The Astonishing Color of After
Author: Emily X. R. Pan
Published: March 20, 2018 by Little, Brown
Goodreads Summary: Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird.
Leigh, who is half Asian and half white, travels to Taiwan to meet her maternal grandparents for the first time. There, she is determined to find her mother, the bird. In her search, she winds up chasing after ghosts, uncovering family secrets, and forging a new relationship with her grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secret crush, Axel, her mother was taking her own life.
Alternating between real and magic, past and present, friendship and romance, hope and despair, The Astonishing Color of After is a novel about finding oneself through family history, art, grief, and love.
My Review: I just finished discussing this book with my class, and they loved it. It is a bit of a longer book and moves somewhat slowly, but even my students who didn’t finish it in time insisted that I should use it again next year. The writing is absolutely stunning. Pan depicts humanity in ways that are very powerful. She integrates color and emotion to connect readers to the characters. We had two one-hour class periods to discuss this book, and there were so many things to talk about. Discussion was easy, and students made meaningful connections with the book. This book is simply unforgettable. I recommend it highly and hope it wins some awards in January!
Teachers’ Tools for Navigation: My students said that they Googled the colors within the text as they read. We spent a lot of time talking about the colors as an effective writing tool. I asked students to think of a moment in their lives that they’d be willing to share. Then, I asked them to attach a color with the moment. They shared beautiful stories of working at drive-ins, meeting their SOs, visiting places with friends, etc. The colors they attached with the images were fascinating and made the stories come alive.
- How does the author incorporate magical realism in the text? Is it effective?
- Did Leigh and Axel’s relationship feel realistic to you? Why or why not?
- Which scenes are beautifully written, and how do they demonstrate excellent writing?
- Should we forgive Leigh’s father? Why might he make the decisions he makes?
We Flagged: “Once you figure out what matters, you’ll figure out how to be brave.”
Read This If You Loved: Goodbye Days by Jeff Zentner, When the Moon Was Ours by Anna-Marie McLemore, Miles Away From You by A. B. Rutledge, All the Bright Places by Jennifer Niven, Looking for Alaska by John Green, Forgive Me, Leonard Peacock by Matthew Quick
The Impossible Knife of Memory
Author: Laurie Halse Anderson
Published January 7th, 2014
ALAN Walden Award Finalist 2015
National Book Award Longlist 2014
School Library Journal Best Young Adult Book of 2014
Summary: For the past five years, Hayley Kincain and her father, Andy, have been on the road, never staying long in one place as he struggles to escape the demons that have tortured him since his return from Iraq. Now they are back in the town where he grew up so Hayley can attend school. Perhaps, for the first time, Hayley can have a normal life, put aside her own painful memories, even have a relationship with Finn, the hot guy who obviously likes her but is hiding secrets of his own.
Will being back home help Andy’s PTSD, or will his terrible memories drag him to the edge of hell, and drugs push him over? The Impossible Knife of Memory is Laurie Halse Anderson at her finest: compelling, surprising, and impossible to put down.
Complexity in Young Adult Literature
In Teaching Reading with YA Literature: Complex Text, Complex Lives by Jennifer Buehler, Chapter 2 looks at Young Adult Literature and Text Complexity and gives 8 different elements to think about to help analyze the complexity of a text:
Examples of complexity in The Impossible Knife of Memory by Laurie Halse Anderson
Other questions that could be asked while reading to find complexity in YAL
(Examples from Teacher Reading with YA Literature, Buehler 36-37)
- Language: Are the sentences artfully constructed? Are the words carefully chosen? Does the author incorporate figurative language or poetic expression? Can we hear voice in the writing?
- Structure: How is it built in terms of form and structure? How do other elements such as titles and subtitles, vignettes and interludes, shifts between past and present, or multiple points of view work together to service the whole?
- Other Stylistic Elements: Are there other distinct elements in the text?
- Character: What is there to explore in terms of the character’s thoughts and feelings; conflicts and contradictions; struggles, growth, and change?
- Setting: How does the author bring us into the world of the story? What details help us to see, hear, and imagine this place?
- Literary Devices: How does the author use literary or cultural allusions, intertextual references, dialogue, internal monologue, metaphor and symbolism, magical realism, or repetition to build meaning?
- Topics and themes: What questions does the book ask? What ideas does it explore? What is at stake for teen readers in this book?
- How the book is put together: How effective is the interplay between plot layers and thematic layers?
Discussion Questions/Writing Prompts for The Impossible Knife of Memory
Complexity can also be increased by the characteristics of the reader (such as motivation, knowledge, and experiences) and task variables (such as purpose and the complexity generated by the task assigned and the questions posed). Here are some examples of discussion questions or writing prompts that could be used in classrooms or with independent readers who are reading The Impossible Knife of Memory.
- Hayley classifies all people into two categories: freaks & zombies. What does Hayley’s idea of the world show us about her outlook on life?
- How does Laurie Halse Anderson use the idea of THEN and NOW throughout the novel to build on the theme that memories are a very complex part of life?
- Drowning is a motif throughout the novel.
- How does Laurie Halse Anderson show the reader that Hayley’s father is suffering and found addiction without using those words?
- How did the inclusion of Hayley’s romantic relationship with Finn help move along the story and Hayley’s transformation? Do you feel that Hayley’s story arc would have been the same without Finn in the story?
- How was the setting an integral part of the story? How did Hayley returning to her deceased grandmother’s home propel the story?
- .Trish is one of the most complex characters in the book because there are many different Trishes shared with us throughout the story: Trish then, Trish now in reality, and Trish now in Hayley’s mind. How did Laurie Halse Anderson develop each of these different characters to show the reader a full picture of Trish?
To learn more about complexity in young adult literature, please read Teaching Reading with YA Literature: Complex Text, Complex Lives by Jennifer Buehler!
Water in May
Author: Ismée Amiel Williams
Published September 12th, 2017 by Abrams Books
Summary: Fifteen-year-old Mari Pujols believes that the baby she’s carrying will finally mean she’ll have a family member who will love her deeply and won’t ever leave her—not like her mama, who took off when she was eight; or her papi, who’s in jail; or her abuela, who wants as little to do with her as possible. But when doctors discover a potentially fatal heart defect in the fetus, Mari faces choices she never could have imagined.
Surrounded by her loyal girl crew, her off-and-on boyfriend, and a dedicated doctor, Mari navigates a decision that could emotionally cripple the bravest of women. But both Mari and the broken-hearted baby inside her are fighters; and it doesn’t take long to discover that this sick baby has the strength to heal an entire family.
Inspired by true events, this gorgeous debut has been called “heartfelt, heartbreaking and—yes!—even a little heart-healing, too” by bestselling YA novelist Carolyn Mackler.
About the Author: Ismée Williams is a pediatric cardiologist who practiced at the Columbia University Medical Center in the Washington Heights neighborhood of New York City for fifteen years. She currently sees patients at Montefiore Hospital in the Bronx. As the daughter of a Cuban immigrant, partially raised by her abuelos, her background helped her understand the many Maris she met along the way. Water in May is her first novel.
“Full of spot-on cultural texture and packing an emotional punch, this is an unusual take on the teen-pregnancy problem novel… Williams presents her experience in a way that demands not pity but respect while also reminding readers of Mari’s heartbreaking youth and innocence at unexpected times…Fierce and tender—and absolutely worth reading.” — Kirkus, STARRED REVIEW
“Mari is a deeply credible character, a girl who’s always spoiling for a fight, usually a physical one, but who’s turning that impulse into fighting for her baby. Williams, formerly a pediatric cardiologist at Columbia, brings vivid authenticity to the medical side of things, including the details of life with a baby in the NICU and the varying personalities of health care personnel.” — Bulletin of the Center for Children’s Books
“This novel is realistic and compelling, heartfelt and heartbreaking all at the same time. The author’s experience as a pediatric cardiologist brings authenticity to her writing as much as does her experience of navigating cultural barriers. Young adult readers will connect with Mari’s feisty personality, strength, and vulnerability.” — VOYA Magazine
Review: Mari’s story is one that isn’t often told. Mari is someone most people would see on the streets and would try to ignore because getting to know her would be getting to know how hard life in America can be. But Mari is also someone who is stronger than many of us will ever be. Her story is one that will make readers think about assumptions OR will help readers see a mirror into struggles they may be having in life. Although I hope teens don’t see Mari’s story as an invitation for a teenage pregnancy, I believe the truth of her hardships show the tremendous change a baby brings to life and will show that Mari’s decisions are made out of desperation when there are other paths she could have taken. Some who read the book have said they don’t like Mari as a character, but I found that when Mari was frustrating, it was because she was acting like what she is: a fifteen-year-old girl trying to find her place in this crazy world.
Teachers Guide with Activities and Discussion Questions written by me:
Guide can also be accessed through Abrams Books’s Resource Page.
**Thank you to Ismée Williams for finding me and allowing me to complete this guide!**
Adrian Simcox Does NOT Have a Horse
Author: Marcy Campbell
Illustrator: Corinna Luyken
Published August 14th, 2018 by Dial Books
Summary: A classic in the making, this heartwarming story about empathy and imagination is one that families will treasure for years to come.
Adrian Simcox tells anyone who will listen that he has a horse–the best and most beautiful horse anywhere.
But Chloe does NOT believe him. Adrian Simcox lives in a tiny house. Where would he keep a horse? He has holes in his shoes. How would he pay for a horse?
The more Adrian talks about his horse, the angrier Chloe gets. But when she calls him out at school and even complains about him to her mom, Chloe doesn’t get the vindication she craves. She gets something far more important.
Written with tenderness and poignancy and gorgeously illustrated, this book will show readers that kindness is always rewarding, understanding is sweeter than judgment, and friendship is the best gift one can give.
About the Creators:
Marcy Campbell lives in Ohio with her family and menagerie of rescued pets. Her writing for adults has been published widely in journals and magazines, including Salon. She grew up on a farm filled with cows, chickens, cats, and dogs, but she never had a horse. Adrian Simcox Does NOT Have a Horse is her debut picture book. You can visit her at www.marcycampbell.com.
Corinna Luyken grew up in different cities along the West Coast, and after studying at Middlebury College, she settled in Washington State, where she draws inspiration from nature, her family, and the human form. Her debut picture book, The Book of Mistakes, received four starred reviews and has been praised by Entertainment Weekly, The Wall Street Journal, Nerdy Book Club, and more.
Kellee’s Review: 43.1 million Americans (as of 2016) live below the poverty line. Adrian Simcox represents one of those kids while Chloe represents too many peers. But what made this book for me was Chloe’s transformation. It wasn’t Adrian who needed to change! Adrian is a wonderful kid that too many people judge based on his circumstances when really it is all about who he is, and I am so thankful for Chloe finding the truth out in the end. This book will make kids rethink how they judge others and really does emote empathy and kindness. And I couldn’t review this book without giving a shout out to the beautiful illustrations. They are ART.
Ricki’s Review: I loved this book so much that I bought a copy for my son’s preschool teacher. I love that it can be read from a multitude of angles, and it provides so much fodder for classroom conversations. The illustrations are magical, the story is magical—everything about this book is magical. My son’s preschool teacher told me that the kids asked her to read it four times in a row. Although I am not sure if they spent time discussing poverty, I do know that those children (at the very least) received implicit messages about the truth of poverty and the power of imagination. I suspect this book will receive some major awards. It is one of my favorites of the year.
Teachers’ Tools for Navigation: Read this book aloud and talk about it with kids. Period. The illustrations can also definitely be visually analyzed. First, if you didn’t notice, there is a horse hiding in many of the illustrations. Second, so much of the story is told in the illustrations–don’t forget to analyze them!
- Why did Chloe judge Adrian without knowing him?
- Why do you think Chloe cares so much about Adrian’s horse?
- How did Chloe’s mom help her realize that she is not being compassionate?
- How did the illustrator tell more of a story in the artwork?
- Why do you believe the author wrote Adrian’s story?
Read This If You Love: Each Kindness by Jacqueline Woodson, I Walk with Vanessa by Kerascoët
Don’t miss other stops on the blog tour:
August 6 – Lost in Storyland
August 7 – The Readathon
August 8 – Happily Ever Elephants
August 9 – Read. Learn. Repeat
August 10 – Kid Lit Frenzy
August 13 – Here Wee Read
August 14 – DoodleMom
August 15 – Eastern Sunset Reads
August 16 – Critter Lit
August 17 – Unleashing Readers
**Thank you to Friya at Penguin Young Readers for setting up the blog tour!**
Daring Dreamers Club #1: Milla Takes Charge
Author: Erin Soderberg
Illustrator: Anoosha Syed
Published June 5th, 2018 by Random House
Summary: When you follow your dreams, the possibilities are endless!
Milla loves nothing more than imagining grand adventures in the great wide somewhere, just like Belle. She dreams of traveling the world and writing about her incredible discoveries. Unfortunately, there is nothing pretend about the fifth-grade overnight and Milla’s fear that her moms won’t let her go.
Enter Piper, Mariana, Zahra, and Ruby. Together with Milla, they form the Daring Dreamers Club and become best friends. But can they help Milla believe she’s ready for this real grand adventure?
Diverse, talented, and smart–these five girls found each other because they all had one thing in common: big dreams. Touching on everyday dramas and the ups and downs of friendship, this series will enchant all readers who are princesses at heart.
About the Creators:
ERIN SODERBERG lives in Minneapolis, MN, with her husband, three adventure-loving kids, and a mischievous Goldendoodle named Wally. Before becoming an author, she was a children’s book editor and a cookie inventor and worked for Nickelodeon. She has written many books for young readers, including the Quirks and Puppy Pirates series. Visit her online at erinsoderberg.com.
ANOOSHA SYED is a Pakistani illustrator & character designer for animation. She received her BFA in illustration at Ceruleum: Ecole d’arts Visuels in Switzerland, and now lives in Canada. Visit her online at anooshasyed.com.
“Though core issues of identity, independence, and teamwork ground the novel, Disney Princess devotees will likely be the most charmed. —Publishers Weekly
“I cannot wait to “hear” the stories of all the other girls! Brava Erin SD for kicking off a new series for the younger MG set! Positive messages for kids! —Goodreads Praise
“Young readers will be able to relate to the story, there is a positive message, and the characters provide a model of friendship, showing how friends work together and support on another. Loved meeting these girls!” —Goodreads Praise
Review: I know that at first this book may seem like a book that only Disney or Princess lovers would like, but it is so much more than that! So please do not judge this book by that idea! Instead you will find a story about girls who find a deep friendship within each other after being placed in a group at school together. With the guidance of an amazing educator, they look deep within themselves and join as a group while still celebrating their individuality.
Now, as someone who DOES love Disney and Disney princesses, I loved the angle that this book took! After the first assignment by their group teacher, the girls are asked to write about a princess who they connect with. Milla and her friends are using the strengths of the princesses as inspiration to build their own strengths. For example, Milla feels like her life is very sheltered, and she loves to write, so she finds inspiration in Belle. Ruby, who is athletic and prides herself in her strength, first struggles to connect with a princess but then she realizes that Mulan is a person that is very much who she would like to be. And each girl does her own reflection (written in her own words in a journal format).
This first book focuses on Milla, but we get to know all the girls through the inclusion of the journals and from Milla’s point of view. I assume that future books will also be in different points of view to allow readers to get to know more in depth each of the characters. I look forward to future books to see where Piper, Milla, Mariana, Ruby, Zahra and Ms. Bancroft go next!
Teachers’ Tools for Navigation: I love Ms. Bancroft! And I think that how she had the girls introduce themselves and her first assignment that she gave the Daring Dreamers Club would be wonderful activities in a classroom:
- “I’d love for each of you to introduce yourself and share one of your big dreams.”
- “I want each of you to think of a princess you connect with or feel inspired by and explain why. Dig deep and really think about your answer.”
Since each of the girls’ answers are shared in the book, they would be a great thing to share as well.
In addition, this book is going to be LOVED by realistic fiction fans! I cannot wait to share it with my students.
- Which of the five main characters do you connect with the most?
- If you had to choose a princess you connect with, who would you choose?
- Do you think Milla went about getting her moms to trust her correctly?
- How does Ms. Bancroft inspire the girls? How is she different than the last music teacher?
- What is one of your big dreams?
Flagged Passages: “Milla loved reading and writing just about anything, but there was nothing she enjoyed more than creating adventures for herself. In Milla’s stories, she was always a brave hero without fears or worries of any kind. One of the things Milla most loved about writing was that she was totally in charge and got to make all the decisions about what would happen on her adventures. The only limitation was her imagination, and her imagination was vast.” (p. 6)
Read This If You Love: Baby-Sitters Club by Ann M. Martin, Harbor Me by Jacqueline Woodson, Be Prepared by Vera Brosgol, Whatever After by Sarah Mlynowski
Disney’s Dream Big, Princess–Be a Champion Campaign:
**Thank you to Sydney at Penguin Random House for providing a copy for review!**
Running on the Roof of the World
Author: Jess Butterworth
Published May 1st, 2018 by Algonquin Young Readers
Summary: A story of adventure, survival, courage, and hope, set in the vivid Himalayan landscape of Tibet and India.
Tash lives in Tibet, where as a practicing Buddhist she must follow many rules to avoid the wrath of the occupying Chinese soldiers. Life remains peaceful as long as Tash, her family, and their community hide their religion and don’t mention its leader, the Dalai Lama.
The quiet is ruptured when a man publicly sets himself on fire to protest the occupation. In the crackdown that follows, soldiers break into Tash’s house and seize her parents. Tash barely escapes, and soon she and her best friend, Sam, along with two borrowed yaks, flee across the mountains, where they face blizzards, hunger, a treacherous landscape, and the constant threat of capture. It’s a long, dangerous trip to the Indian border and safety—and not all will make it there.
This action-packed novel tells a story of courage, hope, and the powerful will to survive, even in the most desperate circumstances.
About the Author [from her website]: As a child I wanted to be many things, including a vet and even David Attenborough, but throughout all of those ideas, I always wanted to write. So I studied creative writing as a BA(hons) at Bath Spa University, where I won the Writing for Young People Prize in 2011. I then completed a Master’s in Writing for Young People, also at Bath Spa University, and graduated in 2015.
My first two novels, RUNNING ON THE ROOF OF THE WORLD and WHEN THE MOUNTAINS ROARED are set in the Himalayas. My family on my Dad’s side has lived in India for seven generations and I spent much of my childhood in India too. My father was a trek leader and we lived on a remote foothill above Dharamsala, where the Dalai Lama and a Tibetan community in exile is settled. My mother’s family lived in London, where I was born. She was off on her own adventure, travelling in India, when she met my dad. Growing up, I would always write about the Himalayas when I was in the UK and missing the mountains or my dad and grandparents who still lived there.
Although RUNNING ON THE ROOF OF THE WORLD is fiction, it is inspired by a journey that tens of thousands of Tibetans have braved. I wanted to write a story that is relevant to today and grounded in events, places and communities I care about deeply.
Now I live between Louisiana in the US and Frome in the UK, and you’ll often find me back in the Himalayas too.
Review: We all have knowledge gaps. I try to learn as much as I can about the world and others unlike me, and this story took me to Tibet and showed me a struggle happening that I was unaware of. While reading and since reading, I have spent hours reading about the history and current affairs of Tibet.
But other than smacking me in the face with this truth and taking place in a setting and from a point of view that is not often shared in middle grade and young adult novels, it also is a page-turning survival adventure. Tash and Sam must face a trek that hundreds of thousands have done, but they are doing it alone with only help from a few yaks and maybe some unexpected allies.
I included the author’s biography in her own words above because I think it is important to see that although this book may not be an own voices per se, it is written by someone who lived in the area and cares deeply about the people who live near the Himalayas.
Teachers’ Tools for Navigation: I would love to see this book and others from countries in other continents as part of a lit circle or in-class book club within middle school or high school classrooms to allow kids to see the world outside of their small area. Some other texts could be: Tiger Boy by Mitali Perkins, Rickshaw Girl by Mitali Perkins, Refugee by Alan Gratz, Diamond Boys by Michael Williams, Now is the Time for Running by Michael Williams, Golden Boy by Tara Sullivan, Serafina’s Promise by Ann E. Burg, Endangered by Eliot Schrefer, Son of a Gun by Anne de Graaf, Long Walk to Walter by Linda Sue Park, The Glass Collector by Anna Perera, Sold by Patricia McCormick, The Breadwinner by Deborah Ellis, Homeless Bird by Gloria Whelan, La Linea by Ann Jaramillo, and I am sure there are more that I just don’t know. In addition to the novels, students could read news articles about the current events that connect with what they read in their fiction novels.
- Why do Tash and Sam have to leave Tibet?
- What are Tash’s parents doing that is so dangerous?
- What is the geography like between Tibet and India?
- What religion is Tash and Sam if they are going to see the Dalai Lama?
- How do the yaks impact the success or failure of Tash and Sam’s journey?
- What did the message in the letter end up meaning?
Flagged Passages: “Chapter 17: Journey
Eve steps into a ditch and I slide forward, slamming into the hump above her shoulders.
‘Sorry, Eve,’ I mutter, shuffling back to find my balance.
Being a yak rider should run in my blood but my leg muscles ache from clinging on so tightly.
We approach the thick wire fence that surrounds the village. Two rocks stand to our right like giant guards.
Please let it be clear.
Sam dismounts. He moves slowly toward them, crushing the gravel under his boots.
‘There’s no one here!’ he shouts.
‘Is the fence still broken?’ I ask.
He nods and disappears between rocks with Bones.
I follow him. The rusty fence has bowed to the ground where the boulder fell and flattened it. The space between the rocks is just big enough to squeeze Eve through, though I have to tug at her harness to get her to move. As I step over the fence, my heart jumps.
Read This If You Love: Books about climing mountains like Peak and The Edge by Roland Smith, survival books like Orphan Island by Laurel Snyder, or books that expand your reading borders like the books listed above
**Thank you to Brooke at Algonquin for providing a copy for review!**
Ape Quartet #3
Author: Eliot Schrefer
Published April 26th, 2016 by Scholastic Press
Summary: They grew up together. Now they have to escape together.
Raja has been raised in captivity. Not behind the bars of a zoo, but within the confines of an American home. He was stolen when he was young to be someone’s pet. Now he’s grown up and is about to be sent away again, to a place from which there will be no return.
John grew up with Raja. The orangutan was his friend, his brother. But when John’s parents split up and he moved across the country, he left Raja behind. Now Raja is in danger.
There’s one last chance to save Raja—a chance that will force John to confront his fractured family and the captivity he’s imposed on himself all of these years.
About the Author: Eliot Schrefer is a New York Times-bestselling author, and has twice been a finalist for the National Book Award. In naming him an Editor’s Choice, the New York Times has called his work “dazzling… big-hearted.” He is also the author of two novels for adults and four other novels for children and young adults. His books have been named to the NPR “best of the year” list, the ALA best fiction list for young adults, and the Chicago Public Library’s “Best of the Best.” His work has also been selected to the Amelia Bloomer List, recognizing best feminist books for young readers, and he has been a finalist for the Walden Award and won the Green Earth Book Award and Sigurd Olson Nature Writing Award. He lives in New York City, where he reviews books for USAToday.
Review: I think out of the three Ape Quartet books published so far, this is the one that is going to hit closest to home for many. It will make many readers uncomfortable and want to make a change. First, it takes place in the United States unlike Africa like the first two. Second, it really digs into an issue that is still very much prominent here–animal injustice.
I find Schrefer’s writing to be so beautiful yet so easy to read. He can pull you into his stories and makes you feel for not only his human characters but also his animal characters. He does such a tremendous amount of research for all of his books and with this one it brings the injustice of Raja alive.
I am a sucker for ape books. I find apes to be the most fascinating animals, and orangutans may be my favorite because they have these amazing eyes that just show me that they are so intelligent and deep thinkers. They are also introverts; I think I just relate to them in that way. This book brings orangutans to life through Raja.
As evident from Schrefer’s status as a two-time National Book Award finalist, his books can be used as a mentor text for just about any aspect of writing that you are looking for: characterization, imagery, voice, conflict, etc. Read any of his books, and you can pull out so much to discuss and use within the classroom. Additionally, there are some amazing ape books, including Schrefer’s other Ape Quartet books, that would make for an amazing lit circle opportunity or text set.
Review originally posted here on May 13, 2016.
Teachers’ Tools for Navigation: Last year, our whole-class novel unit was done using Hurt Go Happy and included a trip to Center for Great Apes. This year, I had a completely different type of novel planned, but my students begged to read more about apes (and visit CFGA again). After looking at all of the available ape books, I decided that Rescued was perfect for the standards I wanted to teach and also included orangutans instead of chimps, and orangutans are the other great ape at CFGA. After setting up a Donors Choose and getting funded (THANK YOU ALL DONORS!), Eliot Schrefer also so kindly contacted me and offered to send even more copies of Rescued to my students–wow! So much kindness! Now that we had a plethora of copies, I wanted to share the love, so I contacted my South Carolina middle school teacher friend, Jennie Smith, to see if she wanted to read Rescued with us and collaborate some how. I was so happy that she said yes!
Because I do love whole-class novels, but I also don’t like how a whole-class novel can also ruin a book with too much time spent on one book with way too many assignments during the unit. To try to fight this, I planned the unit quite simply:
- Each week the students were given a focus question on Monday that they could think about all week then answer on Friday.
- These focus questions are how we collaborated with Mrs. Smith’s class as well. My 1st and 2nd period posted their answers on Padlet and Mrs. Smith’s students would also post. The kids would then respond to each other.
- Focus questions:
- 1. What’s a big idea that’s emerging that’s worth talking about?
- 2. Is there a passage that struck you as important in developing a character or a conflict in the reading so far? Share the passage and explain.
- 3. What incident up to this point has had the most impact on the plot? How so? What did the characters’ response to this incident teach you about them?
- 4. There are many who argue that Great Apes are human-like, including the lawyer who will take apes as plaintiffs to demand rights. What are some examples in this section of Raja showing how close to humans he truly is?
- 5. How did the characters (specifically John’s mom, John’s dad, John, and Raja) change throughout the book? What other narrative elements helped shape their final persona? Find a piece of dialogue and a specific incident in the book that is evidence for your analysis of the character.
- The idea of focus questions was something I got from a talk by Kelly Gallagher and Penny Kittle at NCTE 2017.
- Because of one of the standards the unit was focusing on, we also looked at narrative elements, specifically dialogue, setting, and conflicts. Here is my scale for the unit:
- Throughout the unit, I would also stop to have students think about certain text-dependent questions. I tried not to do this too often to not slow down the narrative; however, I loved seeing my students’ thinking. We would then discuss these questions, but I like allowing my students to write answers first before discussing because it allows them to get their thinking organized. (I shared some of these text-dependent questions and an example of a student’s answers below.)
The Field Trip
Once again I was lucky enough to bring my students to the CFGAs. All students were able to attend this year, and they were so kind to donate to the Center goodies for the Apes–it always fills my heart to see the empathy in their hearts!
I have gone to the Center for Great Apes for years, and sadly this is the first year it rained. Luckily, we were able to get in a 90-minute tour to see the amazing animals who inspired Schrefer’s novel. To see more about the Center, the apes they’ve saved, and the amazing work they do, please visit http://www.centerforgreatapes.org/.
Author Virtual Visit
After reading Rescued, I was so happy to be able to give my (and Jennie’s) students an opportunity to interview Eliot Schrefer about the book. Each student wrote down at least one question they had for Eliot then in groups, the students chose their favorites, then based on these choices, we broke it down to 5 per class equaling fifteen interview questions altogether:
- Why did you start writing about apes in the first place? And how did you decide on the order of publication for the Ape Quartet?
- Do you like writing realistic fiction like Rescued or fantasy like Mez’s Magic better?
- Will you continue to write about apes now that you are done with the Ape Quartet?
- While the titles of your other books, Endangered, Threatened, and Captured, inspire a feeling of fear, the title Rescued inspires hope. Did this change in connotation of your title mark your different opinion about orangutans?
- Were you ever stuck in between two decisions while writing the book? When?
- Who do you think the antagonist of the book is?
- How did you come up with the whole “Raja bites off John’s finger” scenario?
- How did you come up with the concept of Friendlyland?
- How did you come up with the character traits for each character (Ex. Gary being a bad father)? Did you base them off people you know or knew?
- Can you tell us more about the corruption happening in Indonesia which allows palm oil companies to be able to keep burning down forests even though it is illegal?
- Do you feel that apes should be treated like human beings and given the same rights such as due process, land, etc. like the lawyer in the book?
- Was it hard for you to decide what would happen to Raja at the end of the book or did you know that you wanted Raja to be released into the wild instead of being kept at the sanctuary?
- Do you have a favorite sanctuary or zoo you’ve visited? Have you visited the CFGA?
- You used the word “merantau” which means “hitting a dead end and leaving one life to live another elsewhere” which pretty much sums up the theme of the book. Where did you come across this word?
- What writing tips can you give to students who want to be a writer?
We then did a Google Hangout with Mrs. Smith’s class and Eliot Schrefer on May 25th after school:
Some of my favorite answers/quotes from the visit were:
- Realistic fiction allows for a shifting antagonist.
- Wanted to help people realize that orangutans aren’t stuffed animals come to life.
- I don’t have characters first. I have stories first then make the best characters for that story.
- Apes should not be kept against their will.
- I used the idea of merantau to develop the plot.
- Advice: For any artistic pursuit, I encourage you to think of the long range range view. It is risky to put all expectations of self in one basket. Focus on the joy you feel when doing the art. Remember what brings you joy! And do research, take advice, and read.
Discussion Questions: These were the first five of the text-dependent questions I asked during our reading of Rescued as well as an example of a student response (color coded for RATE. R=restate, A=answer, T=text evidence, E=elaborate/explain).
- What can you infer about John and Raja’s relationship based on the first section?
- Why does John feel like he needs to go see Raja before he leaves?
- In the Q&A, the author says he “realized that a captive ape’s situation was similar to the plight of a kid during a divorce, getting swept along by the needs of powerful parents, at risk for being seen for what he represents instead of as a child with his own needs” (p. 251). How are John’s and Raja’s situations similar after the divorce? How are they different?
- Do you agree with the choice John and his dad are making? Why or why not?
- Why do you believe the author is beginning each part with a memory of Raja’s?
- How did the author foreshadow this scene (on pg. 99) earlier in the book?
Flagged Passages: “My telltale heart, the one I’d left behind.” (p. 38)
Read This If You Love: Eliot Schrefer novels: Endangered and Threatened, Hurt Go Happy by Ginny Rorby, Half Brother by Kenneth Oppel, The One and Only Ivan by Katherine Applegate, Ivan: The Remarkable True Story of the Shopping Mall Gorilla by Katherine Applegate, Primates by Jim Ottaviani
Recently Popular Posts
- This is my Anti-Lexile, Anti-Reading Level Post.
- Top Books for Struggling/Reluctant Middle School Readers
- Novels with Science Content
- Top Ten Tuesday: Our Favorite Pairings of YA Books…
- Harlem: A Poem by Walter Dean Myers
- The Crossover by Kwame Alexander
- The Nazi Hunters by Neal Bascomb
- Journey by Aaron Becker
- Engaging Classroom Discussion Techniques
- What Do You Do with a Problem? by Kobi Yamada
Subscribe to Our Posts