Read Aloud – Page 92 – Unleashing Readers

Anubis Speaks! by Vicky Alvear Shecter

October 23, 2013October 23, 2013 by Kellee

Nonfiction Picture Book Wednesday

Nonfiction Picture Book Wednesday is hosted by Kid Lit Frenzy and was started to help promote the reading of nonfiction texts. Most Wednesdays, we will be participating and will review a nonfiction text (though it may not always be a picture book).
Be sure to visit Kid Lit Frenzy and see what other nonfiction books are shared this week!

Anubis Speaks! A Guide to the Afterlife by the Egyptian God of the Dead
Author: Vicky Alvear Shecter
Illustrator: Antoine Revoy
Published October 1st, 2013 by Boyd Mills Press

Goodreads Summary: Anubis, the ancient Egyptian god of death and mummification, takes the reader on a personal tour of the “Dark Lands”–the Egyptian afterworld. While touring, Anubis explains ancient Egyptian death practices and escorts the reader onto Ra’s “Night Boat,” where they must battle the evil demon of destruction, Apophis, so that Ra can be reborn in the morning as the sun disk.

Based on Egyptology research–particularly the Book of the Dead, The Book of Apophis, the Book of Caverns and others–Anubis Speaks gives middle-grade readers a fun yet factual look at ancient Egyptian beliefs, rituals and practices.

My Review: I was introduced to Vicky Alvear Shecter when I read Cleopatra’s Moon and was struck by her way to intertwine fact, mythology, and fiction into a fascinating story. I’ve recently (once I started teaching it) become a very hug fan of mythology though mostly Greek and Roman; however, with my reading of Cleopatra’s Moon (then the Kane Chronicles by Rick Riordan), I jumped into Egyptian mythology head first and began learning more and more thus realizing how fascinating all mythology is.

Now to Anubis Speaks! What I enjoyed most about this book was how it was put together. It isn’t just another nonfiction book that lists facts and myths and hope that students find it interesting. Instead Shecter made sure to make the book entertaining and different and intertwined myths with a fun narrative from the Egyptian god of the dead. (YES! The whole book is told from the point of view of Anubis making it quite hilarious at points and making it more interesting than just an informational nonfiction book.)

Teacher’s Tools for Navigation: This book fits perfectly into a mythology unit. It can be used as a whole or parts taken out. It is a great resource for any teacher teaching Egypt or Egyptian mythology. Also, because it is written so entertainingly, it can definitely be used as a read aloud.

Discussion Questions: Which other Egyptian god/dess’s point of view would you like to read a book by?; Which myth that Anubis shared was your favorite?; What part of Egyptian history that Anubis shared did you find to be the most interesting?

We Flagged: “Allow me to introduce myself. I am Anubis—the Egyptian god of the “Mysteries of Embalming,” the “Guardian of the Veil of Death,” “Opener of the Ways of the Dead,” and if you are “bad” . . . Your. Worst. Nightmare.

But do not fear. I will not snatch your beating heart from your chest and toss it to my good friend, crocodile-headed Amut the Destroyer for a squishy snack . . . not today anyway. Instead, I will guide you through my world of deep magic, strange gods, and gruesome monsters. I will show you how my people, the ancient Egyptians, prepared the dead for eternal and evil—every night—to keep you safe.” (p. 8)

Read This If You Loved: The Kane Chronicles (series) by Rick Riordan, Percy Jackson and the Olympians (series) by Rick Riordan, Cleopatra’s Moon by Vicky Alvear Shecter, Aphrodite the Diva by Joan Holub, Who Was King Tut? by Roberta Edwards and other nonfiction King Tut books, Athena’s Son by Jeryl Schoenbeck, The Gruesome Truth about the Egyptians by Jillian Powell and other nonfiction Egyptian books

Recommended For:

**Thank you to Vicky Alvear Shecter and Teresa Rolfe Kravtin for sending me a copy!**

Now Open the Box by Dorothy Kunhardt

December 27, 2013October 20, 2013 by Ricki

Now Open the Box
Author: Dorothy Kunhardt
Published: August 20th, 2013 by NYR Children’s Collection (First published: 1934)

GoodReads Summary: Peewee’s in the box! Peewee the dog doesn’t know any tricks, “not a single one not even how to roll over not even how to shake hands but never mind he is so teeny weeny that everybody loves him,” the clown, the fat lady, the thin man, the huge tall giant, the strong baby, the acrobats, the elephants, and all the other amazing performers in the wonderful circus of the man with the quite tall red hat. But then something unexpected happens that threatens to bring Peewee’s time under the Big Top to an end.

Now Open the Box is a beautiful example of the art of Dorothy Kunhardt, the author of the timeless classic Pat the Bunny and the pioneering picture book Junket Is Nice. Here Kunhardt speaks with wonderfully reassuring directness to children’s hopes and fears while making magic out of the simplest things.

Ricki’s Review: This picture book made me chuckle. I absolutely adored little Peewee and his circus adventures. I will admit, as an English teacher, the whimsical run-ons make me want to get out a pen, but I have to admit that they do add fantastic, curious element to the story—which remind me of Dr. Seuss’s fun stories. They certainly add to the book’s whimsy. Dorothy Kunhardt doesn’t just tell us about Peewee. She adds great imagery of the various, magical creatures in the circus. These aren’t your average circus animals, either. I loved the vivid illustrations and can’t wait to read this to my baby (who is due in 7 weeks!). I know this will be a favorite.

Kellee’s Review: I will have to second all that Ricki said. Dorothy Kephardt has a way of telling her stories that reminds me of the We’re Going on a Bear Hunt song/story. They are catchy, fun, and will get the kids chorally reading “S/He loved little peewee.” Then underneath all of the fun and whimsy is the essential question of the story: Will I be loved/wanted even after I am not young and little and cute anymore? I think that this question will leave a large impact on the primary students who will get the gift of this story.

Teacher’s Tools for Navigation: Kids will have a lot of fun with this picture book. Teachers can read it aloud and then ask students to envision their own circus animals and draw pictures. There is a lot of great imagery. It would be beneficial for teachers to read a line from the book aloud and then ask students to visualize the animal before they see the picture. There are a lot of great stopping points where teachers could also ask students to make predictions about the box and Peewee’s plight. Finally, as Dorothy Kephardt writes her books in a formulaic fashion, students could use Now Open the Box as a mentor text to make their own story with a surprise ending. This would make for a great teaching tool, and we recommend it for the classroom.

Discussion Questions: What did you think would be in the box? How might your prediction have changed the story?; What makes Peewee unique? What makes us unique? How might being different be exciting and beneficial to us?; What happens after the story ends? Imagine the future for Peewee and add to the tale!

We Flagged: We loved all of the circus animals in this story, so we wanted to share one of the animals who loved Peewee:

“There was a giraffe who can swallow a big rubber ball without sneezing. He loved little Peewee” (p.31).

To see a sneak peak of the book and get an idea for the illustrations, visit the Now Open the Box Amazon page and “Look Inside”

Read This If You Loved: Pat the Bunny by Dorothy Kunhardt, Junket is Nice by Dorothy Kephardt, The Napping House by Audrey Wood, That is Not a Good Idea by Mo Willems, other picture book classics like Make Way for Ducklings by Robert McCloskey and The Little House by Virginia Lee Burton

Recommended For:

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**Thank you to Media Masters Publicity for providing copies for us to review**

The Night Horses by Anaka Jones

October 17, 2013 by Kellee

The Night Horses
Author and Illustrator: Anaka Jones
Published February 26th, 2013 by Createspace

Goodreads Summary: 12-year-old author Anaka Jones imagines the life of a herd of horses as they work, chow, play and turn a farm into their own three-ring circus in The Night Horses.

My Review: What a fun story! During the day the horses do as normal horses do: eat, play, run, socialize; however, at night time, the real lives of the horses are shown with dancing, comedy, and more! It reminds me of Toy Story and other stories where you find out about the secret life of animals/objects.

The most amazing part of this book is that it is written and illustrated by a 12-year-old. I think if nothing else, this can be how teachers use it in the classroom. Who says a 12-year-old cannot write a book and get published? Although it is definitely an early ed book for read alouds, it could be used in a middle grade classroom to promote hope and the need for writing, imagination, and believing in yourself.

Teachers Tools for Navigation: This book will be a big hit as a read aloud in primary classrooms. It is fun, promotes imagination, and would be a great story to use to be a jumping off point to writing a story about other animals’ secret lives. Also, the illustrations will definitely keep kids’ attention and students will love the secret life of the horses.

Discussion Questions: What do you think other animals do when no one is looking?; This book reminded me of Toy Story because in both they show the secret lives of things that we do not see. What did this book remind you of?

We Flagged: “When people finish up their chores and go back to their house… The Night Horses get out their disco ball.” (p. 11-12)

Read This If You Loved: A Story for Bear by Dennis Haseley, Happy Pig Day! by Mo Willems

Recommended For:

Blog Tour, Review, Giveaway, and Illustrator Interview!: The Real Boy by Anne Ursu, Illustrated by Erin McGuire

July 28, 2015October 12, 2013 by Kellee

We are so excited to be part of The Real Boy Blog Tour hosted by Walden Pond Press!

The Real Boy
Author: Anne Ursu
Illustrator: Erin McGuire
Published September 24th, 2013 by Walden Pond Press

Goodreads Summary: On an island on the edge of an immense sea there is a city, a forest, and a boy. The city is called Asteri, a perfect city that was saved by the magic woven into its walls from a devastating plague that swept through the world over a hundred years before. The forest is called the Barrow, a vast wood of ancient trees that encircles the city and feeds the earth with magic. And the boy is called Oscar, a shop boy for the most powerful magician in the Barrow. Oscar spends his days in a small room in the dark cellar of his master’s shop, grinding herbs and dreaming of the wizards who once lived on the island generations ago. Oscar’s world is small, but he likes it that way. The real world is vast, strange, and unpredictable. And Oscar does not quite fit in it.

But it’s been a long time since anyone who could call himself a wizard walked the world, and now that world is changing. Children in the city are falling ill, and something sinister lurks in the forest. Oscar has long been content to stay in his small room in the cellar, comforted in the knowledge that the magic that flows from the trees will keep his island safe. Now, even magic may not be enough to save it.

My Review: I love middle grade high fantasy! It is always amazing to me that an author is able to build an entire world that doesn’t exist and then puts these amazing characters and magic and story into this world. This is exactly what Anne Ursu did with The Real Boy. More importantly than my review of raving and raving about this book is the guest post I have to share today.

This is the second book that Erin McGuire and Anne Ursu collaborated on and Erin’s artwork adds an even more magic to an already magical story. Today, we are lucky to have Erin here to answer some questions about her work.

Kellee: I’d love to know about your past: When did you know you wanted to be an illustrator? Did you go to school for art? etc.

Erin McGuire: I’ve always loved drawing, and all throughout high school I kept sketchbooks, and still do to this day. My mother is a sixth grade teacher, so she often recommended new kid lit to me (she still does!) and always encouraged reading in general.

As for my education- I attended Ringling College of Art and Design in Sarasota, Florida as an illustration major. While I was a student there, I worked as a student librarian for four years. That was where I discovered Lisbeth Zwerger, Shaun Tan, Adam Rex, and all of the other illustrators who would influence my work.

K: I’m very interested in knowing about how illustrators and authors work together. Did you get the entire manuscript before beginning? Did you just get snippets? Do illustrations have to be approved before they go in the book? How do you choose what the characters are going to look like? Do you get character descriptions from the author? etc.

EM: Each project is a bit different depending on how much I’ll be involved. On books where I only do the covers, sometimes I don’t see the manuscript, just a book summary and a list of character descriptions. For Breadcrumbs and The Real Boy, I read the full manuscripts since I’d be illustrating all the interiors as well. Usually the editor or art director will email me a list of scenes they’d like for the interiors. The artwork always goes through an approval process, being approved by the art director, editor, and (in some cases, but not always) the author.

I did a lot of sketches for the characters to create the look for this world, how the upper and lower classes look different, what the fashion would be, how the rooms should look, etc. All of that was sent to Anne, who gave me some insights into her thought process for the time period and style of the world.

Rarely do I get to work with the author directly, it’s almost always with the editor and art director as middle men. This is intentional, and helps the illustrator focus on their work and sets some limits on how much one can influence the other.

K: You worked with Anne on Breadcrumbs as well – how did it come about that you became the illustrator for The Real Boy?

EM: Breadcrumbs was a really fun project for me, I felt like I was a good fit for that world, and illustrating Anne’s writing felt very natural to me. I think the team felt that I’d be a good fit for The Real Boy as well since I’d done some other fantasy work. My agent asked me if I was interested and I immediately emailed her back an “Absolutely.” As it turns out, I think The Real Boy is now my favorite project ever. It helps that I like drawing cats!

K: I noticed that The Real Boy is a mixture of pencil, ink, and possibly water color — How did you choose the style you are going to use for each book?

EM: The Real Boy felt like a much warmer story than Breadcrumbs. There are so many natural materials, animals, trees, even the magic itself feels natural in the story. I painted all of the Breadcrumbs illustrations digitally, and I didn’t think that same style would make sense for The Real Boy. So for this book, I did all of the illustrations on toned paper in pencil, and a mix of gouache, white chalk, and sometimes ink. All of them were scanned and touched up digitally, but starting out with a more natural drawing felt right for this story.

K: I also loved Darkbeast which you illustrated! Like The Real Boy and Breadcrumbs it is a middle grade fantasy novel. Many of the novels you have done the covers for or have illustrated are fantasy, but you also illustrated the new Nancy Drew Diaries — do you like illustrating fantasy or realistic fiction books better?

EM: It’s really hard to pick a favorite genre, but usually I prefer the stories that have a mix of both worlds (along the lines of Breadcrumbs, where the normal world is affected by fantasy elements in some way). Purely fantasy worlds are fun because you get to create how everything looks, how everyone dresses, and there are fewer rules. I spent a lot of time just gathering reference to create the world for The Real Boy. And I’ve always wanted to draw a fantasy map!

The more realistic work I’ve done (Nancy Drew) is fun in a different way because you just get to “go shopping” for those characters. I’ll go online to different clothing sites and pick out outfits for Nancy to wear. Every project has something different about it that appeals to me.

K: What are some other projects you’ve worked on?

EM: Along with Breadcrumbs and The Real Boy, I’ve worked on the Nancy Drew Diaries series, the Saranormal series, the Higher Power of Lucky series, a picture book called French Ducks in Venice, and covers for many other books. (The whole list is on my website http://www.emcguire.net/).

K: Can you share with us what projects you are working on now?

EM: I’m still working on Nancy Drew, and other projects that I’m not able to talk about yet. I’m also starting to write my own picture books, which is a totally different challenge, but exciting for me!

It is so fascinating how authors and illustrators work together. It really is magical.

Teacher’s Tools for Navigation: On top of the amazing world building and history building, Anne Ursu also writes beautifully. There are examples of figurative language usage all throughout the book. It would be an amazing piece of mentor text for writing workshop. Oh, and it would obviously be an amazing read aloud!

Discussion Questions: What makes someone human?; Do you think cats sense things that humans cannot?; If there was magic, do you think it’d make the world a better or worse place?

We Flagged: “Oscar and Callie sat in the library awhile longer, Callie scanning the books for more information, Oscar just sitting inside his mind. There were not answers about the children, but they did not even know what the questions were anymore. The world had ruptured once again. Even history could disappear under your feet.” (p. 185)

“There is a way the truth hist you, both hard and gentle at the same time. It punches you in the stomach as it puts it s loving arms around your shoulder.” (p. 206)

Read This If You Loved: The Darkbeast by Morgan Keyes, Princess Academy by Shannon Hale, Breadcrumbs by Anne Ursu, Tuck Everlasting by Natalie Babbit, Rump by Liesl Shurtliff

Recommended For:

Don’t forget to visit the other Real Boy Blog Tour Stops:

Monday, 9/30 – Maria’s Melange – Maria’s Take on The Real Boy + Giveaway

Tuesday, 10/1 – There’s a Book – Danielle’s Take on The Real Boy + Giveaway

Wednesday, 10/2 – sharpread – Colby Interviews Anne

Thursday, 10/3 – Novel Sounds – Elena’s Take on The Real Boy + Giveaway

Friday, 10/4 – Word Spelunking – Aeicha Interviews Anne

Saturday, 10/5 – The Hiding Spot – Sara’s Take on The Real Boy + Giveaway

Sunday, 10/6 – The Brain Lair – Kathy’s Take on The Real Boy + Giveaway

Monday, 10/7 – Read, Write, Reflect – Anne Talks Oscar with Katherine

Tuesday, 10/8 – Librarian’s Quest – Margie’s Take on The Real Boy + Giveaway

Wednesday, 10/9 – Buried in Books – Heather’s Take on The Real Boy + Giveaway

Thursday, 10/10 – The Book Monsters – Kristen’s Take on The Real Boy + Giveaway

Friday, 10/11 – Cari’s Book Blog – Cari’s Take on The Real Boy + An Interview with Anne

Saturday, 10/12 – Unleashing Readers – Kellee Interviews Illustrator Erin McGuire + Giveaway

Sunday, 10/13 – Satisfaction for Insatiable Readers – Gina’s Take on The Real Boy + Giveaway

Monday, 10/14 – Heise Reads and Recommends – Editor Jordan Brown Interviews Anne
Tuesday, 10/15 – Bulldog Readers Blog – The Bulldog Readers Debut Their Book Trailer

GIVEAWAY

a Rafflecopter giveaway

Thank you to Kellie at Walden Pond Press for a copy of The Real Boy for review and giveaway, for setting up the blog tour and review, and to Erin McGuire for her wonderful interview!

Blog Tour, Review, and Illustrator Guest Post!: The Snatchabook by Helen and Thomas Docherty

May 2, 2015October 11, 2013 by Kellee

This is part of the book blog tour for The Snatchabook by Helen & Thomas Docherty,
organized by Sourcebooks Jabberwocky.

The Snatchabook
Author: Helen Docherty
Illustrator: Thomas Docherty
Published October 1st, 2013 by Sourcebooks Jabberwocky

Goodreads Summary: Where have all the bedtime stories gone?

One dark, dark night in Burrow Down, a rabbit named Eliza Brown found a book and settled down…when a Snatchabook flew into town.

It’s bedtime in the woods of Burrow Down, and all the animals are ready for their bedtime story. But books are mysteriously disappearing. Eliza Brown decides to stay awake and catch the book thief. It turns out to be a little creature called the Snatchabook who has no one to read him a bedtime story. All turns out well when the books are returned and the animals take turns reading bedtime stories to the Snatchabook.

My Review: This book has two very magical elements: the rhyming story and the fun illustrations. The story is one I cannot wait to read to my children. As Brian Selznick says, ” So wonderful it demands to be read out loud.” However, I feel that it is the illustrations that make this book really come to life. It is because of how much I loved the illustrations that when I was asked if I wanted to be part of The Snatchabook blog tour with a guest post, I knew I wanted to hear from Thomas. I am so happy to have his post here sharing what it was like to illustrate The Snatchabook:

The Snatchabook was a real pleasure to illustrate, as well as a lot of work. In fact, at the time of illustrating, it was probably the most complicated book I had done, because of having to create Burrow Down as well as all the woodland creatures that lived there.

I always start with a lot of pencil sketches, and although The Snatchabook came quite quickly, Eliza took a lot longer to develop as a character. At one point, I thought she was going to be a badger!

Once I was happy with the characters and where they lived, I started to plan out the story page by page. I talked through the roughs a lot with Helen and the publishers until everyone was happy and then I started on the final artwork.

I still work in quite a traditional way. I love the physicality of the tubes of paint, bottles of coloured ink, and thick watercolour paper. First I trace my rough drawings onto watercolour paper with acrylic ink and a dip pen using a light box. Then I stretch the paper and when it is dry, I begin to paint washes of colour using watercolour.

It was a lot of fun getting the feeling of suspense into the pictures, trying to make them edgy but not scary. I also love dramatic lighting, so I made sure I had plenty of cold moonlight outside the burrows and warm, cozy lamps inside. The windswept clouds and twisty trees were painted with a lot of dry brushwork and the cold blues in the book are some of my favourite colours.

The Snatchabook is a very rich story, full of drama, emotion and warmth and I hope that I manage to get all of those across to the reader in my illustrations.

I truly believe that he has met his goal! I love seeing how an artist gets from the ideas in his/her head to the amazing artwork that is shared with us!

Teacher’s Tools for Navigation: This book is a great read aloud. It has a lot of opportunities for predictions during the mystery part of the story. It also is a great book to use if discussing rhyming. And of course it can start a conversation about how we would feel if our books started disappearing!

Discussion Questions: How would you feel if your books started disappearing?; On pg. 6-7 it shares some of Burrow Downs’s books. What books to you think they are alluding to?; Write a story of your own using the same rhyme scheme as The Snatchabook.

We Flagged:
The little owls, on Mommy’s lap
were quite surprised to hear a tap
against their bedroom window glass.
Tap, tap! The noise came really fast.
Before they’d even looked around,
the book was gone—without a sound. (p. 8-9)

Read This If You Loved: We are in a Book by Mo Willems, Library Lion by Michelle Knudson

Recommended For:

The Mary Celeste: An Unsolved Mystery from History by Jane Yolen and Heidi Elisabet Yolen Stemple

October 9, 2013October 9, 2013 by Kellee

Nonfiction Picture Book Wednesday

The Mary Celeste: An Unsolved Mystery from History
Author: Jane Yolen and Heidi Elisabet Yolen Stemple
Illustrator: Roger Roth
Published July 1st, 2002 by Simon & Schuster Books for Young Readers

Goodreads Summary: The Mary Celeste was discovered adrift on the open sea by another ship in 1872 — with no sign of captain or crew. What happened? Did the crew mutiny? Were they attacked by pirates? Caught in a storm? No one ever found out.

Inside this book are the clues that were left behind and the theories of what people think happened aboard that ship. Become a detective, study the clues, and see if you can help solve this chilling mystery from history.

My Review: This is the final book in the Unsolved Mystery from History series and I think it may be my favorite yet. Like The Wolf Girls, I had not heard about the Mary Celeste before this book, but this mystery was just so enthralling! A crew that just disappears?!?! How?!?! After reading the book, I spent hours online reading about the Mary Celeste and it is so interesting. There are so many websites and opinions and theories—all which would be so much fun to share with students.

Teacher’s Tools for Navigation: Like the other books in this series, I would love to see these books used in classrooms (history or language arts/reading). These books promote studying history, asking questions, inquiry, and vocabulary. Each book begins with an introduction about a young girl who enjoys unsolved mysteries from history and then the books are set up like her case notebook. Each page of the case notebook includes a narrative nonfiction section, an informational nonfiction section where facts about the story are explained even more in detail, and then there are vocabulary words from the two sections defined for the reader. Finally, in the back of the books the different theories about what could be the answer to the unsolved mystery are shared and briefly discussed. The set up of this book leads to infinite possibilities of being used in the classroom. Students could debate, write research papers, could do their very own case notebook about a different mystery, etc. Another option is to get all of the Unsolved Mystery from History books and have students get into lit circle groups and have each group read a different mystery then research and share. The other books in the series are about the Salem Witch Trials, the Wolf Girls, and Roanoke.

Discussion Questions: Which of the theories do you think happened?; Do you trust Captain Morehouse? Why or why not?; One theory mentions a kraken. Do you think sea monsters exist?; Study the weather of the Pacific during the time period the ship disappeared. Is weather an option for the crew’s disappearance?

We Flagged: Narrative Nonfiction “The last place the men looked was in the ship’s hold where her cargo- 1,700 barrels of raw alcohol- was well stowed. Not a single barrel had been opened. All in all, Deveau and Wright looked around the Mary Celeste for over half an hour. They found no sign of anyone on board, no signs of struggle.”

Informative Nonfiction “The cargo was alcohol stored in red oak barrels. Red oak is a porous wood that lets alcohol fumes escape. When the barrels were examined, some of the alcohol was found to be gone, but that was entirely due to evaporation. According to reports, the barrels were “in good order” and not “in any way injury.” Besides, the alcohol was was raw alcohol which was to be used for fortifying Italian wines. Anyone drinking it unprocessed would not become drunk, but would rather lapse into a coma or die. Only one hatch was found open, but there was no sign of smoke damage or an explosion in the unventilated hold.”

Vocabulary “Hold: the area inside the ship where cargo is stored; Cargo: the goods being transported by the ship” (p. 20-21)

Read This If You Loved: The other Unsolved Mystery from History books

Recommended For:

I’m so sad that I am done reviewing the Unsolved Mystery from History series, but I hope you have enjoyed learning about them as I enjoyed reading them.

Ol’ Mama Squirrel by David Ezra Stein

October 13, 2013October 6, 2013 by Kellee

Ol’ Mama Squirrel
Author and Illustrator: David Ezra Stein
Published March 21st, 2013 by Nancy Paulsen Books

Goodreads Summary: Caldecott Honor winner David Ezra Stein’s lively tale is a fantastic read-aloud, and feisty Mama Squirrel will have fierce mamas everywhere applauding!

Ol’ Mama Squirrel has raised lots of babies, and she knows just how to protect them. Whenever trouble comes nosing around, she springs into action with a determined “Chook, chook, chook!” and scares trouble away. Her bravery is put to the test, however, when a really big threat wanders into town and onto her tree. But no matter what, Mama’s not about to back down!

My Review: I loved Mama Squirrel. She does anything to save her babies. Anything. This book had me laughing and I know children everywhere will love it.

Teacher’s Tools For Navigation: First and foremost, this book needs to be read aloud. With voices. Kids will love it! This is primarily how this book should be used: as a read aloud. Though, it could lead to discussions about a couple of different things: cause and effect (very basic, would be a good introduction), protective vs. overprotective, team work, family, and (if with older kids and really want to push it) laws about protecting property like “Stand your Ground”.

Discussion Questions: Do you think Mama Squirrel goes to far sometimes? When?; What does Mama do that causes the intruders to leave? When this didn’t work, how did she get the bear to leave?

We Flagged:

Read This If You Loved: Scaredy Squirrel (series) by Melanie Watt, Crankee Doodle by Tom Angleberger, Interrupting Chicken by David Ezra Stein

Recommended For: