Review and Author Interview!: Cold War on Maplewood Street by Gayle Rosengren

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Cold War on Maplewood Street
Author: Gayle Rosengren
Published August 4, 2015 (Today!) by Putnam

Goodreads Summary: Cold War anxieties play out in a sensitively told story set during the Cuban missile crisis in the 1960s, perfect for fans of Gary Schmidt and Kristin Levine.

Joanna can’t get over how her brother broke his promise to never leave like their dad did. Sam is thousands of miles away on a navy ship, and no matter how often he sends letters, Joanna refuses to write back. When she makes a promise, she keeps it.

But then President Kennedy comes on TV with frightening news about Soviet missiles in Cuba—and that’s where Sam’s heading. Suddenly Joanna’s worries about being home alone, building up the courage to talk to a cute boy, and not being allowed to go to the first boy-girl party in her grade don’t seem so important. Maybe sometimes there are good reasons to break a promise.

The tense timeline of the Cuban missile crisis unfolds alongside a powerful, and ultimately hopeful, story about what it means to grow up in a world full of uncertainty.

Ricki’s Review: Cold War on Maplewood Street highlights a time period that isn’t common in the genre of historical fiction. I was intrigued from the very beginning because I have read few books focused on the Cuban missile crisis. The author excellently balances narrative and history in this engaging, thought-provoking text. Joanna is a strong girl who is ashamed of the way she treated her brother when he left for war. She makes a realistic mistake and tries to work through her emotions regarding her treatment of her brother and also the frightening events of war. There are many concepts for teachers to draw upon in this text—family, friendship, war, and fear, to name a few—and teachers will find this text offers rich opportunities for classroom discussion.

Kellee’s Review: What I think Ms. Rosengren does so well in this book is tell a real story with a piece of history as the backdrop. This is a Cold War/Cuban Missile Crisis story, but that isn’t what the book is all about. This book is about Joanna, her family, and her best friend. Her characters are very real and show the real emotions that must have been running through so many peoples’ veins during this tense time.  Because of how well this book is crafted as a narrative within a historical time period, I believe it would be a great introduction to this time period for middle grade readers. Many will have never heard of the Cold War or Cuban Missile Crisis, so learning about it through Joanna’s story is perfect. 

Teachers’ Tools for Navigation: Teachers might consider using this text to ask students to examine their regrets. Students could begin by closely examine characters that have regrets. Who are they? Do their regrets impact others? Then, the students could consider world leaders or pop culture to consider regrets that famous people might have and how these regrets impacted their lives. Finally, the students might journal to make connections with the text by examining mistakes they have made or regrets they hold in their personal lives.

Another interesting aspect of this book is the theme of communication. Students could compare the lack of communication of some of the characters in the book (which led to a major issue) and the lack of communication which led to the Cuban Missile Crisis. How could communication have helped either of these situations?

Discussion Questions: How would you react if your sibling went to war? Is Joanna’s reaction realistic? Is it fair?; How does war impact the lives of those who stay home? How do the characters of this text react differently from each other? Do you think the war impacted the choices Pamela’s family members make?; What is Mrs. Strenge’s role in the novel? How does she enhance our reading of the story?

Author Interview!: 

Unleashing Readers: What interested you in the Cold War, specifically?

Gayle Rosengren: When I wrote the first draft of Cold War on Maplewood Street–twenty years ago(!)–itwas to share a singular experience from my childhood, the Cuban Missile Crisis. But for several reasons, the manuscript never made it to an editor and I had to set it aside.

Years later I decided to revisit it with a different objective in mind. Now, I wanted to tell a story in which the crisis was the backdrop for a story about how poor communication can destroy relationships. The Cold War itself was an example of a break-down in communication on such a major scale that it very nearly led to destruction on a global level. In my novel, poor communication is demonstrated by main character Joanna’s failure to write to her brother and apologize for the terrible things she said to him when he left for the Navy. It’s also shown in her avoidance of a new tenant in their building, an old woman Joanna finds frightening for several reasons; and it’s demonstrated in her best friend Pamela Waterman’s family, when Mrs. Waterman runs away instead of confronting her husband about how desperate she is to see Paris.

UR: What does your research process look like?

GR: My research began with plumbing my own very vivid memories of the week of the crisis. I was twelve, and I was scared, especially since–although they tried to conceal it–I could see that adults were scared too.

But the major source of the historical details in Cold War on Maplewood Street came from the Chicago Tribune’s archives and actual headlines, photos, and articles that appeared in what was then The Chicago Daily Tribune. Remember, I wrote the first draft of the manuscript over twenty years ago. Pre-computer. And given that newspapers and television newscasts were the primary news sources of the day, I felt it was a solid source for my facts. I have a fat file full of copied newspaper pages that provided everything from the news to the weather and the television schedule. (All 4 channels!)

Today we know more about what was going on during that infamous week (in particular the note that Kennedy sent to Khrushchev agreeing to remove our nuclear weapons from Turkey) but I wanted Joanna to know only what anyone else living in the U.S, and specifically Chicago, would have known at the time.

UR: Did you decide on your time period or your protagonist/narrative first?

GR: This was an instance where the time period was clearly the inspiration for the story, and the protagonist and voice followed. I originally wrote this manuscript in the third person, rewrote it in first person, and then went back to third as I struggled to discover the character and voice that would best serve the story.

UR: Did anyone in your life inspire your characters?

GR: I modeled Joanna’s and Sam’s relationship on my close relationship with my brother Dennis. He was in the Air Force at the time of the missile crisis and based relatively safely in Okinawa, Japan, but I imagined that he was in the Navy, on a ship off the east coast of the U.S., and likely to be swept into action as part of the Cuba quarantine and blockade. I imagined how terrified I would have been for him. And then, to up the stakes, I imagined that when he’d left, Joanna in her hurt and anger accused him of deserting them just like their father had years before. The guilt she would feel knowing she might never get to apologize would be overwhelming.

Joanna’s mother was modeled after my single mother who always worked hard and scrimped to take care of us. Pamela was every good friend I ever had with a normal (which at the time meant two-parent) family.

As for Joanna, she was a lot like me at 12–childish and thoughtless one moment, grown-up and sensitive the next, taking awkward steps toward adulthood and all the while longing for the protective cocoon of childhood that was forever left behind in that unforgettable week. Like Joanna, I too loved horses and dogs and hated being alone in the house at night.

We Flagged: “[S]taying positive and hopeful—even pretending to—was much better than giving in to fear.” (p. 142)

Read This If You Loved: Countdown by Deborah Wiles; Paper Cowboy by Kristin Levine; What the Moon Said by Gayle Rosengren; Purple Heart by Patricia McCormick; Spy Catchers of Maple Hill by Megan Frazer Blakemore

Recommended For: 

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**Thank you to Penguin for providing copies for review and Ms. Rosengren for the author interview!**

Circus Mirandus by Cassie Beasley

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Circus Mirandus
Author: Cassie Beasley
Published January 1, 2015 by Dial

Goodreads Summary:
Do you believe in magic?
Micah Tuttle does.

Even though his awful Great-Aunt Gertrudis doesn’t approve, Micah believes in the stories his dying Grandpa Ephraim tells him of the magical Circus Mirandus: the invisible tiger guarding the gates, the beautiful flying birdwoman, and the magician more powerful than any other—the Man Who Bends Light. Finally, Grandpa Ephraim offers proof. The Circus is real. And the Lightbender owes Ephraim a miracle. With his friend Jenny Mendoza in tow, Micah sets out to find the Circus and the man he believes will save his grandfather.

The only problem is, the Lightbender doesn’t want to keep his promise. And now it’s up to Micah to get the miracle he came for.

Ricki’s Review: I was only a few pages in when I knew this book would be special. I was captivated by the beautifully described setting and the words that seemed to dance off the pages. This book is about magic, but the writing is quite magical in itself. I usually give my ARCs away, but I am hanging on to this copy because I plan to read it to my son when he is a bit older. I’ll likely buy another copy because I am eager to see the illustrations! I suspect that this text will create lifelong readers. It belongs in every classroom in America. Circus Mirandus is the kind of book that takes you to another world—one that will stay in your heart forever.

Kellee’s Review: I liked Circus Mirandus  from the very beginning, but as soon as the circus officially enters he story, the magic just engulfs you. I think it is the Lightbender that makes the story. He is a mystery, but also the person that I feel like I connected with the most. I truly feel that he is what makes this book as magical as it is. I also really liked Jenny. Jenny represents the main stream (which is odd to say because Jenny is a little bit odd), but Jenny has already moved past magic and is so straight forward. Convincing her to believe in anything past what she sees and knows was such a challenge for Micah. (But she is such a great friend!)

One of the things I really liked about the text is the theme of helping kids stay kids for as long as possible. Circus Mirandus is around to help keep the magic of childhood alive. That is something I can believe in!

Circus Mirandus was my informal Twitter book club’s choice for July, and I loved chatting with them about the book (and Ricki joined us this time!). To see the archive of our chat, you can view it here. (Warning: There are spoilers for the book in the chat.)
Some of my favorite quotes from the chat were:

“I loved that Jenny was willing to go along on the journey even if she had trouble believing.” -Alyson Beecher

–“Yes! That is what made me love her. She was willing to support her friend.” -Kellee Moye

–“And Jenny needed a friend, found something in herself that “might” want to believe, too?” -Linda Baie

–“I love how great Jenny and Micah are for each other…helping each other find courage and comfort.” -Beth Sanderson

“It was interesting that the light bender just dismissed G., rather as we all should dismiss evil people.” -Linda Baie

“I loved the relationship between Micah and Gpa. He had so many words of wisdom to prepare Micah.” -Leigh Anne Eck

–“The wonderful relationship between Micah and his Grandpa is what I will remember the most about this book.” -Cynthia Alaniz

“I don’t think we should hide kids from life truths like death. Kids need to be taught healthy ways to grieve.” -Ricki Ginsberg

“The artwork is special! It is interesting to read the Ch then look at the art & find the reasoning behind the art.” -Kellee Moye

–“Yes! There is something special when physical aesthetic of book matches aesthetic of the language.” -Christy Rush-Levine

Favorite quotes shared from the book:

“Because when you try too hard to hold on to something, you break it.”

“Who you are is more than good enough.”

Teachers’ Tools for Navigation: This book naturally lends itself to a creative project. I would love to have students work together to design their own circus. Perhaps each student could be in charge of designing a different section of the circus and writing about it. For example, one student might be in charge of writing the opening speech for a circus act; another student could be in charge of writing a newspaper article about the events; another student might be in charge of writing to the mayor to ask permission to use a field for the circus. I’d allow students to generate their own ideas, so they can take ownership of their work.

However, the best place that this book could end up is in as many kids’ hands as possible! It deserves to be read and read widely.

Discussion Questions: What is Jenny’s role in the novel? How does she add to the story?; Do you think you would believe in the circus? Why or why not?; Which characters showed bravery? Why or why not?; What role does fantasy play in this text? How would it be different if it was a work of realistic fiction?

We Flagged: “You never need an invitation to go home.”

Read This If You Loved: Books by Roald Dahl, A Snicker of Magic by Natalie Lloyd, Wonder Show by Hannah Barnaby, Miss Peregrine’s Home for Peculiar Children by Ransom Riggs, Big Fish by Daniel Wallace, Night Circus by Erin Morgenstern, Peter Pan by J.M. Barrie

Recommended For: 

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**Thank you to Penguin for providing copies for review!**

Top Ten Tuesday: Fellow Book Nerd Characters We Love

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Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish. The feature was created because The Broke and Bookish are particularly fond of lists (as are we!). Each week a new Top Ten list topic is given and bloggers can participate.

 Today’s Topic: Fellow Book Nerd Characters We Love

Because they remind us of our book-obsessed selves, of course!

Ricki

1. Liesel Merminger from The Book Thief by Markus Zusak

book thief

She is so young, but yet, she steals books. She can’t resist them! I love this girl.

2. Scout Finch from To Kill a Mockingbird by Harper Lee

to kill a mockingbird

Scout says, “Until I feared I would lose it, I never loved to read. One does not love breathing.”

3. A. J. Fikry from The Storied Life of A. J. Fikry by Gabrielle Zevin

the storied life

This grumpy man stole my heart.

4. Hermione Granger from Harry Potter by J. K. Rowling

harry potter

I am not a huge Harry Potter fan, but I am a huge Hermione fan. She reminds me of me!

5. Francie Nolan from A Tree Grows in Brooklyn by Betty Smith

Tree Grows in Brooklyn

Francie said that “the world was hers for the reading.” I will never forget the scene where she reads in the fire escape.

Kellee

1. Matilda from Matilda by Roald Dahl

matildaDahl

Matilda was the first book nerd I ever encountered in a book, and I loved her! I wanted to be as smart as her, and I wanted to hang out with her.

2. Josie from Out of the Easy by Ruta Sepetys

out of the easy

Josie lives and works in a bookstore and dreams of a college education. She is a book nerd in a place where they aren’t appreciated, and I adored her for that.

3. Cath from Fangirl by Rainbow Rowell

fangirl

Cath is a fangirl (hence the name of the book). She loves Simon Snow, a character in a book series, and spends most of her time writing fanfiction about Simon and visiting Simon Snow forums. She may even be more of a book nerd than I am.

4. The Gorilla from Look! by Jeff Mack

look!

This poor gorilla just wants to read a book. Hopefully the boy will appease him!

5. Miss Brooks from Miss Brooks Loves Books! (And I Don’t) by Barbara Bottner

miss brooks

 I want to teach with Miss Brooks! This book celebrates librarians and books and shows the impact of a book loving librarian on students.

Who are your favorite book nerds?

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Henry’s Freedom Box by Ellen Levine

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Nonfiction Picture Book Wednesday

Nonfiction Picture Book Wednesday is hosted by Kid Lit Frenzy and was started to help promote the reading of nonfiction texts. Most Wednesdays, we will be participating and will review a nonfiction text (though it may not always be a picture book).
Be sure to visit Kid Lit Frenzy and see what other nonfiction books are shared this week!

Henry's Freedom Box

Henry’s Freedom Box
Author: Ellen Levine; Illustrator: Kadir Nelson
Published: January 1, 2007 by Scholastic

GoodReads Summary: A stirring, dramatic story of a slave who mails himself to freedom by a Jane Addams Peace Award-winning author and a Coretta Scott King Award-winning artist.

Henry Brown doesn’t know how old he is. Nobody keeps records of slaves’ birthdays. All the time he dreams about freedom, but that dream seems farther away than ever when he is torn from his family and put to work in a warehouse. Henry grows up and marries, but he is again devastated when his family is sold at the slave market. Then one day, as he lifts a crate at the warehouse, he knows exactly what he must do: He will mail himself to the North. After an arduous journey in the crate, Henry finally has a birthday—his first day of freedom.

Review: The story of Harriet Tubman is perhaps the most commonly taught story about the Underground Railroad. Henry “Box” Brown’s story is quite different, and I learned a lot by reading this book. I think it would be an excellent text to teach in the classroom. This book made me very emotional, and I am still thinking about it, weeks after I finished it. The illustrations are gorgeous, and the story is inspirational. The author’s note at the end of the text provide more factual information that will send students scouring for more information about the time period.

Teachers’ Tools for Navigation: Most obviously, this would be an excellent text for a unit about slavery or the Civil Rights Movement. I am a big proponent of using texts outside of traditional units (or Black History Month) because these texts are valuable beyond the time period they represent. I would love to do a unit on Endurance or Bravery or Freedom. I would find and group similar texts that promote discussion and inquiry about the theme and ask students and essential questions like, What does it mean to be brave?

Discussion Questions: How does Henry endure many challenges in life? In what ways is he brave?; What does Henry teach us about life?; Describe another famous person in history or modern times who reminds you of Henry.

One of the Many, Beautiful Illustrations:

Kadir Nelson Henry 

Read This If You Loved: Dave the Potter: Artist, Poet, Slave by Laban Carrick Hill; The Listeners by Gloria Whelan; Freedom Summer by Deborah Wiles; The Other Side by Jacqueline Woodson; The Diary of Anne Frank by Anne Frank

Recommended For:

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Top Ten Tuesday: Books that Feature LGBTQ Characters or Issues

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Top Ten Tuesday is an original feature/weekly meme created at The Broke and the Bookish. The feature was created because The Broke and Bookish are particularly fond of lists (as are we!). Each week a new Top Ten list topic is given and bloggers can participate.

 Today’s Topic: Books that Feature LGBTQ Characters or Issues

When this week’s topic popped up about celebrating diversity, we knew that we wanted to celebrate books with LGBTQ characters or issues (particularly in light of the SCOTUS same-sex marriage ruling). Below are 10 books we’ve read that we feel are wonderful representations of middle grade and young adult literature that include LGBTQ characters or issues. They are listed in no particular order, and to be honest, we had a hard time narrowing the list to ten!

Ricki and Kellee

1. Aristotle and Dante Discover the Secrets of the Universe by Benjamin Alire Sáenz

aristotleand

A beautiful, quiet book that is very literary, Aristotle and Dante Discover the Secrets of the Universe follows Aristotle, a boy who doesn’t have friends until he meets Dante. Through Dante, he learns about friendship, life, and loyalty.

2. Ask the Passengers by A.S. King

ask the passengers

Astrid is very cerebral–she can get lost in philosophical theories and questions about the world. Her favorite pastime is laying on the bench in her backyard so she can send her love to the passengers on the airplanes that fly overhead. At her catering job, Astrid meets Dee, and she falls in love. She isn’t sure if this makes her a lesbian, as she has never loved another girl, and society wants to fit her in a box that she isn’t quite sure describes her.

3. Drama by Raina Telgemeier

drama

Drama takes place during a middle school theater production and deals with dating and friendships of the theater kids. This book needed to be included on our list for the way that homosexuality is dealt with as a non-issue in the book. It is just straight forward and matter of fact–just part of life.

4. Shine by Lauren Myracle

shine

Cat is best friends with Patrick, and they are inseparable. After some troubling incidents, she decides to stray from Patrick and their group of friends and becomes a loner. The book starts off with Patrick, beaten until he is unconscious, slumped in front of a gas station with a gas nozzle hanging from his mouth and a sign that reads “Suck this, faggot.” With every page, readers become more and more hooked to the mystery that unfolds. This is a book that teaches readers to look internally at the judgments they make of others. Most importantly, this is a book that teaches us to SHINE.

5. October Mourning by Lesléa Newman

october

This is an incredibly important publication–both for those who know and remember his story, and for those who were too young to have lived through the horror of it all. Matthew Shepard, a 21-year-old, openly gay college student encountered two other college students in a bar on fateful night on October 6th, 1998. Pretending to be gay, the two men lured Matthew into their truck, drove to a deserted area, tied him to a fence, and beat him with a pistol as he begged for his life. Eighteen hours later, a biker saw Matthew and rode for help. Sadly, Matthew died in a hospital five days later with his family by his side. Leslea Newman, the author, was scheduled as the keynote speaker at Matthew’s school for Gay Awareness week the following Sunday. Using resources and documents, she constructs a beautiful, unforgettable book in verse that truly captures the horrifying events of this tragedy.

6. Luna by Julie Anne Peters

luna

Regan is the only person who knows that her brother, Liam, secretly feels he is a female. As Liam transgenders into Luna, the reader is able to feel the multitude of emotions that both Regan and Luna feel throughout the process. This book is worthy of the awards it has received.

7. So Hard to Say by Alex Sanchez

so hard to say

Very few books deal with questioning sexuality in middle school, but Alex Sanchez does just that in So Hard to Say.

8. Boy Meets Boy by David Leviathan

boy meets

This was the first David Leviathan book that I ever read, and I was truly enthralled with the world that he crafted. In Boy Meets Boy, different is normal and prejudice doesn’t exist, so it is a romantic comedy which just happens to be between a boy and a boy.

Note: Two Boys Kissing also deserves to be honored in this list. It weaves together stories of four gay teens as they face the challenges of being young and gay as they navigate the world.

9. Openly Straight by Bill Konigsberg

openly

Rafe just wants to be a regular teen. Not the GAY teen who does this and that. Just a teen. So, for his senior year, he transfers to a boarding school and keeps his sexuality a secret; however, hiding who you are is harder than Rafe ever thought it’d be.

10. I Am J by Cris Beam

i am j

J is a boy but was mistakenly born as a girl. I am J is his story of working through the depression associated with having a body that was “assigned” to him. This is a truly inspiring, heartfelt, and change-making novel.

Honorary

gracefully george

Gracefully Grayson and George are both about transgendered youth, and their search for acceptance. Neither of us have read these books, but we are so excited that such important LBGT books are being published in the MG/YA world! We cannot wait to read these.

For more LBGT titles, check out the Stonewall Book Award which is a set of three literary awards that annually recognize “exceptional merit relating to the gay/lesbian/bisexual/transgender experience” in English-language books published in the U.S.


There are so many great books about LGBTQ issues, and as we stated above, we had a hard time narrowing down our list to just ten books. Which would you add?

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Author Guest Post!: “Reaching Reluctant Readers with Action and Suspense” by Jake Bible, Author of Scarescapes

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Reaching Reluctant Readers with Action and Suspense

by Jake Bible

I really had no concept of what a reluctant reader was until my daughter started reading. My son is exactly like me and will devour books without blinking. My daughter? Not so much. Getting her to read past the first few pages in a book is like pulling teeth. As a writer, this has been more than frustrating.

Being a concerned father, I asked her questions about why she’d start a book, but never finish it. I asked lots of questions. Yet no matter the question I always received the same answer (or a version of the same answer).

“It’s boring.”

Huh. Boring? The characters? The plot? The story? The cover? What was boring?

“I don’t know. It just was.”

Double huh.

This troubled me. That bit of fear in the back of my head was that maybe she had a learning disability. Of course, the Voice of Reason spoke up and said, “She’s just a reluctant reader.”

That voice was my wife’s. I say she was the voice of reason not because of some ingrained, antiquated notion of gender roles within the household, but because my wife is an elementary school teacher with nearly two decades of experience, a master’s degree, several certifications in various subjects, and is a reluctant reader herself.

That’s a voice of reason, folks.

To grab a reluctant reader’s attention you need relatable characters, you need fast pacing with short chapters, you need the prose to be clear and interesting, you need to give them a reason to keep reading. This is basically what all good writers strive for anyway. But the big difference is you can’t slack. One misstep and that book is down and forgotten.

In my research on reluctant readers I found out that the make or break age is 8-12. Those are the ages where so many kids decide whether or not reading for fun and pleasure is their thing. It just so happened I was writing a series of scifi/horror books aimed at middle grade ages. That 8-12 year old danger spot. No pressure, right?

So, I decided to do what I do best: write six books that packed as much non-stop action and suspense into them as I could get away with while considering my target age group.

I went with the classic serial structure of one book ending on a cliff hanger and the next picking it up right from that exact same spot. I also wrote each book as told from a different character’s point of view. This made sure that no matter what gender or race my young readers turned out to be, there would be a character, and a specific book in the series, that they could personally relate to. I put the characters into an impossible situation of being alone on a space ship in deep, deep space without parents around, all of them having to band together and fend for their themselves.

Then I set things in motion.

Writing action isn’t hard. You just keep things moving. The trick is to keep things interesting. Constant running does not always make for great story. That’s where the suspense comes in. And you only have so much time for suspense before boredom kicks in. It’s a delicate dance.

I began each book with some explanation of the situation the children were in. For this series, a giant asteroid outfitted for deep space travel and human habitation so people could find a new home in the universe after Earth has been polluted beyond repair. Explanation done, I immediately moved to danger. Got to have danger to motivate the characters into action. Once danger was established, and the characters were active, I threw in roadblocks.

Roadblocks are key to good action. The reader, and especially a reluctant reader, will get bored if the action just goes from point A to point Z. You need to send them off into tangents. You have to destroy points B, C, and D so the characters are forced to figure out how to skip to point E directly. Give those characters roadblocks and the action becomes believable, no matter how fantastical. And believable is another key to keeping a reluctant reader’s attention.

Okay, so I had explanation, I had motivation, I had action, I had roadblocks. But where was the story?

That’s where I got to sneak in the suspense. My story revolved around a mystery. And not just a mystery of why all the danger and chaos was happening to these characters. I introduced a new character. One that should have been a danger sign immediately in any “normal” situation. Is that suspense?

You bet it is. Who is this new entity? Where did it come from? What is its motivation? If the characters trust it will they regret it later?

Suspense is the anticipation of the unknown; the fear of something beyond a character’s understanding, beyond the reader’s understanding. Suspense requires trusting that moving forward is the only option even though moving forward is the most dangerous option.

To complete my formula (and for middle grade I needed a formula) I twisted the action and the suspense together, intertwining them in a narrative that would continually keep the readers off balance, afraid, excited, interested, and engaged. I wove the suspense within the action so that the story was layered in a way to keep reluctant readers from drifting off. I did my job as a writer and made it impossible for them to stop reading without stopping in the middle of an action scene or a bug reveal in the plot.

Or that was my goal, at least.

Did I succeed?

Well, my reluctant reader of a daughter didn’t put the manuscripts down.

Whether the books are received well out in the world or not, I count that as a success. No question there.

 

ScareScapes

About the Book: On the Earth Colony Asteroid Scorpio, something has gone terribly wrong. Millions of light years off course and 900 years late, the ship’s AIs wake up only seven kids, leaving the adults stuck in cryosleep! Damaged from the long journey, the AIs must repair the awakened seven with the only thing available–cybernetic robot parts.

Along with learning to function with new cyber parts, the all-kid crew must unravel the mystery of what went wrong with the Scorpio. As if the nightmare of deep space isn’t enough, the kids soon find themselves battling the ship’s maintenance robots while their cyber parts begin taking on a life of their own!

Scarescapes: Phantom Limbs! is the first book in the middle-grade YA series Scarescapes series by Bram Stoker Award nominated author Jake Bible. The ebooks are $2.99 and are available at Amazon, Barnes and Noble, Smashwords, Google Play, and Kobo. Paperback copies will follow later this year.

Jake Bible

About the Author: Jake Bible lives in Asheville, NC with his wife and two kids. Novelist, short story writer, independent screenwriter, podcaster, and inventor of the Drabble Novel, Jake is able to switch between or mash-up genres with ease to create new and exciting storyscapes that have captivated and built an audience of thousands. He is the author of the Young Adult horror novels Little Dead Man and Intentional Haunting, as well as the best selling adult horror series Z-Burbia and adult thriller/adventure series, Mega. Find him at jakebible.com. Join him on Twitter and Facebook.


Thank you to Hannah at Permuted Press for connecting us with Jake!

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Engaging Classroom Discussion Strategies

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Engaging Classroom Discussion Techniques-page-001

My favorite part about teaching is that teachers love to share resources. We are a community. The more I teach methods courses at the university level, the more frequently I find myself sharing some ways I’ve hosted classroom discussions. I did not create any of these ideas below, and sadly, I cannot even share the source of the methods. I credit my advisor, Wendy Glenn, for introducing me to many of them. After I graduated and started teaching, I found other great books along the way which taught me others. While some of these ideas may be old news for you, I hope you are able to learn at least one new, useful method below.

1. The good ol’ fashioned circle (with a twist)

I never get tired of the circle, but my students often get tired of it. In my last year of teaching, I vowed that I would never create the discussion questions because I was working toward a student-centered classroom. After each reading, I required students to generate quality conversation starters. They submitted their questions on slips of paper, and whenever the conversation slowed down, we grabbed a new question.

2. Fishbowl

Every time I use the fishbowl in my college courses, the students are blown away at how fun it is. I remember feeling the same way as an undergraduate. This is a bit tricky to explain. There is an inner and an outer circle. Three to five kids are in the inner circle, and they are the only students allowed to speak. We draw questions (usually student-submitted questions), and those students have a conversation as if they are the only people in the room. When someone in the outer circle wants to make a comment, s/he taps the shoulder of a person in the inner circle, and they swap seats. I remind my students that they all must enter the inner circle twice, and they shouldn’t tap someone’s should unless they have made two comments. When the conversation gets dry, we pull a new question. This method takes some getting used to, but the kids find it to be quite fun. If the outer circle isn’t paying attention, I require them to take notes on the discussion.

3. Socratic Seminar

This method is similar to the fishbowl. I always use an inner and outer circle. Instead, the inner circle is closely examining a text and asking a lot of questions about it: Where did the idea come from? What is the purpose of this line?

I have an even number of inner students as outer students. Each inner student is paired with an outer student as his/her coach. At several points, I take a break and give that pair time to talk about how the inner student is doing. They can offer ideas and support to help the inner circle person contribute to the discussion. I find this video to be particularly helpful, and the website offers rubrics and ideas about helping students set goals for this discussion.

4. Jigsaw

For this technique, we ask four groups of students to read four different articles or research four different topics that have a common theme. Usually, they do this for homework. If I have 24 students in my class, six students will be reading Article 1, six students will be reading Article 2, six students will be reading Article 3, and six students will be reading Article 4.  When the students come to class, I group them by their article. This is their “home” group. They spend time discussing the article and outlining how they will present it to their peers. This gives them the confidence to share its content. Within each group, I assign each student a different letter. So for Article 1, if I have six students, I assign them A, B, C, D, E, and F. I go to each group and assign those same letters to each group. (I’ve also seen people line up students based on their articles, but both methods work fine). Then, all of the students regroup based on their letter. So out of the A students, I will now have four students in the group, one from each of the original four articles. The students’ job is to listen to each other and take notes (often in a graphic organizer I’ve created).

For those of you who are unfamiliar with this method, it might sound like a lot of work, but it really is quite easy to organize. The benefit is the students learn about four related articles without having to read them all. I used to do this when we talked about modern genocide as it related to the Holocaust text I was teaching. Instead of asking the students to research many countries, I assigned four countries to four groups. In the end, the students were responsible for sharing about the country they researched, and as a group, connecting that knowledge to the text.

5. Concentric Circles

We have an equal number of students in an inner circle and in an outer circle. The students in the inner circle face the students in the outer circle, and each student is paired with another student. I ask a discussion question (e.g. What did you think about the decision of the trial?) and only the inner circle person can speak. The outer circle person can only listen. Then, I ask the same question to the outer circle person, and his or her job is to listen. This teaches listening skills, and it also teaches the speaker to elaborate. After about thirty seconds, I ask the inner circle to rotate clockwise three people to swap partners (or however many times I feel like). I ask a different question (or sometimes, the same question!). The same process continues (either the inner or outer circle person is in charge of speaking and then it swaps). Then, I have the outer circle rotate counter-clockwise two people to swap partners. The students have fun discussing the questions with different people each time, and they find the turning of the circles to be wildly fun.

6. Give One, Get One

I ask the students to fold a piece of paper lengthwise so they have two columns. Then, I ask them to write everything they learned from the text in the right hand column. I tell them the more they write down, the better. When they are finished, I ask them to write numbers 1 through 10 in the right-hand column. Their job is to go around the room and to collect (from ten different peers) ten ideas that they don’t have on the left-hand side of their papers. This requires them to spend time with each peer, reviewing the information they learned and wrote down, and find something they missed or didn’t consider. They groan when you tell them what they have to do, but while they discuss the text, they are always laughing at the obscure or specific facts their peers come up with.

7. Post-It Walk

I post four to six major discussion questions in different areas of the room. I put small groups of students at each question and give them post-it notes. Their job is to discuss the question in front of them and write one idea/topic they discussed on the post-it note. Then, the entire class rotates clockwise. They read the question, read the post-it(s) from a previous group or groups. Their job is to discuss the question and come up with something different to put on their post-it note. After groups have rotated and put post-it notes on every discussion question, the groups stay at the last question on the wall. They are required to share out to the entire class one or two great ideas from the post-its on the question in front of them.

8. Pass the Butcher Paper

Students sit in groups. In front of each group is a different character (or topic). I ask them a question about that character (e.g. What do we know about him/her based on his/her actions in the book thus far?). They write notes on the butcher paper. Then, they pass the butcher papers clockwise, and they receive a new character. Their job is to read the notes of the previous group. Then I ask a different question (e.g. How do you predict the character will act in the rest of the novel?). They write notes, and we keep passing. This allows the students to see the ideas of many of their peers about different questions, and they feel like they are working as a whole class to create a complex understanding of each character. We post the butcher paper in the room.

9. Four Corners

This works best as a pre-reading activity for a book, but it could be modified for any subject area. I did it in my Methods class as an undergraduate student and loved it. My students enjoyed it, too. I provide a handout with major themes from a novel (e.g. Revenge is justifiable.), and ask students to circle “Strongly Agree,” “Agree,” “Disagree,” or “Strongly Disagree” for each statement. Then I read the questions aloud and ask students to walk to the corner of the room that has the sign (“Strongly Agree,” “Agree,” “Disagree,” “Strongly Disagree”) that matches their opinions. I ask a volunteer from each corner to share his/her opinion. This often leads to heated debates, and it gets the students thinking about the novel.

 10. Facts of Five

Ask students to write down the five main ideas they got from a text. (This can be adjusted in a variety of ways, but it is good to require students to write five ______. For instance, they might write down five ways to connect the text to the real world.) Then, ask students to get into groups of three. Their job is to talk through each of their lists and pair the fifteen ideas down to five ideas. Then, their group of three joins another group of three. The six group members talk through their ideas and reach a consensus of the top five ideas. Then, all of the groups share out, and we have a class discussion to agree on the five, main points. This discussion technique requires groups to talk through ideas and determine essential, important concepts from a text. It also allows students to spend time considering how their ideas fit in with the ideas of their peers.

11. The Pinwheel

I just came across this neat technique by Sarah Brown Wessling. I recommend you watch the 7-minute video to see how it is organized. Students are arranged into a pinwheel shape. Three groups are each assigned to a different author, and a fourth group serves as “provocateurs” who ask probing questions. This would be a great way to synthesize multiple texts that you have read in class.

Please, please post a comment explaining any methods that I’ve missed, and I will incorporate your ideas into the post! Want more ideas? Check out this page more closely related to novels!

RickiSig