Picture Book

Author Guest Post: “Fun Ways to Bring Animal Migration into the Classroom” by Amy Hevron, Author of The Longest Journey: An Artic Tern’s Migration

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“Fun Ways to Bring Animal Migration into the Classroom”

I love birdwatching and am fascinated by migrating birds. In The Longest Journey: An Arctic Tern’s Migration, I showcase an epic migrator on her first globe-spanning adventure. When I began writing this story, I wondered, what would it be like to travel across the globe? Across every climate zone from polar lands to temperate zones, to subtropics and tropics? What would the landscapes look like? What other animals would be along the way? Piecing together this little seabird’s journey was fascinating and combined my passions for wildlife, world geography, Earth sciences and art. Here are some fun ways kids can explore animal migration and mapmaking in the classroom.

Track birds in your area

Birds are all around us. And whether they are year-round residents or just here for the season, these wildlife neighbors of ours are fascinating to learn more about. Kids could pick a migrating bird from your area and find out where they migrate. They could plot their bird’s journey on a world map. What cities, states, countries, and continents does this local bird see? Kids could learn about their bird’s life cycle and draw how it looks at the different life stages from egg, to chick, to juvenile, to adult. Many birds migrate in their first year of life. At what age does their bird migrate? They could find out what kind of habitat their bird lives in, what kind of nest it makes, and what kind of food it eats. And in learning more about its migration, kids could think about what obstacles this bird might encounter or what amazing sites it might see on its journey. A helpful site to find out more about birds in your area is www.allaboutbirds.org. Also, the Audubon app for smart phones and tablets is a great birding resource as well.

Track other Arctic migrators

In addition to Arctic terns, other Arctic animals migrate, like narwhals and Pacific walruses. Kids could pick a different Arctic animal and explore the migration of this species. Why does it migrate? What might that journey look like on a map? By focusing on other animals that live in the Arctic region, this could provide an opportunity to discuss the impacts of climate change on wildlife as well. Animals that live in the Arctic are especially sensitive to global warming because the Arctic is warming at a faster rate than elsewhere in the world. How is their Arctic animal impacted by warming land and oceans? How is it adapting? Additionally, you could talk about the Earth’s seasons as they relate to the Arctic and how around Summer Soltice the sun never sets, and in Winter it is dark all day. How do the Arctic seasons affect their animal’s activities? The Active Wild website lists a range of interesting Arctic animals to learn more about (https://www.activewild.com/arctic-animals-list/).

Dive into mapmaking

A fun way to learn about world geography is through creating maps. Kids could create a map of their own migration adventure, either real or imaginary. They could start with a whole world map, a continent or a country. Kids could add traditional map details like labels for the land, bodies of water, and a compass with North, South, East, and West. On a world map, kids could add in the major latitudinal lines of the Equator, Tropic of Cancer, Tropic of Capricorn, the Arctic circle and Antarctic circle. They could learn about how the climate is different at these different latitudes. They could research and then illustrate different flora and fauna on the map within their appropriate climate zones. From here, kids could plot their migration path. Where would their journey take them? What sites would they see? What food would they eat along the way? A fun tool to use for research is Google Earth (earth.google.com). You can zoom in to see what the landscape looks like anywhere on Earth. Also, Google image searching “illustrated maps” can provide some inspiration for different ways to illustrate maps. Wikipedia’s site provides different world map images, including this simple world map that could be used as a starting point https://commons.wikimedia.org/wiki/File:A_large_blank_world_map_with_oceans_marked_in_blue.PNG.

Published July 12, 2022 by Neal Porter Books

About the Book: Follow the epic annual migration of an Arctic Tern on its sixty-thousand-mile journey to the South Pole and back again, the longest such migration in the animal kingdom.

In their thirty-year lifetimes, Arctic Terns travel nearly 1.5 million miles, that’s enough to fly to the Moon and back three times! Each year they brave blistering winds, storms, rough seas, and airborne predators as they travel between the Earth’s poles, chasing the summer. In The Longest Journey: An Arctic Tern’s Migration, we follow one such bird as it spreads its wings and sets out to make its first globe-spanning trip with its flock.

Amy Hevron is the illustrator of Trevor by Jim Averbeck, the recipient of multiple starred reviews. She also illustrated Candace Fleming’s The Tide Pool Waits which was the recipient of the Portfolio Honor Award from the Society of Children’s Book Writers and Illustrators. Her brilliant, naturalistic artwork mimicking maps and nautical charts is supported by extensive research and paired with material at the back of the book explaining the science behind the life cycle of Arctic Terns.

About the Author: Amy Hevron is an illustrator, designer, and children’s book author. She wrote and illustrated Dust Bunny Wants a Friend and illustrated Trevor by Jim Averbeck, which received multiple starred reviews. She also illustrated The Tide Pool Waits, by Candace Fleming. In both 2015 and 2016, she received the Portfolio Honor Award from the Society of Children’s Book Writers and Illustrators. She lives in Seattle with her family.

https://www.amyhevron.com/
@amyhevron on Instagram and Twitter

https://holidayhouse.com/book/the-longest-journey/
@holidayhousebks on all social platforms

Thank you, Amy, for these fun migration activities for the classroom!

Author Guest Post: “See the Seeds!” by Antoinette Portis, Author of A Seed Grows

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“See the Seeds”

Once you start thinking about seeds, you might be surprised to see how many different kinds you encounter in daily life.

When you’re planting a garden, of course you think about seeds. And when you’re eating a slice of watermelon, you kind of have to think about seeds. But this summer, as I sliced tomatoes and the slimy guts slid out onto a plate, or when I ate a plum and spit out the little rock in the middle, I started to notice how many seeds I encounter in a day. Maybe you eat a handful of nuts as a snack—walnuts, pecans, almonds, pepitas—these are seeds. But so is your morning oatmeal, made from the edible seed of the oat grass plant! The bread most of us eat is made from flour that’s the ground up seed of the wheat plant.

See how many seeds we can meet in one day! Maybe try keeping count to see how many kinds of seeds you eat or interact with in a day or a week.

As a child, I used to gather seed pods from the various kinds of trees in my neighborhood: bottle tree seedpods that looked like little boats, and others, from the Jacaranda tree, that looked like clam shells or tortoise shells; from the carob tree, hard brown pods that looked like giant snap peas and rattled like maracas when you shook them. Pinecones that looked like miniature Christmas trees and every once in a while had a seed still attached to a scale or two. And prickly balls from the Sweet Gum tree that look like Christmas decorations.

Finding these seeds when walking to school or to a neighborhood friend’s house was a jumping off place for my imagination. But more importantly, it reassured me I lived in nature, that my life was part of a giant, beautiful cycle of life.

I’ve made some activity sheets about various kinds of seeds. Enjoy!

Published June 21st, 2022 by Neal Porter Books

About the Book: The transformative life cycle of a sunflower plays out in this bold read-aloud by Sibert honoree Antoinette Portis.

“A seed falls,
And settles into the ground,
And the Sun shines,
And the rain comes down,
And the seed grows…”

To understand how a seed becomes a sunflower, you have to peek beneath the soil and wait patiently as winding roots grow, a stalk inches out of the earth, and new seeds emerge among blooming petals.

With evocative and lively illustrations, A Seed Grows offers a close-up view of each step of this process and the ways in which flowers and seeds depend on other creatures, with a striking fold-out spread of a full-grown sunflower and additional material at the back of the book explaining the science of plant life cycles.

About the Author: Antoinette Portis is the author of many inventive books for children, including Not a Box, a New York Times Best Illustrated Book and a Geisel Honor Book; and the Sibert Honor Book Hey, Water!. Other books include A New Green Day, which was a Publishers Weekly Best Book of the Year, as well as the ALA Notable Books Wait and Now. A recipient of the prestigious Sendak Fellowship, Antoinette lives in Southern California where she grows her own sunflowers, like this one. 

https://www.antoinetteportis.com/
@aportisa on Twitter

https://holidayhouse.com/book/a-seed-grows/
@holidayhousebks on all platforms

Thank you, Antoinette, for sharing all of the amazingness of seeds!

Author Guest Post: “Bring the Text to Life: Baking the Cake” by Stephen Savage, Author of Moonlight

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“Bring the Text to Life: Baking the Cake”

In 2004, when I began my career in children’s books with a book called Polar Bear Night (published by Scholastic, written by Lauren Thompson), I thought I had it all figured out. I was of the mind that picture books were mainly about the visuals (why else would they call them “picture books”). And as crazy as what I am about to say sounds, I didn’t really understand how the text functioned. I knew it filled blank spaces in the illustrations, but that’s about it. It seemed like “the icing on the cake”. Little did I know.

Then in 2010, I decided I wanted to bake a cake and ice it, too. My daughter had just been born, and I felt inspired to write a story about her. One morning, as I stumbled across the Gowanus canal on my way to my studio in Brooklyn (I hadn’t gotten enough sleep the night before), I spotted a tug boat. “That’s my story”, I thought. I could see the visuals perfectly. 

But what about those blank spaces in the images? They’d need words! By this time, I had illustrated three books, visited a few classrooms, gotten to know the reading habits of kids, and was starting to figure things out a bit. I was learning that picture books were read-alouds, and that the words were very important (duh!).

I was on to the fact that words could be fun to say. Words could engage. More importantly, words could create a beginning, middle, and end in a book. I had so much to learn. I spent months writing my ideas down on index cards, until the cards fell together to form Little Tug (Roaring Brook Press/Macmillan).

This summer, my seventh book as both author and illustrator comes out. It’s called Moonlight. And I’m sure if I showed the book to my 2004 self, he’d scoff at the text. At only 85 words, he’d regard it as a very thin layer of icing on top of an already yummy cake.

But here’s what I’d say to my old, uniformed self: effective picture book text may seem effortless, but that’s not the case. I’d point out all the craft that went into the writing, a discussion of which, could be used to stimulate discussion in the classroom.

I’d point out FOUR examples of writing tools I used to bring the text to life:

  1. PERSONIFICATION: The book opens with the line “Something is on the move”. Personifying the moonlight, turning it into the protagonist in the story, was one way I put a new spin on the traditional lullaby/nighttime theme. 
  2. VIVID VERBS: Words like “slithering”, “drifting” and “tumbling” give the reader a sense of action and adventure. They create excitement and drama.
  3. ALLITERATION: “Sliding down silvery tracks” may just be my favorite line in the book. Why? It’s fun to say. And I have my editor, Neal Porter, to thank for that alliterative line. He replaced my original word, “Icy” with “silvery”. PS: I think it’s nice for young readers to hear how professional artists get help from their teachers (er, I mean editors 😉
  4. SENSORY LANGUAGE makes a story relatable. I used the line “Then it rests for a while, next to you” for a rush of emotion at the critical moment in the story when the moonlight journeys into the child’s bedroom. Certainly, the image of the cat snuggled up against the child reinforces this ‘touch’. 

So now that I’m thinking about it, this “icing on the cake” analogy doesn’t really apply anymore. In picture books, images always work together with text to tell the story. I had to work hard to figure this out, and luckily my editors and mentors have been generous with their advice and suggestions. Like most things in life, writing is about practice and good guidance. And a little piece of cake and a glass of milk while you’re working never hurts!

NOTE: Special thanks goes to teacher/reading specialist Renee Davis of Glastonbury, Connecticut (my sister-in-law) for acting as a consultant on this post.

Published August 23rd, 2022 by Neal Porter Books

About the Book: A lyrical bedtime read about the captivating effects of moonlight and its nightly journey.

“Something is on the move.”

When moonlight shines, it’s not like most light. In the quietest hours of the night, it swings through trees and slithers down rivers. It drifts in the wake of steamships and catches on the propeller of a passing plane. It blankets neighborhoods before coming to rest by your side.

In this bedtime picture book, Stephen Savage, author and illustrator of And Then Came Hope, Babysitter from Another Planet, and the Geisel Honor book Supertruck, presents a lyrical text and illustration full of dramatic light and shadow to pay homage to the mysterious moon and the unique ways it reveals itself each night.

About the Author: STEPHEN SAVAGE is an award-winning children’s book author and illustrator whose accolades include a New York Times Best Illustrated Book (Polar Bear Night) and a Geisel Honor (Supertruck). Polar Bear Night was a New York Times bestseller. He also wrote and illustrated And Then Came Hope and Babysitter from Another Planet. He teaches at the School of Visual Arts and lives in Brooklyn with his wife, daughter and two dogs. 

https://www.savageillustrator.com/
@savageillustrator on Instagram
@savageartist on Twitter

https://holidayhouse.com/book/moonlight/
@holidayhousebks on all platforms

Thank you, Stephen, for sharing sharing your analogy that can move writing to the next level!

Author Guest Post: “Little Red and the Big Bad Educator’s Guide” by Rebecca Kraft Rector, Author of Little Red and the Big Bad Editor

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“Little Red and the Big Bad Educator’s Guide”

When I learned Shanda McCloskey would be illustrating my story LITTLE RED AND THE BIG BAD EDITOR, I was ecstatic. I knew her art would bring to life my story of the Big Bad Wolf correcting Little Red’s thank you letter to Granny. And I was right. The vibrant colors! The actions! The humor! I was so lucky to be paired with Shanda.

Then I learned Shanda, like me, had an educational background and she wanted to collaborate on an educator’s guide for LITTLE RED AND THE BIG BAD EDITOR. What a great idea! Many publishers and editors provide educator’s guides for their picture books.

There are so many ways to use picture books in classrooms from kindergarten on up. They’re rich in vocabulary and can have a higher reading level than many novels. They’re short and appealing to lower-level readers, ESL, and special needs students. For a generation that enjoys graphic novels and sharing pictures and stories on social media, picture books can be a familiar format. In fact, picture books often introduce new concepts and facts in an accessible way. They are an excellent entry point for all ages about topics that are difficult to understand or discuss.

But what about LITTLE RED AND THE BIG BAD EDITOR? Could we put together a useful educator’s guide for a fun story about correcting a heartfelt but poorly written letter? No problem! I’d done a basic guide for my first picture book SQUISH SQUASH SQUISHED and even produced a short video for a school librarian presentation. My brain was stuffed with methods for meeting curriculum standards after writing lesson plans, test passages, questions and answers for educational publishers.

I told Shanda “Yes!” and got to work.

Like Little Red, I whipped out my crayons (computer) and started writing. And like the Big Bad Wolf, I crumpled up those pages and threw them away. The Big Bad Wolf couldn’t fault me on my capitalization and finger spacing, but there were just too many elements that I wanted to include.

For instance, I could ask students to look for examples of characterization, plot, setting, theme, and story structure. They could practice story prediction by guessing what would happen in the story based on the cover and title.

So many possibilities for discussions and story prompts, too! Students could write their own stories by thinking about what happens before or after the story, or within the pictures. What was Little Red doing before the present arrived? What happened after the last page of the story? What about that little turtle, what’s his story?

Maybe I should focus on figurative language—the assonance, alliteration, similes, idioms, onomatopoeia, etc. in LITTLE RED. Find the simile: “Little Red was pleased as punch. Granny had sent her a present! Red ripped off the wrappings and removed a cape as scarlet as a ripe tomato.”

What about sequencing and cause and effect? Oh, we could use Shanda’s art for that! Which picture shows what comes first, middle, and last? Which picture shows what caused Little Red to write a thank you note?

And I couldn’t forget about compare/contrast! Both SQUISH SQUASH SQUISHED and LITTLE RED are “fractured” versions of folktales. SQUISH SQUASH SQUISHED is considered a modern version of both TOO MUCH NOISE and IT COULD ALWAYS BE WORSE. After reading an original version and the new version, students could compare/contrast the stories for all of the elements listed above, plus author’s voice and even author’s purpose. Younger students could compare/contrast the illustrations for the stories.

Shanda created awesome activities within a week. She even included practice sheets for writing letters and cursive writing. But after a month I still struggled with narrowing down all the possibilities.

Finally, I realized (why did it take me so long?!) that I couldn’t include everything. Some things would have to be left out. But we’re both really happy with the final product and would be thrilled if you’d take a look. It’s on my website https://rebeccakraftrector.wordpress.com and Shanda’s https://www.shandamc.com and here’s a direct link http://ow.ly/IHPC50KffBh.

Published September 6th, 2022 by Aladdin/Simon & Schuster

About the Book: In this clever and playful fractured fairy tale picture book, the Big Bad Wolf is so distracted by Little Red’s poorly written thank you note to her grandmother that he keeps missing the chance to eat her!

Once upon a time, Little Red received a bold new cape from her Granny. She wrote her a thank you note, packed a basket of goodies, and walked through the meadow to Granny’s house. But swish swash SWOOP, the big bad wolf stops her in her tracks, opens his mouth wide, leans in close and…​

Sees the note.

Mr. Wolf can’t believe how sloppy the letter is—Red can’t give this to Granny! He corrects her grammar but misses out on his dinner while he’s distracted each time he encounters Red on the path. Can she keep outsmarting the Big Bad Editor and make it all the way to Granny’s house?

About the Author: Rebecca Kraft Rector is a retired librarian and the author of more than thirty fiction and nonfiction books for children. Her cats Ollie and Opal keep her company while she writes. When she isn’t writing and eating chocolate, she’s trying to keep deer out of her garden.

LITTLE RED AND THE BIG BAD EDITOR is Rebecca’s second picture book, coming from Aladdin/Simon & Schuster on September 6, 2022.

Visit Rebecca online at https://rebeccakraftrector.wordpress.com

Thank you, Rebecca, for introducing us to your book and how useful it will be in classrooms and libraries!

Dressing Up the Stars: The Story of Movie Costume Designer Edith Head by Jeanne Walker Harvey, Illustrated by Diana Toledano

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Dressing Up the Stars: The Story of Movie Costume Designer Edith Head
Author: Jeanne Walker Harvey
Illustrator: Diana Toledano
Published September 20th, 2022 by Beach Lane Books

Summary: Discover the true story of how a shy miner’s daughter became one of the most legendary costume designers in Hollywood in this inspiring nonfiction picture book biography.

As a child in the small mining town of Searchlight, Nevada, Edith Head (1897 – 1981) had few friends and spent most of her time dressing up her toys and pets and even wild animals using fabric scraps. She always knew she wanted to move somewhere full of people and excitement. She set her sights on Hollywood and talked her way into a job sketching costumes for a movie studio.

Did she have formal training? Did she know how to draw or sew costumes? No. But that didn’t stop her!

Strong and determined, Edith taught herself how to sew and tirelessly worked her way up until she was dressing some of the biggest stars of the day. These included Audrey Hepburn, Grace Kelly, Ginger Rogers, and Elizabeth Taylor. She made costumes for films like Sabrina and Rear Window and TV shows like Bewitched. She also designed costumes for many of Alfred Hitchcock’s movies, including To Catch a Thief, Notorious, and The Trouble With Harry. She became the first woman to head a major Hollywood movie studio costume department and went on to win eight Academy Awards for best costume design—and she defined the style of an era.

By ultimately becoming one of Hollywood’s most sought-after designers, Edith Head proved that with tenacity, anything is possible. This insightful behind-the-scenes look at the iconic figure is a must-have for cinephiles, history buffs, and fashionistas alike.

FUN FACT! Edith served as the inspiration for the iconic character Edna Mode in the Pixar film The Incredibles! With her classic hairstyle and glasses, Edith will be recognizable as the inspiration for Edna to the observant reader.

Praise:

* “Together, the art and storytelling capture Head’s belief in the transformative magic of costumes, which will certainly strike a chord with dress-up enthusiasts.” — ALA Booklist (STARRED review)

“Toledano’s mixed-media artwork… combined with starry-eyed prose, the result is a glamorous life story with a Hollywood ending.” — Publishers Weekly

About the Creators: 

Jeanne Walker Harvey studied literature and psychology at Stanford University and has worn many job hats, ranging from being a roller coaster ride operator to an attorney, a middle school language arts teacher, and a long-time docent for school groups at the San Francisco Museum of Modern Art. She is the author of several books for young readers, including the picture book biographies Dressing up the Stars: The Story of Movie Costume Designer Edith Head, Ablaze with Color: A Story of Painter Alma Thomas, and Maya Lin: Artist-Architect of Light and Lines. Jeanne lives in Northern California. Visit her online at JeanneHarvey.com.

Twitter: @JeanneWHarvey
Pinterest: @JeanneWalkerHarvey
Check out the many resources here at Jeanne Walker Harvey’s website!

Diana Toledano is an illustrator, writer, and educator. She is also a Pisces who loves children’s books, patterns, and dancing her heart out. Originally from Spain, Diana (pronounced the Spanish way: dee-ah-na) grew up in Madrid where she studied art history and illustration. Now she lives in San Francisco with her husband and two fluffy cats. Her mixed media art seeks to capture the magic of the ordinary. Diana’s product designs, picture books, board books, and chapter books have been published and sold all over the world. Diana also teaches workshops for kids and adults. She enjoys doing school visits and speaking at conferences. Learn more at Diana-Toledano.com.

Instagram: @dianatoledano
Facebook: Diana Toledano
Pinterest: Diana Toledano

Review: As a fan of old Hollywood, I recognized Edith Head’s costumes right away. I mean–Grace Kelly in Rear Window, Audrey Hepburn in Breakfast at Tiffany’s, Tippi Hedren in The Birds, Fred Astaire in Holiday Inn, Elvis Presley in Blue Hawaii–anyone?!? And this is just the tip of the iceberg of Head’s designing. She was nominated for an Academy Award THIRTY FIVE times and won EIGHT making her the most awarded woman in the Academy’s history. But yet, she was behind the scenes and not as well known as the actors in front of the camera, so I am so happy to have this picture book biography to bring to light her genius. A self-taught young woman with no experience fighting her way up to being an Oscar winner–yes, please! Harvey does a fantastic job of sharing Edith’s magic from her childhood dreams to her adult reality and Toledano’s illustrations work perfectly for Edith’s style and costumes.

Teachers’ Tools for Navigation: 

Check out the publisher-provided activity kit for some fun activities to do with the book:

Discussion Questions: 

  • What does Edith’s journey to her dream job teach you about growth mindset?
  • How did Edith’s hobbies as a child help her reach her dreams?
  • Why do you think Edith chose to wear black or other dark, neutral colors when dressing stars?
  • How does a costume designer impact a movie or show?
  • Why do you think Edith was given a second chance after she failed to create costumes for dancers dressed as candy?
  • How do you think Edith grew her confidence overtime so much that she was able to not allow nay-sayers to make her question herself?
  • What are some words in the book that you did not know? What do you think they mean based on context? Check your guess by looking ups its definition.
  • How does the Author’s Note at the end of the book add to the book experience?

Book Trailer: 

The trailer can also be viewed on the author’s website:
https://www.jeanneharvey.com/dressing–up–the-stars

Flagged Passages: 

Read This If You Love: Nonfiction biography picture books, specifically about groundbreaking women, including Harvey’s books on Maya Lin and Alma Thomas

Recommended For: 

classroomlibrarybuttonsmall 

Signature

**Thank you to Alex at Simon & Schuster and Barbara at Blue Slip Media for providing a copy for review!**

Author Guest Post: “The Whole Book Approach” by Diane deGroat, Author of The Adventures of Robo-Kid

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“The Whole Book Approach to The Adventures of Robo-Kid”

The Whole Book Approach to story time reading was developed by Megan Dowd Lambert in association with the Eric Carle Museum of Picture Book Art to “bring children’s ideas and questions to the center of shared reading while celebrating the picture book as a visual form.” Yes, it’s a mouthful, but when witnessed in action, it becomes an exciting way to share picture books with children by drawing inspiration from Visual Thinking Strategies (www.vtshome.org). As Megan says in the preface to her book, Reading Picture Books with Children: How to Shake Up Storytime and Get Kids Talking About What They See (Charlesbridge 2015), we should invite children to react to “the whole book­”—its text, art, design, production, and materiality.

How have the designers tested the limits of its “bookness?” Not only does it have shape and weight and visual appeal, but it is mobile. It can be opened and closed. It is an object, not just a story to be listened to. In this day of eBooks and streaming, a printed book is an art form which has staying power. Children can engage with great picture book art and critical thinking skills when the discussion starts before reading the book, continues after reading it, and, importantly, includes a large amount of discussion during the reading of the book. Studies have found that this dialogic reading enhances comprehension, engagement, vocabulary, and literacy skills. More information about the Whole Book Approach can be found on Megan’s website: www.megandowdlambert.com.

Now for an example. I designed my new book, The Adventures of Robo-Kid with all of the above in mind. Take a look at the dustjacket and start with questions inspired by Visual Thinking Strategies: What do you see happening in this picture? What do you see that makes you say that? What else can you find? Then consider, what do you think the book will be about? Notice the two styles of art I used. One is realistic and the other is cartoony. Why do you think I did It that way?

Turn the book over and look at the back of the book. Notice that I made one continuous illustration wrap around from the front to the back. Why do you think I did that? What do you think will be more important in the book—the realistic part or the comic part? Or will they be equally important?

Take the paper dustjacket off. Look at the art pasted onto the hardcover underneath it and compare it to the dustjacket. See the difference? Do you feel like you are reading a comic book now, and not a picture book? That was my goal! Why do you think I did that?

Now open to the front endpapers. Megan says in her book, “Endpapers give us clues.” My endpapers introduce us to Robo-Kid and his dog even before the story has begun. Go back to using those VTS-inspired questions, or ask yourself: How does Robo-Kid get schooled? Why do you think he’s looking at the Earth globe with so much interest? What do you think his dog wants? If you miss seeing all this, the story inside the book still makes sense, but adding endpapers like this offers more material for the person/child who finds it to enjoy as the enter the story.

On the next spread, the title page will introduce us to Henry and his dog in my realistic style of art. So now you see why I used two styles—one for the comic book story and one for the “real” world story. But can you still find what is the same about the two characters and their worlds?

When you start to read the story you can see how I melded the two worlds into one book. Henry is engaged in reading his Robo-Kid comic. The comic art shows what he is reading.

The two stories will continue on spreads, with Henry’s at the top, and Robo-Kid’s below it—until they come together!

After the book was printed, and I read it to kids, I learned an important lesson. When reading a comic-type book to non-readers, it’s important to point to the panel and the text you are reading. Otherwise, showing the whole spread with so many different actions going on could be confusing.

I hope you can share this book with your students using the Whole Book Approach. Remember to look carefully at the art. Especially the very last page with Henry’s dog. What does he see that the others don’t? And don’t miss the back endpapers, which continue the story!

Published June 28, 2022 by Neal Porter Books

About the Book: A comic-book superhero climbs off the page and into the real world. When they get into trouble, his biggest fan is there to save the day.

Imagine you could meet your favorite comic-book hero in the real world. What kinds of questions would you ask? Would you go on new and exciting adventures? While heroes might seem larger than life, everyone can use some help from a friend.

Follow two intersecting stories set in the real world and inside a comic book as a real-life kid finds the courage to cope with his anxiety with the help of Robo-Kid, a comic superhero with his own vulnerabilities. With two distinctive art styles blending comic book and traditional picture book formats, Diane deGroat’s The Adventures of Robo-Kid is an inspiring tale about what it takes to be a hero.

Diane deGroat has been writing and illustrating picture books for more than thirty years. For the last ten years she has been illustrating the highly popular Charlie the Ranch Dog series with blogger, author, food-writer, and television personality Ree Drummond, also known as the Pioneer Woman.

About the Author: 

Diane deGroat
www.dianedegroat.com
www.thestorybehindthestories.com

Thank you, Diane, for this in depth look at using your book with readers!

Guest Review: Last Stop on Market Street by Matt de la Peña, Illustrated by Christian Robinson

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Guest Reviewer: Amanda & Sendy, UCF Elementary Education Student

Last Stop on Market Street
Author: Matt de la Peña
Illustrator: Christian Robinson
Published January 8, 2015 by Penguin Books

Summary: “Sometimes when you’re surrounded by dirt, CJ, you’re a better witness for what’s beautiful.”

CJ begins his weekly bus journey around the city with disappointment and dissatisfaction, wondering why he and his family can’t drive a car like his friends. Through energy and encouragement, CJ’s nana helps him see the beauty and fun in their routine.

This beautifully illustrated, emotive picture book explores urban life with honesty, interest, and gratitude.

Last Stop on Market Street is a story about appreciating differences, happiness, and inequity. CJ and his Nana take the bus to its last stop on Market Street every Sunday after Church. On the Sunday this book is set on, CJ begins to wonder why they must wait in the rain for the bus instead of buying a car. Nana enlightens him by giving him different ways of appreciating what they have, what they do in their everyday lives, and all the types of people they meet. The theme of the novel is Nana showing CJ the value in how they live their lives and helping those who need it.

Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

About the Author: Matt de la Peña is the #1 New York Times-bestselling. Newbery Medal-winning author of five picture books and six critically acclaimed young adult novels.  He was also awarded the NCTE Intellectual Freedom Award and received his MFA in creative writing from San Diego State University. He is currently living in Brooklyn, NY with his family.

About the Illustrator: Christian Robinson has received a Coretta Scott King Illustrator Honor for his art in Last Stop on Market Street. He was born in Hollywood, California. He was awarded a Caldecott Honor and the Newbery Medal

Review: Last Stop on Market Street is a stunning contribution to art in children’s literature and the future of book of storytelling. This novel reveals the creative potential of a powerful cross-cultural author-illustrator partnership. The art combined with the theme of the novel embraces the diversity in ourselves and everyday routine but others.

This book is such an amazing book! It is easy to see the bad that goes on in our lives, and things that we do not like, but this book is a great reminder to see the good in those situations that it is difficult to. I would recommend “The last stop on Market Street” to every teacher and parent to read to their children and/or have them read it themselves.

Throughout this book, a little boy named CJ had many questions. He did not like riding the bus or going to the soup kitchen after church and always questioned why he didn’t have certain things. Nana always had a clever response and see’s the brighter side to every situation. CJ learns this from her and begins to see it too allowing him to feel more confident and happier about his situations.

Just as adults need these reminders that your life is just as good as your mindset, it is good to instill it into our children as well. If they grow up feeling like they don’t have enough, it will transfer into adulthood. This is an amazing book that brings an amazing lesson to all ages. There’s beautiful in even the ugliest things

Teachers’ Tools for Navigation: This book is perfect to teach students about acceptance and the importance of helping others in need. As CJ ends his bus ride with his Nana, he goes to work at a soup kitchen which enables him to understand how he gives back to his community.

Also, it would be a great opportunity to use this book in the classroom during group reading, or even partner reading. This book would bring a great opportunity in a group setting because it will allow the students to have discussions. They will be able to discuss what they think about the book, how they feel about the main characters and have the opportunity to express the times that they have felt unhappy. This can now turn into a conversation of how they can see these situations in a better light next time. this will allow the students to sharpen up their critical thinking skills, learn how to have discussions and understand what is like to be open minded.

Since last stop on market Street is the street where the soup kitchen is, this book can also be read during history time to focus on the soup kitchen, how soup kitchens came about, the reasons for them and why people go to them

Discussion Questions: 

  • Who is telling the story? How do you know?
  • How and why does CJ’s mood change throughout the book?
  • How do CJ and Nana look at life differently?
  • Why do you think Nana volunteers? What does she gain?
  • How can you show more gratitude and optimism, like Nana?
  • What do we learn about the different settings from the illustrations?
  • where was CJ and his Nana coming from in the beginning of the story?
  • What animal their Nana used to describe the bus?
  • Who were the people that CJ was talking about on the bus?
  • What was the name of the bus driver?
  • What is on the last stop of Market Street that CJ and his Nana went to?
  • Why didn’t CJ like the last stop?
  • What did CJ see over the building at the end of the book?

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Thank you, Amanda & Sendy, for your reviews!