Raymie Nightingale by Kate DiCamillo is out today!
And we are happy to be able to be able to exclusively reveal the teaching guide.
Kate DiCamillo writes heartprint stories, and Raymie Nightingale is no different. Raymie Nightingale shares with the reader a story of three very different girls who all are enveloped in sadness for different reasons and need each other to find their way out. You will love Raymie and the Three Rancheros!
I had so much fun writing this guide, and I hope that many of you find the activities and discussion questions within it useful to you and your students!
Please note: There are some spoilers in the guide, so please be aware if you are reading the guide before reading the book.
The Classy Crooks Club Author: Alison Cherry
Published March 29th, 2016 by Aladdin
Goodreads Summary: Twelve-year-old AJ dreads spending an entire month living with her strict Grandma Jo. Not only does her grandmother dictate how she walks, what she eats, and which rooms she can enter, she fills all AJ’s free time with boring sewing lessons. Grandma Jo wants nothing more than to transform her adventurous, fun-loving granddaughter into a prim and proper lady.
But AJ’s dull summer takes a sharp turn when she discovers that her grandmother’s “bridge group” is actually a heist club. When Grandma Jo offers to let AJ learn lock-picking instead of embroidery in exchange for help with a few capers, AJ is happy to join her grandmother’s madcap band of thieves, who claim to steal only for ethical reasons. But even the most respectable ladies can hide truly surprising secrets, and AJ finds she must decide for herself what it means to be one of the good guys.
My Review: I love AJ. She is a perfect protagonist because she is just a real middle schooler. She is multi-faceted, funny, has quite a personality, has fears, makes mistakes, and is overall likeable. And she is not the only well-crafted character. Each of the characters, main, secondary, or supporting, are so fully developed that you feel like you know everyone in AJ’s life. I often am skeptical about first person POV because it is always tough to get a character/narrator’s voice perfect while also developing the characters, but Cherry does a great job of both. AJ is a normal middle school girl that is dealing with a quite terrible grandmother who happens to have an unexpected hobby.
Another thing that blew me away about this novel is that something happened that was completely unexpected! Usually when I am reading middle grade novels, I love them but am not often surprised because I can sense foreshadowing and predict; however, Cherry really caught me off guard in this one! You’ll have to let me know if you see it coming!
And finally, I loved the unique premise of the book! Who ever thought there’d be a book about a bunch of old ladies who “liberate” *cough* steal *cough* exotic birds and anything else that suits their fancy?!
Teachers’ Tools for Navigation: Alison’s guest post, below, made me really think about how grandparents play the role in different books, so Classy Crooks Club and the books listed below could be part of a grandparent-focused lit circle. How do the grandparents in the book differ from the parents (if they are present)? How are the grandparents different than stereotypical grandparents? How do the grandparents influence the main character?
Discussion Questions: Did you predict the climax of the story?; Why do you think the author chose first person point of view?; Why do you think the author doesn’t share what us about Betty’s past?; How does AJ overcome her fear?; Which of the Classy Crooks Club ladies would you want to hang out with and why?; What does Brianna teach AJ about not judging a book by its cover?; Why do you think Brianna is so mean to Maddie?; Why does Maddie get so mad at AJ? Would you have reacted the same way?
We Flagged: “Every single piece of furniture in my grandmother’s house has a name with too many syllables.
At home we have chairs. We have a couch. We have tables. But right now my grandmother is pointing at this hulking wooden thing in the corner of one of her guest bedrooms — my bedroom, for the next month — and calling it a ‘mission chifforobe.’ It looks like what might happen if a dresser and a closet had a really ugly baby. ‘I trust you’ll be very careful with this chiffrobe while you’re here,’ Grandma Jo says, like it’s some fragile, spindly thing I could possibly break by accident. ‘It was once owned by Buckminster Fuller, as was that ottoman.'” (p. 1)
“Five Books I Loved That Featured Grandparents” by Alison Cherry:
The Witches, Roald Dahl:
This creepy novel from 1983 features a boy who is sent to live with his grandmother after the death of his parents. Grandmother is a retired witch-hunter, and she makes sure her grandson knows how to recognize witches by their unusual traits: bald heads that they cover with wigs, square feet with no toes, clawed hands, and blue spit. Unfortunately, this doesn’t prevent the boy from having a run-in with witches while on vacation, and they turn him into a mouse. Grandmother is presented as incredibly kind and accepting—she doesn’t love her grandson any less once he’s a mouse. She’s also very clever and helps devise a plan to get revenge on the witches. The scene that sticks with me most is one in which Grandmother tells the boy that being a mouse will significantly shorten his lifespan, and he says he doesn’t mind because he doesn’t want to outlive her. I read this book over and over as a child!
Tortilla Sun, Jennifer Cervantes:
When her mother gets a grant to study in Costa Rica for the summer, twelve-year-old Izzy is sent to live with her nana in her tiny, rural New Mexican village. Izzy knows nothing about her Latina heritage or her dead father, whom her mother has always refused to discuss, and her summer with Nana is her first opportunity to learn where she comes from and who she is. Izzy’s nana is patient, wise, warm, and loving, and she lets her granddaughter discover pieces of her past slowly, when she’s ready and able to handle them. Reading this book is a rich sensory experience; the descriptions of Nana’s colorful house, the food she teaches Izzy to cook, and the rest of the characters in the neighborhood are beautifully drawn. It made me want to hang out in the world of the story long after it was over.
You’re Invited, Jen Malone and Gail Nall
This novel from four points of view is about a group of girls who start a party-planning business in their small seaside town. While the book isn’t centered around a grandparent like the other four on this list, Lauren’s grandmother Bubby is my favorite part of the story. Bubby is loud, opinionated, bubbly, and a total flirt—she spends most of the book zooming around on her bright red scooter, Wanda, and trying to catch the eye of “hot” Mr. Vernon from her retirement community. Despite her advanced age, Bubby tries her best to act and speak like a teenager—she’s active on “the Tweeter” and constantly refers to things as “amazeballs” and “ubercute.” This horrifies Lauren, who is significantly more dignified, but it delights me to no end. I sincerely wish I had a grandmother like Bubby.
The Lightning Queen, Laura Resau:
This gorgeous novel is about Teo, an indigenous Mexican boy, and Esma, a Romani girl who comes through his village with her caravan each summer. Despite their differences, a fortune teller states that they are destined to be friends for life, however unlikely it may seem. Because the story is told primarily in flashbacks, the reader gets to meet Teo as both a child and as an elderly healer who has lost touch with his lifelong friend and needs his grandson’s help to find her again. Teo is a delight in both incarnations—he’s kind and gentle and incredibly smart, the only boy in his village who braves school and learns to read. Teo also has a soft spot for rescuing animals—as a child, his constant companions are a duck, a blind goat, and a three-legged skunk. Both the Mixteco and Romani communities are treated with great sensitivity, and the writing is captivating.
The Secret Hum of a Daisy, Tracy Holczer:
When her mother dies suddenly, Grace is forced to move in with her estranged grandmother, who sent Grace’s mother away when she got pregnant as a teenager. Grace automatically assumes her grandmother is a horrible person and sets out to be a complete brat, hoping she’ll be sent away. Grace’s grandmother isn’t warm, but she’s patient and steady and gives Grace the space she needs to work out her grief; she’s there every time Grace needs her, but she doesn’t try to force her into a relationship before she’s ready. Grace eventually begins to respect her grandmother’s honesty, forthrightness, and willingness to take responsibility for mistakes she made in the past, even when it makes her look bad. The writing in this book is beautiful, lyrical, and deeply felt—it feels as if Tracy Holczer dug this story up from deep in her soul and pasted it directly onto the page. It’s one of my favorite depictions of two people who have suffered deep losses taking a chance on loving each other, even though it’s hard and painful.
Maybe a Fox Author: Kathi Appelt and Alison McGhee
Published: March 8, 2016 by Atheneum/Caitlyn Dlouhy Books
Goodreads Summary: A tale about two sisters, a fox cub, and what happens when one of the sisters disappears forever.
Sylvie and Jules, Jules and Sylvie. Better than just sisters, better than best friends, they’d be identical twins if only they’d been born in the same year. And if only Sylvie wasn’t such a fast—faster than fast—runner. But Sylvie is too fast, and when she runs to the river they’re not supposed to go anywhere near to throw a wish rock just before the school bus comes on a snowy morning, she runs so fast that no one sees what happens…and no one ever sees her again. Jules is devastated, but she refuses to believe what all the others believe, that—like their mother—her sister is gone forever.
At the very same time, in the shadow world, a shadow fox is born—half of the spirit world, half of the animal world. She too is fast—faster than fast—and she senses danger. She’s too young to know exactly what she senses, but she knows something is very wrong. And when Jules believes one last wish rock for Sylvie needs to be thrown into the river, the human and shadow worlds collide.
Writing in alternate voices—one Jules’s, the other the fox’s—Kathi Appelt and Alison McGhee tell the tale of one small family’s moment of heartbreak.
Ricki’s Review: I read this entire book in one sitting because, quite simply, I could not put it down. I sobbed through the entire book because I connected so strongly with these characters. As a mom, I couldn’t imagine my son experiencing the pain that these sisters felt from the loss of their mother. As a sister, I can’t imagine my own sister disappearing. These two connections, along with the stunning portrayal of character and story, made this book feel deeply personal for me. While younger students won’t be moms, and thus, won’t have this personal connection I had with the text, they will be sons and daughters. Regardless of a reader’s point of view, they will connect with this book because it is written so beautifully. I won’t forget this book, and I don’t think other readers will forget it, either.
Kellee’s Review:This book is one I’ll be talking about for a while. I will say it is probably the saddest book that I’ve ever read; however, it is beautiful. It is very hard to explain unless you’ve experienced because it gives hope while also being so terribly sad. The characters, animal and humans, are so thought out and detailed that as you read you feel with them and for them. I was also in awe of the way Kathi and Alison were able to tell such a unique story without the reader ever feeling like it was an odd scenario. Whenever I try to describe this book to someone, they give me quite a weird look, so I just stop trying and tell them they should read it because it is a heart print book. There is no other way to describe it. Like Ricki said, every reader will feel for someone in the book. And every reader won’t be able to deny how beautifully written the prose is.
Teachers’ Tools for Navigation: As you will read in Kathi and Alison’s guest post below, point-of-view makes this story quite powerful. Teachers might ask students to consider the varying perspectives of this story and how they work together to form a cohesive whole. The teacher might provide other examples of texts that feature different points-of-view to compare and contrast authors’ styles. Students might then try their hand at writing in various, connected points-of-view and subsequently analyze how this enhances a narrative.
Discussion Questions: How do the authors unfold the plot in the narrative?; What predictions did you make while reading this story? How might the story have turned out quite differently?; How does Senna’s point-of-view enhance the story for you?; Were there any allusions within the text?; What theme do you take away from Maybe a Fox?
We Flagged: “The baby girl fox, Senna, came into the world in darkness, thirty feet below ground in the end dug out of cool brown earth. She was the middle child, born between her older and younger brothers, the three of them separated by minutes.
The first thing she knew was the feel of her mother’s tongue. Shhh shhh shhh, cleaning her off, licking her into life and warmth and love and safety.
The second thing she knew was the feel and smell of her brothers’ bodies pressed against hers as their mother nursed them, their front paws kneading her belly.
The third thing she knew was that there was someone waiting for her, someone she needed to find.” (p. 75-76)
A Guest Post from Kathi and Alison about Point-of-View
Finding the best possible point of view for a story is one of the most important choices that a writer can make. The point of view, more than any other aspect of literature, dictates the distance created between the character and the reader. When we embarked upon this story, Alison chose to write from the fox’s story and she decided early on that she wanted to write from an omniscient point of view. This allowed her to place Senna deeply within the pocket of her fox family, and to give our readers an intimate sense of their world. It gave her a way to present the fox-world via the senses of all five members of their family, and put the readers squarely inside of the natural landscape.
When we were first drafting, Kathi chose to write Jules from a first person point of view. However, it didn’t take long before she realized that the first person was too limiting. Yes, first person is quite intimate and there are good reasons to use it, but in this case it felt as though it created too many blind spots. Jules needed a bigger canvas and so Kathi switched to third person. That allowed her to broaden the scope of Jules’ experience, and to let Jules, as well as the omniscient narrator, experience the events as they unfolded.
We always knew that Sam’s point of view would be from the third person too, and he stepped into the story in a way that let the reader get a more objective perspective. We also hoped to show that even though Sylvie’s death primarily impacted Jules and her dad, her loss was felt strongly by the entire community. As well, Sam’s earnest desire for the return of the catamount helped to create a sense of possibility that the other characters couldn’t, simply because of their closeness to Sylvie.
The landscape also gave us a perspective. The woods and rocks, and of course the Slip itself with its local legends, provided not only a backdrop, but its own wild voice, a voice that spoke to each of our characters—fox, Jules, Sam, Elk, Sylvie, Zeke, Dad, and the catamount—in a way that only a wild place can speak.
All this to say that the multiple points of view hopefully helped to create stories within stories that, when woven together, made a single story that was enriched by the viewpoints of each character.
Kathi and Alison.
About the Authors:
Kathi Appelt is the New York Times best-selling author of more than forty books for children and young adults. Her picture books include Oh My Baby, Little One, illustrated by Jane Dyer, and the Bubba and Beau series, illustrated by Arthur Howard. Her novels for older readers include two National Book Award finalists: The True Blue Scouts of Sugar Man Swamp and The Underneath, which was also a Newbery Honor Book. In addition to writing, Ms. Appelt is on the faculty in the Masters of Creative Writing for Children and Young Adults at Vermont College of Fine Arts. She lives in College Station, Texas. To learn more, visit Kathi’s website at kathiappelt.com.
Alison McGhee is the New York Times bestselling author of Someday, as well as Firefly Hollow, Little Boy, So Many Days, Bye-Bye Crib, Always, A Very Brave Witch, and the Bink and Gollie books. Her other children’s books include All Rivers Flow to the Sea, Countdown to Kindergarten, and Snap. Alison is also the author of the Pulitzer Prize–nominated adult novel Shadowbaby, which was also a Today show book club selection. She lives in Minneapolis, Minnesota, and you can visit her at AlisonMcGhee.com.
**Thank you to Barbara at Blue Slip Media for providing copies for review and the giveaway. Also, thank you to Kathi and Alison for the wonderfully insightful guest post!**
The Typewriter Author & Illustrator: Bill Thomson
Published March 8th, 2016 by Two Lions
Goodreads Summary: Using just nine words, the award-winning creator of Chalk takes readers on another unforgettable journey. When three children discover a typewriter on a carousel, they are transported on an adventure of their own creation—complete with a giant beach ball and a threatening crab. Stunning, richly colored artwork is paired with limited text so children can tell their own version of the story.
About the Author: Bill Thomson is the creator of Chalk and Fossil and the illustrator of Baseball Hour, Karate Hour, Soccer Hour, and Building with Dad, all written by Carol Nevius. Thomson’s books have received many accolades: the National Parenting Publications Gold Award, designation as a Notable Children’s Book by the American Library Association, a Teacher’s Choice selection from the International Reading Association, a Booklist Editor’s Choice, the Connecticut Book Award for Children’s Illustrator, Kentucky’s Bluegrass Award, Ohio’s Buckeye Children’s Book Award, and the Prix Livrentête in Paris, France. Thomson’s artwork has also received more than 75 awards in the country’s most prestigious juried illustration competitions.
Thomson lives with his family in Southington, Connecticut and is also a professor of illustration at the University of Hartford. To see more of his artwork, visit: www.billthomson.com.
Kellee’s Review:I often hear that it is best to show not tell in writing, and this is taken to another level with this wordless picture book. I’m always blown away by excellent wordless picture books because there are illustrators that can take you on such an amazing journey without telling you anything. Although Bill Thomson does use nine words in The Typewriter, it is his illustrations that transport you into the story. He is an incredibly talented illustrator. Just like with Chalk, I am in awe of how realistic his illustrations are!
Ricki’s Review: This book is very innovative in the way it shares story. Readers will zoom into and out of the scenes on each page and will be pulled right into the book. My son has read this book several times, and I love how he carefully and slowly examines all of the illustrations on the pages. When he gets a bit older, I plan to ask him to tell his own story that connects the illustrations. We can change the story just a bit each night. Thomson creates the story to be interpretive for readers, and I can’t wait to hear what my son comes up with! This would be a great story for the classroom. The magic of this book will not be lost on readers.
Teachers’ Tools for Navigation: The Typewriter is a wonderful jumping off point for a creative writing unit. There are two different directions that it can be taken. First, as with all wordless picture books, you can have students narrate The Typewriter. I also would love to see what students would do if they had the magic typewriter. The Typewriter could be used as a prompt for students to write their own story as a sequel when they find the magic typewriter on the carousel.
Discussion Questions: Without using words, how does the author show how the characters feel during the story?; What do you think the backstory of the typewriter is? How did it get there? Where did it come from?; What is the turning point in the story?; What caused the kids to put the typewriter back?
Alistair Grim’s Odditorium Author: Gregory Funaro
Illustrator: Vivienne To
Published January 6th, 2015 by Disney-Hyperion
Summary: Grubb, age twelve (or thereabouts), has never known anything beyond his miserable existence as a chimney sweep, paid only in insults and abuse by his cruel master.
All of that changes the day he stows away in the coach belonging to a mysterious guest at the inn that he is tasked with cleaning. Grubb emerges from Alistair Grim’s trunk and into the wondrous world of the Odditorium. Fueled by a glowing blue energy that Grubb can only begin to understand, the Odditorium is home to countless enchanted objects and an eccentric crew that embraces Grubb as one of their own.
There’s no time for Grubb to settle into his new role as apprentice to the strange, secretive Mr. Grim. When the Odditorium comes under attack, Grubb is whisked off on a perilous adventure. Only he can prevent the Odditorium’s magic from falling into evil hands-and his new family from suffering a terrible fate.
Grubb knows he’s no hero. He’s just a chimney sweep. But armed with only his courage and wits, Grubb will confront the life-or-death battle he alone is destined to fight.
About the Author: Gregory Funaro is the NY Times Best Selling author of the Odditorium series from Disney-Hyperion. He grew up in Cranston, Rhode Island, and wrote his first story, “The Ghost in the Window”, in the fourth grade. He considers this to be his finest work, but unfortunately it has been lost to time. Following high school Greg majored in theatre at the University of New Hampshire, and after various acting gigs, received his AM in Theatre Arts from Brown University and an MFA in Acting from the FSU/Asolo Conservatory. Greg teaches drama at East Carolina University, and spends far too much time on the internet looking for vintage lunchboxes.
Review: Take a bit of Oliver Twist add in some Harry Potter and Charlie and the Chocolate Factory mix it with the snark of Lemony Snicket and Frankenstein’s monster then top it off with some Emerald Atlas and (more) Harry Potter adventure with mythology and fairy tale sprinkles and voila! You have yourself Alistair Grim’s Odditorium. But do not let me fool you into thinking that Gregory Funaro’s story is like anything you’ve read before because even though it alludes to many fantastical adventures, it is its own story through and through.
What makes Odditorium soar is not just the amazing adventure that Grubb and Mr. Grim go on (because it is amazing!), but the cast of characters that accompany them. Without Mrs. Pinch, Nigel, Mack, Lord Dreary, the samurai, and others, the book just wouldn’t be the same. Gregory Funaro did an amazing job creating a fully-developed supporting cast of characters that help push this adventure to the next level.
Author Interview: Thank you so much to Gregory for being willing to answer some questions for us!
Kellee: Alistair Grim’s Odditorium seems to allude to many traditional stories such as mythology and Grimm fairy tales. What other pieces of literature inspired your story?
Gregory Funaro: The works of Charles Dickens, especially Great Expectations and Oliver Twist. The setting is Dickensian London, and you’ll find a lot of common themes from Victorian literature running throughout the series, such as hidden identities, unrequited love, upper-class destiny, etc. There are echoes of Charlie and the Chocolate Factory, of course, and the fantasy works of Lloyd Alexander (The Chronicles of Prydain), but like so many Dickens novels, underneath all the magic and adventure, Odditorium is just a simple story of one boy’s journey toward acceptance and self-discovery.
K: Grubb has quite an odd name–how did that come about?
GF: His original name was Twip–a mash-up of Twist (Oliver) and Pip from Great Expectations. However, one day when I was writing in my office (the building is very old) I spied what looked like a maggot in the cracks between the floor tiles. It ended up being just a rogue grain of rice from some sushi I’d had a few days earlier, but the “maggot” sparked the idea for grub. The extra “b” was just something I threw in there for fun.
K: The illustrations in the novel really help bring it to life and seem to perfectly embody your words. What was your process with working with the illustrator?
GF: Along with the editors, at the beginning of the publication process I was very involved in the initial shape explorations of the Odditorium itself, but after that, as far as I know Vivienne To was pretty much on her own. I was also involved in some tweaking of illustrations along the way to make sure they jived with the story–especially in Aquaticum–but in terms of conceptualizing characters and whatnot, all that came from Vivienne. Fine by me. She is amazing.
K: Although the story is primarily adventure and fantasy, you threw in some humor throughout (I particularly love Mack!). How important do you think it was to add that to your story?
GF: Indispensable. You must have humor even in the most tragic of stories. You need a break once in a while from all the tension(Shakespeare was the master at this) and having a humorous character like Mack (who can also be serious if needed), provides a much richer experience for the reader. I think having a “comedian” in children’s books is especially important because kids can relate. However, you have to be careful, because too much (i.e., just throwing in a bunch of random jokes or snarky comments) can get annoying very quickly.
K: You majored in and teach theater–how did you find yourself writing for young adults?
GF: I actually started writing thrillers during my spare time about eight years ago. I had a couple published (they weren’t very good) and then moved over to children’s literature after the birth of my daughter. Oddly, though, I didn’t see Odditorium as a children’s book at first. In the original premise, Nigel (Mr. Grim’s right hand man) was going to be the focus of a story about Frankenstein’s monster being reunited with his long lost daughter. That idea rolled around in my head until the following summer, and by the time I started Odditorium, it was a children’s book, the monster’s daughter had somehow become Grubb, and the focus was on his journey with Alistair Grim. Nigel and his daughter’s story still exists in the book, but it’s one of the subplots.
K: Book 2 is out now! Can you give us a non-spoilery peak into what Alistair and Grubb are up to next?
GF: Book 2, Alistair Grim’s Odd Aquaticum, centers around an underwater quest for the legendary sword Excalibur–the only weapon powerful enough to penetrate Prince Nightshade’s armor. That’s right, the evil prince and his gang of baddies are back, along with some new characters, including a banshee assassin and a witch named Mad Malmuirie, who wants revenge on Grim for stealing her magical objects. The rest of the Odditorium’s crew is back, too, and they all journey to the mythical realm of Avalon, where the story takes a magical turn that not even Alistair Grim could have predicted.
Teachers’ Tools for Navigation: First and foremost, I think this book is going to find some major love in libraries. If we can get this into students’ hands, they are going to talk about it and pass it around. It is that kind of book. Students will want to talk about it.
In addition, aspects of the book can definitely be used to discuss allusion. Teachers can pull out excerpts of the text and excerpts of the alluded text to compare and contrast and look at how the author made parts of or ideas from the classic text come alive in this new story.
Discussion Questions: Do you believe what Mr. Grim did to help Nigel was right?; What part does Mrs. Pinch play in the story?; What stories/books does Alistair Grim’s Odditorium remind you of? Which parts of the story remind you of what story/book?; Did the author give you any clues (foreshadowing) about Grubb’s true identity?; What do you think happened to Kiyoko?
Book Trailer:
Read This If You Loved: Harry Potter (series) by J.K. Rowling, Charlie and the Chocolate Factory by Roald Dahl, Emerald Atlas by John Stephens, Series of Unfortunate Events (series) by Lemony Snicket, The Magician’s Elephant by Kate DiCamillo, Circus Mirandus by Cassie Beasley, The Vanishing Islands by Barry Wolverton, The Dungeoneers by John David Anderson
The Princess Games Author: Danai Kadzere
Published July 27th, 2015 by Lands Atlantic Publishing
Summary: King Winkle and Queen Periwinkle have a problem. They need a princess, and they need her fast. With the upcoming peace-keeping marriage between Prince Linus of Branninia and the princess of the fair Kingdom of Hoggenbottom, it’s a bit risky to admit they don’t have a princess.
Instead, they decide to host The Princess Games. Soon enough, the fairest maidens of the land are gathered in front of the castle, fairy-godmothers in tow! With a goofy king, an obsessive compulsive advisor, and a fairy godmother whose spells do whatever they want, these games are about to get interesting.
Even if Emma and her clumsy Fairy Louise can manage to do well in the competition, she’ll have to get past the expert spells of Fairy Faye and the beauty of Laralyn, who is intent on pleasing her ambitious mother at any cost.
My Review: What a fun fractured fairy tale! I love the humor! It really does include some laugh-out-loud moments. The book actually reminds me a bit of Princess Academy by Shannon Hale, but The Princess Games is more light-hearted.
I think what makes this book work the best is the different voices throughout. Each chapter changes point of view which gives a different insight to the games as they are going on. This helps with characterization especially because each character has such a distinctive voice.
One of my only criticisms is that I actually wish it was a bit longer! I would have loved to have some of the scenes be longer than they were and to have really gotten to know some of the secondary characters.
Teachers’ Tools for Navigation: I think this book is a wonderful example of voice. I would have students look at chapters written from different character’s points of view and have them look for how the author crafted their sections to build the character’s voice. When you look, you can find different vocabulary choices, different sentence patterns, different focuses, and different sense of humor.
Discussion Questions: Which princess do you think the royal couple will choose?; Why does Faye and Laralyn not like Emma and Louise?; How would the tone and voice have been different if the book had been written in first person?; What is the theme of the novel?
We Flagged: “Emma rued that last scone, stuffed with clotted cream and spiced rosehip jam, as the carriage bumped aong the uneven country road. ‘Ohhhhh,’ she groaned, clutching her stomach.
Fairy Faye looked at Laralyn, deigning to acknowledge Emma only to say, ‘And that, Laralyn, is why princesses eat daintily. Particularly on long journeys.'” (p. 45)
Book Trailer:
Read This If You Loved: Princess Academy by Shannon Hale, The League of Princes series by Christopher Healy, Upon a Marigold series by Jean Ferris
Recommended For:
**Thank you to Danai for providing a copy for review!!**
A Wilcox and Griswold Mystery: The Case of the Missing Carrot Cake Author: Robin Newman
Illustrator: Deborah Zemke
Published May 12th, 2015 by Creston Books
Goodreads Summary: When food goes missing on Ed’s farm, Detectives Wilcox and Griswold do what it takes to track down the thieves. In this case, Miss Rabbit’s carrot cake has disappeared. Has it been stolen? Or eaten? Or both? Who dunnit?
“Readers ready for chapter books will solve the crime and then be surprised by the twist at the end. Here’s hoping for more hard-boiled detecting from Wilcox and Griswold!”
— Kirkus Reviews, Starred Review
My Review: This book starts with a letter to the reader about the two detectives who will be leading the case, and I automatically thought of Dragnet as soon as I read it, and that was the voice I heard all the way through the book which made it even more fun to read! I love how this book was crafted: set up like a police file with times of interviews, suspects, and clues throughout. The detectives are also quite humorous and the ending is just surprising enough though some students may be able to predict it if they follow the clues.
Teachers’ Tools for Navigation: The Case of the Missing Carrot is a perfect read aloud to practice inferring and prediction as students try to figure out what is going on at the farm. Students can keep track of clues and characters (suspects), and the book also gives opportunities to discuss sequence, vocabulary, dialogue, point of view, and voice. The text is just so much fun to read, but can also be a great discussion starter/exemplar for so many language arts topics.
Discussion Questions: (Thoughout the book) What clues did this section give us? Who is a new suspect? Who is no longer a suspect? How has your prediction changed? What is your prediction now?
We Flagged:
“Captain, stop the car!” I shouted. “There’s something up ahead. It’s orange.”
The captain grabbed his magnifying glass and tweezers. He picked up the object.
“A carrot!” I said.
I ran back to the squad car to get the crime scene photos.
“This carrot matches the ones we found in Miss Rabbit’s kitchen. We’re onto something.”
