Author Q&A with Kenneth C. Davis, Author of Strongman: The Rise of Five Dictators and the Fall of Democracy

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Strongman: The Rise of Five Dictators and the Fall of Democracy
Author: Kenneth C. Davis
Published October 6th, 2020 by Henry Holt and Co.

About the Book: From the bestselling author of the Don’t Know Much About books comes a dramatic account of the origins of democracy, the history of authoritarianism, and the reigns of five of history’s deadliest dictators.

What makes a country fall to a dictator? How do authoritarian leaders—strongmen—capable of killing millions acquire their power? How are they able to defeat the ideal of democracy? And what can we do to make sure it doesn’t happen again?

By profiling five of the most notoriously ruthless dictators in history—Adolf Hitler, Benito Mussolini, Joseph Stalin, Mao Zedong, and Saddam Hussein—Kenneth C. Davis seeks to answer these questions, examining the forces in these strongmen’s personal lives and historical periods that shaped the leaders they’d become. Meticulously researched and complete with photographs, Strongman provides insight into the lives of five leaders who callously transformed the world and serves as an invaluable resource in an era when democracy itself seems in peril.

Q&A

Q1. What led you to choose this topic and this audience (teens) for your new book?

A1.   I have been writing about history for some thirty years and was always fairly optimistic about the future of America. In spite of the flaws I have catalogued in my books, I always believed in the United States as the “last, best hope on earth”—Lincoln’s words—and that its democratic system still moved towards more progress.

But something has changed. And for some time now, I have been concerned that democracy, at home and abroad, was under assault. That is not only sad but dangerous. I felt I had to tell the story of these dictators and how quickly democracy can vanish. It is meant as a warning, a cautionary tale for our time.

On the question of writing for teens, let me first say that I think my books aimed at younger readers are not that different from my earlier work aimed at older adults. In fact, many older readers don’t know these are “Young Adult” books. I try and write for everyone in an accessible style that welcomes the reader, older or younger.

I started writing for younger readers several years ago because I have spoken to so many of them in classrooms over time and came away impressed by their curiosity, engagement, and interest in history. But I wanted to deliver a message to those young people that democracy can’t be taken for granted and that they have a real stake in protecting our rights and freedoms.

Q2.   What is the key takeaway you hope that young people get from reading it?

A2.   There are several key issues at work in this book and, I would say, all of my work. First is that history is not a collection of facts—dates, battles, speeches, laws – but real stories about real people doing real things. When we read about history that way, it becomes far more compelling and connected to our own lives.

Next is that we read and learn from these accounts to understand who we are and how we got here. Part of that idea is the story of how enormous sacrifices have been made in the name of rights and progress—from abolition to suffrage, civil rights, and fair labor laws. That often comes from the bottom up, not the top down, which means people without a vote still had a voice.

It is also a book that asks hard questions about what people are willing to do in following a leader. And that brings me to my earlier point: Democracy is not a spectator sport. We must protect it if we think it is worth keeping.

Q3.   What was the hardest part about writing the book?

A3.   I actually write about that in the closing words of the book. This was, in many ways, an extremely difficult project. I have written about many hard and awful events and periods in the past, including the stories of racial slavery I told in my earlier book, In the Shadow of Liberty.

But describing the levels of cruelty, inhumanity, and indecency are unavoidable in writing the history of the Strongmen –the murderous dictators whose stories I tell. We can’t sugarcoat that history. Or ignore it. That made this project a true test of my fundamental belief in the general goodness of humanity. I had to write about the vast numbers of people who were complicit in the genocidal crimes of a Strongman like Hitler or Stalin.

Q4.   If a teacher asked for recommendations for teaching your book, what would you suggest?

A4.   My writing career has mostly been about asking questions and presenting facts and evidence in real stories. I think that teachers –especially those in Social studies—can follow that general premise with their students. Ask questions and allow students to find answers through accurate, documented evidence.

This approach of getting students to do real research, assess evidence, check sources, and make considered judgments based on facts is the essence of thinking for themselves. It is what today’s education must be about, especially in this era as facts and truth are under such assault.

In a more practical way, this book should fit into a number of curriculum areas – 20th century history; the Holocaust; civics and government; ethics, religion, and basic philosophy; economics; sociology and the behavior of crowds. I have always been a proponent of crossing disciplines.

Q5.   What other resources do you feel would complement STRONGMAN in a curriculum?

A5.   I would start with reputable journalism, including newspapers and websites that accurately document their reporting. We must establish the clear connection between history and the headlines. That will also help develop those “media literacy” skills that all of us –not just students—need to negotiate the world we live in.

Certainly, there are also a great many other books that could be placed beside Strongman –biographies, war narratives, Holocaust and other memoirs from each of these eras. I’ve included many of them in the Bibliography of Strongman.

I think you can include some historical fiction –cautiously reminding students that novels are not always accurate depictions of events. There are also a wealth of documentary films and series, often starting with what is offered from PBS.

Finally, I did not set out to write three books as a “set” – but I think that my earlier books can be read alongside Strongman. I think that In the Shadow of Liberty provides more context for how the history of slavery developed alongside American democracy. More Deadly Than War provides background for the role World War I played in shaping the world that produced the dictators I profiled in Strongman. And that is how we must read history – as a long, complex, series of connected narratives, not a list of events that are unrelated.

About the Author: Kenneth C. Davis is the New York Times–bestselling author of America’s Hidden History and Don’t Know Much About® History, which gave rise to the Don’t Know Much About® series of books for adults and children. He is also the author of the critically acclaimed In the Shadow of Liberty, which was an ALA Notable Book and a finalist for the YALSA Award for Excellence in Nonfiction, as well as More Deadly Than War, which was named a Washington Post Best Children’s Book of the Month. A frequent guest on national television and radio and a Ted-Ed Educator, Davis lives in New York City.

Ken also offers free classroom visits to teachers through his website, which might be of interest to include: https://dontknowmuch.com/for-teachers/

Thank you, Kenneth, for sharing the truth of history with our students!

Author Guest Post: “Nine Steps for Writers Dealing with Rejection” by Erica S. Perl, Author of The Ninth Night of Hanukkah

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“Nine Steps for Writers Dealing with Rejection”

By Erica S. Perl

“It’s just not what we’re looking for right now…”

“I really wanted to love it, but…”

“I didn’t connect with it…”

I’m not going to sugar coat it. Rejection stinks. Given the choice, I’d pick a root canal any day.

But, like it or not, rejection is part of every writer’s journey. So, I’ve come up with a process to deal with rejection, and I’m happy to share. If you have the skin of a rhinoceros, maybe you’ll never need it. But if you’re human like the rest of us, it just might come in handy someday.

  1. Get mad and stomp around. Seriously! Let the rejection wash over you and feel the white-hot rage and indignation. It’s not a happy feeling, but it is intense and you owe it to yourself to feel it, if only so that you can use that experience for material.
  2. Write down all the angry things you want to say to the editor who rejected your work (on paper, so you don’t accidentally click “send” or “reply all”). Be creative!
  3. Crumple up that paper (feel free to uncrumple it later and save it, so when someone else buys your book and it wins prizes or sells a zillion copies you can frame it and hang it in your office).
  4. Complain to your most sympathetic friend. This can be a friend who is covered in fur or plush. Or a human being, if you want. Just make sure it is someone who will listen and let you rant as long as you need to.
  5. Go for a long run. Or a long walk. Or just go outside. Listen to something distracting, like loud music or soothing music or a podcast that has nothing to do with your book! Truly get your mind off your troubles and perhaps get your adrenaline pumping.
  6. Take a deep breath. Or several deep breaths. Or several days of deep breaths, away from your piece. It’s tempting to go right back in but time away actually helps.
  7. When you’re ready, read the editor’s comments again.
  8. See if you can find anything useful in them, to make your work better. There’s a really difference between “it’s not for me” and “the pacing felt off and the character’s voice seemed too old….” The latter may or may not ring true for you, but it gives you something to look at and consider, should you wish to revise. Also, if you hear the same kind of feedback from more than one editor, it might suggest an area worth addressing.
  9. Start to revise. There are always ways to improve a piece and this is an opportunity to look at your piece with fresh eyes. So, take the time to see if it needs anything else before you send it out again. Hopefully, doing another round of edits will remind you of everything you love about your piece… everything that, hopefully, the next editor will see.

I wish I could tell you that, after a certain number of successful books, you no longer have to deal with rejection. Unfortunately, that’s not true. Rejection and revision paved the path to all of my successful books, including my newest one: The Ninth Night of Hanukkah.

And actually, I’m grateful. Because sometimes rejection has a silver lining: it pushes you to take your books to new heights, and make them better than you ever thought possible. So, please, hang in there. It will make the editorial acceptance you eventually receive taste all the sweeter, I promise!

Published September 15, 2020 from Sterling Children’s Books

About the Book: A heartwarming picture book with a fresh twist on a Hanukkah celebration: celebrating a ninth night with new neighbors and friends!

It’s Hanukkah, and Max and Rachel are excited to light the menorah in their family’s new apartment. But, unfortunately, their Hanukkah box is missing. So now they have no menorah, candles, dreidels, or, well, anything! Luckily, their neighbors are happy to help, offering thoughtful and often humorous stand-in items each night. And then, just as Hanukkah is about to end, Max and Rachel, inspired by the shamash (“helper”) candle, have a brilliant idea: they’re going to celebrate the Ninth Night of Hanukkah as a way to say thanks to everyone who’s helped them!

This book is not only a heartwarming and fun story, it’s also an invitation to join in a beautiful new Hanukkah tradition!

There is a free event kit that can be accessed via this page on Erica Perl’s website, including all sorts of goodies to have your own Shamash Night this season—pennants, thank you cards, a cultural guide, a special blessing, activities, and more!

Erica S. Perl is the author of more than thirty popular and critically-acclaimed books for young readers. Her middle grade novels include All Three Stooges (National Jewish Book Award, Sydney Taylor Honor Book) and When Life Gives You O.J. (Sydney Taylor Notable Book, ALA Notable Book. Her picture books include Chicken Butt!Goatilocks and the Three Bears, and Ferocious Fluffity. She also writes the Truth or Lie!Arnold and LouiseLucky Dogs, and Craftily Ever After (as “Martha Maker) series. And she keeps an Instagram cartoon journal @espcrawl. Visit her at ericaperl.com and follow her online @ericaperl.

Thank you, Erica, for being so open and honest about rejection!

Author Guest Post: “Character Interview with Jasper Bloom” by Christopher Healy, Author of A Perilous Journey of Danger & Mayhem #3—The Final Gambit

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Character Interview: A Perilous Journey of Danger & Mayhem—The Final Gambit

On the occasion of the publication of The Final Gambit, the third installment of the Perilous Journey of Danger & Mayhem trilogy, author Christopher Healy will be interviewed by one of the characters from that series, humble ashman turned heroic sidekick, Jasper Bloom.

Jasper: Okay, I will not take offense to being called a character, because I most certainly am one—as in, look at that Jasper Bloom, ain’t he charming, he is such a character. Nor do I have any problem with most of the other words in that sentence: Humble? Yes. Heroic? Yes. Ashman? Well, to be truthful, I got fired from my job at the ash dump after I missed several days of work on account of I was helping save a certain pair of children from a certain villain who tried to destroy New York in the first book of a certain series. But anyways, I must note my objection to the term, “sidekick.” Jasper Bloom is not sidekick material. Now, if you wanna call Balthazar Birdhouse a sidekick, well, you’d better think twice about that too, ‘cause the man wouldn’t take kindly to it. One time at the dump, I referred to him as my “handy helper” and the man swore revenge with a scheme that involved a water hose, three grapefruit, and an angry chihuahua. You shoulda seen the way—

Christopher Healy: Um, Jasper? Excuse me, but aren’t you supposed to be asking me questions?

Jasper: I’m getting to it! For someone whose job is making up words, you sure don’t want anybody else getting any in, do you?

Christopher Healy: That’s not what I—

Jasper: So, tell me: Why did you set your story in 1883?

Christopher Healy: It was the Golden Age of Invention. And this is a story that revolves greatly around inventors and their inventions. But 1883 was also a very difficult time in history for women to get recognized for their work, which is why so many of the characters—

Jasper: Thank you! I would have also accepted, “Because that’s when Jasper Bloom was around.” Next question! Tell me some new and exciting bits of business from this third book that we haven’t seen in the first two books. I apologize—that wasn’t really a question. It was more of a command. But I do expect you to follow through on it.

Christopher Healy: Well, there are cowboys. And a museum heist. And a swamp man.

Jasper: Ooh, like one of them monsters that are all green and weedy and shamble around like an angry salad?

Christopher Healy: I think you’re thinking of the trolls from my other books. No, this is just a man who lives in a swamp in Florida.

Jasper: Ooh, I lived in a Florida swamp once too. If by “Florida,” you mean “Central Park.” And by “swamp,” you mean “a big flowerpot.” And by “lived in” you mean “fell asleep in after I got tired of chasing Balthazar Birdhouse all over the city and shouting at him to give me my good spatula back.”

Christopher Healy: I didn’t mean any of that.

Jasper: Fair enough. So, tell me. Is there going to be another Perilous Journey book after The Final Gambit?

Christopher Healy: No. That’s why it’s called The Final Gambit.

Jasper: Hmmph! Tell that to Sherlock Holmes! Man appears in a story called “The Final Problem,” falls off a cliff, and then—abra-kazam!—he’s in like forty more stories after that.

Christopher Healy: Um, that’s true, but—Hey, wait a minute. The character of Sherlock Holmes wasn’t even created until 1887. How do you know about—

Jasper: That’s all the time we have for today, folks! In closing, I would just like to say that this book series, A Perilous Journey of Danger & Mayhem, has a whole lot more than just danger and mayhem. It’s got action and humor and mystery. It’s got flying vehicles, and talking robots, and heroic ashmen (though not in nearly enough scenes, if you ask my humble opinion). It’s got devious, villainous scoundrels that try to pull off some nasty stuff that even Balthazar Birdhouse would think twice before trying. It’s got exotic locations, like Antarctica and Ohio. It’s got historical folks like Thomas Edison and Chester A. Arthur and other people who act in way you might not be expecting them to act if you’ve only ever read about them in history books. And it’s got a couple of spunky kid heroes that even a man of my expertise and abilities is constantly impressed by. I suggest you read it.

Christopher Healy: Why, thank you, Jasper. That was very kind of you to say.

Jasper: You are most welcome. Now, if I could just grab you for a moment, I have a spinoff idea I would like to run by you.

Published December 1st, 2020 by Walden Pond Press

About the Book: The thrilling conclusion to Christopher Healy‘s funny, action-packed, acclaimed alt-history adventure!

It is 1884, and Molly and Cassandra Pepper, Emmett Lee, and Emmett’s long-lost father are sailing back to New York following their death-defying adventure in Antarctica. Having discovered a subterranean world at the South Pole while saving the world from certain doom once again, surely their accomplishments will finally earn them the recognition they deserve.

Unless, of course…well, you know by now.

And so do the Peppers and Lees. They’re used to having their deeds covered up by the government in order to protect powerful men, and frankly, they’re sick of it. And when their return to New York doesn’t go the way they’d planned, they decide that maybe it’s best to go into hiding and accept that, perhaps, the forces aligned against them are just too great.

As the 1884 presidential election approaches, however, our heroes discover a plot against leading candidate Thomas Edison that only they can stop. It’ll be up to them to decide whether to come out of hiding, make the perilous journey to Washington, DC, and do the right thing one last time. Even if it means risking everything they have left.

About the Author: Christopher Healy is the author of The Hero’s Guide to Saving Your Kingdom series and A Perilous Journey of Danger & Mayhem trilogy. Before becoming a writer, he worked as an actor, an ad copywriter, a toy store display designer, a fact-checker, a dishwasher, a journalist, a costume shop clothing stitcher, a children’s entertainment reviewer, and a haunted house zombie. He lives in New Jersey with his wife, two children, and a dog named Duncan. You can visit him online at www.christopherhealy.com.

Thank you, Christopher, for this hilarious piece–anyone who reads it can see the humor that you bring to your adventures!

Author Guest Post: “The Role of Empathy in Literature and Our Lives” by Robin Farmer, Author of Malcolm and Me

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“The Role of Empathy in Literature and Our Lives”

I was around 13 when I read To Kill A Mockingbird and discovered a quote in Chapter 3 that embedded itself into my brain.

“You never really understand a person until you consider things from his point of view, until you climb into his skin and walk around in it,” Atticus Finch tells his daughter Scout.

His advice for Scout to explore the heart and mind of another person initially fails to register with the 10-year-old.  Soon after their conversation, Scout joins in a cruel taunting game aimed at neighbor Boo Radley, a mentally challenged and socially awkward man that the town considers a “monster” because few took the time to see things from his viewpoint.

A heartfelt connection

This Pulitzer-Prize winning novel — with themes that touch on good and evil, racism, social inequality, courage, and family life — electrified my heart and mind, and made me vow to write a book one day.

A voracious reader as a child, books not allowed me to travel the globe without leaving my home while experiencing the lives of people who differed from me. That’s the definition of “empathy.” Harper Lee’s only book, one I have read  nearly a dozen times, seared itself in my psyche because 1) Atticus, a white lawyer respected by Black people, wanted to defend an innocent black man, 2) Scout’s stubbornness reminded me of myself, and 3) the initial fear I had of Boo evolved into protectiveness, and 4) The story felt emotionally true.

Over the years, To Kill A Mockingbird has generated valid controversy for its racial stereotypes. The adult I have become understands its shortcomings. The girl in me remembers the power of this story at a time when few books in my school touched on racial inequity or a had a character I so identified with, despite stark differences. Scout was a Southerner while I called Philly home. She lived with her father, I stayed with my Mom. Her tomboyish ways did not match my frilliness. Yet, I connected to her willful nature, sensitive soul, thoughtful questions and fierce love for her father — a father whose patience, earnestness and steady adoration of his children I longed for as a girl of divorced parents. As different as we were, I saw myself in Scout because I walked around in her skin.

Specific viewpoint, universal appeal

Knowing the emotional power of walking in someone else’s shoes allowed me to write the empathetic character of Roberta Forest, the 13-year-old protagonist in Malcolm and Me. The story kicks off with the teen doing the unthinkable: She fights her nun. Could there be a less likely person for readers to connect with?

And yet, that girl was me and I was not a monster. I wanted readers to understand the multi-layered Roberta, a reluctant teen rebel with the heart of a poet. That meant I had to develop a relatable character with shortcomings and strengths who draws readers in and makes them feel what she experiences.

Roberta is a new teen who is smart, sensitive, strong, sassy and a bit spoiled. Making her relatable meant presenting her in a realistic manner, warts and all. And so she lives on the pages as a moody, thoughtful, vulnerable but resilient teen with a sense of humor and fairness.  I hope readers root for her. And are inspired by her to speak up, think critically, ask questions and defend the truth, especially now that alternative facts exist.

Bridging the divide

Recently, Bridget, who writes book reviews for Bridgetandthebooks.com, reviewed my debut novel. She is 11, the same age I was when I read the Autobiography of Malcolm X.  On the surface, she couldn’t appear more different from Roberta. But Bridget connected to the story and recommended my book. What really made my heart flutter was her wondering why she hadn’t learned anything about Malcolm X. One of the goals in writing the book was to get readers, especially younger ones, to read the book that changed my life in so many ways. What I especially love is the importance of walking around in Malcolm’s skin and experiencing his heartaches, struggles, achievements and growth.

That Bridget recommends Malcolm and Me feels like I won an award! What better validation than for readers who are like and unlike Roberta to connect to her story.

Empathy empowers

Research shows that books can help readers develop empathy, which I argue we need more of. Take a look at this divided nation. Take a look at our divided nation and the lack of civility – and it’s not just among the adults. We all know too well about the dangerous bullying that occurs in schools and well as on social media.

Empathy won’t solve all of our problems, whether they are political or personal. But listening to each other is a start.

I encourage young readers to develop the bravery of Roberta. Sometimes she sweated behind her knees, but she found the courage to not only defend truth, but also think about the feelings of others, including a nun who humiliated her and a father who disappointed her. In both cases, Roberta learns to forgive. That would be impossible for her to do so without empathy.

Steps to Take

Roberta, like Scout, took some steps to walk around in the skin of someone else. As students, follow her lead with these seven actions.  To help remember what to do, I wrote an acrostic that spells out how to develop more EMPATHY:

Explore your heart and mind
Meet people different from you in books and at school
Practice kindness
Ask thoughtful questions
Talk less, listen more
Help others and ask for help
Yield to creative endeavor such as writing and drawing to express feelings

As students, by working on your empathy, you improve your understanding of each other’s thoughts and feelings. Doing so plays a role in how you respond to one another during conflict. Find opportunities to build better relationships, which can help you find success in all parts of your lives.

Published November 17, 2020 by SparkPress

About the Book: Philly native Roberta Forest is a precocious rebel with the soul of a poet. The thirteen-year-old is young, gifted, black, and Catholic—although she’s uncertain about the Catholic part after she calls Thomas Jefferson a hypocrite for enslaving people and her nun responds with a racist insult. Their ensuing fight makes Roberta question God and the important adults in her life, all of whom seem to see truth as gray when Roberta believes it’s black or white.

An upcoming essay contest, writing poetry, and reading The Autobiography of Malcolm X all help Roberta cope with the various difficulties she’s experiencing in her life, including her parent’s troubled marriage. But when she’s told she’s ineligible to compete in the school’s essay contest, her explosive reaction to the news leads to a confrontation with her mother, who shares some family truths Roberta isn’t ready for.

Set against the backdrop of Watergate and the post-civil rights movement era, Malcolm and Me is a gritty yet graceful examination of the anguish teens experience when their growing awareness of themselves and the world around them unravels their sense of security—a coming-of-age tale of truth-telling, faith, family, forgiveness, and social activism.

About the Author: Robin Farmer is a national award–winning journalist and transplanted Philadelphian who currently calls the Richmond, VA, area home. At eight, she told her mother she would write for a living, and she is grateful that her younger self knew what she was talking about (many young folks do). Her other interests include screenwriting, poetry, movies, and traveling. She’s still hoping to write stories about young people for television and film. Robin earned her degree in journalism from Marquette University. She lives in Richmond, VA.

Thank you, Robin, for this timely and thought-provoking piece!

Authors Interview with Philippe Cousteau and Austin Aslan, Authors of The Endangereds

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The Endangereds
Authors: Philippe Cousteau and Austin Aslan
Published September 29th, 2020 by HarperCollins

Summary: It’s time for animals to take fate into their own paws! The Endangereds is the first book in a thrilling new adventure series by world-renowned environmentalist and Emmy-nominated host of Xploration Awesome Planet Philippe Cousteau and award-winning TURBO Racers author Austin Aslan.

Innocent animals are in trouble: temperatures are climbing, tides are rising, and nature is suffering. Someone needs to step in to rescue animals from extinction. Someone needs to turn this mess around, before it’s too late.

And that someone is . . . the Endangereds, the unlikeliest heroes you’ll ever meet—a superstrong polar bear, a pangolin with a genius for engineering, an extremely sarcastic narwhal, and an orangutan with a big dream.

Together, these four daredevils are determined to save endangered species across the globe, no matter what the risk. Rappelling into an underground cavern to save the day? No problem. Looping video footage to sneak through buildings unnoticed? Got it covered. Opening a doorknob? Okay, pretty hard without thumbs. But don’t worry. No matter what it takes, the Endangereds will get the job done.

But when two of their friends get kidnapped by a villain with a dastardly agenda, the team finds themselves up to their snouts in trouble. Can the Endangereds save the day? Or will this villain put humans and animals alike on the extinction list?

The A-Team meets the animal kingdom in the first book in the thrilling new adventure series from the host of Xploration Awesome Planet Philippe Cousteau and award-winning author Austin Aslan.

About the Authors: 

Philippe Cousteau is a multi-Emmy-nominated TV host, author, speaker, and social entrepreneur.  He has hosted numerous TV programs for Discovery, BBC, CNN, Travel Channel and more.  Currently he is the host of the syndicated television show Xploration Awesome Planet and producer/narrator of a new Virtual Reality experience Drop in the Ocean.  Philippe is the author of several award-winning books and is a sought-after speaker having keynoted events for the United Nations, Harvard University, and more. In 2004 he founded EarthEcho International; the leading environmental education organization dedicated to inspiring youth to take action for a sustainable planet. Philippe and his wife, fellow explorer and TV host Ashlan Gorse-Cousteau, reside in Los Angeles.

Austin Aslan is the author of the TURBO Racers series and the Islands at the End of the World series. A National Science Foundation Graduate Research Fellow, he can often be found camping in a tent on a punctured air mattress. In other lives, Austin drove ambulances way too fast, served as an ecotourism Peace Corps volunteer in a Honduran cloud forest, and managed a variety of campaigns. He lives in Flagstaff, Arizona.

Interview: 

Philippe Cousteau is a world-renowned environmental advocate, filmmaker and explorer. Austin Aslan’s debut novel, The Islands at the End of the World, was named a Best Book of 2014 by Kirkus Reviews. It was ranked by The Guardian as a top-ten climate fiction read. Together, they’re the authors of The Endangereds, the first book in a new science-backed, high action middle grade series.

AUSTIN: Philippe, it’s always an honor to wrap back around with you to discuss The Endangereds! The collaborative process of writing the first two books in the series has been a career highlight for me and a wonderful, thrilling ride. It’s great to be here with you on the Unleashing Readers blog for this guest Q&A. Readers should know that we both thought it would be fun to engage in a bit of a back-and-forth with each other to share with you some of the insights we’ve gathered along the way. Philippe, I’ll go ahead and get us started with a question about the “sausage-making” process for designing an action-packed book that intentionally includes some educational components, as well as a message or two. I’ve heard you repeat in the past that your grandfather always used to say to you, “Before we can talk about the environment, we must talk about education.” That sounds totally on point to me! But I’m curious, tell us more about your vision for this series as a mix of swashbuckling entertainment and environmental activism.

PHILIPPE: That’s a good question as the idea of creating a book that is first and foremost fun and exciting but also educational has been the central driving challenge of The Endangereds. For several years through my non-profit EarthEcho International, we have focused on education, channeling my grandfather’s advice to me, but we realized pretty early on that we couldn’t just focus on education in the traditional sense.  We also have to find ways of reaching people through other means. I have always been interested in fiction and how we can leverage fictional stories to tell important truths like the fact that biodiversity on earth is declining and hundreds of species go extinct every year.  The Endangereds was our way to do that because we know that young people are already interested in animals and that many of them are also clued in to the problems nature faces today but what they need is some inspiration to get them engaging in actively solving the problems we face. What better way to do that then create a team of inspiring heroes who are overcoming adversity to solve problems and help nature?

AUSTIN: I’ll never forget that first moment when I was approached by you and our editor about teaming up to make this idea a reality. The concept just sparkled for me, right away. I was electrified. I know my mind raced with ideas. The connection to the A-Team was obvious from the title alone. But you and our editor, David Linker at HarperCollins, had already zeroed in on the four main characters (and one of them shared a name with an A-Team member): A polar bear, an orangutan, a narwhal, and a pangolin! What a fabulous line up. What inspired this particular combination of species, do you think? I’ll say that I particularly gravitated toward the idea of including the narwhal, named Murdock. What’s not to like about narwhals? Also: from the “sausage-making” angle, I personally loved the challenge of including a two-ton marine mammal as part of the team. The possibilities and the potential humor of it fascinated me. And indeed, Murdock turned out to be one of my favorite characters. So, why these four animals in particular, and not, say, the lion, giraffe, hippo, and zebra from the Madagascar movies, if you know what I mean? Oh, also: I grew up watching the A-Team, and I believe you did too. What’s the role of our generation’s nostalgia for 80’s entertainment in The Endangereds’ success?

PHILIPPE: Good questions, as we were coming up with the animals I wanted to focus on some that where familiar, like a Polar Bear and mix in some that were not so familiar, like a Pangolin, as a way to provide comfort to readers but also introduce them to a new species.  Pangolins are arguably one of the most endangered animals on earth, and they are just cool looking with their claws, scales, and powerful tail.  I also chose Arief because of an experience I had filming with CNN about 6 years ago in Sumatra at an Orangutan rehabilitation facility.  They take Orangutans that have been illegally caught and sold into the pet trade and re-introduce them into the wild.  Orangutans are also highly endangered, especially Sumatran ones, and so I wanted to tell that story, and of course, like you said, Narwhals are just cool!  Because this book has a purpose—to entertain and educate—we really wanted to be able to highlight animals that could embody the main issues facing endangered species, like habitat loss, illegal wildlife trade, climate change etc.  As for the A-Team, as you’ll attest Austin, we agreed early on that we wanted to have some easter eggs for the adults who might be reading this book to their children to enjoy and who doesn’t like the A-Team?

AUSTIN: Did I say Murdock the narwhal was “one” of my favorites? They’re all my favorites! Seriously, I even love the mystery animal villains we’re crafting for the series. Without giving too much away, I wanted to spend a minute talking about who the “bad guys” are in these stories. While the world’s present biodiversity threats are mostly human-caused, I think it’s too easy and too obvious, from a storytelling perspective, to just throw humans under the bus all the time. The reality is that a lot of people care about biodiversity and would join the Endangereds in their missions if they could. The rancher in the Four Corners area where our first book takes place, for example, isn’t the nefarious environmental destructor he’s taken for at first. He may even prove to be an ally to the black-footed ferrets our E-Team is deployed to protect! Philippe, can you say a few words about the buzz-term of environmental justice, and how important that concept is to understand in terms of our collective ability to arrive at real solutions?

PHILIPPE: I remember our long conversations about this, and our agreement that, as you said, it would be too easy to make humans the villains.  A theme that I really love in the series is one of balance; Arief, the Orangutan leader, talks about it a lot. The idea that the Endangereds exist because the world is out of balance, and since the Endangereds are really a proxy for humanity, diving into this world was really important.  But we didn’t want to make shallow evil characters; in a way, we wanted to be able to sympathize with them a little bit, they have motivations that aren’t hard to understand, they have been wronged like the E-Team, but have taken a different path. For me, it’s a metaphor for the choices we make as people—do we want to be positive and solve problems or be negative and cause them. Obviously, our message to youth is that the best way forward is to work together to solve problems. Austin, I know we are wrapping this up but before we do, I have a question for you.  What was the biggest challenge in writing this book and how did you overcome it?

AUSTIN: In terms of “sausage making” there were several challenges, as with any book. But I find that a story’s biggest potential rewards lie where the difficulties are. That’s where things get interesting…and fun! But rather than dwell on the craft elements that kept me up at night while drafting, I’d like to focus on the challenge of overcoming doubt and allowing myself to feel worthy of the aspirations of this series—and our partnership. We’re out to save the world, after all, through inspiring a new generation of environmental stewards to take up the mantle of a great cause. That’s a tall order. It feels like a lot of responsibility! Was I out of my league? Should I have stepped aside?

I think we all struggle with “impostor syndrome” in our various professions. The key breakthrough is realizing that, in this life, we’re all in it together! And that we’re all human and that means we’re each a package-deal full of talent and shortcomings. If we each defer to someone in the shadows to eventually come forward and do the work that needs to be done…none of us will ever get anywhere. And that’s one of the core messages of the book, ironically! Our animal heroes aren’t demigods. They’re not perfect angels sent from on high. They’re flawed, they’re uncertain, they’re scared. But they’re the ones who came forward and answered the call. I think that’s what kids need to take away most of all, and I like to think that we’re practicing what we preach by putting ourselves out there to pull these stories off.

That’s enough out of me (for now)! Philippe, any closing thoughts?

PHILIPPE: I think you said it perfectly. I just want to add that as part of The Endangereds, we have partnered with my non-profit EarthEcho International, World Wildlife Fund, and Exploring by the Seat of Your Pants to offer several live webinars where I will sit down with experts who work every day to protect these animals in the wild. Young people who join us will have a chance to ask me and the experts questions and hear stories about what wildlife conservation is like in the real world.  Go to www.TheEndangereds.com to register for FREE to join us.

Thank you, Phillipe and Austin, for being a guest on Unleashing Readers! Your focus on environmentalism is so important, and we are so glad that this book is out there for kids!

Interview with Lamar Giles, Author of The Last Mirror on the Left

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A Legendary Alston Boys Adventure: The Last Mirror on the Left
Author: Lamar Giles
Illustrator: Dapo Adeola
Pulication Date: October 20th, 2020 from Versify

Summary: In this new Legendary Alston Boys adventure from Edgar-nominated author Lamar Giles, Otto and Sheed must embark on their most dangerous journey yet, bringing a fugitive to justice in a world that mirrors their own but has its own rules to play by.

Unlike the majority of Logan County’s residents, Missus Nedraw of the Rorrim Mirror Emporium remembers the time freeze from The Last Last-Day-of-Summer, and how Otto and Sheed took her mirrors without permission in order to fix their mess. Usually that’s an unforgivable offense, punishable by a million-year sentence. However, she’s willing to overlook the cousins’ misdeeds if they help her with a problem of her own. One of her worst prisoners has escaped, and only the Legendary Alston Boys of Logan County can help bring the fugitive to justice.

This funny and off-the-wall adventure is perfect for readers of Jonathan Auxier and Lemony Snicket.

Praise: 

“A fantastic second addition to an already-acclaimed series.” – Kirkus Reviews (Starred Review)

“An emotionally resonant and action-packed sequel that manages to be an even greater adventure than its predecessor.“ – Booklist (Starred Review)

“A complex and exciting fantasy adventure that encourages readers to question what they know about incarceration, justice, laws, and the people who enforce them.“ – School Library Journal (Starred Review)

Learn about the first Alston Boy adventure, The Last Last-Day-of-Summer, HERE.

About the Author: Lamar Giles is a well-published author and a founding member of We Need Diverse Books. Lamar has two novels forthcoming in 2020: NOT SO PURE AND SIMPLE his first Contemporary Coming-of-Age Story (HarperTeen/HarperCollins) and THE LAST MIRROR ON THE LEFT (Versify/HMH), the sequel to his 2019 hit THE LAST LAST-DAY-OF-SUMMER.

Lamar is a two-time Edgar Award finalist in the YA category, for his debut YA thriller FAKE ID (HarperCollins, 2014), and his second YA thriller, ENDANGERED (HarperCollins, 2015). His third and fourth YA thrillers, OVERTURNED (Scholastic, 2017) and SPIN (Scholastic, 2019), as well as his middle-grade debut THE LAST LAST-DAY-OF-SUMMER received glowing New York Times reviews, and was named to multiple Best Of lists, including Time Magazine, Kirkus Reviews, and Amazon. FAKE ID has been optioned by Sony Pictures.

Lamar is the editor of the We Need Diverse Books YA short story anthology FRESH INK (Random House, 2018), and a contributor to many YA and middle-grade anthologies including THREE SIDES OF A HEART (HarperCollins, 2017), BLACK ENOUGH: STORIES OF BEING YOUNG & BLACK IN AMERICA (HarperCollins / Balzer & Bray, 2019), THE HERO NEXT DOOR (Random House, 2019), HIS HIDEOUS HEART (Flatiron Books, 2019) and SUPER PUZZLETASTIC MYSTERIES (HarperCollins, 2020). He has published several short stories for adults.  You can see tv interviews with Lamar here, and here, and here, and in a truly fun “Fun Facts” short interview, created by HarperCollins.

Interview:

Unleashing Readers: What have you been most excited about when it comes to the reception of The Last-Last-Day-of-Summer?

Lamar Giles: The most exciting thing was hearing from parents, or sometimes the readers themselves, how much they enjoyed Otto and Sheed and all the other fun characters in Logan County. The reviews and recognition are great, don’t get me wrong, but when the readers are happy, I’m happy.

UR: You have written both YA and MG novels; which do you prefer creating?

LG: No preference, honestly. I’m actually writing YA a book in the mornings, and an MG book in the afternoon right now. I think they allow me to divide up the subject matter I want to discuss, though. I save the most grim stuff for my YA, and reserve my fun & zany for MG. The two age groups allow me to really explore a range of topics and tone. 

UR: As a founding member of We Need Diverse Books, how does it feel to see an idea turn to reality and have such an impact?

LG: It’s amazing to see the work WNDB did was received so well by people all up and down the publishing ladder.  As many people know, the organization was the brainchild of author Ellen Oh, and she invited me along on a journey none of us could’ve imagined. That it’s six years later and the organization is still doing great work beyond what its founding members could’ve ever dreamed (I stepped down from my leadership role back in 2018) is exactly what we wanted and hoped for.

UR: Otto and Sheed went from normal kids to heroes. Did that change them?

LG: I don’t think so. Otto and Sheed understand what they are to Logan County and the town of Fry, and I think they recognize if they let that go to their head, or became some else entirely, they might not be so different from the threats they often face down. Otto and Sheed (and Wiki and Leen, let’s not forget them) are heroes because their mission and attitudes don’t change. They’re here to do what’s right.

UR: If there is one thing you want readers to get from your books, specifically Otto and Sheed’s stories?

LG: I really want readers to recognize that Otto and Sheed don’t back down when they see injustice. That’s something that can make anybody into a hero. Let’s all be like Otto and Sheed.

UR: What’s next in your book world?

LG: Next up, another Logan County adventure. I don’t know how much I’m allowed to say just yet, but trust me–we’re only just getting started! 

Hear more from Lamar by listening to him on on the Literaticast podcast!

Thank you to Lamar Giles for taking part in the interview with us, and we cannot wait to go on another adventure with the Alston Boys!

Author Guest Post: “Literary Pilgrimages and Armchair Pilgrimages Today!” by Kath Rothschild and the Class of 2K20 Books

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“Literary Pilgrimages and Armchair Pilgrimages Today!”

With students, authors, and readers stuck near home for the foreseeable future, the debut author group, Class of 2K20 Books, decided to share some of our favorite memories of our literary pilgrimages, and share some literary pilgrimages you can take from home!

MASQUERADE: AMPTHILL, ENGLAND

One of the most celebrated children’s books of all time is the mystical, beautifully-rendered mystery of Jack Hare, Masquerade, published in 1979 by Kit Williams. The book, a gloriously illustrated riddle, purported to lead to a treasure for the person who could solve the book’s mystery—a golden jeweled hare. After a bit of a scandal involving cheating, two British teachers solved the location of the jeweled hare. But, the lasting legacy of the book, other than its enjoyment as a beautifully illustrated book, is its contribution to children’s literature. The book created a sub-genre of writing, called “The Armchair Treasure Hunt Book,” which author Kit Rosewater, of THE DERBY DAREDEVILS series, wrote about in her masters thesis. When Rosewater sent a copy of her thesis to Masquerade author Kit Williams, he invited her “to an art show at his home in a tiny town in the UK. The art show was only three weeks after I got the invitation, but I was able to find cheap airline tickets and fly myself to and from London to meet him.” She attests that this literary pilgrimage was one of the absolute highlights of her life.

Armchair Travel: Ampthill, England!

From home, you can take a literary pilgrimage through the story of Jack Hare, and the real adventures of those treasure-hunt-obsessed locals through this BBC article, which shows both images of the book, and tells the story of the real-life frenzy of the treasure hunt. You can see the original gold and jewel encrusted hare in several images, and pictures of the location in England where the treasure was found, in Ampthill, and of the author unveiling the treasure. When you’re done traveling through the world of Masquerade, perhaps it will inspire a treasure hunt of your own!

ENGLAND, JANE AUSTEN and PRIDE AND PREJUDICE

England has many sites of literature. KayLynn Flanders, author of SHIELDED, went out of her way to find “the statue of Hodge, Samuel Johnson’s cat.” She also visited “Platform 9 3/4 and the Globe Theater, and the British Library, with its Gutenberg Bible.” But perhaps the most famous British literary adventures involve a love of Jane Austen, and locations visited by the writer herself, as well as the many locations where films were made of her many books. Amanda Sellet, author of BY THE BOOK: A NOVEL OF PROSE AND CONS, worked in England as a nanny, and “had a chance to wander around Bath and Lyme Regis like an Austen heroine.” There is no substitute for being in the moors and crossing muddy grounds in heavy skirts, but Sellet helps us imagine it. “Feeling that windblown sogginess first-hand helped me understand why everyone was so moody and also prone to taking to their beds at the first sniffle!”

Armchair Travel: Jane Austen’s England!

One way to immerse yourself in Austen’s world—perhaps in a cozy armchair with a just-poured cup of tea—is to virtually visit her home, which is now a museum. If you click on “explore” then on “the collection” you can find images from many of the precious items in the house, including the Clementi piano, the “Chawton leaf” wallpapered room, and the dining room fireplace and iron-forged grate. There are also images of the first editions of many books, of personal letters, and of Jane Austen’s jewelry.

NEW YORK CITY and DASH & LILY’S BOOK OF DARES

New York City, arguably the center of the publishing world, has long been a mecca for literary pilgrimages. Chumley’s in Greenwich Village—a forge turned speakeasy—was a gathering spot for many famous authors, including Willa Cather and Edna St. Vincent Millay. And the New York Public Library is one of the most famous libraries in America, with copies of many famous first editions. But there are some secret literary spots as well. “When my family visited New York City, my teenage daughter and I insisted on visiting The Strand, the bookstore where Dash finds Lily’s journal in Dash and Lily’s Book of Dares by Rachel Cohn and David Levithan,” says Amy Noelle Parks, author of THE QUANTUM WEIRDNESS OF THE ALMOST KISS. And Kath Rothschild, author of the forthcoming WIDER THAN THE SKY, visited the Muppet Workshop at FAO Schwartz with her three-year-old to commemorate the location where each Dash and Lily make their own Muppets on their quest to get through the book of dares—and find one another.

Armchair Travel: New York City!

In addition to a virtual visit to The Strand, another famous literary bookstore in New York is Books of Wonder, a children’s literature bookstore, has an extensive online presence, with links to their artwork—one of the most special things about the actual location. In the actual Books of Wonder, the back of the shop has many amazing children’s books illustrations on display—but you can admire and discuss many through their website as well. And, although the FAO Schwartz and the Muppet Whatnot Workshop have closed, you can still create a Muppet through this blog: https://theawesomer.com/make-your-own-muppet/93745/, that shares the templates used by the original workshop. A fun activity to do with kids, cutouts of these eyes, noses, and make myriad different Muppets of your favorite literary characters.

NEW ORLEANS, GHOSTS, VAMPIRES, and WITCHES

Ghosts and writers are equally abundant in New Orleans. An evocative place for a literary pilgrimage, New Orleans was home to Anne Rice, best known for Interview with a Vampire and The Witching Hour, and other Southern authors, like Tennessee Williams. It is a landmark for literature—from the hole-in-the-wall bookstore Faulkner House Books, in Pirate’s Alley in the French Quarter to the resting place of the famous voodoo priestess and midwife, Marie Laveau in the Garden District’s Lafayette Cemetery No. 1, referenced in many books and films. Haunted New Orleans is also the location for the third season of American Horror Story, which was filmed in the French Quarter and at one of the most famous haunted houses, the LaLaurie Mansion (1114 Royal Street). Rothschild visits the city that inspired so much literature annually. “There is nothing like walking through the streets of New Orleans. You can feel the history, the ghosts, pressing in on you. I listen and always find a story.”

Armchair Travel: New Orleans!

Today, you can take a visual tour of Anne Rice’s old New Orleans home, and imagine the ghosts that the touched-up photos hide. Two locations feature images of the interior and grounds of her old home, here and here.

And, a short video brings you to the LaLaurie Mansion, to imagine the ghost stories it inspires even today.

Enjoy your armchair pilgrimages!

To find out more about the debut middle grade and young adult books in the Class of 2k20 books, visit https://classof2k20books.com/, Twitter @Class2k20Books; Instagram @class2k20books.

Thank you, Barbara, for writing about this for middle schoolers! It is a topic that needs to be talked about; we’re glad this book exists!