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Author Guest Post: “Unveiling Memories and Creativity” by Will Hillenbrand, Author of Voices in the Hollow

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“Unveiling Memories and Creativity”

I invite you to join me on a deeply personal journey into the heart of my childhood memories through the pages of The Voice in the Hollow. Here, I’ll share how this narrative became a cherished part of my life and shaped my understanding of memory, creativity, and the power of sharing our most cherished stories.

Retracing my steps

The Voice in the Hollow is more than just a book; it’s a portal to my past. I’m transported back to the footpath of the Old Hollow, a place that once held so much mystery and wonder for me. It’s a story that captures the essence of my childhood.

Recreating Childhood Experiences

One of the most exciting aspects of crafting The Voice in the Hollow was the opportunity to recreate the sensory experiences that defined that unforgettable adventure. The scent of mothballs in the frozen air, the crunch of snow underfoot, the chill that sent shivers down my spine – these details were not just written words but memories brought to life.

As I wrote and illustrated, I was determined to make readers feel right there with me, stepping in my footprints through the snow, experiencing the same wonder and mystery that captivated me many years ago. This journey was not just about storytelling but about sharing a piece of my soul.

Guarding My Treasure

For decades, The Voice in the Hollow remained a secret, known only to me. It was a mystery I kept hidden, waiting and wondering if I should ever share it with the world. I always felt a deep connection to this story. When I reached middle age, I made, with great care, the decision to retell it to my wife. This retelling unlocked a more profound passage into the story’s mystery. Still, I wondered how I could adequately visualize this for young readers.

Peeling Back the Layers of Creativity

Now, let’s dive into the creative process behind this narrative. Crafting a story like The Voice in the Hollow is not just about putting words on paper; it’s about building a world, populating it with characters like Hubert Cumberbun, and weaving emotions into the fabric of the narrative and landscape.

I wanted to create a story that resonated with readers and inspired them to explore their VOICE as a storyteller (as Hubert has) and the acceptance of mystery as an essential fabric of our lives.

Illustrations: Adding Depth to the Narrative

One of the most exciting aspects of The Voice in the Hollow is the collaboration between storytelling and illustration. The visuals in the book aren’t just there for decoration; they are an integral part of the storytelling experience. Each illustration is a brushstroke in the canvas of memory, capturing the essence of the narrative and offering readers a visual connection to the story’s world.

As an author/ illustrator, I could blur the lines between words and pictures. I don’t understand it; I can’t describe it, yet another mystery—the magic of the picture book.

Memory and Transformation

At its core, The Voice in the Hollow explores the profound connections between memory, creativity, and transformation. It’s a story that reminds us of the enduring influence of childhood experiences on our adult lives. The adventures and encounters of our youth continue to shape our choices and perspectives, no matter how many years have passed.

By sharing this story, I inspire others to reflect on their childhood memories and find THE VOICE for the stories that have shaped them. Our past experiences can influence our present and future, no matter how distant.

In Conclusion

As you journey into the heart of “The Voice in the Hollow,” I want to express my gratitude for allowing me to share this deeply personal narrative with you. It’s a story that has been guarded and cherished for decades, and I’m thrilled to bring it into print finally.

My story behind this story has given you a glimpse into the world of memory, creativity, and storytelling. May it inspire you to explore your memories and creative passions and appreciate the stories that have shaped your life. “The Voice in the Hollow” is a testament to the enduring power of childhood experiences and the transformative potential of sharing our most cherished stories. Thank you for joining me on the Hollow, and I look forward to sharing more stories with you in the future.

Published October 3rd, 2023 by Holiday House

About the Book: A young mouse’s shortcut home turns into a fantastical journey guided by a mysterious guardian in this wintery tale with a breath-taking double gatefold surprise.

When a blizzard closes the library early, Hubert decides to take a shortcut home through the spooky Hollow. Just as Hubert is gathering his nerve to press on, another mouse appears and offers to take his hand.

Together they journey through the snow, an ominous forest, over fallen trees traversing ravines, and over the mountains. Hidden in the terrain are scenes that evoke myths of the origins of Earth’s mysterious features and nature’s erratic behavior. In a stunning double gatefold sleeping bears spring to life, setting off a landslide and sending Hubert and his guardian running.

Just as Hubert is reaching his destination he turns to find his guide gone. Hubert races home to tell his family about his wild adventure through the Hollow.

In this winter tale, with a sparse text  Will Hillenbrand crafts a new family favorite for settling down on snowy nights.

A Kirkus Reviews Best Picture Book of the Year

Thank you, Will, for taking us on this journey and giving us insight into your process that we can share with our readers!

Author Guest Post: “3 Activities to Help Children Meet Challenges Successfully” by Elizabeth Godley, Author of Rock, Scissors, Paperbag

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“3 Activities to Help Children Meet Challenges Successfully”

As children grow, they will face many challenges. Some of these challenges will be small, like learning to tie their shoes, while others will be larger, like making new friends or dealing with a bully. It is important for kids to learn how to meet challenges successfully so that they can overcome them and grow as individuals.

Activity 1: Brainstorming Challenges

The first activity is to brainstorm a list of challenges that children might face. This can be done as a whole class activity or in small groups. Once the list is complete, have students share their thoughts on how they might meet each challenge.

Activity 2: Role-Playing

The second activity is to role-play different challenges. This can be done in small groups or as a whole class. Have your students choose a challenge from the list and act out how they might meet it. After each role-play, have the group discuss what went well and what could be improved.

Activity 3: Journaling

The third activity is to journal about challenges. Have your students write about a challenge they have faced and how they met it. Encourage them to be honest about their feelings and to reflect on what they learned from the experience.

These are just a few ideas for activities that can help children learn how to meet challenges successfully. By providing our students with opportunities to practice and reflect, we can help them develop the skills they need to overcome any challenge they may face.

Published November 8th, 2023 by Nobody’s Banana Publishing

About the Book: Rock, Scissors, and Paperbag are the bestest of friends! Paperbag is afraid of everything, Rock is a talented musician, and Scissors is an excellent Orange Ball player. After the school bullies, The Bucket Kids, steal Scissors’ fake orange-ball, the kids decide to get back at the bullies. What if they could get a real orange-ball from The Great Orange Tree? That would show The Bucket Kids!

Recalling the local magical legend, they embark on a fantastic adventure to find The Great Orange Tree. However, while solving the riddle within the ancient map, they encounter a cave monster, a tornado of rapping cooties, and the horrid Land of Smells. How will they face each challenge? Will they end up back home? Will they get a real orange-ball? And if they do, will they share it?

Throughout their adventure, Rock gains confidence, Paperbag conquers his fears, and Scissors makes peace with being imperfect. Best Buds!

Winner of the 2023 Speak Up Talk Radio International Firebird Book Award, Rock, Scissors, Paperbag is a spellbinding tale of friendship, fantasy, and adventure. A perfect book to be shared and treasured.

About the Author: Hi! I’m Elizabeth Godley. I have been working with children for almost 20 years as a teacher, caretaker, mentor, fairy, clown, and friend. I am a kid magnet. Seriously at school, I cannot walk across the playground without at least 3 kids saying “Hi, Ms. Godley!”, showing me a cool stick they found, and/or asking “Are you on TikTok?” This is my second children’s book and my first kid’s chapter book. Writing books for children is a long-held dream of mine! You are helping it become a reality.

Why do I write? I want to add joy to children’s lives in a way that makes them feel connected and not alone. Kids are so “plugged in” nowadays and isolated. That is why I wanted to write Rock, Scissors, Paperbag. I want to encourage kids to make friends, go on make-believe adventures, get dirty, stand up to the bully, accidentally scrape their knees, and make some innocent mischief. In. Real. Life. Technology is amazing, but it can’t beat the smell of a library book or the weight of a water balloon in your hand.

Thank you, Elizabeth, for giving educators these tools to help their students through challenges!

Author Guest Post: “The Powerful Nature of Graphic Memoirs” by Claire Lordon, Author of One in a Million

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“The Powerful Nature of Graphic Memoirs”

I think graphic memoirs are so powerful because not only are you reading a story but you can also visualize things as well. When I was thinking of creating my graphic memoir One in a Million there never was a doubt that it was going to be in graphic memoir format. I wanted to show what I went through. I knew I would have a hard time conveying what depression felt like in writing, but with my illustration background I sure knew how to show it.

Graphic memoirs are just that, memoirs that are created with graphics. While creating this book I first called it a “graphic novel memoir” just because I hadn’t heard the term graphic memoir, and because it gave people an idea that it would be similar to a graphic novel. The term “graphic novel memoir” always seemed like a misnomer because how can something be a novel and a memoir? It was only since Jarret J. Krosoczka’s Hey, Kiddo that I started hearing the term graphic memoir in use. It fit and since then I’ve heard many other books use that term too. I made sure that the term graphic memoir was on the cover of my book because I needed people to know that it’s a true story.

Since I started working on my book I have also learned about the term “graphic medicine”. This is a subgenre of comics, graphic novels, and graphic memoirs that depict or have themes relating to healthcare. One of the interesting ways graphic medicine is being used is in the medical humanities at medical schools. Medical students can gain an understanding of what a patient’s perspective may be.

The importance on memoirs, including graphic memoirs is that they give the reader an insight into another person’s life and perspective. This can help create compassion and empathy for others. My hope is that my book helps others that are going through something similar. I also hope that others gain some understanding of what being sick as a teen can entail (especially if someone looks “normal” on the outside). Everyone has a story to share. What will be yours?

Some of my favorite graphic memoirs:

  • Smile by Raina Telgemeier
  • Hey, Kiddo by Jarret J. Krosoczka
  • A First Time for Everything by Dan Santat
  • Parenthesis by Élodie Durand
  • Fun Home by Alison Bechdel
  • In Limbo by Deb JJ Lee

Writing prompt

Everyone has a story to tell.

Create a short comic about an event in your life. It could be as simple as to your morning routine today to a big life event. Don’t worry about your art skills. Stick figures will work (see xkcd.com).

Some prompts: What is the happiest memory you have? What is the saddest memory you have? What was your day like yesterday? Draw a comic of your most recent birthday.

Create a grid on paper could be 4×4 or more, depending on how long you want your story to be (some comics are even just a single panel! I encourage starting with a 4×4 so you can show time passing). You can work on creating your characters separately or you can just jump into creating. Draw your character(s) and make sure to leave room for the text (if needed). Remember in comics half the story is in the art. So if you want to show someone putting on their shoes you don’t need to state it in the text (ex. ”…and then I put on my shoes.”) We don’t need the text because we can see it. Happy creating!

Published October 10th, 2023 by Candlewick Press

About the Book: Debut graphic novelist Claire Lordon’s medical misfortunes may be one in a million in this relatable memoir, but so is her determination, grit, and passion to beat the odds and reclaim her life.

Something is wrong with Claire, but she doesn’t know what. Nobody does, not even her doctors. All she wants is to return to her happy and athletic teenage self. But her accumulating symptoms—chronic fatigue, pounding headaches, weight gain—hint that there’s something not right inside Claire’s body. Claire’s high school experience becomes filled with MRIs, visits to the Mayo Clinic, and multiple surgeries to remove a brain tumor. But even in her most difficult moments battling chronic illness, Claire manages to find solace in her family, her closest friends, and her art. A deeply personal and visually arresting memoir that draws on the author’s high school diaries and drawings, One in a Million is also a sophisticated portrayal of pain, depression, and fear that any teen or adult can relate to. With a sensitive preface and an author’s note connecting past to present, this true story of resilience strikes a moving balance between raw honesty in the face of medical and mental trauma and the everyday musings of a teenager.

About the Author: Claire Lordon is an author, illustrator, and designer who creates children’s books, comics, murals, maps, and greeting cards. She is the author-illustrator of Lorenzo, the Pizza-Loving Lobster, the Taking a Walk series, and other picture books. One in a Million is her first graphic novel. Claire Lordon lives in Vancouver, Canada.

Thank you, Claire, for these writing prompts to get our students creating!

Author Guest Post: “Cats vs. Dogs” by Paul Meisel, Author of Boom!

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“Cats versus Dogs in BOOM!”

Sometimes the simplest explanations are the best ones. In the case of my book Boom! the idea came to me because, in my experience as a dog and cat owner, this is how dogs and cats act in thunderstorms. Dogs that I’ve owned have always been terrified, while our cat was amused by the light show and the noise. When a thunderstorm came she would sit in a window and watch quietly, twitching her tail as the sky grew bright and the noise got louder. Our dogs, on the other hand, would find a bathtub or closet to hide in, and shake uncontrollably. Usually my wife or I would have to hold them until the storm passed.

BOOM! isn’t a book about fear per se. It’s more about how amusing cats and dogs can be. Cats have that air of supreme confidence, while dogs, especially in a thunderstorm, are anything but confident. The wide eyed expression of “make it stop” are what appealed to me when I drew the dog in BOOM! I often draw dogs with that crazed look that dogs make when they’re happy, sad, or scared. Dogs are so emotive. You can always tell how a dog is feeling by the expression on its face. Cats play it much closer to the vest. They’re good poker players.

BOOM! is the first I Like to Read Comics that I’ve created. I played with some of the conventions of comics with the use of the textured, lined walls. The oversized hand-drawn type is also reminiscent of traditional comic book style.

The dog in BOOM! became the superhero and made the storm go away because dogs tend to be eternal optimists. The dogs we’ve had always believed they could catch that squirrel, even after failing a thousand times. They always thought if they sat, they’d get another treat…and they were always right. They always thought if they pushed their nose into your hand they’d get that ear scratch, and they were always right. And they always thought if they barked, whined, and fussed long enough, they’d get to go outside, and they were always right. And so I believe, although petrified, dogs probably do think they can will a storm away!

Our cat didn’t really care about too much. Eating? Whatever. Playing? Maybe, if she felt like it. Purring in your lap? Actually, that was a no brainer! The cat in BOOM! is similar to our cat— she did things on her schedule, no matter what was happening, even a thunderstorm. You have to admire cats for being so “chill”.

I think children will enjoy talking about how the dog and the cat approach the storm differently. Along with a teacher or adult, children might enjoy comparing and contrasting the dog and the cat’s behavior. And I hope children also enjoy the resolution  and recognize their own superhero dog, if they have one.

As I get older, I am much more like the dog.

Published June 6th, 2023 by Holiday House

About the Book: BOOM! A funny story about a panicky dog, a nonchalant cat, and a loud thunderstorm.

This early graphic novel from two-time Theodor Seuss Geisel Honoree Paul Meisel is perfect for first graders learning to read on their own.

Dog and Cat are sleeping peacefully when–BOOM! A thunderstorm comes. While Cat is happy to spend the noisy night playing with toys, Dog frantically tries find the just the right hiding spot.

Easy-to-read text and energetic, cartoon-style artwork make for an accessible story filled with personality and visual humor. The recipient of two Theodor Seuss Geisel Honor Books, Paul Mesiel brings young readers on a silly, nighttime adventure.

Comics-lovers can now share the fun with their kids, students, siblings, and younger friends who are learning to read!

I Like to Read® Comics are perfect for kids who are challenged by or unengaged in reading, kids who love art, and the growing number of young comics fans. Filled with eye-catching art, humor, and terrific stories these comics provide unique reading experiences for growing minds.

I Like to Read® Comics, like their award-winning I Like to Read® counterpart, are created by celebrated artists and support reading comprehension to transform children into lifelong readers.

We hope that all new readers will say, “I like to read comics!”

About the Author: I SEE A CAT, a Holiday House I Like To Read book, was named a 2018 Theodor Seuss Geisel Honor Award winner by the Association for Library Service to Children (ALSC), a division of the American Library Association.  SEE ME RUN was a 2012 ALSC Theodor Seuss Geisel Honor winner. SEE ME DIG and SEE ME GO are two other books in the series. I SEE A BAT, another book in the I Like to Read series for new readers, is available now.

I’m the author/illustrator of a dozen books with more on the way. Here’s a link to a review in the New York Times Book Review of MY AWESOME SUMMER BY P. MANTIS (Holiday House).  AAAS/Subaru SB&F Prizes named MY AWESOME SUMMER BY P. MANTIS a 2018 finalist for best books of the year in the Children’s Science Picture Books category. MY HAPPY YEAR BY E. BLUEBIRD, MY STINKY SUMMER BY S. BUG, and MY TINY LIFE BY RUBY T. HUMMINGBIRD are three other titles in the Nature Diary series. YOU POOP HERE is a humorous and simple potty training book which I authored and illustrated, available also as a board book. BOOM! is a new Holiday House I Like to Read Comics book for emerging readers about a dog who’s scared of thunder and his cat friend who’s not.

I wrote and illustrated GOOD NIGHT, BAT! GOOD MORNING, SQUIRREL! and ANNA AND SAMIA: THE TRUE STORY OF SAVING A BLACK RHINO. I also illustrated DOGS LOVE CARS, written by Leda Schubert.

To date I have illustrated more than 90 books, including early readers, picture books, eight books in the HarperCollins Let’s-Read-And-Find-Out Science series (LIGHT IS ALL AROUND US, ENERGY MAKES THINGS HAPPEN, FORCES MAKE THINGS MOVE, and others), and a number of mass market books. Two chapter books written by my son, Peter, and illustrated by me, are STINKY SPIKE THE PIRATE DOG and STINKY SPIKE AND THE ROYAL RESCUE.

I graduated with a BA in Fine Art from Wesleyan University, where I also played on the squash team. I studied in Rome at the Tyler School of Art my Junior year. I received an MFA in Graphic Design from Yale University and worked briefly as a graphic designer before becoming a full time illustrator and author.

In addition to children’s trade books I also work in editorial, educational and advertising illustration. I illustrate traditionally and digitally, and use a combination of both.

When not illustrating and writing or spending time with the family I like to play tennis, pickleball and garden. Coco, our labradoodle seen in the picture above, is no longer with us but she was an avid runner and digger and the inspiration for a number of my books.

Instagram: @pdmeisel

Facebook: Paul Meisel

Thank you, Paul, for this introduction to the animals of your book and the conversations that they can start!

Author Guest Post: “There’s a World of Inspiration Out There” by Karah Sutton, Author of The Song of the Swan

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“There’s a World of Inspiration Out There”

In his book of essays, The Anthropocene Reviewed, John Green addresses the problem of sunsets: “How might we celebrate a sunset without being mawkish or saccharine?… what can we say of the cliched beauty of sunsets?” Green initially assesses writing about sunsets as being cliche, but ultimately decides that the opposite is true: that writing about sunsets cannot be cliche when marveling at sunsets is such a universal human behavior.

As he writes, Green gives examples of sunset descriptions which are “menacing,” “sentimental,” “innocent,” and full of “mysticism.” What’s so extraordinary to me about this essay is how these exemplify writing as an art form. Sunsets differ by place and time; each person observing the sunset is unique and altered from one day to the next. No sunset viewing is the same, and no description of a sunset is either. When we write, we may explore common themes, tropes, and situations, but our individuality will transform our output.

There are multiple sunsets in my book The Song of the Swan. When a story contains a curse that turns humans to swans at sunrise and returns them to humans at sunset, its writer needs a strategy to describe them.

I regularly go for walks around sunset as it’s the time when I can best hear my favorite birdcalls, and I did this often while writing The Song of the Swan. As I walked, I’d ponder and problem-solve, discover new story ideas while discarding old ones. If there was a pleasing sunset, I’d stop to watch it. Because I knew I needed new ways to describe skies which glow with orange and pink, I would do an exercise in my mind that has since become a frequent activity in my writing process, which I invite you to try for yourself.

Step 1:

Go outside and find somewhere to sit. Use your senses, focusing on one sense at a time. How is the breeze brushing against your ears? Is there laughter nearby? Can you smell the food truck on the corner? Including these details make writing feel more vivid, especially if you can tie your descriptions to real moments where you’ve observed similar sensations.

Step 2:

Thinking of what you noticed, try describing those observations by making connections to unexpected things. This sense of surprise is what gives prose delightful originality. Those flowers might be arranged like a wedding bouquet, but they might also infest the meadow with forced cheer. The multi-colored cars in the parking lot are like jewels in a treasure chest. The sky at sunset is the color of a bruise.

Step 3:

Now, consider the comparisons you’ve chosen, and think about the tone conveyed by each one. A description might be silly, but it could also be creepy, or joyful, or melancholy, or mysterious. What is it that makes the description feel that way? Is it because of the image it conjures? Or is there something about the specific words chosen that have an emotional quality?

And for extra credit:

Go back through your list of observations, and try rewriting to use descriptions that all evoke a consistent emotion. If a lot of your descriptions depict a similar emotion already, try changing them to something different. If you’ve described flowers in a humorous way, how might you describe them in a way which feels sad, or angry, or unnerving?

This exercise can be done anywhere, but I like to do it outside, because I’ve always found extra value in the outdoors and physical exercise while doing creative exercises. The benefits of going outside is a common theme in writing advice: Dickens, Thoreau, Woolf, and many others extol walks as fuel for creativity.

Whether in nature or the bustle of a city, I find that when my body is exploring the outdoors, my mind is more receptive to unexpected ideas. I discover new connections between seemingly separate things, which is what the creative process really is—in order to make something new, artists collect and connect things, like bees patrolling their flowers. Or telephone wires snaking between buildings. Or blackberries destined for a pie.

You get the idea. There’s a world of inspiration out there.

The Song of the Swan
Author: Karah Sutton
Illustrator: Pauliina Hannueniemi
Published October 24th, 2023 by Knopf Books for Young Readers

About the Book: A magical retelling of Swan Lake, featuring a clever orphan, a castle filled with enchanted swans, and a quest to unearth the secrets of the past.

Olga is an orphan and a thief, relying on trickery and sleight of hand to make her way in the world. But it’s magic, not thievery, that could get her into trouble.

When Olga and her partner-in-crime Pavel learn of a valuable jewel kept in a secluded castle, Olga sees an opportunity to change their lives: a prize so big, they’d never have to steal again. But the castle is not as it seems, ruled by an enchanter who hosts grand balls every night, only for the guests to disappear each morning, replaced by swans. Guided by cryptic clues from the palace spiders, Olga soon realizes she’s in over her head—torn between a bargain with the enchanter, loyalty to Pavel, and determination to understand how the enchanted swans are linked to her own fate.

One thing is certain: there is dark magic behind the castle’s mysteries, and Olga will stop at nothing to unmask it.

About the Author: Karah Sutton is an American/New Zealand children’s author and former bookseller. Her debut middle grade fantasy adventure A Wolf for a Spell was an American Booksellers Association Indies Introduce selection, an Indie Next List Top 10 selection, a Junior Library Guild selection, and was nominated for a Goodreads Choice Award. Inspired by her many years as a ballet dancer, The Song of the Swan is her second novel.

Visit her online at KarahSutton.com or on Instagram at @KarahdactylAuthor.

Thank you, Karah, for reminding of us the beauty around us!

Author Guest Post: “Big Problems and Small Fascinations” by Olivia A. Cole, Author of Where the Lockwood Grows

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“Big Problems and Small Fascinations”

School requires a lot from young people. Focus, sitting still, hands to yourself, social skills. (This doesn’t end with elementary school. Middle school? For sure. High school? Yep!) This is all hard enough – particularly if you won the neurodivergent lottery – and then you have to throw the whole “actual learning” thing on top too: the math and the science and the history. Oh, and homework! Don’t forget homework. (I’m admittedly sad that the “no homework” movement seems to have lost steam in the last year.)

Where is the space for special interests?

This isn’t a write-up about kids being swamped by “activities” starting in kindergarten. It’s not about how college prep seems to start earlier and earlier in a country where college isn’t free. It’s not even about overwork and burnout.

It’s about small fascinations.

In Where the Lockwood Grows, Erie Neaux isn’t tied up with swimming practice. Rather, she and the other young people in the town of Prine are struggling under the yoke of child labor, although of course no one is calling it that. It’s called survival. (Which at least is more noble than the current justifications.) Erie (and the other children who have no choice but to do the dangerous work in the trees that keeps their town running) wakes up before dawn to finish their work, after which they go to school for a few hours, where most of them are too tired or stressed to pay much attention to what they’re expected to learn.

Erie spends most of the time either daydreaming or flipping through an old encyclopedia of entomology, studying the many strange bugs and their attributes contained in the pages. She applies her knowledge as best as she can in the tiny, insulated town of Prine, admiring the dustnose beetles and other local insects.

But when she and her sister discover the truth about what keeps the people of Prine in the dark, their adventure takes them to the city of Petrichor, where Erie’s world finally opens up. Along the way, she’s taken to the Bug Yard, a place where other bug-lovers have developed their fascinations with insects and turned them toward solutions to climate and waste problems. (Awesomely enough, these imaginings aren’t science fiction!) In the end, Erie’s fascination with bugs that she nurtured in her sparse spare time plays a big part of saving the day.

Capitalism has a way of wringing every drop out of a day. Adults feel it when we don’t even have time for a hobby. (Or worse, when we try to turn hobbies into streams of income.) Children feel it when between school and homework there’s none of their day left empty for daydreaming.

In Where the Lockwood Grows, the lockwood blocks the stars that Erie’s mother says her children need to dream. What about us? What do we need to dream? Our Earth has big problems that need big solutions, born from creativity and innovation, from small fascinations that grow into resolutions. How will they be born if we don’t have time to dream?

Published August 15th, 2023 by Little, Brown Books for Young Readers

About the Book: Twelve-year-old Erie has never lived life fully in the sunlight. After destructive wildfires wreaked havoc on the world around her, the government came up with a plan—engineer a plant that cannot burn. Thus, the fire-resistant lockwood was born. The lockwood protects Erie and her hometown of Prine, but it grows incredibly fast and must be cut back every morning. Only the town’s youngest and smallest citizens can fit between the branches and tame the plant. Citizens just like Erie.

But one evening, Erie uncovers a shocking secret that leads her to question the rules of Prine. Alongside her older sister, Hurona, she’ll journey from the only home she’s known and realize that the world is much more complicated than she’d ever imagined.

About the Author: Olivia A. Cole is a writer from Louisville, Kentucky. Her essays, which often focus on race and womanhood, have been published in Bitch Media, Real Simple, The LA Times, HuffPost, Teen Vogue, Gay Mag, and more. She teaches creative writing at the Kentucky Governor’s School for the Arts, where she guides her students through poetry and fiction, but also considerations of the world and who they are within it. She is the author of several books for children and adults. Learn more about Olivia and her work at oliviaacole.com and follow her on Twitter @RantingOwl.

Thank you, Olivia, for this food for thought and reminder that it is okay to allow kids to focus on their loves and passions!

Author Guest Post: “No Easy Answers: Using A Twist of Magic to Make a Tough Topic Accessible” by Jessica Vitalis, Author of Coyote Queen

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“No Easy Answers: Using A Twist of Magic to Make a Tough Topic Accessible”

In the nearly twenty years that I’ve specialized in middle grade literature, I’ve learned that if there’s one defining characteristic of the category, it’s that these stories end in hope. Not that the characters always get their happily ever after, but they do always learn something new about themselves––or the world––that leaves the reader feeling like the characters they’ve developed an emotional connection with are going to be okay––maybe not today or tomorrow, but in the long run.

This unspoken promise that everything will turn out in the end is part of what makes middle grade books such a delight to read––in a world where it’s sometimes hard to feel optimistic, these stories offer us glimmers of light. As an author, I believe in this promise with all my heart, and I also believe that kids need to see themselves in books, whether it’s characters that reflect their skin color or culture or sexual orientation or any number of other differences from the white, cishet, able-bodied, neurotypical narratives that have traditionally been published.

Despite fitting into the latter categories, I didn’t see myself reflected in the stories of my youth—I don’t recall reading any books where the main characters were hungry or cold or didn’t feel safe (physically or emotionally). I felt alone and isolated––desperate to be seen but at the same time desperate to hide my situation from anyone and everyone. Desperate to be accepted as “normal.”

I set out to write my upcoming novel, Coyote Queen, with a mission to give voice to the countless children who share my lived experiences, but I found myself grappling with how to write an authentic story infused with hope––I know all too well that for many children there aren’t any easy answers to the problems they face. I know because I suffered in silence until the age of sixteen when I left home. While everything turned out for me in the long run, staying silent until you are old enough to run away is decidedly not the message I want to share with young readers. Nor did I want to write a book so bleak as to render it unreadable.

In the end, I turned to magic to help balance out the darker realities of childhood with the need to write a story that is readable and optimistic. The result? A story in which a twelve-year-old girl enters a Wyoming beauty pageant desperate to win the prize money she and her mother need to escape her mother’s abusive boyfriend. But an eerie connection to a local pack of coyotes starts causing strange changes to her body––her sense of smell sharpens, she goes color-blind, and eventually, she has to figure out how to win the pageant with a tail.

This twist of magic doesn’t provide any easy answers for Fud; instead, it serves as a metaphor for her inner journey, and it helps to show her who she is––and who she can save. The magic swirling inside Fud is the same magic we all carry inside ourselves––it won’t turn us into coyotes, but it is always waiting to be called upon when we need it the most. If that’s not a cause for hope, then I don’t know what is.

For Class Discussion

Read the following passage from the opening of Coyote Queen:

“Before the coyote stuff happened, I would have told you that magic didn’t exist…Now, I know better. I might look like a normal girl on the outside, but on the inside . . . well, let me put it this way: if you consider yourself the practical sort, then this is one story that you’re going to find really hard to believe.”

Answer the following questions:

  1. What do you know about this character? How do you know these things?
  2. What do you think is going to happen in this story? Why?

Read the following passage from Coyote Queen:

“As the yelling from the front of the trailer continued, I concentrated on blocking out their harsh words, on the darkness behind my eyelids, on existing somewhere outside of this small trailer. I was only vaguely aware of my arms growing long, of a thick layer of protective fur sprouting to cover my body. Of leaving the trailer on all fours, slinking through the shadowed kitchen so Mom and Larry didn’t notice my exit.”

Answer the following questions:

  1. What happens to the main character in this passage? Why does this happen?
  2. Do you think the main character actually turns into a coyote? What else might be happening? Why?

Read the following passage from Coyote Queen:

“Off in the distance, a bluff jutted up from the ground, making it feel like we were in a bit of a valley. A flat, nothing-filled valley. The whole state used to be under glaciers. When those melted, it was an ocean. I tried to imagine being underwater with sharks swimming around, but it was hard. There was pretty much nothing but dirt, sagebrush, and sun-crisped prairie grass as far as the eye could see—unless you counted the piles of junk scattered around Larry’s property, which I didn’t.”

Answer the following questions:

  1. Where do you think this story takes place? Why?
  2. Why do you think the author set the story in Wyoming? How does the setting support the themes in the story? How would the story change if it were set in a jungle? Near the ocean? On the moon?

 

One of the defining features of middle grade books is that they always include hopeful endings. This doesn’t always mean things turn out like the characters want them to, but it does usually mean that there is the promise that things will get better.

  1. Why do you think this is important?
  2. In Coyote Queen, Fud joins a beauty pageant hoping to earn the prize money she and her mother need to escape her mother’s abusive boyfriend, and Fud eventually has to try to figure out how to win the beauty pageant after she grows a tail. How could this story have a have a hopeful ending? What would you do if you were in a situation where you needed help?

Published October 10th, 2023 by Greenwillow Books

About the Book: Inspired by the author’s childhood, Coyote Queen is about a twelve-year-old girl, Fud, who lives in a trailer with her mother’s abusive boyfriend. When he comes home with a rusted-out boat he plans to turn into their new home, Fud vows to save her mother from the floating prison by entering a local beauty pageant to win the prize money they need to escape. But then Fud develops an eerie connection to a local pack of coyotes and starts noticing strange changes to her body––she goes colorblind, develops an acute sense of smell, and before long, she has to figure out how to win the pageant with a tail. The Benefits of Being an Octopus meets The Nest in this contemporary middle grade novel with a magical twist about family, class, and resilience.

About the Author: JESSICA VITALIS, a Columbia MBA-wielding author for Greenwillow / HarperCollins, wrote The Wolf’s Curse and a standalone companion novel, The Rabbit’s Gift (which received starred reviews from the School Library Journal and the Canadian Centre for Children’s Books Best Books for Kids and Teens 2023). Her next book, Coyote Queen, arrives on 10/10/23 and an unnamed novel in verse comes out in 2024. Her work has been translated into three languages, and she was named a 2021 Canada Council of the Arts Grant Recipient and featured on CBCs Here and Now and CTVs Your Morning. Jessica now lives in Ontario with her husband and two daughters but speaks at conferences, festivals, and schools all over North America.

Thank you, Jessica, for this insight into your book and the wonderful classroom discussion questions!