Author Guest Post!: “Teaching Kids Hope” by Carla Mooney, Author of Terrorism: Violence, Intimidation, and Solutions for Peace

Share

 

Terrorism: Violence, Intimidation, and Solutions for Peace
Author: Carla Mooney
Expected Publication November 15th, 2017 by Nomad Press

Summary: Why did terrorists attack the World Trade Center on September 11, 2001? The answer to that question is ancient, complicated, and crucial to a perceptive understanding of the global community we live in today. In Terrorism: Violence, Intimidation, and Solutions for Peace, readers ages 12 to 15 explore the history, causes, psychology, and potential solutions to the problem of terrorism in an objective way that promotes comprehension and empowerment.

  • Investigating previous events in the world’s history can help students understand the causes and effects of current events.
  • Activities encourage the development of important skills, including comparing and contrasting, looking for detailed evidence, making deductions, and applying critical analysis to a wide variety of media.

Teacher’s Tools for Navigation and Discussion Questions: 

“Teaching Kids Hope” by Carla Mooney

There’s a lot of bad news out there. There’s a lot of good news, too! But unless kids are living in a soundproof room with no cell service or internet access, they’re going to hear at least some of the depressing, no matter how much the adults in their lives try to protect them.

Some of this bad news concerns terrorism. While terrorism has been around since ancient times, the struggle between different ideologies has become far more visible in recent years because of the ease and speed of communication. We all know about attacks happening all around the world, almost as soon as they happen. Kids included.

When the bombing at the Ariana Grande concert in Manchester, England, happened last spring, the audience was full of young teens, fans of the singer, and it was teenagers who were watching events unfold via texts and posts from other kids around the world. Just about every elementary school has a ceremony of some kind on September 11—children who weren’t even alive when the Twin Towers fell spend time recognizing the victims and honoring their memories.

Terrorism is all around us, even when we live in what we consider safe societies that have not yet been touched directly.

How do we—as educators, parents, and mentors—support children as they grow up in a world where terrorism is a regular occurrence? How do we teach them to think critically and creatively about potential solutions? How do we create that balance between knowing the issues and not letting that knowledge cause fear and anxiety, when the reality is the vast majority of citizens will not experience a terrorist attack in their lifetime? How do we get kids to see themselves as part of the solution and empower them to make wise choices, learn about the issues, and work to find solutions?

This might sound like a tall order for kids, but maybe they are the generation that will solve the problems of terrorism.

I wrote my book Terrorism: Violence, Intimidation, and Solutions for Peace specifically with the intent of providing kids with not just the history of terrorism (which is an important part of recognizing its role in today’s world), but also as a jumping off point to start thinking about how to curb terrorism.

Here are three activities I came up with to help kids understand that while terrorism is a very real part of life, it’s not a problem that can’t be solved. I hope you find them useful, and remember, never give up hope.

ASSASSINATIONS—AN ACT OF TERROR?

Throughout history, assassination is one tactic used by terror groups to achieve certain goals. However, not every assassination is an act of terror. When should murders of political figures be considered acts of terror or when are they simply horrible crimes? What separates terrorism from criminal activity?

  • Choose a political leader who was assassinated or who survived an assassination attempt. Some leaders to consider researching include:
    • Abraham Lincoln
    • William McKinley
    • Czar Alexander II of Russia
    • Indira Gandhi
    • Benazir Bhutto
  • Research the assassination attempt on your chosen Consider the following questions.
    • Who was the leader? Where were they from? What country did they lead?
    • What political or social views did the leader have that were controversial?
    • Who was the perpetrator?
    • What was the perpetrator’s objective? Did they succeed?
    • Did their actions affect history in the short-term? In the long-term?
    • Was the assassination attempt an act of terror? Explain your point of view.

THE PROCESS OF RADICALIZATION

The process of radicalization is different for every individual. While the path each person takes toward adopting extremist views is different, are there some similarities? By studying the radicalization of several different individuals, you can look for common themes in their stories.

PREVENTING TERROR ATTACKS

While successful terror attacks make headlines around the world, there are dozens of plots that have been thwarted by counterterrorism efforts. You can read about some of these plots here.

  • Select three or four thwarted terror plots to research. Find and read newspaper or magazine articles about the foiled attacks.
  • Create a chart to categorize the plots.
    • What types of attacks were planned?
    • What methods did terrorists use?
    • Who was involved?
    • What targets did they choose?
    • What was the objective?
    • How was the plot stopped?
    • What counterterrorism methods were used?
    • What was the outcome?
  • Does the number of thwarted terror plots make you feel more or less secure? Explain.

About the Author: Carla Mooney is the author of many books for young readers including Globalization: Why We Care About Faraway Events, The Holocaust: Racism and Genocide in World War II, Forensics: Uncover the Science and Technology of Crime Scene Investigation, The Industrial Revolution: Investigate How Science and Technology Changed the World and Explore Rivers and Ponds! With 25 Projects from Nomad Press. Her work has appeared in many magazines including Highlights, Faces, and Learning Through History. Carla lives in Pittsburgh, Pennsylvania.

Thank you to Carla for her important post with so many useful tools and to Andi from Nomad Press for introducing us to this book!

and 

Author Guest Post!: Giving Kids a Break: What’s so normal about “normal”? Or, in other words, is it OK to be “average”? by J.L. Powers (with M.A. Powers), Authors of Broken Circle

Share

Giving Kids a Break: What’s so normal about “normal”?  Or, in other words, is it OK to be “average”?

A few years ago, I started writing books with my “little” brother (he’s younger but much taller…and a whole lot cooler!).

Broken Circle is the first book in a series that examines cultural concepts of death through teen characters who serve as “soul guides”—that is, the entities charged with ushering recently departed souls from this world to the next. Modern day Charons, rowing patrons across the River Styx. Each teen soul guide belongs to a particular family of psychopomps—from the Reaper family to the Angel of Death family to the La Muerte family, etc. And each soul guide teen brings to the table a little bit of cultural reference in how they understand death and the process of dying. In the first book, however, our main character 15-year-old Adam doesn’t even realize that he’s a soul guide. He doesn’t know that his father is the Grim Reaper and he’s about to inherit the family business.

When I called Matt to talk about writing this blog post, we spent some time trying to figure out what we could say that would be useful to teachers and readers. After all, “death” is not an everyday topic for teachers! (As an aside, maybe it should be. We all die someday….shouldn’t we prepare for it rather than avoid it? That is, by the way, part of the impetus for writing this book…. The series is an extended philosophical meditation about death via fast-paced fantasy novels. Why, as a culture, are we so afraid of something we all must do someday?)

As we thought about this, we explored the following questions: Why did we write this book about a kid who’s just trying to live a so-called “normal” life and who discovers that he’s anything but normal—that he is, in fact, the personification of something everybody fears? How would he cope with that? How should we, as people, cope with the way other people perceive us or the ways we feel we aren’t “normal”? Can the things we fear most become our friend? Can we learn to embrace what is “abnormal” because it is healthier for us than what is “normal”?

Matt and I did not grow up “normal,” although it certainly felt “normal” to us because it was what we knew. We lived in a neighborhood on the U.S.-Mexico border, where half our neighbors and friends were “undocumented” immigrants, and many of them refugees fleeing the violence of Central America. Our mother homeschooled us before homeschooling was trendy—in fact, for the first few years, we kept it secret because the state of Texas was actively prosecuting parents who were homeschooling. My parents always tried to stay out of debt so we drove old clunkers, like the 1972 sky-blue Montego that embarrassed us so much whenever we went to church, where other families drove nice cars. (In our neighborhood, though, that 1972 Montego was COOL….low-rider material!) We wore hand-me-down clothes. Our mom cut our hair. We lived in a decrepit old perpetually-remodeling house. We were the antithesis of cool.

Today, both Matt and I are live on opposite sides of the country—Matt in Maine and me in California, the “Left Coast.” We are both trying—hard—not to get caught up in what our current culture regards as “normal,” whether that’s the most recent trend or the rat race of trying to keep up with the Joneses. Of trying to live up to some standard of what others deem “success.” And one of the things that worries both of us about modern childhood is the extreme stress society and families place on kids in order to make them achieve some predetermined notion of “success.” From preschool to college, we expect not just perfection in grades and school but we seem to pressure our kids to fill every moment of their lives with some activity that will help them “achieve” some undetermined level of greatness. It’s not enough to just enjoy soccer—you have to be so good at soccer that you can earn a scholarship. It’s not enough just to enjoy karate—you need to earn a black belt. And so on and so forth. It’s a terrible cycle that never ends—and to what purpose? What are our kids supposed to achieve? Couldn’t it be enough to live a good life, fall in love (or not), go to a “mediocre” school (is it really necessary to go to Yale?) or learn a trade, have kids (or not), travel a little bit, and generally be happy?

“We need T-shirts,” Matt said, “that say, ‘Celebrating the Average!’”

This doesn’t mean, by the way, that we think people and kids shouldn’t strive to achieve their dreams—only that our modern vision of what that should look like or how to get there is fundamentally problematic.

In Broken Circle, Adam is forced to leave his regular public school and attend a special boarding school. There will be no college for him, so this isn’t an expensive prep school designed to get him into Harvard or Yale.  Instead, he must learn the skills necessary to help newly departed souls cross a world we named “Limbo” to reach the “other side.”

And what are those skills exactly? What does Adam need to know in order to fulfill the obligations of this very different kind of profession?

Actually, he doesn’t need to KNOW anything. But he does need a skill set, one we think all people would benefit from.

In the world of Broken Circle, each departed soul enters a world called “Limbo.” If they don’t pass through Limbo to the other side, they remain stuck in Limbo forever. Limbo, as we constructed it, is a world each person experiences differently. It represents the emotional apex of a person’s life—their obsessions or fears or loves or desires. A soul guide must help each soul solve the problem of their life so they can pass peacefully on. So for example, a person who has spent much of his life pushed and pulled between the competing whims of a manipulative parent or spouse may have to endure a monstrous exaggeration of that world in Limbo and learn to stand up for himself before he can pass on to the other side. Or a mathematician might find herself stuck in a difficult, seemingly impossible math equation that she must solve. Or a librarian might find himself facing a stack of books he must shelve but they all lack their Dewey classification numbers. Or an electrician faces a live wire and a body of water she must somehow cross. You get the point…

These soul guides can’t possibly “know” everything they need in order to do this job! How do you prepare for something that is impossible to prepare for? Every soul these teens will guide across Limbo will have a different world they must navigate—a different emotional or literal problem they must solve. As a result, at the School for Soul Guides, these teens are allowed to learn whatever interests them. If they want to cook, they can learn to cook. If they want to learn karate, learn karate. If they want to build a pyramid, let them build a pyramid—figuring out mathematical proportions, soldering, and everything else required to create a pyramid. School in this case isn’t made up of required subjects that they have to master. They don’t all need to progress through rote systems of knowledge. Instead, whatever interests them, they pursue.

In our book, a soul guide in training must learn skills that helps them adapt to different situations and different people’s needs. A soul guide must learn how to be a good friend and mentor so he or she can help souls navigate the complexity of their emotional world. In other words, a “good” soul guide is one who is curious, flexible, judicious, and non-judgmental.

In the end, as teachers and parents, what are the skills we should impart to our kids to prepare them for a rapidly changing world? Do we need them to be so stressed, to cram every minute full of learning? Is it knowledge they need—or something else? Can we give them more space and time to grow as people in these fundamentally necessary skills of curiosity, flexibility, sagacity, and acceptance of others?

In the book, when he realizes that he is allowed to learn whatever he wants and nobody will stand in his way by requiring him to learn something else, one of our characters jokes, “Are we becoming jacks of all trades, masters of none?” The answer is no. They are learning to pursue learning for the sake of learning. They are learning to be people.

I have spent twenty years teaching college English. Yes, I like my students to be better writers, thinkers, and readers when they leave my classroom. But more important than that , I hope that when they leave my classroom, they have grown as people….that they have become better, kinder citizens of an increasingly globalized world. In my students and my own kid, and especially in myself, I hope I celebrate this kind of growth rather than cultural and financial and educational markers of “success”…..

J.L. POWERS is the award-winning author of three young adult novels, The Confessional, This Thing Called the Future, and Amina. She is also the editor of two collections of essays and author of a picture book, Colors of the Wind. She works as an editor/publicist for Cinco Puntos Press, and is founder and editor of the online blog, The Pirate Tree: Social Justice and Children’s Literature. She  teaches creative writing, literature, and composition at Skyline College in California’s Bay Area, served as a jurist for the 2014 NSK Neustadt Prize for Children’s Literature, and is launching Catalyst Press in 2017 to publish African writers.

M.A. POWERS is J.L.’s “little” (but much taller) brother. He has a PhD in the oncological sciences from the Huntsman Cancer Institute at the University of Utah in Salt Lake City. He is currently a stay-at-home dad and lives in Maine.

For young Adam Jones, inheriting the family business is more than a rotten hand. It’s downright skeletal.

PRAISE FOR BROKEN CIRCLE

“Adam’s ‘nightmares’ are so amped up that they begin to reveal to him truths about his parentage, and the mantle that has been placed upon his shoulders by his father, a grim reaper. There are so many other questions he wants answered and consequentially, he is shipped off to a ‘rehab’ which is actually the citadel for ‘soul guides.’ Teen and adult fans of the Sookie Stackhouse novels and the Mortal Instruments [series] will find Broken Circle a tight competitor for the new most addictive paranormal read.”

—Jilleen More, Square Books (Oxford, MS)

“Adam can’t even grow a man beard yet, but he can do something his friends can’t do—go to Limbo and back. Prepare to root for him as he makes new friends, discovers who he is, and saves a few souls in the process. This is a fast-paced, page-turning story!”

—Skila Brown, author of Caminar

“With a perfect balance of real-world and mythical, Adam’s story explores life, death, and everything in between. Anyone looking for a thoughtful take on life’s big questions will find it here, paired with fresh details, a fastmoving story, and bold world building.”

—Amy Rose Capetta, author of Entangled

ABOUT BROKEN CIRCLE

Adam wants nothing more than to be a “normal” teen, but his reality is quickly leaking normal. Afraid to sleep because of the monster that stalks him in his dreams, Adam’s breakdown at school in front of his crush Sarah lands him in the hospital. As he struggles to cope with his day-to-day life, Adam can only vaguely comprehend some sort of future. His mother died when he was only four and his eccentric father—who might be an assassin, a voodoo god, the reincarnation of the Buddha, or something even stranger—is never available when Adam really needs him. Even his paranoid grandfather, who insists that people are “out to kill the entire family,” is no help.

Adam’s life takes an even stranger turn when a fat man with a gold tooth and a medallion confronts his father regarding Adam’s supposed “True Destiny.” Adam is soon headed toward a collision with life, death, and the entities charged with shepherding souls of the newly dead, all competing to control lucrative territories where some nightmares are real and psychopomps of ancient legends walk the streets of North America.

Thank you for this guest post! It is so important for each kid to find their own path. 

and 

Author Guest Post!: “The Joy of Comic Reprints” by Tom Eaton, Author of The Bug Zapper

Share

“The Joy of Comic Reprints”

When sharing my comic for kids, The Bug Zapper, at events throughout the year, I’m regularly asked for additional recommendations. Many kids have already devoured Calvin and Hobbes and TinTin – what next?

While there are many awesome new graphic novels for kids out there, I also like to recommend reprints and collections of older classics. Here are some of my favorites:

Nancy Is Happy

These original strips from Nancy creator Ernie Bushmiller are perfectly executed blasts of fun – often unabashedly cheesy, with bold, clear artwork. While they might seem like they’re for a younger audience, there’s something totally disarming about these that is universally appealing. They are the comic strip’s comic strip – as the Fantagraphics catalog tells us, Nancy strips have literally been used as the dictionary example of comics.

The Complete Peanuts

Similarly, the Fantagraphics reprints of early Peanuts are gems. One of my favorites is 1950-52, which reprints some of the earliest Peanuts cartoons. Everyone knows the Peanuts characters as the miniature adults they’d come to be, but in these, Charlie Brown starts out as more mischievous than neurotic, and the humor’s broader than it would end up being in later years.

Benjamin Bear

I discovered these at our library while picking books out for my 5-year old, and was hooked. They’re reprints of a sparsely-worded French comic, now published by Toon Books (I’m not sure when they were originally published). As with Nancy, the strips are gag oriented and everything is staged perfectly to build to a clear yet surprising punchline. Perhaps for a bit younger age group than the Calvin and Hobbes crowd, but again, there’s something for everyone here.

Uncle Scrooge “Only a Poor Old Man”

The cartoonist perhaps most synonymous with Uncle Scrooge is Carl Barks, and these reprints of his comic books (again, from Fantagraphics) are amazing. Given lots of creative control, Barks created a world of adventure and humor that would later inspire “Raiders of the Lost Ark” and its own DuckTales franchise. But this is the source. Each has a crazy premise at its heart – for instance, in one, Scrooge fears being shortchanged by Donald, so he sinks millions of quarters underwater just to create demand for a single coin. These outrageous concepts and clear artwork make these books a treat (and introduce basic economic principles, to boot!)

There are many more out there – when I discussed this with friends, they swore by Asterix (which I’m not as familiar with). I’m also personally a big fan of Moomin and Pogo, though I sometimes think they’re more for grown-ups. I’d love to hear more recommendations and what you think.

About the Author: I’m a Brooklyn, NY-based animator and professor, with an MFA in Digital Media from Lehman College. Professional animation industry experience includes Cartoon Network’s Sheep In The Big City and Codename: Kids Next Door, as well as Disney’s Little Einsteins.

Freelance projects include music videos for Sufjan Stevens (Put the Lights on the Tree) and the Danielson Famile (Idiot Boksen.) My original short animated films include the award-winning Don’t Smash, starring My Brightest Diamond’s Shara Worden as the voice of the bunny. Don’t Smash has screened in kids film festivals in the U.S. and internationally, and I’ve done Q&A sessions at the Brooklyn Academy of Music. My most recent work is a self-released graphic novel for kids, The Bug Zapper, an animated version of which was selected for the 2016 San Diego Comic Con Film Festival.

I’m an Assistant Professor of Animation at Kingsborough College in Brooklyn. I’ve also taught at Cooper Union and Queens College. Children’s classes have included animation and cartooning classes at the Brooklyn Design Lab in Brooklyn, NY and Creative Summer at the Mead School in Stamford, CT.

For even more of the nitty-gritty, check out my interview with HTML Giant.

The Bug Zapper
Author and Illustrator: Tom Eaton

About the Book: The Bug Zapper is a superhero graphic novel for kids ages 6-8. It’s about a town full of bug villains, and the one superhero who must keep them in line. With the help of school reporters Robert and Amber, our hero must contend with Mean Mosquito, Bumblebeezy, and more.

You can check out The Bug Zapper at bugzappercomics.com, and facebook.com/BugZapperComics. It’s available as a print book, or an ebook series with extra animated scenes.

Tom Eaton also created a Bug Zapper animated short that has word balloons instead of audible dialogue, encouraging kids to read:

And remember teachers: Comics are reading, too!
Thank you, Tom, for this awesome reminder of these classic and timeless comics 🙂 

Author Guest Post!: “Reaching Reluctant Readers” by Brian Rock, Author of The Tyler Files

Share

Reaching Reluctant Readers

As a former teacher and current parent, I’ve had some experience in introducing kids to reading. And while there’s no magic potion that works for all kids, I’ve learned that oftentimes the messenger is as important as the message. Even reluctant readers will warm up to the task at hand when they see that someone else is actually enjoying it. So, when encouraging youngsters to read, remember to make it fun – for both of you! Here are a few suggestions:

Step out of routines:

Make special times to read. Don’t save reading time for just before bedtime, or it can become just another rote exercise like brushing teeth and washing up. You can have a reading night where you turn off the TV and let everyone pick a favorite book to read for thirty minutes or longer. For younger readers, you can create special snuggle-read time on weekends or after preschool.

Remember to take time after reading to discuss the book your child has read (or listened to someone else read.) Let them voice their opinions about what they liked best in a story. Even if they focus on illustrations, let them know that you value their insights about books. This discussion time is especially important because it lets even pre-readers feel like they’re part of the reading process.

Likewise, in the classroom, elevate reading from an assignment to an experience. A great way to do this is to find short, funny poems that you can read in under a minute, and read them to introduce a related class lesson. Shel Silverstein and Kenn Nesbitt are two great authors to begin with.

Lights, camera, read!:

Don’t just read a book, act it out. Without donning makeup and costume, you can bring characters to life with just a bit of inflection. Is the character sad? Use your saddest, poutiest tone to convey that emotion. Is the character happy? Unless you’re in a library, let your child feel the character’s joy through your own exuberance and RAISED VOICE. Is there more than one main character? Use different voices for each character. In my picture book, The Deductive Detective, I create fourteen unique voices to bring the story to life and give each character its own distinct personality.

Is your child already starting to read? Let them read the text for one character and you read the text for the other. Some great books for together reading are The Duckling Gets a Cookie?!?, Green Eggs and Ham, and You Read To Me, I’ll Read To You. For older, elementary school age readers, look for books with lots of dialogue. Tom Angleberger, Kate DiCamilla, Chirs Grabenstein are great authors for compelling characters and dialogue.

Celebrate books:

Make trips to the library or bookstore special occasions instead of errands. Let your kids see other children enjoying books. Let them linger, browse and choose their own books. It’s a special feeling when one book out of hundreds on the shelf “speaks to you.” Kids have so little autonomy in their lives, let them enjoy this one freedom of choosing their own book and it will make reading that much more special for them.

For teachers, try offering several books that you’ve pre-selected for a specific lesson and let the class vote, or even better, let individual students (especially the reluctant readers) take turns voting for which book to read. That small, simple action gives them reason to be invested in the book.

Get serious about reading with series:

Most reluctant readers don’t have favorite books, they have favorite characters. That’s why most book series are character driven. Once young readers make a connection with a character, the effort to make sense of language and understand plot becomes less intimidating, because they are in the company of a friendly character with whom they relate.  In each subsequent book in the series, the characters, setting and premise are familiar, so understanding those elements takes less effort. With each book, the process gets easier and more enjoyable. In my chapter book series, The Tyler Files, for example, readers will find the same characters, with the same mannerisms, in the same school setting. The only change is a new source of mystery in each book, but because readers are familiar with the characters and premise, it’s easier to dive right in and get to the heart of the story.

For the very young, you can’t beat Dr. Seuss and Mo Willems. For chapter book readers, Mary Pope Osbourne and Jim Benton have wonderfully engaging series.

Make “em laugh, make ‘em laugh, make ‘em laugh!:

But by far, the best way to hook reluctant readers is to hit them in the funny bone. According to the Kids & Family Reading Report, 70% of kids want to read a book that will make them laugh and 54% want books that allow them to use their imagination. That’s why I make sure all the books I write are 70% funny and 54% creative!

For a child that sees the written page as a chore akin to taking out the trash, an unexpected burst of laughter can change their whole perspective. I know many teachers feel it’s their duty to be “serious” about reading, but getting kids seriously into reading is more important than boring them to death with serious lessons. There will be plenty of time for serious lessons later, but if you don’t hook a reader in elementary school, you never will. And study after study has shown that kids respond best to books that make them laugh – even if their sense of humor is worlds apart from your own.

For funny picture books, I recommend Mar Barnett, Doreen Cronin, and Jon Scieszka. For comical chapter books, check out Dav Pilkey and Herman Parish.

About the Book: Tyler has a big problem. His pants won’t stop talking! How will he make it through the day without becoming the school laughingstock? And how will Tyler survive his pants’ “off the cuff” remarks to the school bully (and to his secret crush?) With a little help from his best friend, Tyler gives a first-hand account of the mysterious, improbable and occasionally funny events that are so strange they can only be found in THE TYLER FILES.

In addition, THE TYLER FILES breaks new ground in the chapter book genre by adding interactive backmatter to the end of the story. Tyler poses questions to stimulate creative thinking in readers. He introduces and give examples of idioms related to the story. He gives 10 fun facts about pants, and even tells some jokes!

About the Author: Brian Rock’s latest PB was MARTIAN MUSTACHE MISCHIEF (First Light Publishing, 2015.) His previous PB, THE DEDUCTIVE DETECTIVE, (Arbordale, 2013) was a featured title of the month by the Children’s Book Council (Feb 2013.) His additional PBs include WITH ALL MY HEART (Tiger Tales, 2012) and DON’T PLAY WITH YOUR FOOD! (First Light Publishing, 2005.) Children’s Poet Laureate, Kenn Nesbitt included one of Brian’s poems in his anthology of poetry, ONE MINUTE TILL BEDTIME (Little Brown, 2016.) Brian received his master’s degree in Children’s Literature/Creative Writing from Hollins University. His poems for children have appeared in Highlights for ChildrenPoetry Train, and various regional publications. He is a former teacher who taught at-risk students for six years, and he is a member of SCBWI.

The Tyler Files looks like the perfect book to use to reach a reluctant reader! Thank you for the post, Brian!

 and 

Author Guest Post!: “How Kids Can Help Homeless Children” by Melody J. Bremen, Author of The Boy Who Painted the World

Share

How Kids Can Help Homeless Children

While writing my latest novel, The Boy Who Painted the World, I did research on homeless people – specifically, homeless children. The main character of the book, Indigo, is a ten-year-old homeless boy and I wanted to understand a little bit about what his world is like. I came upon some pretty scary statistics:

There are 100 million homeless children around the world.

There are 2.5 million homeless children in the United States. That means there is likely to be one homeless child in every classroom.

That’s a lot of kids without a permanent roof over their head. These children might be sleeping in a shelter, a motel, or even in a car. They’re under a lot of stress, which causes them to do poorly socially and in school. Their circumstances can affect them great later in life with both physical and psychological issues.

What Can I Do?

Every person, no matter how old, can help, and it doesn’t have to be anything mind-blowing or difficult. Even a simple smile to someone on the street can cheer someone up.

Here are some easy ways that you can make a difference:

  1. Give money: Carry some small change with you and give it to people who are asking for money on the street. That money may just buy them their next meal.
  2. Donate clothing: Save old clothing and shoes that you no longer wear and donate it.
  3. Donate toys and books: Donate gently used toys and books that you are no longer using.
  4. Volunteer: Volunteer some of your time and help out at a shelter or soup kitchen. You can also tutor kids and help them out with their homework.

If everyone person does a little something, it can go a long way to alleviating the hardships of the homeless.

Links to websites that can help you take action

Stand Up for Kids: http://www.standupforkids.org/

School on Wheels: https://www.schoolonwheels.org/

Volunteers of America: https://www.voa.org/


The Boy Who Painted the World
Author: Melody J. Bremen
Published 2017

About the Book: Indigo is a boy with a dream. He spends his mornings in a refrigerator box, his afternoons shoveling snow, and his nights in the basement of a homeless shelter. But during every free moment, he draws and dreams of becoming a famous artist. His best friend Jade looks after him, but she is arrested for shoplifting and he’s left all alone. With his box of pencils under his arm, he sets out on a quest to search for Jade and discovers a whole new world… full of the art he loves.

His journey brings him friendship, family, and the courage to hold onto his dreams.

About the Author: Melody J. Bremen writes books for middle grade and young adult readers. She lives on a distant planet where all they do is write and read books. (Sometimes they eat jelly beans.) She has a faithful computer named Oswald.

Visit Melody’s blog: http://melodybremen.com/blog/
Sign up for Melody’s newsletter: http://www.subscribepage.com/newsletter-sign-up

Thank you, Melody, for this important guest post!

 and

Author Guest Post!: “Cap’n Rex’s Steps to Writing a Fictional Picture Book” by Henry Herz, Author of Cap’n Rex & His Clever Crew

Share

“Cap’n Rex’s Steps to Writing a Fictional Picture Book”

Today, author Henry Herz joins us. His picture books include: MONSTER GOOSE NURSERY RHYMES, WHEN YOU GIVE AN IMP A PENNY, MABEL & THE QUEEN OF DREAMS, AND LITTLE RED CUTTLEFISH.  His latest, just out from Sterling, is CAP’N REX & HIS CLEVER CREW. The protagonist, Cap’n Rex, has agreed to offer advice about how to get classrooms excited about a writing assignment, and some of the other things they will learn along the way. Please welcome, Cap’n Rex.

Arrr! It’s a pleasure to be aboard, me lasses. I may be a long-in-the-tooth dinosaur pirate, but I’ve a mess o’ experience teaching wee sailors how to write fictional picture books. It keeps ’em from getting bored on our long sea voyages. There be seven steps on my map to the buried treasure of children’s literacy. Read on, if ye dare!

  1. Form crews – Arrr, there be nothin’ like a little friendly competition to inspire performance. Arrange yer students into teams o’ four. Have each team pick a name. Some o’ me favorites arrr Mystery Marauders, Biography Buccaneers, and Paranormal Pirates. But, I may be biased toward piratey appellations. Each team’ll be writing their own picture book. Savvy?
  2. Define the details – Have each team parley among themselves to figger out the story elements listed below. This here be a bonus learning opportunity to teach them some writing concepts.
    • Main character – What is the main character’s name, race/species, gender, title/role, and personality traits?
    • Other characters – Do the same for yer other characters. Limit yerself to no more than four characters in all.
    • Theme – If yer story will offer a lesson for the reader, what is it? Fer example, do unto others as you’d have others do unto you, or think outside the box.
    • Goal/obstacles – Stories are more fun if there’s tension. What goal is the main character trying to reach (in my case, it’s usually booty). And what obstacle(s) must he or she overcome to reach that goal? One tried and true formula is: try-fail, try-fail, try-succeed. That makes victory all the sweeter, me buccos.
    • Time frame – Will yer story take place in the past, present, or future? How far back in the past or into the future?
    • Setting – Where will your tale unfold? On the high seas? In yer backyard? On Mars? In an ant hill?
    • Genre – Will yer tale be fantasy, science fiction, mystery, historical, comedy, romance, horror, tragedy, or somethin’ else?
    • Point of view – Does it work better if the tale be told by the main character or by a narrator?
    • Tense – Should the tale be told in the present tense, as if it’s happening right now? Or, would it be better described in the past tense as something that’s already happened?
  3. Tell yer tale – Fictional picture books can have anywhere from zero (it’s true!) to 1,000 words. Aim fer about 500 words. Since there are often fourteen two-page “spreads”, that works out to an average of 36 words (three to four sentences) per spread. Picture books are usually written fer three to seven year-olds. So, make sure yer word choices are suitable for younger readers. Not too many syllables per word or words per sentence, or ye’ll walk the plank! Now yer teams can write their first draft of the manuscript.
  4. Time fer inspection – Just as dinosaur pirates have their work inspected by their handsome T-rex captain, yer young writers will need some guidance. Pair up yer teams. Have each member of one team read the other team’s story. Then, they offer feedback, alternating between things they liked about the story and things in the story that didn’t make sense or didn’t seem to help the story. Team members should not defend their writing. Just listen politely and take notes.
  5. Swab the deck – Just as a ship’s deck needs cleaning, so too does yer writin’. Now it be time for the teams to use the feedback they received to revise their story and make it seaworthy.
  6. Draw yer pictures – Now it be time to paint a pretty picture. A spread can be completely filled with a single illustration. Or, it can contain two to four smaller spot images. The latter is often used when the story pace has quickened. Give each team fourteen 11”x17” pieces o’ paper. Each team will divide their revised manuscript text up across the fourteen spreads. Then they’ll draw or paint pictures that help describe what is happening.
  7. Celebrate – Treats and grog (non-alcoholic) fer all when the stories be done! Each team takes turn reading their yarn to the class. Stories can be posted on the mainmast fer later parental enjoyment. What fine little writers ye arrr!

Cap’n Rex & His Clever Crew
Author: Henry L. Herz
Illustrator: Benjamin Schipper
Published August 1st, 2017 by Sterling Children’s Books

Shiver me timbers! It’s the DINOSAUR PIRATES!

Meet Captain Rex and his band of buccaneers. These dinosaur pirates sail the seven seas in search of buried treasure, but whenever they hit an obstacle—like a giant shark or pea-soup fog—the crew members are quick to say they can’t overcome. To this, Captain Rex just glares with teeth bared and says, “CAN’T YE?” And, somehow, the crew always comes up with a clever solution.

A delightful story about using one’s creativity and individual strengths to solve problems. It will encourage kids everywhere to think and say, “I can!”

Learn more about CAP’N REX & HIS CLEVER CREW and author Henry Herz at www.henryherz.com.

We Thank Ye fer Today’s Post, Cap’n Rex & Henry!

 and

Author Guest Post!: “An Interview with…Myself!” by Ann Herrick, Author of The Ugly Girl Party

Share

I ask and answer my own questions. Who better to reveal the real me?

Do you have an inspirational picture, photo or saying that you look to when you are depressed or have a terminal case of writers block?

Yes. It’s that any day when you can make someone smile is a good day. Of course, I hope that my writing will make people smile (and laugh, cry, think), but in every-day life giving (and receiving) smiles is a great reward.

What gets your creative juices flowing?

Daydreaming. My first YA novel, Practice Makes Perfect (now titled My Fake Summer Boyfriend), was a result of daydreaming about what I would have liked my summers to have been when I was a teenager. After that, it’s sitting at the computer and promising myself I’ll write at least two sentences. Once I’ve done that, I’m on my way.

What will stop your creative muse the quickest?

Interruptions and/or knowing there is something else besides writing that really needs to be done. That’s one reason I like to write in the afternoon. I try to get everything else out of the way in the morning, so I don’t have it hanging over my head when I sit down to write.

If you could be anything other than a writer, what would your second choice be?

My second choice would be to own a racing stable and have a horse that would win the Triple Crown. That was my first childhood dream, and it’s still a pretty good one–though not exactly practical. 🙂

If you could be anything other than a human, what would you be and why?

I’d have to say a cat (in a good home with an owner such as myself who believes in totally spoiling her cats). Purring seems like such a cool thing to be able to do.

Imagine your fairy godmother were to wave her magic wand and bestow a million dollars in your bank account. What would you do with the money?

I think I’d set up a fund for people here in Eugene who have endured some unexpected hardship. There are several charities to which I’d donate. And then I’d probably get the Home & Garden TV Curb Appeal crew to work on my house’s curb appeal!

If you were, for some reason, to lose the ability to write, what would you do with all the creative instincts you could no longer use?

I’d love to learn to draw (even though there’s no reason to believe I’d be very good at it!) or study landscape architecture.

Name the one thing in life you do not at this moment possess, but wish to have with all your heart.

An organized house? A tidy yard? Um, wow, I can’t really think of any things I need/want terribly much right now, but I’d love to have all my books hit the best-seller list. 🙂

The Ugly Girl Party
Author: Ann Herrick
Published June 12th, 2017

Tell us about your latest book.

The Ugly Girl Party is a tween/teen novel about a sophomore in high school, Faith, whose wish to get off to a good start at her new high school is shattered on the first day, as she quickly discovers that drop-dead gorgeous Hunter and friends decide she lives in the “wrong” house and wears the “wrong” clothes. They systematically harass her and seem determined to make her life miserable. She fantasizes about how she’ll get even some day when she is a famous singer/actress, but meanwhile just wants to make it through the day. She meets a couple of possible friends, but finds it hard to trust anyone.

When maybe-friend Julia tells her about the upcoming talent show, Faith is determined to win in order to impress her tormentors. Then nice-guy neighbor Riley invites her to the homecoming dance. She’s excited to go until she gets there and realizes that something is up–something terrible. And when she reacts, she finds herself in danger of being suspended from school. Faith questions her own goals, decisions, and values as she struggles to find her way.

It is available at Amazon and Barnes and Noble in paperback, and also as an ebook at Amazon.

Ann Herrick is the award-winning author of several books and short stories for kids and teens. Included in the awards her books have won are the ALA Recommended Book for Reluctant Readers, IRA/CBC Children’s Choice and EPIC Best YA Novel Finalist.

Ann grew up in Connecticut, where she graduated from The Morgan School and Quinnipiac University.  She now lives in Oregon with her husband, who was her high-school sweetheart.  Their wonderful daughter is grown, married and gainfully employed, and has given Ann her only grand-dog, Puff, a bloodhound-Rottweiler-beagle mix and six grand-kitties.  While she misses the East Coast, especially houses built before 1900, she enjoys the green valleys, fresh air and low humidity in the Willamette Valley of Oregon.  Ann loves cats, walking, the Oregon Ducks and working in her back yard.  In addition to stories and books for children and young adults, Ann also writes copy for humorous and conventional greeting cards. She loves to hear from her readers and can be contacted through her web site:  http://annherrickauthor.com

Facebook:  https://www.facebook.com/AnnHerrickAuthor/
Twitter: https://twitter.com/ann_herrick
Blog: http://www.authorsden.com/visit/viewblog.asp?AuthorID=841

Thank you Ann and Ann!

 and