Author Guest Post: “Inviting Student Wonder in the Diversity of the World’s Languages” by Claudia Mills, Author of The Lost Language

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Inviting Student Wonder in the Diversity of the World’s Languages

When I was a child, I read my way through the Golden Book Encyclopedia. In the volume for E, I became entranced by the entry on Esperanto, a language created in the late 19th century to be a universal language that could be shared by speakers all over the world. How wonderful it would be, I thought, if everyone in the world could speak the same language! I was wild to find a way that I could start learning Esperanto myself.

As the years went by, however, I began to appreciate the amazing diversity of the world’s languages; I no longer valued the search for one single language everyone in the world could speak. When I learned that Earth’s treasury of languages was becoming increasingly endangered by the forces of globalization, I thought how I would have felt if I had known this as a child. Just as, decades ago, I had wanted to learn Esperanto to promote universal understanding, today I would have wanted to learn an endangered language, to save it from utter extinction. This was the seed from which my recent verse novel, The Lost Language, grew.

In the book, my protagonist’s mother is a linguistics professor who does field work to study endangered languages and document their vocabulary and grammar. When my protagonist, Betsy (AKA Bumble), tells her best friend, Lizard, about this, Lizard asks, “What if instead of WRITING about dying languages, like your mom, you and I SAVED one instead?” The girls choose the endangered language of Guernésiais, a distant cousin of French, spoken by just a few hundred remaining speakers on the Isle of Guernsey, in the English Channel between France and England. Lizard and Bumble decide that if they can learn Guernésiais, and teach it to other kids at their middle school, at least a few more people in the world will know this language and be able to speak at least a little bit of it. Of course, this is not how languages in the real world get saved, because language is inextricably tied up with a culture, and a people, and a place. My two characters learn this in the course of the story in a devastating way.

But I hope the book will inspire young readers to become interested in learning about the wealth of the world’s estimated 7000 languages, 40 percent of which are currently endangered through globalization, as young people choose to speak languages that allow them to participate more fully in life outside of their small communities. The website the girls use in The Lost Language is based on the Endangered Languages Project website (endangeredlanguages.com), which features a map of the world where students can click on different countries to learn which languages are endangered there. The website offers resources on how to learn some 3450 endangered languages.

Here are some questions to spark student discussion.

  • Do you think it would be a good thing if everybody in the world spoke the same language? Why or why not?
    • Possible answers for why this would be a good thing might include: it would be easier to understand people and avoid miscommunication, and so easier to work together for common goals. Possible answers for why it wouldn’t be a bad thing might include: it would be boring! Why would we want to have sameness instead of diversity?
  • Do you think there are any endangered languages in the United States? Which languages might be endangered here and why?
    • The Endangered Languages Project website reports 167 endangered languages in the USA, primarily Indigenous languages, lost through deliberate attempts to force assimilation of Indigenous people by extinguishing Indigenous culture, including both religion and language.
    • One reason to preserve languages is that each language has some words or expressions that convey something difficult to translate into any other language. For example, in German, there is the word schadenfreude, which means “pleasure in somebody else’s misfortune.” In Japanese, wabi-sabi means “finding beauty in imperfection.” The French verb flâner means “to wander aimlessly in a city.” Is there anything you think there should be a word for in English that isn’t a word now? Can you create a new word for it?
  • Which language or languages would you most like to learn? Why? Would it bother you if you had to stop speaking in your own language, the language you grew up with, and start speaking in a completely different language? Of course, learning a language is not easy! But even if you could learn the new language effortlessly, what do you think might be lost by speaking only the new language now?

Publishing October 12th, 2021 by Margaret Ferguson Books

About the Book: Betsy is the one who informs her best friend, Lizard, that thousands of the world’s languages are currently threatened by extinction; Betsy’s mother is a linguistics professor working frantically to study dying languages before they are lost forever. But it is Lizard who, gripped by the magnitude of this loss, challenges Betsy, “What if, instead of WRITING about dying languages, like your mom, you and I SAVED one instead?”

As the girls embark on their crusade to learn as much as possible of the near-extinct language of Guernésiais (spoken on the Isle of Guernsey, off the coast of France), their friendship faces unexpected strains. With Lizard increasingly obsessed with the language project, Betsy begins to seek greater independence from her controlling and charismatic friend, as well as from her controlling and charismatic mother. Then tragedy threatens Betsy’s life beyond what any words can express.

Written in verse, The Lost Language takes its characters on a quest both to save the words of a dying language and to find the words to save what may be a dying friendship.

About the Author: Claudia Mills has published over 60 books for young readers, including the middle-grade novels The Lost Language, Zero Tolerance, and Write This Down, and several chapter book series, most recently Franklin School Friends and After-School Superstars. Her books have been chosen as Junior Library Guild selections, named Notable Books of the Year by the American Library Association, translated into half a dozen languages, and nominated for dozens of state readers’ choice awards. She has written all her books between 5 and 7 in the morning while lying on the couch and drinking hot chocolate.

Thank you, Claudia, for this great conversation starter with students and for introducing us to your new book!

Author Guest Post: “Point-of-View Flip as a Way into Creative Writing” by Shirley Reva Vernick, Author of Ripped Away

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“Point-of-View Flip as a Way into Creative Writing”

I’m a big fan of the “point-of-view flip” activity for young writers. That’s where students are asked to retell an existing story (or scene or chapter) from a POV other than the one presented in the original. This exercise can be done with a short and simple tale like The Three Little Pigs (e.g., the wolf’s first-person POV) or with more advanced texts. I like this literary workout because, besides being just plain fun, it can help writers grow their skills. Here’s my thinking:

It’s hard to write creatively, from blank, on demand. That’s why I always hated assignments like, “Write a story from this week’s spelling words.” It’s why I’ve never gone to writers’ retreats, where I’d be put up for a random week not of my own choosing and expected to produce. I can no sooner schedule my creative juices than I can schedule the rain. I suspect that many students feel the same way.

With the POV flip exercise, students don’t have to pull characters or plots out of thin air. Those elements are already there, freeing students to focus on the craft of show-not-tell, dialogue, pacing, etc.

POV flipping shows writers how much hinges on POV when telling a story. After publishing four novels and several short stories, I’m more certain than ever that POV is among the most pivotal—and challenging—determinations to make in the writing process.

Take, for instance, my new upper-MG/early-YA novel, Ripped Away, which is set in Victorian London during the Jack the Ripper spree. I wrote my first draft in the third-person perspective of a boy growing up in London during that time. Something wasn’t right though. This POV didn’t feel immediate enough, intimate enough. So I rewrote the book in the first-person POV of that same character. It was an improvement, but I still wasn’t satisfied. Something was missing.

Eventually, I understood that the book wanted a narrator with a modern voice and contemporary sensibilities, because that’s how the tale would best resonate with readers. So I re-wrote it again, and that’s how Ripped Away became a time-travel fantasy.

When I think about how different the book would be if told from yet a different viewpoint—that of another character, or several other characters, or even an omniscient narrator—I see that Ripped Away could have been many stories. It took time and effort to discover the best POV for the story I wanted to tell, and it was well worth the investment. If students get the chance to experiment with viewpoint through the POV flip exercise, I think it will help them choose the right POV when they do create their own original text.

The flip activity keys students into POV in their reading. You can’t play around with viewpoint in your writing without it seeping into your awareness of what you read. I know several readers who actually use POV as a guide to selecting their leisure reading. Some insist on female first-person POV, others on third-person limited, yet others on multiple points of view. My own daughter goes for first-person stories that are told from the distance of time—an older adult looking back on his or her youth. I, for one, am drawn to the first-person peripheral narrator, like The Great Gatsby’s Nick Carraway. Throw in a dash of unreliability, and I’m hooked. I also like books that skillfully mix it up—part first-person, part third-person, and a sprinkling of second-person for added intensity.

So who knows? Maybe we can get kids to read more by guiding them to stories with the POV they prefer. And kids who read more—anyone who reads more—will be a better writer for it.

Coming February, 2022

About the Book: Ripped Away is based on the real experiences of Jewish immigrants to London during the Jack the Ripper spree, when xenophobia ran high.

In the story, a fortune teller reveals that classmates Abe and Mitzy may be able to save someone’s life…and then she sweeps them to the slums of Victorian London in the middle of the Jack the Ripper spree. To get back home, they’ll have to figure out how the fortune teller’s prophecy is connected to one of history’s most notorious criminal cases. They’ll also have to survive the outpouring of hate toward Jewish refugees that the Ripper murders triggered.

Vernick’s purpose in writing Ripped Away is to illuminate this episode in history, as well as to inspire readers to contemplate possible responses to intolerance. National Jewish Book Award-winning author Anne Blankman calls Ripped Away “an engrossing adventure. From the moment Abe and Mitzy are swept back in time to the infamous Jack the Ripper, readers will clamor to find out what happens next.”

Book Trailer: 

About the Author: Shirley Reva Vernick is the author of four novels for young readers. The Blood Lie is an American Library Association Best Fiction for Young Readers pick and a Sydney Taylor Book Award honoree. Remember  Dippy won the Dolly Gray Literature Award from the Council for Exceptional Children. The Black Butterfly is a Junior Library Guild selection. Ripped Away will be released February 8, 2022 by Regal House Publishing.

Shirley is a graduate of Cornell University and an alumna of the Radcliffe Writing Seminars. When not creating stories, she mentors incarcerated individuals with their writing via the Prisoner Express program.

Please see www.shirleyrevavernick.com for more.

Thank you, Shirley, for your wonderful creative writing activity and for sharing your book–we cannot wait until it is published!

Author Guest Post: “Tech Timeout, a Playwriting Lesson” by Joy Jones, Author of Jayla Jumps In

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“Tech Timeout, a Playwriting Lesson”

An irritated parent accosted me in the parking lot. “Don’t make my son do that assignment,” she pleaded.

Some years ago I taught playwriting to middle schoolers. The class was an elective so all of them had chosen to be there. Yet when it came time to start writing, all I heard was “I can’t think of anything.” or “I don’t have any ideas.”

That’s when I came up with an idea to help them come up with ideas. Prior to beginning the playwriting process, their homework was to ‘Just say no.’ to electronic entertainment. No broadcast or cable television viewing. No computer games or internet browsing. However, using the computer for responding to email, using the internet for teacher-assigned projects and attending movies or plays at a theater were permitted. (This was before cell phones became so pervasive.) And that’s why this mother grabbed me in the parking lot. “You’re punishing the whole family,” she said. “To prevent him from doing it, we have to not do it, too.”

This mother was a lady I liked. She knew I was an author and had aspirations for writing fiction herself but hadn’t gotten around to it. Life in the big city keeps you pretty busy, after all. I would try to encourage her to sit down and write but somehow her schedule would never allow for it.

Despite her impassioned objections to the no TV, no internet rule, I held firm. The assignment required students to abstain for four consecutive days. They could use the computer for homework in other classes, but not for fun. Parents had to sign a sheet documenting that their children had complied. I also sent home a list of things they could do besides watch television or play video games. Among the things I suggested: practice a musical instrument, go to a friend’s house, ride a bicycle, fix that thing that’s been broken forever, sort out a closet, play outdoors. The first item on the list was: start writing your play.

After the experiment, they also had to write about the experience. Some of their comments:

It was okay living without TV. I dont really watch a lot of television anyway, except on weekends. I went outside for bike rides, went for some ice cream, and played sports…   I also read a lot, and wrote e-mails, letters, essays and poems.  —Alicia K.

It was a nightmare going without TV… I thought I was going to die. Living without TV for four days was not as bad as I thought it was but it was still a little boring. Life went on and I and everybody around me lived.This might sound a little abnormal but I held it in. The temptation was there… I mean once in awhile I felt like getting up and turning on the TV.  —Colby J.

Going without [technology] was not hard. It was actually kind of fun. I got all of my homework done (that is not usual.) I was able to read a book and enjoyed it. I had free time to myself. I was able to work on all my projects and turn them in on time. —Jamela S.

After this period of abstinence, students ‘magically’ had great story ideas to put down on paper. It was easier for them to get their plays underway. Emptying their minds of electronic clutter seeded and strengthened their imaginations.

Although I, too, am guilty of spending too much time bouncing between You Tube and the boob tube, sometimes I actually act on my own advice.

I distinctly remember an occasion when I jumped in the car and reflexively reached for the radio. But before my hand could make contact with the tuner, that still, small voice said “No.”

I stifled the urge to fill the car with noise and stayed silent. As I drove in the quiet, I began thinking about my MG novel JAYLA JUMPS IN, which was still in progress. As I mused about my plot, I was able to work out several scenes. Being willing to put the tech in check enhanced my creative process.

Julia Cameron, creativity guru and author of THE ARTIST’S WAY, calls this practice ‘media deprivation’ when you deliberately call a time-out from consuming all forms of artificial amusement to give your brain a re-set.

Not long after the assignment to temporarily go screen-free so that her son could write a play, that same mom stopped me again in the parking lot. This time she wasn’t angry, she was bubbling over with excitement. “Guess what!” she said. “I finally started my short story!”

Would your students benefit from a technology break?

Would you?

Jayla Jumps In
Author: Joy Jones
Published September 1st, 2020 by Albert Whitman & Company
Paperback releasing Fall, 2021

About the Book: When eleven-year-old Jayla finds out that her mother used to be a Double Dutch champion, she’s stunned. Her mom, who’s on doctor’s orders to lower her blood pressure, could move like that?!? Jayla decides to follow in her mom’s footsteps, thinking that maybe double Dutch can make her stand out in her big, quirky family. As she puts together a team at school and prepares to compete, Jayla finds that Double Dutch is about a lot more than jumping rope–and it just might change her life in ways she never imagined. Full of hilarious family dynamics and plenty of jump rope action, Jayla Jumps In follows one girl’s quest to get her mom healthy and find her place in her community.

Positive review by School Library Journal
STARRED review by Booklist

About the Author: Joy Jones is an author, trainer, and playwright.  Her play, Outdoor Recess, won the Promising Playwrights’ Competition by the Colonial Players in Annapolis, MD. Among her children’s books are the acclaimed picture book, Tambourine Moon, and Fearless Public Speakinga how-to for teens. Her newest bookJayla Jumps In, an MG novel, will be released in paperback Fall, 2021.Jayla Jumps In was inspired by the multi-generational double Dutch program she founded, DC Retro Jumpers. Visit her on the web at: http://www.joyjonesonline.com.

Kindly, Joy Jones has offered readers of Unleashing Readers a gift!

If they enter this code on my website, they can download these free ebooks:

For kids – the Jayla Jumps In Activity Book – http://joyjonesonline.com/freebies/ In order to complete the download, they need to enter the code  895$230

For adults – Not Everybody Likes to Exercise, But Everybody Likes to Play –  http://joyjonesonline.com/freebies/. In order to complete the download, they need to enter the code 248#795.

Thank you, Joy, for this awesome activity and for your generous gifts! We are thankful for you!

Author Guest Post: “Spread Hope and Optimism with STEM Picture Books” by Linda Zajac, Author of Robo-Motion: Robots That Move Like Animals

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“Spread Hope and Optimism with STEM Picture Books”

Last year was a challenging year for children. The pandemic disrupted familiar routines associated with school, play, and family life. Kids were thrust into a world with masks, Zoom, and isolation that have taken a toll on their social, emotional, and academic well-being. While news outlets reported grim statistics, students struggled to focus. For some families, basic needs like food and shelter were challenges. Mental-health related visits to pediatric emergency departments increased 24 percent for children aged 5–11 from mid-March 2020 to October 2020.

When the situation seems insurmountable, it’s hope and optimism that help us deal with the stress. Researchers from the University of Minnesota and the National and Kapodistrian University of Athens, Greece studied the qualities that make kids resilient to disasters like pandemics. They wrote that hope and optimism in families, schools, and communities contribute to resiliency.

In these extraordinary times, hope and optimism can brighten a world that seems dark. They can temper feelings of anger, worry, loneliness, anxiety, and despair. Hope and optimism in STEM books can educate, illuminate, and inspire while shining a light on science.

In STEM books, hope is a promising discovery, a new method, a novel solution, or an advancement in technology that benefits society. In addition to educating readers, STEM books with visions of a better tomorrow inspire them. In a time of rising seas, raging covid variants, and racist tensions, hopeful books can help a child cope and inspire them to action.

They are many benefits in giving kids hope. Hopeful children have better health and less anxiety. Studies show hope improves academic and athletic performance. It builds resilience and lessens stress in challenging times. Hope can motivate a child to take action towards a long-term goal.

In my book, Robo-Motion: Robots That Move Like Animals, (Millbrook, 9/7/2021) the design team at Millbrook Press took my words and made them richer by surrounding them with color, intrigue, and hope. On each spread, in strikingly similar poses, animals are paired with the robots that mimic their motion,. Robo-Motion, a book about biomimicry, has action verbs on every page. Like animals in the wild, robots in the lab skitter, scuttle, grip, and glide. If we could move like animals, we could jump without getting tired, squeeze into tight spaces, and climb up glass. By building robots that mimic animal motion, we can move like them. Robo-Motion is a hopeful book about how robots can benefit society. A portion of the proceeds will be donated to charity.

With the following exercises, you can use Robo-Motion to boost hope and optimism in your classroom:

EXERCISE 1 – Gratitude

Ask children to pick the robot they are most thankful for. Have them write down the robot name and why they picked it.

EXERCISE 2 – Boost optimism

Have children close their eyes and spend some time thinking about the robot they picked. Ask them to imagine a scene where the robot is doing its job. The robot could be saving a life, cutting costs, gathering information, or making work more efficient.  Have them imagine that everything works out for the best.

EXERCISE 3 – Writing skills

Ask children to write an optimistic story about the robot they picked and how it helped society.

EXERCISE 4  – Spread optimism

Ask children to share their optimistic stories with the class.

You can also bring hope and optimism into your classroom with these recent STEM nonfiction picture books:

  • Crossings by Katy Duffield (Beach Lane, 2020) is a unique STEM book about structures built to protect wildlife from traffic. Although the vehicles that make crossings dangerous for animals are never mentioned in the main text, they appear in nearly all the illustrations. The book takes a fascinating look at manmade structures created to help various animals avoid traffic in the United States and abroad. The common thread is the desire to help wildlife and the hope that they will survive and flourish.
  • The Brilliant Deep by Kate Messner (Chronicle, 2018) is another book with a hopeful message. First, readers meet Ken Nedimyer, a diver. Then, in a wordless full-page spread, readers see the effect of one hotter-than-normal summer—bleached coral. Nedimyer and the Coral Restoration Foundation are farming corals and transplanting them to restore reefs. They’ve planted thousands of coral stalks off the Florida Keys and they’re working with other countries to help their threatened reefs. The book gives readers hope something can be done to regenerate corals damaged by warming ocean waters from climate change.
  • Mario and the Hole in the Sky by Elizabeth Rusch (Charlesbridge, 2019) is a story about Mario Molina discovering and helping to solve a global problem. In the 1980s, scientists discovered a huge hole in the ozone layer over Antarctica. When countries came together and agreed to stop making the CFC’s that were in everything from aerosols to air conditioners, the ozone layer began to recover. By comparing the ozone problem with climate change, readers see that by working together countries can solve global problems. We’ve done it before, we can do it again.
  • A leaking oil pipeline can wreak havoc on the environment. In We Are Water Protectors by Carole Lindstrom (Roaring Brook, 2020), the Ojibwe tribe fights to protect the ecosystem. A black snake symbolizes the oil pipeline that’s never mentioned in the text. The last page gives readers the opportunity to sign a pledge to protect the Earth. With gorgeous illustrations, this book is a rallying cry to action. It leaves the reader feeling hopeful that the tribe, along with others, will not give up their fight to protect water, land, plants, and animals.

STEM books with hope and optimism have power. They can broaden a child’s horizons, expand a child’s mind, and brighten a child’s world. In Emily Dickinson’s poetry collection, hope is the thing with feathers. In a post-pandemic classroom, hope is the thing with pages.

Resources:

Published September 7th, 2021 by Millbrook Press

About the Book: Like animals in the wild, robots in the lab skitter, scuttle, grip, and glide. In this STEAM title about biomimicry, crisp color photographs of animals are paired with the robots that mimic their motion. Action verbs and literary devices introduce each animal on the left, while details about each robot and its purpose grace the opposite page. This nonfiction picture book is a hopeful look at how robots can benefit society. Back matter includes a glossary and information about biomimicry. The book will appeal to young readers interested in animals, engineering, technology, and science. A portion of the proceeds will be donated to charity.

About the Author: Linda Zajac is an award-winning science writer. She’s a former computer programmer, systems analyst, and consultant who would have jumped at the chance to program a robot. Linda writes about cutting-edge science, technology, and biotechnology and how they’re used to save wildlife, advance medicine, and protect the environment. Linda is a Tassy Walden winner and a recipient of the PEN New England Susan P. Bloom Children’s Book Discovery Award. Her published works include six Minecraft books for kids along with many magazine articles in Highlights, MUSE, ChemMatters, and more. Robo-Motion: Robots That Move like Animals was published September 7, 2021 by Millbrook Press.

Thank you, Linda, for this post focusing on the social and emotional learning our students need to do in addition to academic and a way to combine the two!

Author Guest Post: “The Case for Graphic Novels and Chapter Books” by Dusti Bowling, Author of Aven Green Baking Machine

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“The Case for Graphic Novels and Chapter Books”

I have always been a huge reader. At some point during third grade, I discovered my love of stories and have never looked back. Third grade through sixth grade was such a formative time for me as I developed this lifelong love of reading, and some of the books I enjoyed the most were comic books or shorter stories with illustrations. I gobbled up as many Archie comics as I could, read all of The Far Side by Gary Larson, and shuddered in fear at the creepy illustrations in Scary Stories to Tell in the Dark. I honestly couldn’t tell you if I’d be the reader and writer I am today without books like these, and now that my own children are of reading ages, I’ve actively encouraged them to read anything and everything they enjoy. Yes, that has meant a lot of graphic novels and illustrated books. It has also meant them reading the same books over and over and over again, just as I did when I was a kid.

The first thing my ten year old fell in love with was Diary of a Wimpy Kid. She was five when she picked up the first book, and I still remember her coming to me every minute or so to ask me to explain a word. Then she’d read the story again and come to me maybe every couple of minutes. Then she’d read it again. And again. After she’d read that first book probably about a dozen times, she no longer had to ask me to explain any of the words. It was through this rereading of the same book that she developed great reading fluency, confidence, and comprehension skills, and I’m very grateful to Jeff Kinney for teaching her how to read. Would she have naturally gone through this same process on her own with a book without pictures? Without the silly jokes and goofy humor that kept her so engaged? I doubt it.

Being homeschoolers, we’ve spent a lot of time at the library, and my ten year old has always gravitated toward the graphic novel section. We would frequently come home with stacks of graphic novels nearly as tall as she was, and she would read every single one of them. I would make a lot of recommendations, try to introduce her to other styles of books, play longer audiobooks for her, and suggest we try reading new books together, but all she wanted were graphic novels all the time, so I didn’t push it. She loved to read, and I never wanted to interfere with that in any way. After all, her love of reading has always been the end goal.

Then something interesting began happening after a few years of nonstop graphic novels—she decided on her own to try a great big book without illustrations called Wings of Fire, which she found in a little free library at a park. Did she get through it and enjoy it? Let’s just say she’s eagerly anticipating book fifteen right now. Would she have gotten to the point in her love of reading that she’d be willing to read fourteen lengthy books if I hadn’t always allowed her to read and reread the graphic novels she adores so much? Again, I doubt it.

Now that my six year old is reading, she loves my Aven Green chapter books. She brings the books to me over and over for help with the words and to show me the illustrations so we can laugh together (she seems to think I’ve never seen them before). She also loves Junie B. Jones, Puppy Place, Wedgie and Gizmo, and many other chapter books with illustrations. I know one day soon, she’ll probably also fall in love with graphic novels. She’ll probably want to read the same books over and over again (actually she already does that). And then, eventually, she’ll probably also be ready to pick up longer books. When that happens, I’ll be ready for it every step of the way.

Expected publication: August 17th, 2021 by Sterling Children’s Books

About the Book: Aven Green Baking Machine is the sequel to Aven Green Sleuthing Machine which Kellee reviewed in April.

Aven is an expert baker of cakes and cookies. She’s been baking with her mom for a really long time. Since she was born without arms, Aven cracks eggs and measures sugar and flour with her feet. Now, she has her eye on the prize: a beautiful blue ribbon for baking at the county fair. So she teams up with her friends Kayla, Emily, and Sujata. But It turns out they all have very different tastes and a lot of opinions about baking. Talk about a recipe for disaster!

About the Author: Dusti Bowling grew up in Scottsdale, Arizona, where, as her family will tell you, she always had her nose in a book. She released her first middle grade novel in 2017 and hasn’t stopped writing since.

Dusti’s books have won the Reading the West Award, the Sakura Medal, a Golden Kite Honor, the William Allen White Children’s Book Award, and have been nominated for a Cybil and over thirty state awards. Her books are Junior Library Guild Gold Standard Selections and have been named best books of the year by the Chicago Public Library, Kirkus, Bank Street College of Education, A Mighty Girl, Shelf Awareness, and many more. Dusti currently lives in New River, Arizona with her husband, three daughters, a dozen tarantulas, a gopher snake named Burrito, a king snake name Death Noodle, and a cockatiel named Gandalf the Grey.

Thank you, Dusti, for this post that we definitely agree with! Like you said, “ove of reading has always been the end goal!”

Author Guest Post: “Using Anthologies to Teach Writing” by Rochelle Melander, Author of Mightier than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World Through Writing

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“Using Anthologies to Teach Writing”

When I was growing up, our family had an Anthology of Children’s Literature. (No doubt one of my mom’s college textbooks!) Even though we regularly checked out books from the library, I spent a lot of time browsing through that book. I loved that I could find stories from all over the world. In that volume, I discovered new tongue twisters, Lewis Carroll’s “Jabberwocky,” and James Weldon Johnson’s “The Creation.”

Today, biographical anthologies have become popular in the children’s literature market. You can find anthologies on a wide range of topics like sports, science, technology, math, and more. They provide young people with an easy way to access stories about people who overcame obstacles to achieve success.

Because anthologies collect the stories of people around a theme, they offer many ways for readers to engage with the stories. Readers can take a treasure hunt through the essays in search for someone that interests them. Students might seek someone who:

+Champions a cause that matters to them.

+Overcame difficulties in school.

+Plays their favorite sport.

+Works in a career that interests them.

+Did something brave.

But how do you get young people to engage with these stories? When I wrote Mightier Than the Sword, an anthology of stories about people who used their words to change the world, I chose people from many disciplines because I wanted young people to see that many people write, not just storytellers. I added interactive writing exercises so that young people could write to change their own worlds.

I’ve been an artist educator since 2001, teaching in classrooms, libraries, and museums. I often use mentor texts and anthologies to engage young people in learning history and inspire their writing. Here are three writing exercises—and an art exercise—I use with historical texts:

Writing Exercise #1: Social Media Profile

Sei Shonagon (965-1010) captured court life in her writing, a genre known as zuihitsu that combined lists, advice on conversation and letter writing, observations about events, and suggestions on how priests should preach and dress. Had Sei Shonagon lived today, she might have developed a social sharing site like Instagram or Twitter.

Try this: Invite students to create a social media profile and several posts for the person they’ve chosen. This will especially fun when working with historical people. Maybe George Orwell would write a status update like: “Big brother? This whole platform is sus.”

Note: You can use any social media site that your students can relate to. There are several kid-friendly social media sites that might work, like GromSocial and PopJam.

Writing Exercise #2: Protest Song

The Afghan rapper and activist Sonita Alizadeh was angry about her parents’ plan to sell her into marriage, partly to help raise money to purchase a bride for her brother. To protest this, she wrote and performed the song “Brides for Sale” and posted it on YouTube. Alizadeh’s song saved her from an arranged marriage and paved the way for her to go to school.

Try this: Invite students to write a protest song for a cause that they care about.

Writing Exercise #3: Letter Campaign

Young Sophie Cruz wrote a letter to the Pope, asking him to fight for the rights of immigrants in the United States. Martin Luther King, Jr. wrote “Letter from a Birmingham Jail” to protest the advice to “wait” for justice. His letter became a sermon and then was published in newspapers and magazines across the country.

Try this. Ask students to write a letter to encourage change. Perhaps several students will want to create a letter-writing campaign to challenge an organization, government agency, or a government official.

Bonus Exercise: Protest Art!

To protest the lack of women’s works of art at the Metropolitan Museum of Art in New York City, the Guerilla Girls plastered posters on New York City buses asking: “Does a woman have to be naked to get into the Met. Museum?” The poster featured a reproduction of the nude in Jean-Auguste-Dominique Ingres’ La Grande Odalisque, with her face hidden by the group’s signature gorilla mask. The poster educated readers on the statistics: “Less than 5 percent of the artists in the Modern Art Sections are women, but 85 percent of the nudes are female.”

Try this: Invite students to create an art poster or social media meme to support their favorite cause.

Choosing Anthologies

The library is full of many kinds of anthologies on a wide range of topics like sports, science, technology, math, and more. Check out a big stack and let your students browse. The more they read, the better chance they will have of finding a role model who matters to them.

Published July 27th, 2021 by Beaming Books

About the Book: Mightier Than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World through Writing is a middle grade social justice book that tells the stories of historical and contemporary writers, activists, scientists, and leaders who used writing to make a difference in their lives and the world. The stories are accompanied by writing and creative exercises to help readers discover how they can use writing to explore ideas and ask for change. Sidebars explore types of writing, fun facts, and further resources.

Download the free activity pack: https://ms.beamingbooks.com/downloads/Activity_Packet_MightierThanTheSword.pdf

About the Author: Rochelle Melander wrote her first book at seven and has published 11 books for adults. Mightier Than the Sword: Rebels, Reformers, and Revolutionaries Who Changed the World through Writing is her debut book for children. She’s a professional certified coach, an artist educator and the founder of Dream Keepers, a writing workshop for young people. She lives in Milwaukee, Wisconsin with her husband, children, and two dogs. Visit her online at writenowcoach.com or rochellemelander.com

Thank you, Rochelle, for your book and for this incredible post with such useful classroom ideas! 

Don’t miss out on other stops on the Mightier than the Sword Blog Tour!

Author Guest Post: “7 Ways to Get Your Child Who Reads Less Frequently to Read More” by Paul Lonardo, Author of The Goblin Pitcher

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“7 Ways to Get Your Child Who Reads Less Frequently to Read More”

1.  LEAD BY EXAMPLE

If your children see you reading, they will be more inclined to read themselves, especially if they see that you are genuinely engrossed in a book and will to share your experience by talking about what you are reading and expressing to them what it is about the story or subject that fascinates you. By explaining what you like about a particular story, whether it is the mood, the setting, or an interesting plotline or character, in essence you are encouraging them to pick up a book without having to force them to read. Plenty of studies have shown that forcing students to read something that they have little interest in is likely to result in students not reading books at all. The enthusiasm that you show for a book alone could spark a child’s interest, if not in the same book you’re reading, then perhaps in a different one. But it is not a bad idea to read books yourself that are written for the age of your child. You might even be pleasantly surprised how well-written and entertaining many young adult, middle grade, and even children’s book are for any age reader.

2. THE BROCCOLI PRINCIPLE

Similar to foods children don’t like to eat, like broccoli, or whatever vegetable it might be, the best way to get them to eat it is by giving them small portions. It makes sense. You can’t put a plateful of broccoli in front of them and expect that they are going to eat all of it. Whatever they eat will be better than nothing, so give them a small portion to start off. Even a little bit will benefit them. Take the same approach with reading. Set aside some time every day for reading. Keep in mind, it doesn’t have to be a significant amount of time. However long it might be, five minutes, ten, fifteen, it is better than nothing. It’s a starting place, and it can only grow from there. You may be surprised what even this minimal effort will accomplish over time. Maybe it’s just a chapter at night, but after a few weeks, or a month, if a book really takes root with your child’s imagination, they may want to read multiple chapters each day to find out what will happen next, and before you know it, fifteen minutes a day could quickly extend to twenty minutes, twenty-five, or more on certain days. And that is something you have to look at as a victory.

3. CHOSE BOOKS WITH A SUBJECT MATTER THAT INTERESTS THEM

This may be obvious, but it’s really important. Everybody has an interest or two, and you know your child better than anyone. Find out what they are into. Whether it is a nature, animals or magic, plots in stories involve a wide variety of subjects and interests. It doesn’t even have to be fiction. A nonfiction book that become an enjoyable experience achieves the goal you are seeking, which in this case is getting your child to go from not reading at all to reading something on a regular basis.

When my son was younger, it was a challenge to get him to read anything that wasn’t required. For me, as a writer, this was a real dilemma. Like any parent in this situation, I had to find ways to get him to read more. I knew the two things he liked more than anything was baseball and creepy stories, anything in the Goosebumps and Scooby-Doo vein. My new novel, THE GOBLIN PITCHER, is a kids’ book that I wrote with him in mind. Hopefully, it will be of interest to other finicky readers.

4. VISIT LIBRARIES AND BOOKSTORES

Visit as many as you can, chain and independents alike. Finding topics that your child is interested will be a cinch if you show them that there are ample books on whatever subjects that matter most to them. Seeing shelf after shelf spreading out in all directions might just be a source of inspiration, showing your child how books are revered, old and new titles alike. Watch them explore and see what sections they gravitate to. The library/bookstore experience is made easier these days with the children-friendly themes and attractions you are likely to find inside as well as outside, where there is often a playground. For the parents, coffee is usually available because it could turn into a long afternoon. But it is well worth it if your child finds a hidden treasure to take home.

5.  START SMALL

Lengthy books can be intimidating and a turn off for young people who do not read a lot. Start with chapter books or short novels. It doesn’t matter if they read one long book or a couple of shorter works. It tends to be easier to draw beginning readers into narratives of shorter stories. Everything happens faster, and there are few if any subplots to detract from the main action, which was why they chose the book to begin with.

When I began writing, I eased into it by writing short stories. This is not something all writers do, of course, but for me it was easier than jumping into writing a full-length book my first time out. Graphic novels are a great way to introduce young readers to books. They are illustrated, but there are story lines and plots to follow just as there are in traditional novels.

6. BASED ON A NOVEL
Take your child to the movies. Yes, that’s right, the movies. Whether in the theater or at home, on Netflix, or whatever platform you prefer. Pick a movie that your child likes and has seen before, or one you know they will enjoy. The only thing you must do is make sure the movie was based on a book, the more popular the better, and preferably one that can be enjoyed at any age, such as The Wizard of Oz, Cloudy with a Chance of Meatballs, Willy Wonk and the Chocolate Factory, or Lemony Snicket’s A Series Of Unfortunate Events. There is bound to be a movie or two they have seen that they did not know had been a book first. If your child liked to film, it might just be enough to get them to seek out the original source to learn even more about the characters and storylines that did not make it into the film.

7. READ, READ AGAIN

It’s okay to read the same book twice, or even multiple times. If a child enjoys a book, there’s nothing wrong with them reading it as many times as they want. It’s all about reading and enjoyment. In rereading the story, they are liable to discover things about their favorite characters and the story that they did not know before, and they might end up seeking out another book by the author. And today, with so many books that are part of a series, odds are there are other adventures with the same characters that they can follow.

These are my humble suggestions to get young people interesting in books. You might have some other ways, but whatever it takes to ease children onto that road to discovery and fascination, you will be initiating an experience that they will enjoy for a lifetime.

The Goblin Pitcher
Author: Paul Lonardo
Published April 11, 2021 by PL Publishing

About the Book: The one thing eleven-year-old Jake Lupo loves more than anything else is baseball. However, despite his father being a professional pitcher, Jake’s fear of failing has kept him from competing against children his own age. When his father, who has recovered from a serious arm injury, is invited to pitch for an independent team, Jake and his parents move to Pine Barrows, a far flung forested mountain outpost. Jake is excited about his father’s chance at a comeback, but he soon learns that he is not the only one in Pine Barrows who loves baseball. Goblins love to play baseball, too, and Pine Barrows happens to be chock full of them. Then Jake discovers that the region is occupied by two factions of warring goblins.

Seeking to take control of the goblin kingdom, the leader of the evil goblins kidnaps Jake’s mother and bans baseball, a game which itself is a natural source of power for the goblins.

It turns out that Jake has a secret kinship with the legendary beings, and he is the only one who can save them, their kingdom and his mother. However, Jake must believe in himself and play a winner-take-all game against the best goblin players in Pine Barrows.

About the Author: While this is my first book for young people, I have authored both fiction and nonfiction books in a variety of genres, from true crime to romance. As a freelance writer, I often collaborate with people to help them write and publish their biographies, memoirs, or to tell of a particularly compelling personal experience.

I studied filmmaking / screenwriting at Columbia College – Hollywood. I earned an A.S. (Mortuary Science) from Mount Ida College and a B.A. (English) from the University of Rhode Island.

I live in Lincoln, RI with my wife and son.

Thank you, Paul, for sharing strategies to encourage kids to read more!