court life in her writing, a genre known as zuihitsu that combined lists, advice on conversation and letter writing, observations about events, and suggestions on how priests should preach and dress. Had Sei Shonagon lived today, she might have developed a social sharing site like Instagram or Twitter.

Try this: Invite students to create a social media profile and several posts for the person they’ve chosen. This will especially fun when working with historical people. Maybe George Orwell would write a status update like: “Big brother? This whole platform is sus.”

Note: You can use any social media site that your students can relate to. There are several kid-friendly social media sites that might work, like GromSocial and PopJam.

Writing Exercise #2: Protest Song

The Afghan rapper and activist Sonita Alizadeh was angry about her parents’ plan to sell her into marriage, partly to help raise money to purchase a bride for her brother. To protest this, she wrote and performed the song “Brides for Sale” and posted it on YouTube. Alizadeh’s song saved her from an arranged marriage and paved the way for her to go to school.

Try this: Invite students to write a protest song for a cause that they care about.

Writing Exercise #3: Letter Campaign

Young Sophie Cruz wrote a letter to the Pope, asking him to fight for the rights of immigrants in the United States. Martin Luther King, Jr. wrote “Letter from a Birmingham Jail” to protest the advice to “wait” for justice. His letter became a sermon and then was published in newspapers and magazines across the country.

Try this. Ask students to write a letter to encourage change. Perhaps several students will want to create a letter-writing campaign to challenge an organization, government agency, or a government official.

Bonus Exercise: Protest Art!

To protest the lack of women’s works of art at the Metropolitan Museum of Art in New York City, the Guerilla Girls plastered posters on New York City buses asking: “Does a woman have to be naked to get into the Met. Museum?” The poster featured a reproduction of the nude in Jean-Auguste-Dominique Ingres’ La Grande Odalisque, with her face hidden by the group’s signature gorilla mask. The poster educated readers on the statistics: “Less than 5 percent of the artists in the Modern Art Sections are women, but 85 percent of the nudes are female.”

Try this: Invite students to create an art poster or social media meme to support their favorite cause.

Choosing Anthologies

The library is full of many kinds of anthologies on a wide range of topics like sports, science, technology, math, and more. Check out a big stack and let your students browse. The more they read, the better chance they will have of finding a role model who matters to them.

Published July 27th, 2021 by Beaming Books

About the Book: Mightier Than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World through Writing is a middle grade social justice book that tells the stories of historical and contemporary writers, activists, scientists, and leaders who used writing to make a difference in their lives and the world. The stories are accompanied by writing and creative exercises to help readers discover how they can use writing to explore ideas and ask for change. Sidebars explore types of writing, fun facts, and further resources.

Download the free activity pack: https://ms.beamingbooks.com/downloads/Activity_Packet_MightierThanTheSword.pdf

About the Author: Rochelle Melander wrote her first book at seven and has published 11 books for adults. Mightier Than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World through Writing is her debut book for children. She’s a professional certified coach, an artist educator and the founder of Dream Keepers, a writing workshop for young people. She lives in Milwaukee, Wisconsin with her husband, children, and two dogs. Visit her online at writenowcoach.com or rochellemelander.com

Thank you, Rochelle, for your book and for this incredible post with such useful classroom ideas! 

Don’t miss out on other stops on the Mightier than the Sword Blog Tour!

Jump at the Sun: The True Life Tale of Unstoppable Storycatcher Zora Neale Hurston by Alicia D. Williams, Illustrated by Jacqueline Alcántara

by
Share

Jump at the Sun: The True Life Tale of Unstoppable Storycatcher Zora Neale Hurston
Author: Alicia D. Williams
Illustrator: Jacqueline Alcántara
Published January 12th, 2021 by Atheneum/Caitlyn Dlouhy Books

Summary: A picture book that shines the light on Zora Neale Hurston, the writer and storycatcher extraordinaire who changed the face of American literature.

Zora was a girl who hankered for tales like bees for honey. Now, her mama always told her that if she wanted something, “to jump at de sun”, because even though you might not land quite that high, at least you’d get off the ground. So Zora jumped from place to place, from the porch of the general store where she listened to folktales, to Howard University, to Harlem. And everywhere she jumped, she shined sunlight on the tales most people hadn’t been bothered to listen to until Zora. The tales no one had written down until Zora. Tales on a whole culture of literature overlooked…until Zora. Until Zora jumped.

About the Creators:

Alicia D. Williams is the author of Genesis Begins Again, which received a Newbery and Kirkus Prize honors, was a William C. Morris Award finalist, and for which she won the Coretta Scott King – John Steptoe Award for New Talent. A graduate of the MFA program at Hamline University, and an oral storyteller in the African American tradition, she is also a teacher in Charlotte, North Carolina.

Jacqueline Alcántara is the illustrator of the critically acclaimed The Field and Freedom Soup. Her favorite days are spent drawing, painting, writing, and walking her dog. In 2016, she was awarded the inaugural We Need Diverse Books Illustrator mentorship. Find out more at JacquelineAlcantara.com.

Praise: 

*”A lively, joyfully rendered portrait of a literary legend.” – Publisher Weekly, starred review

* “Williams’ narration is a readaloud dream….it will be a joyful guide for folklore enthusiasts” – BCCB, starred review

* “This introduction to an American icon feels just right.” – Kirkus Reviews, starred review

* “A welcome addition to any picture book biography collection.” – School Library Journal, starred review

Review: Zora Neale Hurston has a special place in my heart as Eatonville is right around the corner, and I love the opportunity to be so close to Zora’s home, be inspired by her story, and learn from her. If you are ever here, stop by the Zora Neale Hurston National Museum of Fine Arts!

Alicia D. Williams does a beautiful job capturing the spirit of Zora and showing how truly special she was as a person and story teller. And I loved learning new things about her that I hadn’t known before (like that she graduated from high school at 28 and that she may have been lost to white-washed history if not for Alice Walker). And Alicia’s words mixed with the colorful and active illustrations of Alcántara, Zora is brought to life through the pages of this book.

Teachers’ Tools for Navigation: The publisher provided Curriculum Guide is the best resource for using this book in your classroom:

Discussion Questions: 

  • How are the end pages representative of Zora?
  • How were Zora’s stories important to American literature?
  • Why did the author call Zora a “storycatcher?”
  • How did the author integrate fictional characters and stories within her nonfiction biography of Zora Neale Hurston?
  • Why was some of Zora’s storytelling looked down upon?
  • What does the figurative phrase “reach/jump to the sun” mean?

Flagged Passages: 

Read This If You Love: Zora Neale Hurston, Picture book biographies

Recommended For: 

classroomlibrarybuttonsmall 

Signature

**Thank you to Simon & Schuster for a copy of the book to review!**

Nonfiction Writers Dig Deep: 50 Award Winning Children’s Book Authors Share the Secret of Engaging Writing Edited by Melissa Stewart

by
Share


Nonfiction Writers Dig Deep: 50 Award Winning Children’s Book Authors Share the Secret of Engaging Writing
Editor: Melissa Stewart
Published November 2020 by National Council of Teachers of English

Summary: In Nonfiction Writers Dig Deep: 50 Award-Winning Children’s Book Authors Share the Secret of Engaging Writing, some of today’s most celebrated writers for children share essays that describe a critical part of the informational writing process that is often left out of classroom instruction.

To craft engaging nonfiction, professional writers choose topics that fascinate them and explore concepts and themes that reflect their passions, personalities, beliefs, and experiences in the world. By scrutinizing the information they collect to make their own personal meaning, they create distinctive books that delight as well as inform.

In addition to essays from mentor authors, Nonfiction Writers Dig Deep includes a wide range of tips, tools, teaching strategies, and activity ideas from editor Melissa Stewart to help students (1) choose a topic, (2) focus that topic by identifying a core idea, theme, or concept, and (3) analyze their research to find a personal connection. By adding a piece of themselves to their drafts, students will learn to craft rich, unique prose.

100 percent of the proceeds will be divided among the National Council of Teachers for English (NCTE), We Need Diverse Books (WNDB), and the Society of Children’s Book Writers and Illustrators (SCBWI)

About the Author: Melissa Stewart has written more than 180 science books for children, including the ALA Notable Feathers: Not Just for Flying, illustrated by Sarah S. Brannen; the SCBWI Golden Kite Honor title Pipsqueaks, Slowpokes, and Stinkers: Celebrating Animal Underdogs, illustrated by Stephanie Laberis; and Can an Aardvark Bark?, illustrated by Caldecott Honoree Steve Jenkins. She coauthored 5 Kinds of Nonfiction: Enriching Reading and Writing Instruction with Children’s Books (forthcoming) and grades K-2 and 3-5 editions of Perfect Pairs: Using Fiction & Nonfiction Picture Books to Teach Life Science. Stewart maintains the award-winning blog Celebrate Science and serves on the Society of Children’s Book Writers and Illustrators board of advisors. Her highly regarded website features a rich array of nonfiction writing resources.

Contributors: Sarah Albee, Chris Barton, Donna Janell Bowman, Mary Kay Carson, Nancy Castaldo, Jason Chin, Lesa Cline-Ransome, Seth Fishman, Candace Fleming, Kelly Milner Halls, Deborah Heiligman, Susan Hood, Gail Jarrow, Lita Judge, Jess Keating, Barbara Kerley, Heather Lang, Cynthia Levinson, Michelle Markel, Carla Killough McClafferty, Heather L. Montgomery, Patricia Newman, Elizabeth Partridge, Baptiste Paul, Miranda Paul, Teresa Robeson, Mara Rockliff, Barb Rosenstock, Laura Purdie Salas, Anita Sanchez, April Pulley Sayre, Steve Sheinkin, Ray Anthony Shepard, Anita Silvey, Traci Sorell, Tanya Lee Stone, Jennifer Swanson, Stephen R. Swinburne, Don Tate, Laurie Ann Thompson, Pamela S. Turner, Patricia Valdez, Sandra Neil Wallace, Laurie Wallmark, Jennifer Ward, Carole Boston Weatherford, Lee Wind, Paula Yoo, Karen Romano Young

From Melissa Stewart: “Behind the Book”

The idea for this book traces back to the 2017 National Council of Teachers of English (NCTE) Annual Convention in St. Louis, Missouri, when I was fortunate to participate in a panel titled ‘The Secret of Crafting Engaging Nonfiction’ with two of the most talented children’s nonfiction authors of our time—Candace Fleming and Deborah Heiligman.

During our discussion, moderated by educator and children’s nonfiction enthusiast Alyson Beecher, we dove deeply into what fuels our work and why we routinely dedicate years of our lives to a single manuscript. As we compared our thoughts and experiences, we came to realize something critically important—each of our books has a piece of us at its heart. And that personal connection is what drives us to keep working despite the inevitable obstacles and setbacks.

Several other nonfiction authors attended our presentation, and afterward they praised our insights. That conversation helped us all understand our creative process in a new and exciting way. And it eventually led to the essays in this anthology, which are our way of sharing an important—and often unrecognized and underappreciated—aspect of nonfiction writing with educators and students.

Review and Teachers’ Tools for Navigation: I was star struck seeing all of the authors who had contributed! I was lucky enough to be at the presentation that this book’s seed of an idea started, so when I heard about this book, I knew it would be a book I would need!

This book is all about moving nonfiction writing to an authentic experience. The book is broken into 3 sections to help guide writing instruction:

  • Choosing a Topic
  • Finding a Focus
  • Making is Personal

Within each section there are essays by mentor authors focusing on different aspects of the topic. I loved reading the essays that ranged from a look at how to take an idea and make it grow, about complexities within nonfiction, about the bumps along the way, about the writing process, and everything else you can think of.

Then the last part of the chapter is In the Classroom which helps tie the essays all together with how to take it to our students.

This book is written specifically with teachers in mind–it is such an amazing resource!

Video about the Book: https://melissa-stewart.com/books/teachers/bk_nonfiction_writers_dig_deep.html

Read This If You Love: Teaching authentic nonfiction writing

Recommended For: 

Signature

The Memory Book: A Grief Journal for Children and Families by Joanna Rowland

by
Share

The Memory Book: A Grief Journal for Children and Families
Author: Joanna Rowland;  Illustrator: Thea Baker
Published: January 14, 2020 by Beaming Books

You might recognize the book which inspired this journal, The Memory Box: A Book About Grief:

The child in the book generates a box of mementoes of a loved one she lost. It’s a magnificent book that encourages children to generate boxes of mementoes of their own loved ones. We recommend it highly–particularly for children who are experiencing loss. This book inspired the grief journal, The Memory Book.

Goodreads Summary of The Memory Book: I will always remember you . . .Joanna Rowland’s best-selling The Memory Box: A Book about Grief has helped thousands of children and families work through the complex emotions that arise after the loss of a loved one. Now, with The Memory Book, Rowland has created a beautiful grief journal to help readers put her methods into practice. The Memory Book helps grieving families process their emotions together by remembering their lost loved one and creating their own memory album full of photos and keepsakes of the person they lost. With gentle prompts and ideas for journaling, drawing, and talking through grief, this journal will bring comfort in the midst of loss and be a keepsake for families for years to come.

Rowland discusses the process of writing The Memory Box:

“In writing The Memory Box, a book about grief, there were three people and their families that I was thinking about. In 2014, a relative that was meant to get my first published book Always Mom, Forever Dad (a positive picture book on divorce) lost her father suddenly a month before the book’s publication. I knew she needed a different type of book, and that’s when I knew I needed to write a picture book on grief. When I first found out her dad had passed away, I saw a photo of her holding her dad’s hand on the beach with the waves coming toward them. That image stayed with me. I knew somehow that I wanted to make a nod toward that scene in my writing. At the time, I had no idea what that story was going to be. I tried a couple of different ways to write about grief. My first attempt was a nature poem. But when thinking about how I would help a young child through grief, eventually the idea of a memory box came.

I was also thinking about my childhood friend, Scott, who was also gone too soon. He studied birds and had such a sweet soul. I have some sweet memories growing up with him. He’ll always hold a special place in my heart.

During the two years I spent writing about grief, we lost Marisa to cancer. I had coached her in synchronized swimming for years, and she swam with my niece and older daughters. It was heartbreaking. Marisa was so full of life with the most contagious smile.

All of these people were gone much too soon. These families had lost a father, a son, an only child, a daughter and a sister.

I had to get this story right. I think going through grief and taking my youngest to her first funeral at age six, helped me find a way to talk about death with my youngest and find the heart of the story. It still took me over two years to get the story right.

Grief is hard. Everyone has his or her journey with it. Allow yourself to grieve however you need to. There is no right or wrong way. There are support groups out there and other resources to help. Grief can be hard to communicate. I hope The Memory Box can be a tool to foster conversations and help keep the memories of your loved ones alive. The book also includes a guide in back that discusses ways to talk to your child about grief.

For anyone struggling with grief, my thoughts are with you.”

Ricki’s Review: I often see posts on parent forums in which folks are requesting books about grief. There are some amazing books out there, particularly Rowland’s bestselling picture book The Memory Box. Yet I have never seen a journal about this topic. I was intrigued and really looking forward to reviewing it. When I cracked the cover, it took my breath away. The pages are stunning, and the prompts are incredibly thoughtful. This book is one that I will recommend again and again to parents/teachers who are seeking to talk about grief with children. It allows children to negotiate with the many emotions that come with grief and celebrate the people they are grieving. I am so grateful that this book exists in the world.

Kellee’s Review: My son suffered a huge amount of loss this last summer: 3 pets (ours and my in-law’s who we live next door to) and his grandfather, my father-in-law. As a mom, I was lost at how to help him through this time, mostly as I was figuring out how to navigate the grief as well. In the end, Trent has done extremely well emotionally for the tough time we went through! However, he definitely still talks often about his lost loved ones, so when I saw this book, I knew it was one that I would want to share with him because I truly believe that the best way to deal with loss is to talk about it. The Memory Box and The Memory Book are perfect jumping off points for discussing memories of lost loved ones with kids. It is a healthy way to navigate such a tough time! I am thankful books like this exist to help their kids when loss impacts their lives.

Teachers’ Tools for Navigation: Last semester, I (Ricki) asked my students (teacher educators) to describe a moment in their schooling in which they thought their teachers were wrong. One student shared that she was still deeply impacted by the death of a student during her middle school year. She said the teachers never spoke about the student’s death, which made it harder. This book offers thoughtful prompts that teachers can use in their classrooms (and that parents can use with their children).

Discussion Questions: Which prompts do you find most inspiring? Why?; Which prompts were harder to write? Why?; How did you feel as you wrote about your loved one?

Check Out the Beautiful Pages:

 

Read This If You Loved: The Memory Box: A Book about Grief by Joanna Rowland; The Remember Balloons by Jessie Oliveros; What a Beautiful Morning by Arthur A. Levine; Forget Me Not by Nancy Van Laan; Still My Grandma by Veronique Van Den Abeele, Really and Truly by Emilie Rivard; Wilfrid Gordon McDonald Partridge by Mem Fox; What’s Happening to Grandpa? by Maria Shriver

Recommended For: 

 classroomlibrarybuttonsmall

RickiSigand

**Thank you to Casey at Media Masters Publicity for providing copies of the books for review!**