Author Guest Post: “Bonding a Classroom Over Books: Read Aloud as a Community Builder” by Kristin Thorsness, Author of The Wicked Tree

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“Bonding a Classroom Over Books: Read Aloud as a Community Builder”

My third year of teaching, I welcomed my fifth-grade class back from mid-winter break by revealing Sharon Creech’s Walk Two Moons as our next read aloud. Immediately, an excited titter spread amongst the table groups of my classroom. A student raised his hand with a grin and asked, “Are you going to cry? I heard when you read that book last year, you cried … in front of everyone!” The students exchanged excited looks, shocked by the boldness of the question-asking kid and eagerly waiting for the answer. I smiled and nodded.

It was true—I would cry. Walk Two Moons always makes me cry. Always. It did when I first read it as a fifth grader, curled up on the couch in the formal living room of my childhood home (the only place to escape my three younger siblings for quiet reading time), it did every time I read it aloud to one of my classes as a teacher in my twenties, and if I read it today … you guessed it, blubbery mess. That’s what evocative writing does to me, and Sharon Creech is a master.

Over the course of weeks, I read the book aloud to my class and we dissected it together. We made predictions about where Phoebe’s mother had gone, about what would happen if Sal did/didn’t reach her own mother by her birthday, about who the “lunatic” might be, and what, if anything, would happen between Sal and Ben. We discussed our favorite and least favorite characters—writing scenes from their perspectives, really getting into their heads—and when we got to THE SCENE (Walk Two Moons is an older book, but just in case I’ll avoid any spoilers!), my eyes weren’t the only wet ones in the room.

Did all my students cry? Of course not. But no one mocked those who did, which, in the world of tweens, showed a level of respect and empathy I always worked hard to build into my classroom. Whether they were moved to tears or not, they had shared an emotional experience, and they understood that that meant something. They were more than just classmates; they’d gone on a journey together.

This is the power of books.

Not all my read aloud choices were “crying” books. I made sure to read a wide variety of authors and genres to my classes, and I also let them propose read aloud books for the group to vote on. Listening to students explain why they loved a book and why they thought the whole class should read it always gave us insight into them as a person. And the more insight students have into each other, the more tightly knit a classroom becomes. We read scary books, mysteries, historical fiction, funny books, on a student’s recommendation I even read Brian Seiznick’s The Invention of Hugo Cabret (a heavily illustrated novel) under the document camera so we could all experience the magic that happens when a well written story and beautiful illustrations combine.

Whenever it was time to choose a new book, inevitably there would be questions about which books I had found sad, scary, or funny when I was a tween. The kids were always delighted if I named a book they’d read and enjoyed—books were sometimes my best “in” with struggling students. If you’re curious, some of my top answers were  Wilson Rawls’s Where the Red Fern Grows (sad), Mary Downing Hahn’s Wait Til Helen Comes (scary books are my personal favorite—I still have the battered copy of this book that I received in third grade!), and Louis Sachar’s There’s a Boy in the Girl’s Bathroom (funny, though that book really runs the gamut).

I made sure to have copies of all these books in my classroom library, and almost without fail, any book I endorsed quickly became a hot commodity. Students would discuss with me and with each other what their own takes on my recommended books were. Then, they’d suggest books they thought I might like, which is how I discovered Mary Downing Hahn is still the queen of ghost stories. (I can only hope to still be publishing books when I’m in my eighties!)

The five years I spent in the classroom showed me that not only is reading a fun way to spend a rainy afternoon (or the last ten minutes of lunch), books have the power to forge connections. I loved spending my days with the delightful, witty (and yes, sometimes sassy!), tween students in my class. When I left teaching to raise my young children and write, I thought of my former students often and my desire to write was refined into a desire to write books for them—for middle grade readers.

My debut middle grade novel, The Wicked Tree, is first and foremost a creepy tale, but there is humor, grief, mystery, and a lot of friendship woven in. I can’t wait for Tav’s story to be in the hands of middle grade readers and their teachers, and it would be my greatest joy to hear that it sparked a classroom discussion that helped bring the students and teacher closer together.

The Wicked Tree
Author: Kristin Thorsness
Publication Date: October 8th, 2019 by Month 9 Books

About the Book: Deep in the woods, a gnarled tree grows. Its thick, black trunk twists angrily up into the night sky. Held in place by the magic of a long-ago patriarch, it has waited centuries to lure a descendant into its trap.

Eleven-year-old Tavorian Kreet hates it when money troubles force his mom to move them in with his great-grandmother – though the historic house and grounds are pretty awesome. Tav is told to stay out of the estate’s woods, but he can’t resist the chance to explore.

After Tav’s first trip into the woods, he begins to have strange dreams about a supernatural tree. The dreams start out pleasant, but soon grow dark and menacing. On a dare, Tav ventures further into the woods with his new friend Harper, and they meet a mysterious, mute boy named Edward who lives in a decrepit cabin there. Though he’s unable to communicate where he came from or why he lives alone, in clear distress he scrawls two words: Bad Tree.

Tav knows what it’s like to be afraid. If he’d been brave enough to act four years ago, he could have saved his dad from the fire that took their home. But he wasn’t, and he’s been trying to redeem himself since. Now Tav is determined to help Edward. He enlists Harper, and together they search the estate for clues to Edward’s identity and how to help him.

While searching, Tav and Harper find antique photo albums, ancient diaries, and a secret laboratory. They piece together the Kreet family history, and discover a curse that’s been waiting generations for an heir. Tav’s dreams grow more ominous, and he realizes time is running short. To save himself and his friends, Tav must go to the heart of the woods, find the Bad Tree, and confront an evil magic before it consumes him completely.

About the Author: Kristin Thorsness is a former 5th and 6th grade teacher who lives in the Pacific Northwest with her husband, their son and daughter, and two spoiled dogs. She likes dark chocolate, strong coffee, and creepy stories that keep her up reading late into the night. For more info or to get in touch, visit her online at www.kristinthorsness.com.

Thank you so much for this guest post about the power of books!

Author Guest Post: “The Picture Book That Started As An Assignment” by Stephanie Ward, Author of Arabella and the Magic Pencil

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“The Picture Book That Started As An Assignment”

I still remember sitting at my school desk wondering what to write about. It was eighth grade and my teacher, Ms. Ribar, had asked her English class at All Saints Middle School to write a creative story. My classmates were scribbling away, but I was stuck. What should I write?

Every writer at every stage deals with the problem of coming up with ideas. Where do ideas come from? It’s very likely the most common question an author gets. Looking back, I can see that the idea for my story came from a combination of luck, life, and imagination.

As luck would have it, there was a pencil lying on my desk. When I glanced around the room for inspiration, the pencil caught my eye. It could have been a binder or a paperclip, but it wasn’t. No surprise then that a pencil features prominently in my story.

At the time, I was 13 and my life had been turned upside down by the arrival of a new brother. He was two then and I’m sure that he was disrupting my ever-so-important teenage world. So, it’s not surprising that a little brother was a key character (or should I say antagonist?).

Most importantly, the freedom to imagine and create in that classroom let me consider a range of possibilities. What if the pencil was magic? What if everything it drew became real? What if everything it erased was gone forever?

That idea and the inspiration of my eighth grade teacher stayed with me for a long time. When I was finally ready to commit to writing creatively, the story resurfaced. After weeks of rebuilding the story from memory and revising it to work as a picture book, it finally found a home. Fast forward to today, that story I wrote in English class all those years ago has become my debut picture book, Arabella and the Magic Pencil, illustrated by Shaney Hyde and published worldwide by EK Books in September 2019.

Now, as a new author, I get to bring my story full circle – back to the classroom. I like to think that Arabella and the Magic Pencil belongs there. Hopefully, it offers young readers a sense of endless possibility. Students can imagine their own stories about a magic pencil and the class can problem solve together figuring out how to get your brother back if you’ve erased him. (Yes, Arabella really does erase her brother.)

I reconnected with Ms. Ribar to acknowledge that this book began in her classroom. As always, she was encouraging and supportive. I hope that young learners appreciate the teachers who are there every day helping them discover their talents before they even know what they are.

Arabella and the Magic Pencil
Author: Stephanie Ward
Illustrator: Shaney Hyde
Published September 10th, 2019 by EK Books

About the Book: Arabella is a beloved only child who has everything a little girl could want. That is, until her brother, Avery, the master of mayhem, comes along. While she certainly loves him, she finds that it’s sometimes very hard to like him. So she spends her days creating marvelous, magnificent things with her magic pencil, and trying to ignore him. But when he spoils her perfectly proper tea party, she decides drastic action is required and she erases him from her life. Oops! But things aren’t the same without him — can she get him back?

Arabella and the Magic Pencil is a charming story, which will appeal to any child coming to terms with a new sibling and to caregivers who are supporting changing family dynamics, as well as those who love fantasy and engaging, alliterative language.

“A magical story with luscious language, whimsical illustrations and strong emotional core that will surprise and delight young readers.”
– Debra Tidball, award-winning author of The Scared Book and When I See Grandma

About the Author: Stephanie Ward is an award‐winning children’s author and reviewer who splits her time between London, Seattle and Sydney. She spent 15 years in public relations before deciding to dedicate herself to what she loves – writing stories for children. Stephanie has five award‐winning picture book manuscripts.

About the Illustrator: Shaney Hyde is an Early Childhood Teacher from Melbourne who runs art workshops for children and draws inspiration from her own playful childhood. Arabella and the Magic Pencil is the first book Shaney has illustrated, fulfilling a long‐held dream.

Thank you so much for this guest post looking at how one assignment can change everything!

Author Guest Post: “Self-Esteem and Students” by Karen S. McGowan, Author of Kelly’s Adventures

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“Self-Esteem and Students”

Astronauts traveling to a new planet are not the only humans who need the right stuff. Students, as well as adults, are always wondering where they stand and if they measure up. When students have low self-esteem you will generally find numerous other issues. Low self-esteem is linked to violence, school dropout rates, teenage pregnancy, suicide, and low academic achievement.

Teachers know that when kids feel better about themselves, they do better in school. The two core aspects of positive self-esteem are the belief and the experience that one is loveable and capable. Students come into your classroom with feelings of self worth or self doubt pre-programed through interactions within their own family setting starting in infancy. Some families are very nurturing, others are toxic. As teachers, we can tell if a student has grown up in a caring family.

When your students are at an age where they are constantly testing their emotions and asking whether they measure up, teachers will find a perfect fit with the Jolly Time Books trilogy. Kelly’s Adventures, a three-book box set, focuses on authentic characters, offering an easy to follow plot about family, school life, and everything centered on growing up in a chaotic world. The characters are believable, diverse, and instantly likeable. With relatable problems and intriguing themes, even the most reluctant readers will remain engaged.

The reader will connect with the characters and find situations that they have likely faced. Themes emphasized include bullies, friendship, values, problem solving, body image, entrepreneurship, perseverance, diversity, unity, and empathy. Teachers are depicted as positive role models who help inspire their students.

Good self-esteem is an essential component for everything children do – from positive academic performance to social skills. Classroom relationships with peers and teachers improve with a healthy dose of self-esteem:  children are better equipped to cope with mistakes, disappointment, and failure. Students are more likely to persevere, stick with challenging tasks, and complete learning activities. As teachers, we have the opportunity to help boost a child’s self-esteem through reading.

What happens when a main character immediately faces a crisis? Many readers relate and respond with empathy. In the opening scene of book 1, Lizzy and others erupt like exploding volcanoes on the kitchen floor after stuffing themselves with cake and ice cream. This embarrassing incident happened to me as a young girl. After she is ostracized by her boyfriend and picked on by bullies, how will Lizzy recover? The highly engaging personal situations and emotional roller coasters will keep the independent reader turning the pages of this book.

As a classroom teacher, I found that students learned better when reading and writing activities were followed by healthy discussions. That is why the three Study Guides for Jolly Time Books are designed as a teacher’s resource. This will save you time in lesson planning, and lead to rewarding classroom experiences. Each free downloadable Study Guide is presented by scene and chapter to match and complement the story. The Study Guides activate students’ ability to recall specific information about the scenes, events, and characters while enhancing their higher-level thinking skills.

The three free Study Guides provide a clear focus at every stage of teaching the text. The questions and interactive activities can be used as a class, in small focus groups, or as homework. The Study Guides contain both closed, comprehension questions, and open, higher order questions, exploring student response, opinion and analysis. The activities are designed to promote thinking and reflection while enhancing individual learning.

As teachers, we have the future of the world sitting in our classrooms every day. Let’s seize the opportunity and help shape what our world will look like in the future.

Jolly Time Books: Kelly’s Adventures Books 1 – 3 Box Set
Also available as individual eBooks or 3 individual paperback books
Book 1 – Searching for Kelly,
Book 2 – Chasing Kelly’s Shadow, and
Book 3 – Kelly Saves the Day

Book Description: In book 1, a black cat crosses Lizzy’s path, and she knows things can only get worse. Her brother, Ben, thinks that moving to a larger city is the answer. Big changes and magical twists abound when the Jolly family moves to Washington, D.C. They discover that Kelly, their new puppy, only adds to the chaos. Who knew?

The adventures continue in book 2 when Lizzy and Ben discover that moving hasn’t solved all their problems. Why does that black cat keep crossing their paths? WHAM! SPLAT! Is Kelly the only one to blame when Grandma decides to ride the Christmas tree, and winds up sprawled on the floor?

In book 3, the pressure on Lizzy heats up after she flips over backward at a student council rally. Will anyone vote for her now? Will Kelly survive the operation to save her life? To relieve tensions, they go on a picnic and hike with friends. What happens when Mr. Jolly becomes separated from the rest of the hikers? Could Ben’s teacher with psychic powers have predicted that this daytime hike would turn into a nighttime rescue?

Study Guides: The best way for readers to access the free eBook Study Guides is to download them from Amazon. All three Study Guides are on the first page of my Author Page. Here is a direct link to my Amazon Author Page.

About the Author: Karen S. McGowan is the author of Jolly Time Books:  Kelly’s Adventures Books 1 – 3 Box Set. She has worked more than 20 years as a teacher and holds a Master of Education degree. She is a leading advocate of education, and has written and published more than six dozen books for children.

Thank you so much for this guest post looking at how equal rights for women is still very much a timely topic!

Blog Tour with Author Guest Post: “Creating Words and Pictures: How Authors and Illustrators Work Together” by Alison Donald and Ariel Landy, Creators of The Spacesuit: How a Seamstress Helped Put Man on the Moon

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“Creating Words and Pictures for The Spacesuit – How Authors and Illustrators Work Together”

Alison Donald: Just like the Apollo program, a book is a product of a collaboration of a team.  I’ve always wished I could draw.  I can see parts of my story unfold vividly in my head.  But I don’t have the necessary skills or talent to actually draw what I want to the quality that I want.

Thank goodness for illustrators.  Illustrators can read a text and bring it to life.  I was lucky to have Ariel Landy illustrate my latest book:  ‘The Spacesuit – How a Seamstress Helped put Man on the moon”.  But, do we actually work together?  The answer is yes, but indirectly though illustration notes.

Illustration notes:

When I submitted ‘Spacesuit’ to my publisher Maverick Arts, I included a few illustration notes.  I really wanted a 1960’s feel to book.  I also wanted it to be fashionable.  Afterall, it’s about seamstresses who were fashioning one of the most important garments in world history!

I identified when sewing machines and spacesuits needed to be in the text and I asked for the seamstresses to be crowded around the tv watching Neil Armstrong on the moon (spoiler alert! Sorry!).

I researched the A7L spacesuit and provided diagrams.  I also provided photographs of the actual seamstresses at the factory of Playtex / ILC dover for reference.

Then, I sat back while Kim, my fabulous editor / designer found an illustrator.

It’s an exciting day when a sample spread arrives in my inbox.  Here was Ariel’s sample spread for the Spacesuit:

Just perfect!

The editor:

Editors / designers have a much better sense of layout, how much text should be on a page, and they know more about colour palettes than I do.  Kim worked with Ariel and then shared Ariel’s sketches with me.

I acted as another pair of eyes to make sure the pictures were factually correct.

It’s a just right fit when authors can weigh in on visual details that are relevant to the story (thanks Kim!).

Otherwise, it’s nice to leave it to the illustrator to create her own magic.

And as you can see, Ariel certainly did!

Ariel Landy: Happily, for me, by the time I got the story so much research for The Spacesuit had already been done, both by Alison and the editing team at Maverick. When I read the story for the first time, I had a briefing from our editors complete with photographs of Ellie and the talented ladies who actually worked on the spacesuit in various stages. I relied heavily on these primary sources to draw many elements of the story such as the pink factory coat that Ellie wears while working on a small sewing machine, and ‘Sweet Sue’ and ‘Big Moe’, the giant sewing machines brought in to help the seamstresses sew the many, many layers of the spacesuit! Also, fortunately for me, I had fact-checkers at Maverick to catch some of my anachronisms, such as coloring in the TV screen that shows the moon landing, when it likely would have been in black and white.

Of course, the internet is the ultimate research tool! There were so many accessible photos of the spacesuit at my fingertips, both on its own and adorning the astronauts. I was also fortunate to see the documentary Apollo 11, which happened to have a limited run in New York City just as I was working on the coloring stage of the illustrations. The film is all real color footage from the launching of the rocket that brought the brave astronauts to the moon. It was chock full of real spectators sporting the most wonderful 60s clothing and hairstyles. After seeing it I couldn’t wait to go back and tweak my characters!

I feel really lucky to have had such a great writing and editing team collaborating at different stages to make such a special book! Thanks team!

The Spacesuit: How a Seamstress Helped Put Man on the Moon
Author: Alison Donald
Illustrator: Ariel Landy
Published June 18th, 2019 by Maverick Arts

About the Book:There is a competition to make the spacesuit for the first moon landing! Ellie, an ordinary woman, is asked to lead a team of other talented seamstresses. No one believes they can win, but they are determined to try.

Based on the incredible true story behind the spacesuit that astronauts wore on the first moon walk and the team of women who sewed it together.

Don’t miss the other Blog Tour stops! 

Monday, July 15th: Publisher Spotlight Blog
http://www.publisherspotlight.com/blog/

Tuesday, July 16th: YA Books Central
https://www.yabookscentral.com/

Wednesday, July 17th: Randomly Reading
https://randomlyreading.blogspot.com/

Thank you so much for this guest post about this incredible true story!

Author Guest Post: “Making Lemonade out of Lemons: Creating Humor out of Sadness” by Naomi Milliner, Author of Super Jake & the King of Chaos

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“Making Lemonade out of Lemons: Creating Humor out of Sadness”

One of the things I’m asked most often about my debut middle grade novel, SUPER JAKE & THE KING OF CHAOS, is the role of humor – specifically how there’s so much in what could be a very sad book. Both the humor and the heaviness stem from truth, because SUPER JAKE is inspired by life with my three sons, the youngest of whom (Jake) had special needs.

Jake’s many limitations were heartbreaking, as was his death at only 28 months. And yet, my family – especially Jake’s big brothers – managed to find, and create, a lot of laughter and joy despite the difficulties. For that reason I tried to balance the inherent sadness surrounding his fragile health with a sense of playfulness and humor throughout the book. Here are five ways to use humor in a sad story, with examples from SUPER JAKE.

  • Establish a fun, or funny, tone from the get-go.

In early drafts, the story opened with the 11-year-old hero, Ethan, being awakened in the middle of the night because of a Jake-related medical emergency. This scene is still in the book; it just comes 155 pages later. Although it was a sure-fire dramatic start, as the main story shifted from Jake to Ethan, it was clear that the book needed to start with Ethan doing his favorite thing: magic. And what could be funnier, and more endearing, than entertaining a dozen 3-year-old girls dressed like Disney princesses? Throw in goofy younger brother, 7-year-old Freddy, and an unexpected appearance by SpongeBob, and you’ve got a fun tone to kick things off. Later in the chapter Jake shows up, too, and a bit of sadness creeps in but – hopefully – the reader already knows this story will have plenty of lighthearted moments.

  • Include a character who provides comic relief.

This, without question, is Freddy, the lovable middle brother. I could always count on him to come to the rescue when things got too sad. Sometimes it was a simple visual gag, like bubble gum exploding all over his face. Other times it was unexpected dialogue, or his interrupting a somber moment any number of ways. And sometimes, it was just his sweet, innocent take on things: he was a great vehicle to lighten tension.

  • Incorporate a sense of play, and playfulness, to mitigate sad circumstances.

There is nothing remotely fun, or funny, about having to “stretch” Jake’s arms and legs because he was unable to do it on his own. And yet in the book, as in real life, his big brothers got in on the act and even managed to turn physical therapy into a good time: Ethan takes a benign teddy bear and creates… Ninja Bear! Another example is how Jake’s unusual hearing creates a funny scene when Ethan plays his trumpet without waking Jake to stir, but Mom’s quiet (and angry) whisper immediately wakes him up.

  • Do something surprising.

This technique is very helpful and can be used frequently and in many ways. Have someone you wouldn’t expect do something unexpected: Ms. Carlin, Ethan’s beloved English teacher, has a crush on Ethan’s hero, Magnus the Magnificent. (Spoiler alert: teachers are human! You heard it here first.) Have an unexpected dialogue exchange, like on p. 23:

Freddy:            I’m doing a huge battle of dinosaurs versus Star Wars. I thought the Star Wars people would win because they’ve got lightsabers. But the dinosaurs were  hungry, so they ate them.

Ethan:              The lightsabers?

Freddy:            The people.

Or create an unexpected, and much-needed, break in tension. This occurs organically in lots of Ethan’s magic tricks. It seems like something has gone wrong, then he pulls it off. Another example of breaking tension with humor is when Ethan tries to convince his frenemy, Ned, that cake will make him feel better. Just as Ethan is about to give up, Ned asks, “What flavor is it?”

  • Switch from tears to laughter.

One of my favorite writers, Paula Danziger, said that her favorite thing to do was switch from tears to laughter, or laughter to tears, “on a dime.” I have tried to do the same. Even if it’s something small, the contrast makes the new, unexpected emotion pack a bigger punch.

Laughter to tears is pretty easy when you’ve got a character like Jake. Here’s bit with Ethan and his buddies at lunch, as they try to figure out how he can pay for a magic competition:

Brian:              Hey! Maybe you could sell one of your brothers.

Ethan:              Nah. I’d have to pay somebody to take Freddy.

Daniel:            How about Jake? Lots of people want babies.

Brian:              Only perfect ones.

Tears to laughter usually happens courtesy of Freddy. In the dialogue below, the truth is the possibility of Jake ever tackling homework is a sad reminder that his limitations are far-reaching and probably permanent. And yet…

Freddy:            Hey, Ethan, you think someday I’ll help Jake with his math homework?

Ethan:              I don’t know. How much is eight plus two?

Freddy:            Twelve?

Creating laughter from tears, or happiness from sadness, isn’t only doable: it’s critical, especially in children’s books. I hope these approaches will show readers that they can find – and make – joy out of even the saddest situations.

More information on the book can be found at: https://www.hachettebookgroup.com/titles/naomi-milliner/super-jake-and-the-king-of-chaos/9780762466160/.

Super Jake & the King of Chaos
Author: Naomi Milliner
Published May 7th, 2019 by Running Press Kids

About the Book: A debut contemporary novel about 11-year-old aspiring magician Ethan, who discovers that heroes come in all sizes, and real magic can be found in the most unexpected places.

When life revolves around stressed-out parents and ER visits for his special needs little brother Jake, eleven-year-old Ethan escapes to a world of top hats, trick decks, and magic wands. When he hears of a junior magic competition where the top prize is to meet and perform with his hero, Magnus the Magnificent, Ethan is determined to do whatever he needs to get there–and to win.

His dedication and hard work pay off, and he makes it to the top five finalists: his dream really could come true! Then Jake falls dangerously ill and Ethan’s hopes and plans are in jeopardy. As he searches for any sort of magic that might save Jake, Ethan learns what is truly important . . . and what real magic is.

About the Author: Naomi Milliner has a Bachelor’s Degree in English and a Master’s in Screenwriting from USC Film School. As a long-time member of SCBWI, she created the Authors Book Club (ABC) for published authors and illustrators to share their journey with other members. She has also served on the Women’s National Book Association’s Great Group Reads Committee since 2009. She lives in Maryland, with her husband and sons.

Thank you so much for this guest post about how authors mix sadness and humor!

Author Guest Post: “Suspension of Disbelief: Walking the Fine Line” by Tom Alan Brosz, Author of Roger Mantis

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“Suspension of Disbelief: Walking the Fine Line” 

In many works of science fiction or fantasy, books or movies, the reader or viewer is often required to do what’s called “suspending disbelief.”

This means that the reader must gently suppress some of the logical response to features of the story in order to enjoy the story itself. This is not a bad thing, and it happens all the time, particularly in fantasy. That’s why it’s called fantasy. When you read Watership Down, you know quite well that rabbits aren’t intelligent, and can’t talk, but you easily overlook it to immerse yourself in the book. Talking animals in stories predates writing itself, which tells you how long people have been suspending disbelief to enjoy a good yarn, or a fable with a lesson.

It’s not all that easy, though. As a writer of fantasy or SF, you need to encourage the suspension, but not push it too far, and it’s way too easy to push it too far. The last thing you want from your reader is the response, “Oh, come on, now. I’m not buying this!” The response isn’t usually that specific in the reader’s mind, it’s more often just a nagging discomfort that the writing has some big bumps in it that are distracting from the story itself.

My own book, Roger Mantis, is a humorous take-off of Kafka’s The Metamorphosis. In this case, the victim of a surprise transformation into a giant insect is an 11-year old boy, Roger McGillicutty. Roger Mantis is about how Roger manages to deal with it, how his friends and family deal with it, and how Roger manages the loss of his baseball dreams and tries to find new ones.

To make the story work, it was essential that the people around Roger accept his transformation into a giant praying mantis much more easily than would probably happen in real life. Otherwise, the idea of Roger talking to friends, going to school, and trying to play baseball just wouldn’t work at all.

If I were totally realistic about the situation (other than the giant mantis itself), my book would have ended at Chapter Two with poor Roger up a tall tree with terrified townspeople waving pitchforks, shotguns, and torches down below. So, a little suspension of disbelief, please.

My first attempt at this was to directly follow the lead of The Metamorphosis, where the characters are almost weirdly blasé about Gregor becoming a huge bug. It’s more of a household inconvenience than anything else. Even Gregor seems more concerned about his work issues than his six legs.

So, I tried this with Roger Mantis. This moved the story along nicely, but … well, here’s an early draft from the start of my story, as Roger the Giant Mantis surprises his mother coming out of his bedroom:

His mother dropped the laundry basket, and clothes fell on the floor as she stared at Roger.

“Mom?  Mom!  It’s me!  Roger!”  Roger tried to hold his evil-looking claws behind his narrow back.  It didn’t really work.

“Roger?  Roger!  What on earth have you done to yourself?” She looked at the floor. “Oh, no! My clean clothes!”

Okay, it’s funny, in a British humor kind of sense, but my editors thought it was a bit over the top as far as “acceptance” went. And if that’s what occurs to the reader first, instead of wanting to see what happens next, then you’ve gone over the suspension line. I had to agree with them, and the beginning of the book now has Roger hiding in the woods first, and his transformation is broken more slowly to his parents.

Okay, the level of acceptance is still a bit unrealistic, but hopefully not enough so that the reader gets pulled out of the book, and we can go on to the fun parts, and the real story of a boy dealing with something that can’t help but change his life drastically.

There were other issues of suspension of disbelief in Roger Mantis. The story depends on an entire town being able to mostly keep the secret of Roger’s existence. I placed the story back in the 70s to avoid the ubiquitous smartphones that make secrecy on almost anything impossible. But even so, it’s probably unlikely the existence of a giant talking insect wouldn’t leak out to a much larger extent than it did in the book. But by keeping it gentle, and having a few small leaks, I think I kept it within the suspension-of-disbelief limits.

And then of course, there’s the science. As one character in the book, Marlene, points out, a real giant insect couldn’t even stand up, and certainly couldn’t fly, but Roger does all these things easily. Weirdly, a character “hanging a lampshade” on something like this often actually helps the writer get across a disbelief hump. It kind of sends a message from the author to the reader, “Yeah, I know about this, but let’s all agree to overlook it together so we can have some fun.” Note to science fiction writers: you have a tougher row to hoe in this area than fantasy writers.

It’s not just about fantasy and science fiction, either. The suspension of disbelief problem can be an issue for any kind of story. Way too many coincidences in the plot? A first-class deus ex machina? A glaring plot hole? Even a mystery or romance book can fall afoul of these problems, and haul the reader uncomfortably out of the story.

Are there hard and fast rules to help with suspension of disbelief? Not really. The borderline between belief and disbelief depends on genre, writing style, humorous or serious, age of the target reader, and way too many other things.

So how do you deal with it? Experience helps, including a lot of reading in your chosen genre and age group, and some good beta readers. And of course, a good editor helps a lot more.

Roger Mantis: The Remarkable Transformation of Roger McGillicutty
Author: Tom Alan Borsz
Published April 2nd, 2019 by Tantrum Books

About the Book: Roger McGillicutty, 11, wakes up one Saturday morning and finds out he has unexpectedly transformed into a five-foot praying mantis.

His parents seem to be coping with it fairly well, and his dog Lou is okay with it, but how will the rest of the town of Highland Falls handle it? Roger has school on Monday, the carnival’s coming to town next week, and his Little League team is playing their biggest rival Centerville next Saturday. Being a giant bug will seriously cramp his style!

Or maybe not. Things begin to change when Roger performs a spectacular rescue of his classmates from a broken Ferris wheel.

Roger McGillicutty: a six-legged freak, or just possibly a superhero?

Roger’s story takes off from the famous beginning lines of Kafka’s The Metamorphosis, and then flies in an entirely different direction. Behind the adventure and the humor is a story about accepting who you are—your talents and limitations—and learning how to make the most of it.

About the Author: Tom Alan Brosz actually is a rocket scientist (sort of), having done design and engineering work in the private space industry back before the private space industry was cool. His qualifications for writing this book are that he has experience in raising children who like bugs and raising pet mantises for those children. Normal-sized mantises, of course.

Blog: https://tomalanbrosz.wordpress.com/
Roger Mantis website: https://rogermantis.com/

Thank you so much for this guest post looking at the thought process into fantasy writing!

Author Guest Post: “Understanding Race in a Country Divided” by Barbara Diggs, Author of Race Relations: The Struggle for Equality in America

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“Understanding Race in a Country Divided”

Race and racism can be tricky topics to discuss in the classroom. With so many diverse experiences, perspectives, and opinions on these emotionally-charged issues, it can be tempting to avoid conversations about race to skirt potential conflict.

But if there’s any hope of creating greater harmony and understanding among people of all colors in our society, we have to face these issues head-on. Our kids must learn to discuss racial issues openly, with honesty, empathy–and historical perspective.

To my mind, no fruitful discussion of the United States’ racial issues can occur without having a comprehensive grasp of America’s history of race relations. This long and painful story is key to understanding today’s divisive racial climate and recognizing how America’s past continues to haunt and impact race relations today.

My book, Race Relations: The Struggle for Equality in America, helps put the complexity of contemporary U.S. race relations into historical context. It offers kids the chance to explore race and racism in ways that promote critical thinking about difficult societal problems.

The book begins, not with slavery, but with the creation of racial categories in the fifteenth century. Readers learn, in a fact-based way, how European colonizers embraced and honed these categories to create a racial hierarchy to justify the enslavement and persecution of races they believed to be inferior. Even as some people fought against it, this hierarchy would become codified in U.S. laws and woven into American social codes for the next 400 years, substantially affecting how people of different colors view and treat each other.

Race Relations guides tweens and teens through these four centuries of American race relations. It touches every major era, from colonization and slavery to Reconstruction, Jim Crow, and Civil Rights to the presidencies of Barack Obama and Donald Trump. Links to online primary sources such as narratives, laws, articles, poems, songs, statistics, and even YouTube videos help them explore the nature of American race relations during each era and allow them to consider how relations have changed–or haven’t–over the years.

The book also fosters discussions of contemporary racial issues, such as voting rights, imprisonment rate disparities, and affirmative action, and asks students to reflect on concepts such as racial bias, prejudice, and privilege and how these impact their lives. It further highlights current social justice movements, including Black Lives Matters, and encourages students to consider actions they can take to help improve race relations.

I wrote Race Relations to provide young teens with the tools for recognizing racism and the historical context for talking about it.  Only by addressing these problems can we begin to bridge our differences, understand each other’s realities, and build a more peaceful and unified society.

Here are some activities to get healthy conversations started!

Check Yourself

History isn’t the only factor that can influence our perception of races different from our own. Naturally, having a personal relationship with people of a different race plays a huge role in your perceptions, as does the nature of that relationship with them. But we also receive input from a variety of other sources—our family, friends, neighborhood, community, images on television, magazines, newspapers, books, videos, and music. How do all these factors influence our perception of race?

Write down the different factors that influence your perceptions of these races as listed on the U.S. Census: White, Latino, African American, Native American, Asian American. You do not have to share this list with anyone—it is for you to gain insights into your perceptions of other races and where they come from.

  • Do you know anyone of each race?
  • How many people?
  • Have you ever participated in any social events with someone of each race?
  • What do you frequently hear about people of each race?
  • What three adjectives would you use to describe people of each race?
  • Where do your strongest impressions of each race come from?
  • Can you find any patterns in your thinking? Are your impressions about groups that include people you know personally more positive than those groups that don’t contain anyone you know? What other patterns can you spot?

To investigate more, give yourself an assignment of reading, watching, or listening to books, movies, and music produced by people from each of the different races. Does this change your perception? If so, how?

Mass Depopulation of Native Americans

Before Europeans arrived in 1492, an estimated 54 million Native Americans were living in what is now the United States. Within decades, millions died due to European diseases, war, and displacement. By 1890, the Native American population had dropped to 228,000. Although historians debate whether the devastation of the Native American population was an intentional genocide, they do not dispute that Europeans caused the dramatic depopulation, whether by acting purposefully, accidentally, or with reckless indifference.

Trace the history of one of the Native American tribes. Choose between the Cherokee, Iroquois, Mohawk, Seminole, Sioux, Comanche, Algonquin, or Cheyenne.

Make a timeline of significant events in the tribe’s history. These should include important relationships with colonists or Americans, treaties made with the U.S. government, wars, peacetimes, displacements, and current status.

Research the culture of your chosen tribe. How did the historical events affect that culture?

To investigate more, write a short play or scene about an event in your chosen tribe’s history that affected its lifestyle or population. Incorporate differing views tribe members may have had and how they may have felt looking to the future.

More classroom resources can be found at https://nomadpress.net/wordpress/wp-content/uploads/2018/07/Race-Relations-Classroom-Guide.pdf.

Race Relations: The Struggle for Equality in America
Author: Barbara Diggs
Illustrator: Richard Chapman
Published April 9th, 2019 by Nomad Press

About the Book: How could a country founded on the honorable ideals of freedom and equality have so willingly embraced the evils of enslavement and oppression?

America’s history of race relations is a difficult one, full of uncomfortable inconsistencies and unpleasant truths. Although the topic is sensitive, it is important to face this painful past unflinchingly—knowing this history is key to understanding today’s racial climate and working towards a more harmonious society.

In Race Relations: The Struggle for Equality in America, kids ages 12 to 15 follow the evolution of race relations in America from the country’s earliest beginnings until present day. The book examines how the concept of race was constructed in the seventeenth century and how American colonists used racial differences to justify slavery, discrimination and the persecution of people of color. Through links to online primary sources such as newspaper articles, letters, poems, and songs, young readers will explore how race relations changed—and didn’t—through the eras of Reconstruction, Jim Crow, and Civil Rights, and under the presidencies of Barack Obama and Donald Trump.

About the Author: Barbara Diggs is a non-fiction writer who has written a range of historical articles for children. Her work has been featured in Learning Through History MagazineHistory Magazine, and Renaissance, among others. A graduate of Stanford Law School, Barbara practiced law in New York for several years before becoming a professional writer. She and her family currently split their time between Paris, France, and Washington DC. Website: barbaradiggs.com

Thank you so much for this guest post looking at the history, present, and future of race relations in the United States!