Symbolism

I Want to Be a Vase by Julio Torres, Illustrated by Julian Glander

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I Want to Be a Vase
Author: Julio Torres
Illustrator: Julian Glander
Published June 7, 2022 by Simon & Schuster Children’s Publishing Division

Summary: Former SNL writer and comedic rising star Julio Torres takes readers on a journey through the lives and intimate dramas of some of the unsung shapes of our time in this picture book inspired by his HBO special My Favorite Shapes.

Shapes. You’ve heard of them. You might have even interacted with a few. But do you really know them? From plucky Plunger, who wishes to defy his shape and become a beautiful vase, to other household objects with dreams of a life beyond their predestined roles, I Want to Be a Vase takes readers on an essential and visually stunning journey through the lives and intimate dramas of often-overlooked household appliances.

Press Release: Julio Torres is a comedic genius that pairs a dry, absurd humor with earnestness. I WANT TO BE A VASE is out there, wacky, bonkers, but ultimately grounded in the honesty of sense of self and the dream of defying expectations. The book explores the intricate, complicated emotions of childhood (belonging, jealousy, fear of change, excitement) through humor and metaphor, appealing to a crossover audience while being primarily directed towards a young readership. Kids will see their emotions reflected in plucky Plunger, nervous Vacuum, sassy Sink, and helpful Hair Dryer. It’s perfect for fans of the irreverent playfulness of B.J. Novak’s The Book with No Pictures or Drew Daywalt and Oliver Jeffers’s The Day the Crayons Quit, which take seemingly basic childhood concepts and subvert tropes with wit, insight, and parallels to the human condition.

While this picture book is a hilarious, quirky tale first and foremost, it’s also a story about being your truest self no matter your publicly-ascribed role—in that sense, there’s a gentle pro-trans message to be found here. Julio is a member of the LGBTQ+ community, and many of his works have been heralded as subtly queer and progressive. This book is no exception to that standard!

Julio’s voice is unique and authentic, and, despite the absurdist spark to his work, he connects with his audience on a deeply human level. As a self-proclaimed Aquarius with synesthesia, Julio is also quite the aesthete, and his involvement with the visual component of his book guarantees that it will be like anything you’ve ever seen (while maintaining his dazzlingly fun, bright style which is certain to appeal to young eyes!). 3D artist Julian Glander is the perfect, offbeat other half of this whimsical picture book pairing. A darling of the design world, Julian is a welcome new voice in children’s publishing, though he has experience working in children’s animation. His bright color palette and toylike models perfectly complement Julio’s surreal style.

Julio told The Hollywood Reporter: “Had I followed convention, I would probably have a reasonable job and be married with kids in El Salvador, where I’m from. That sounds nice, except I wanted to be an experimental comedian, prolific writer, and so-so actor in New York. At first, I was on a path to be one sort of person, when I really wanted to be another. I wanted to pursue things I wasn’t supposed to, and had the courage to do it, thanks to my parents never saying, ‘That can’t be,’ but instead asking, ‘Well, why not?’ So this book is about a plunger who wants to be a vase. Because, well, why not?”

Praise: 

★“A toilet plunger yearns to be a vase in Torres’s moving object lesson of identity and purpose … A thoughtful and broadly applicable fable with saturated, 3-D-style art by Glander.” –Publishers Weekly, starred review“

The premise is odd but comical and certainly original; children will giggle contemplating different uses for everyday gadgets. Kids are great at pretending and playing imaginative games, so they won’t have trouble buying into the whimsy on offer. They’ll appreciate the reassuring, empowering message to be who you are if that makes you happy, and the collaboration and acceptance themes will resonate. The colorful digital illustrations, featuring dollhouse like miniatures representing common household goods, are very appealing… Hilarious … Great for stimulating creative thinking and art activities: What else can ordinary objects be?” –Kirkus Reviews

About the Creators: 

JULIO TORRES (he/him) is a comedian, a former writer on Saturday Night Live, and one of the masterminds behind Los Espookys, HBO’s Spanish-language comedy about a group of horror enthusiasts, produced by Fred Armisen. Julio is also the creator of the HBO special My Favorite Shapes. Released In 2019, this Lorne Michaels-produced special immediately garnered a cult following. In it, Torres conducts an elaborate show-and-tell that offers a backstory to a wide array of “shapes.” With its unusual, absurdist humor and decidedly human narratives explored within the framework of a universal concept, Torres’ performance is the perfect inspiration for a picture book that completely upends expectations about the everyday shapes and objects in our own lives. While I WANT TO BE A VASE is not a direct interpretation of that special, the connection between that piece of work and this story of household objects will be evident to his many fans. Visit him on Instagram @SpacePrinceJulio.

JULIAN GLANDER(he/him) is a 3D animator, designer, and illustrator. Mostly self-taught, he has created work for Disney, Cartoon Network, Nickelodeon, Adult Swim, and The New York Times. He is also the creator of the video game Art Sqooland the squishy comics collection3D Sweeties. Visit him at Glander.co.

Review: There is so much to figuring out who you are, what your identity is, what you enjoy, etc. Plunger is all for trying new things and being a bit different than what is expected of them. However, vacuum cannot handle the lack of order, questioning of ideals, and change. So what will take vacuum to see that it doesn’t matter who everyone is as long as everyone is happy?

I do think Torres was trying to have an extending metaphor about identity specifically, but there is a moment where the characters also mention jobs and liking what they do, so I think that this book will comfort anyone that feels like they don’t fit exactly where everyone expects them to be, either in their identity, how they act, how they dress, what they like to do, etc. And it is pretty silly and fun in so many ways!

And I loved the illustrations by Glander! The 3D art that is clay animantion-esque just brings the characters and setting to life! A perfect combination.

Teachers’ Tools for Navigation and Discussion Questions: Like the Kirkus reviewer mentioned above, I’d love to see what creative thinking this will bring out with students. The discussions and writing that could come from these questions would be fantastic!

  • Pick an every day object–what else could it be?
  • If you were an every day object, what would you pick?
  • Other than what that every day object does, what else could you do if you were that every day object?
  • What is something about you that doesn’t fit your “definition”?
  • Is there ever a time where you feel like you are a different shape than others expect you to be?

I think conversations about author’s purpose, comparison/contrast, and symbolism could also be started based on this book.

Flagged Passages: 

Read This If You Love: My Shadow is Purple by Scott Stuart, I’d Like to be a Window for a Wise Old Dog by Philip C. Stead, Not Quite Narwhal by Jessie Sima, Picture books by The Fan Brothers

Recommended For: 

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**Thank you to Alex at Simon & Schuster Children’s Publishing Division for providing a copy for review!**

Educators’ Guide for Loujain Dreams of Sunflowers: A Story Inspired by Loujain Alhathloul by Lina AlHathloul & Uma Mishra-Newbery, Illustrated by Rebecca Green

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Loujain Dreams of Sunflowers
Authors: Lina AlHathloul & Uma Mishra-Newbery
Illustrator: Rebecca Green
Published: February 8, 2022 by Astra Publishing

Summary: A courageous girl follows her dream of learning to fly in this beautifully illustrated story inspired by imprisoned human rights activist Loujain AlHathloul.

Loujain watches her beloved baba attach his feather wings and fly each morning, but her own dreams of flying face a big obstacle: only boys, not girls, are allowed to fly in her country. Yet despite the taunts of her classmates, she is determined that some day, she too will learn to do it–especially because Loujain loves colors, and only by flying will she be able to see the color-filled field of sunflowers her baba has told her about. Eventually, he agrees to teach her, and Loujain’s impossible dream becomes reality–inspiring other girls to dare to learn to fly. Inspired by co-author Lina al-Hathloul’s sister, formerly imprisoned Saudi women’s rights activist and Nobel Peace Prize nominee Loujain al-Hathloul, who led the successful campaign to lift Saudi Arabia’s ban on women driving. This gorgeously illustrated story is lyrical and moving.

Teachers’ Tools for Navigation and Discussion Questions: 

Please view and enjoy the teachers’ guide I co-created for Astra Publishing for Loujain Dreams of Sunflowers:

You can also access the teaching guide here.

You can learn more about Loujain Dreams of Sunflowers on Astra Publishing’s page.

Recommended For: 

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Blog Tour!: The Troubled Girls of Dragomir Academy by Anne Ursu

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The Troubled Girls of Dragomire Academy
Author: Anne Ursu
Published October 12, 2021 by Walden Pond Press
Happy book birthday!! 🎉

Summary: If no one notices Marya Lupu, it’s likely because of her brother, Luka. And that’s because of what everyone knows: Luka is destined to become a sorcerer.

The Lupus might be from a small village far from the capital city, but that doesn’t matter. Every young boy born in Illyria may possess the rare ability to wield magic, to protect the country from the terrifying force known only as the Dread. For all the hopes the family has for Luka, no one has any for Marya, who can never seem to do anything right. But even so, no one is prepared for the day that the sorcerers finally arrive to test Luka for magical ability, and Marya makes a terrible mistake. Nor the day after, when the Lupus receive a letter from a place called Dragomir Academy — a mysterious school for wayward young girls. Girls like Marya.

Soon she is a hundred miles from home, in a strange and unfamiliar place, surrounded by girls she’s never met. Dragomir Academy promises Marya and her classmates a chance to make something of themselves in service to one of the country’s powerful sorcerers. But as they learn how to fit into a world with no place for them, they begin to discover things about the magic the men of their country wield, as well as the Dread itself — things that threaten the precarious balance upon which their country is built.

Praise:

∗“A wonderful and inspiring feminist fantasy.” – Kirkus, starred review

“An accessible, timely school story with a rather Transylvanian flavor to its fantasy setting. Ursu explores girls’ conditioning in timidity and shame in a male-dominated world and, ultimately, envisions a hopeful, female-determined future of magical ability.” – Horn Book Magazine

“A suspenseful tale woven with secrets and magic, with a gasp-worthy twist at the end, The Troubled Girls of Dragomir Academy is everything I love about fantasy. Spell-binding.” – Christina Soontornvat, Newbery Honor-winning author of A Wish in the Dark

“Anne Ursu practices her own brand of sorcery—the ability to craft wondrous, magical stories that are unlike anything you’ve ever read. Another extraordinary tale from a remarkably talented author.” – Erin Entrada Kelly, Newbery Medal-winning author of Hello, Universe

“A thoughtful and incisive story of lies told to control people and the complicated girls who ask questions, push back, and keep fighting.” – Tui Sutherland, New York Times-bestselling author of the Wings of Fire series

“It’s no secret that Anne Ursu is a gifted storyteller. The Troubled Girls of Dragomir Academy is intricately plotted and compulsively readable, with characters who will stay with you long after you stop reading. I could not put it down.” – Aisha Saeed, New York Times bestselling author of Amal Unbound

“The Troubled Girls of Dragomir Academy manages the particular magic of being both a true fantasy novel and a clear-eyed reflection of the here-and-now. Bighearted, generous, and outstandingly original, this is a story only Anne Ursu could write.”- Elana K. Arnold, award-winning author of The House That Wasn’t There

About the Author: Anne Ursu is the author of the acclaimed novels The Lost Girl, Breadcrumbs, and The Real Boy, which was longlisted for the National Book Award. The recipient of a McKnight Fellowship Award in Children’s Literature, Anne is also a member of the faculty at Hamline University’s MFA in Writing for Children and Young Adults. She lives in Minneapolis with her family and an ever-growing number of cats. You can visit her online at www.anneursu.com.

Review: “Well-behaved women seldom make history.” -Laurel Thatcher Ulrich

This book is a loud cry for all the times females have been told they were trouble or too loud or had too many opinions or talked too much or asks too many questions or is too bossy or… or… or… Because of the patriarichal nature of our society, many girls will hear these thrown at them over and over again because in society’s eyes, it is our job to comply. Marya lives in a society that her job is to not only comply but to also fade into the background, so many of those who read will automatically connect with Marya’s plight and her personality trait of wanting to push back. Marya doesn’t want to just be in the background.

I do not want to share much more about the book than what the summary includes because it was such a pleasure to read–I am envious of all of you who get to read it for the first time! Anne Ursu’s ability to craft a fantastical world that is easy to imagine, write lyrically yet precisely, and create this narrative filled with twists, turns, and a protagonist you will be rooting for lends itself to just a fantastic read. This will definitely be one of my favorite reads of the year!

Teachers’ Tools for Navigation: Walden Pond Press has shared a teacher-created educator guide with discussion questions, classroom activities, and extensions!

Flagged Passages: Chapter 1: The Girl in the Coop

There were few women pictured in the great tapestries of Illyria–besides the witches, of course. The tapestries depicted moments of heoism, epic battles of good and evil, of powerful sorcerers and brave noblemen protecting the kingdom from the monsters that had threatened it through its history.

That is not to say that girls and women did not matter to Illyria: behind every great tapestry was a woman who wove it, just as behind every great sorcerer was a wife to tend to his domestic affairs, a governess to teach his children, a cook to warm his gullet, a maid to keep his fires lit.

And behind every boy who dreamed of being a sorcerer was a mother who raised him to be brave, noble, and kind. And perhaps that boy even had a sister, who right before the Council for the Magical Protection of Illyria finally visited his humble home to test him for magical gift, made sure the chicken coop was clean.

Read This If You Love: Kingdom of Secrets by Christyne Morrell, Raybearers by Jordan Ifueko, A Tale of Magic by Chris Colfer, The Spinner of Dreams by K.A. Reynolds, The Trouble with Shooting Stars by Meg Cannistra

Recommended For: 

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Other Blog Tour Stops:

October 12 A Nerdy Bibliophile in Wanderlust
October 13 Read Wonder
October 14 Nerdy Book Club
October 15 A Library Mama
October 16 Maria’s Mélange
October 17 By Singing Light
October 18 Bluestocking Thinking
October 20 Insatiable Readers

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**Thank you to Walden Pond Press for providing a copy for review!**

Threads of Peace: How Mohandas Gandhi and Martin Luther King Jr. Changed the World by Uma Krishnaswami

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Threads of Peace: How Mohandas Gandhi and Martin Luther King Jr. Changed the World 
Author: Uma Krishnaswami
Published August 17th, 2021 

Summary: Mahatma Gandhi and Reverend Martin Luther King Jr. both shook, and changed, the world, in their quest for peace among all people, but what threads connected these great activists together in their shared goal of social revolution?

A lawyer and activist, tiny of stature with giant ideas, in British-ruled India at the beginning of the 20th century.

A minister from Georgia with a thunderous voice and hopes for peace at the height of the civil rights movement in America.

Born more than a half-century apart, with seemingly little in common except one shared wish, both would go on to be icons of peaceful resistance and human decency. Both preached love for all human beings, regardless of race or religion. Both believed that freedom and justice were won by not one, but many. Both met their ends in the most unpeaceful of ways—assassination.

But what led them down the path of peace? How did their experiences parallel…and diverge? Threads of Peace keenly examines and celebrates these extraordinary activists’ lives, the threads that connect them, and the threads of peace they laid throughout the world, for us to pick up, and weave together.

Praise: ★“The book’s attractive design, lucid text, and carefully chosen details combine to create an inviting and original treatment of its subjects. History has been carefully intertwined with the present in this engaging and reflective book.” —Kirkus Reviews (starred)

About the Author: Uma Krishnaswami is the author of several books for children including Book Uncle and Me (International Literacy Association Social Justice Literature Award, USBBY Outstanding International Book) and Step Up to the Plate, Maria Singh (Asian Pacific American Librarians Award, FOCAL Award). She was born in New Delhi, India, and now lives in British Columbia, Canada. To learn more, visit her website: umakrishnaswami.org.

Review: First, happy book birthday!!!!!! 🎉 

In the Author’s Note, Krishnaswami notes, “Then, in 2008, I read The End of Empires: African Americans and India by historian and African American studies professor Gerald Horne. It was an eye-opener. I was born in India and I’d lived in the United States for nearly thirty years, but in neither country had I ever learned this history.” As I’ve noted over and over again when I review nonfiction or historical fiction, it is only through brilliant books that I have learned true history as my history classes were so US-centered that we hardly learn anything other than basic history about the world and it is so white-washed that even when slavery or Civil Rights is covered, it very much focuses on the successes. It is because of this that I am so thankful that books like this exist and allow me to share the erased history with students. Because even with Martin Luther King Jr., who all are familiar with, there is so much of him and his journey and point of view that are erased in history books. 

Everything I learned about India’s history was from some books before I read this: The Night Diary by Veera Hiranandani, I am Gandhi (both picture book & graphic novel) by Brad Meltzer, and A Taste of Freedom: Gandhi and the Great Salt March by Elizabeth Cody Kimmel. That was all of my prior knowledge, so I was taken aback by the breadth of India’s history that I was ignorant about. Krishnaswami did a brilliant job telling about Gandhi’s personal life while also teaching about Indian history. In the second half of the book, we switch to Martin Luther King Jr.’s life and the racial injustices happening in the United States. Again, the book focuses not only on King’s personal life but the history of the US at the time as well. I learned so much in this book. It made me think, reflect, get angry, cry, and have purpose for continuing with a focus on anti-racism. 

Uma Krishnaswami does a beautiful job using the imagery of threads figuratively throughout this book to tie Gandhi and King through their views on peace and nonviolence as well as Gandhi and King to the histories they helped shape. 

Teachers’ Tools for Navigation & Discussion Questions: There is so much to discuss in this book! I could see parts of it being used to supplement curriculum, I could see it being used AS the curriculum, I could see it being used as a resource for research, I could see it being an independent reading book for an interested student…. It has endless potential. 

  • Why would the author choose thread to be the figurative imagery in the book? 
  • Although Gandhi and King both were focused on equality and nonviolence, they differed in many ways also–how so? 
  • In both cases, Gandhi and King continued their work despite potentially putting their family in danger. Why would they do this? 
  • How was India’s reach for freedom similar to the Civil Rights Movement in the United States? 
  • Both Gandhi and King had assassination attempts multiple times in their life. They both did not want their attackers charged–why not? What does this tell you about them? 
  • In the end they were both assassinated, how did hatred, fear, and ignorance lead to both of their deaths? 
  • Both had such strong women as wives. How did both women help support their husband’s mission? 
  • Do you believe that Martin Luther King Jr. would have the same beliefs without Gandhi pathing the way? 

Flagged Passages: “Chapter 25: Spinning New Threads of Peace”

To spin thread on a spilling wheel like the one Gandhi designed when he was in jail, you bein with a roll of fluffy, carded cotton. In the Hindi language, this is called pooni. You attach the pooni to a length of thread looped around a small metal spindle. You hold the fluffy cotton loosely in one hand and draw it slowly, outward and upward, to arm’s length. With your other hand, you turn a flat wheel. A few turns clockwise, then a quarter turn counterclockwise, over and over, until the rhythm takes hold of you and you no longer have to link about it. 

It takes patience. It takes time. Each had has to learn to do its work without getting distracted. 

At first, the cotton drifts apart. The yarn is not twisted enough. This it’s twisted too tightly. It breaks. The spindle falls off its course. The cord that drives the spinning wheel slips from its grove. But slowly, slowly, if you keep at it, the thousands of fibers contained within a single handful of cotton begin to twist around one another, becoming one, united and strong enough to endure. The cotton springs to life, and a thread begins to form! Only inches of it, but it is real cotton thread. 

The threads of peace movements are like that. They continue to spin outward over and over, long after they have been created. 

In April 1968, after Dr. King’s assassination, the Chicago Sun-Times published this cartoon: 

Look at Gandhi, seated on the floor, his hand outstretched, making his point to an attentive Dr. King. You’d think they were old friends. There they are in this alternate reality, perhaps even in the artist’s imagined heaven, reminding us that the voices of peacemakers can resonate long after they are gone. 

Although they never met, Gandhi and King were kindred spirits. Gandhi was aware of racial injustice in the United States and hoped that Black American would create their own nonviolent movement. 

Martin Luther King Jr. read books by and about Gandhi. He knew people who had met Gandhi. Gandhi’s teaching supported King’s own beliefs that grew out of the love of family, of community, of Jesus. King integrated Gandhian methods and principles into the work of his life, much as he did with the Christian gospel.”

Read This If You Love: I am Gandhi (both picture book & graphic novel) by Brad Meltzer; A Taste of Freedom: Gandhi and the Great Salt March by Elizabeth Cody Kimmel; Chasing Lincoln’s Killer by James L. Swanson; Martin’s Big Words: The Life of Dr. Martin Luther King Jr. by Doreen Rappaport; Be a King: Dr. Martin Luther King Jr.’s Dream and You by Carole Boston Weatherford; Memphis, Martin, and the Mountaintop: The Sanitation Strike of 1968 by Alice Faye Duncan; March trilogy by John Lewis with Andrew Aydin; A Good Kind of Trouble by Lisa Ramée; The Night Diary by Veera Hiranandani

Recommended For: 

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**Thank you to Barbara at Blue Slip Media for providing a copy for review!**

 

Clap When You Land by Elizabeth Acevedo

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Clap When You Land
Author: Elizabeth Acevedo
Published March 5, 2020 by HarperTeen

Summary: In a novel-in-verse that brims with grief and love, National Book Award-winning and New York Times bestselling author Elizabeth Acevedo writes about the devastation of loss, the difficulty of forgiveness, and the bittersweet bonds that shape our lives.

Camino Rios lives for the summers when her father visits her in the Dominican Republic. But this time, on the day when his plane is supposed to land, Camino arrives at the airport to see crowds of crying people…

In New York City, Yahaira Rios is called to the principal’s office, where her mother is waiting to tell her that her father, her hero, has died in a plane crash.

Separated by distance—and Papi’s secrets—the two girls are forced to face a new reality in which their father is dead and their lives are forever altered.

And then, when it seems like they’ve lost everything of their father, they learn of each other.

Ricki’s Review: I was so happy to see that this book won the Amelia Elizabeth Walden Award. It is one of the most beautifully written books that I have ever read. It made me laugh, it made me weep, and it filled me with so many emotions and so many wonderings. The book is beautifully lyrical, and the voices are so strong. There’s a scene in the book that simply took my breath away. If you haven’t read this book yet, I recommend you head out and purchase it now. It’s absolutely magnificent.

Discussion Questions: 

  • How do the two perspectives of the story work together? How did it enhance your reading of the story?
  • How does place function in the story?
  • Where is home for the characters?
  • How do the characters in the story grieve? What understandings did it offer about grief and loss?
  • How do the characters in this book show strength in many different ways?

Flagged Passage: 

“Can you be from a place
you have never been?

You can find the island stamped all over me,
but what would the island find if I was there?

Can you claim a home that does not know you,
much less claim you as its own?”

Read This If You Love: Books. Seriously, it would be very difficult not to see the beauty of this book. Elizabeth Acevedo is one of the greatest writers of our time.

Recommended For: 

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Sometimes a Wall… by Dianne White, Illustrated by Barroux

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Sometimes a Wall…
Author: Dianne White; Illustrator: Barroux
Published: October 15, 2020 by OwlKids

Summary: An afternoon in the playground introduces different kinds of walls: a brick wall to draw on with chalk, a water wall, and a climbing wall. What follows is a playful yet profound exploration of the many ways walls can divide us or bring us together. When one child is excluded from a game, another builds a castle to leave him out. When the builder declares the castle MINE, other kids feel alienated―but the builder becomes lonely, too, when the others have fun without him. The book ends with the optimism of a new start: friendship, forgiveness, and imagination give the wall new meaning.

Told with short, simple lines of playful, rhyming text and loose line illustrations by internationally known artist Barroux, this book sparks questions with empathy, insight, and charm. It’s a timely tool for inquiry-based and social-emotional learning, sharing the important message that walls can unite or divide, depending on the choices we make. 

“Rhyme, rhythm, and simple art—all including references to walls—show children expressing different emotions and behaviors… Mending walls for the nursery crowd.” –Kirkus Reviews

Review: My own children have been asking about walls. They hear about them in school (in preschool and first grade), and they come home with a lot of questions. This book offers such great fodder for conversations about walls. The wall in this book evolves, and it is up to the reader to interpret many aspects about the wall and its purpose. I love how this opens discussions for what walls might represent and how they might differ in various conceptions. For instance, the wall in this book might be described as a border wall or it might be describe attached to a metaphorical or ideological wall. This is a book that will make readers of all ages think. I read the book three times in a row (which is not often my approach) because I kept thinking about new applications of the text. This would make a phenomenal classroom text and would be great for critical thinking and discussions. I recommend it highly.

Teacher’s Tool For Navigation: I’d love to use this book to teach the concept of a metaphor. For me, the wall in this text can be used as a metaphor to talk about a lot of concepts (concrete and abstract).

The “Why” Behind the Book:

A Letter to Parents and Educators

A Letter to Young Readers

Discussion Guide:

Sometimes a Wall… Discussion Guide

A Lesson In 3 Movements:

• Intro to the Unit (PLEASE READ FIRST!)

• What’s Different About Reading Wordless/Nearly Wordless Picture Books?

• 1st Movement: TOGETHER (I Walk with Vanessa by Kerascoët)

• 2nd Movement: APART (Draw the Line by Kathryn Otoshi)

• 3rd Movement: REGRET. NEW START? (Sometimes a Wall … by Dianne White, illustrated by Barroux)

Coloring Pages For Younger Students:

We Are Kind coloring page

Be Kind coloring page

Discussion Questions: 

  • What might the wall represent?
  • How does the wall evolve in the text?
  • What kinds of walls do you have in your life? Do they serve good or bad purposes (or both)?

We Flagged: 

Read This If You Loved: I Walk with Vanessa by Kerascoët, Draw the Line by Kathryn Otoshi, The Wall in the Middle of the Book by Jon Agee

Recommended For: 

 

Review and Giveaway!: Rosie: Stronger Than Steel by Lindsay Ward

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Rosie: Stronger Than Steel
Author and Illustrator: Lindsay Ward
Expected Publication: April 1st, 2020 by Two Lions

Summary: A brave tractor farms for freedom in a story inspired by women who acted with courage and strength in American factories and on British farms during World War II.

This is our Rosie,
stronger than steel.
She’ll plow all the land
with a turn of her wheel.

Built by women in the United States and sent to England to dig and plow alongside female farmers during World War II, Rosie the tractor does whatever is needed to support the war effort. She works day and night to help grow crops for the troops…even when she has to hide in the fields. This is because she knows, like the women who built her and the women who farm with her, that they all must do their part.

Inspired by the group of American women collectively known as “Rosie the Riveter” and the British Women’s Land Army, this is a story about taking action and coming together for the greater good.

About the Author: Lindsay Ward is the creator of the Dexter T. Rexter series as well as This Book Is Gray, Brobarians, Rosco vs. the Baby, and The Importance of Being 3. Her book Please Bring Balloons was also made into a play. Lindsay lives with her family  in Peninsula, Ohio, where she often sees tractors from the 1930s and 1940s. Learn more about her online at www.lindsaymward.com. Twitter: @lindsaymward

Praise: 

★“More than the sum of its parts, this is a wildly successful and well-researched shaping of the picture-book form to true historical sheroes.” —Kirkus Reviews (starred review)

★“This ‘little tractor that could’ sort of tale pays tribute to the iconic Rosie the Riveter persona from the US and the British Land Girls of the Women’s Land Army during WWII. Fans of Loren Long’s Otis, Virginia Lee Burton’s Katy, and like sturdy, dependable workhorses will welcome Rosie into the fold, but the historical perspective adds an unusual dimension to her story.” —Booklist (starred review)

“Vocabulary is rich, and the younger set will appreciate the intermittent rhymes. The style of Ward’s colored pencil and cut-paper illustrations reflect the period of the tale. ” —School Library Journal

Review: During World War II, our students’ lessons usually focus on the war itself and the horrific events because of the war, but there was so much more going on to ensure that our countries continued to run while all of our armed forces were at war. We don’t often enough hear about how women were essential to this effort, and Rosie shows us another side to this. Rosie represents not only the tractors made by women who helped keep our plants and crops healthy and edible, but she represents all women that stepped up to do jobs that before then they had been told they were not good enough for. This story, beautifully crafted and illustrated by Lindsay Ward, is a call for strength whenever faced with unprecedented times.

Teachers’ Tools for Navigation: Rosie is a great addition to history lessons about World War II and the home front efforts of women. Her story is also a great read aloud–maybe during Women’s History Month, or whenever!

Discussion Questions: 

  • Did you know anything about what happened on the home front before reading Rosie?
  • How does Rosie the tractor represent the women’s work on the home front?
  • How does Rosie impact the war effort?
  • What does the Rose on her body represent?
  • What is the theme of Rosie?
  • Why do you think the author wrote the book from Rosie’s point of view in first person?

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Read This If You Love: Historical fiction picture books, Learning about history

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**Thank you to Blue Slip Media for providing a copy for review and giveaway!**