The Uninhabitable Earth (Adapted for Young Readers): Life After Warming by David Wallace-Wells

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The Uninhabitable Earth (Adapted for Young Readers): Life After Warming
Author: David Wallace-Wells
Published October 10th, 2023 by Delacorte Press

Summary: An exploration of the devastating effects of global warming—current and future—adapted for young adults from the #1 New York Times bestseller. This is not only an assessment on how the future will look to those living through it, but also a dire overview and an impassioned and hopeful call to action to change the trajectory while there is still time.

The climate crisis that our nation currently faces, from rising temperatures, unfathomable drought, devastating floods, unprecedented fires, just to name a few, are alarming precursors to what awaits us if we continue on our current path. In this adaptation for young adults from the #1 New York Times bestseller, journalist David Wallace-Wells tells it like it is, and it is much worse than anyone might think. Global warming is effecting the world, if left unchecked, it promises to transform global politics, the meaning of technology and the trajectory of human progress.

In sobering detail, Wallace-Wells lays out the mistakes and inaction of past and current generations that we see negatively affecting all lives today and more importantly how they will inevitably affect the future. But readers will also hear—loud and clear—his impassioned call to action, as he appeals to current and future generations, especially young people. As he “the solutions, when we dare to imagine them . . . are indeed motivating, if there is to be any chance of preserving even the hope for a happier future—relatively livable, relatively fulfilling, relatively prosperous, and perhaps more than only relatively just.”

About the Author: David Wallace-Wells is a columnist and deputy editor at New York magazine. He has been a national fellow at the New America Foundation and was previously the deputy editor of The Paris Review. He lives in New York City.

Review: This is an intense book. Like shared in the excerpt below, climate change is a “hyperobject” which makes it seems so intimidating, but David Wallace-Wells does a good job of taking this daunting reality and potential future and breaking it down for the reader though he definitely did not sugar coat anything for the Young Reader edition. It is terrifying and a call to action. But it is also so important, and I am so glad that the author and publisher decided to make it available and accessible for young readers.

I really liked the structure of the books. Wallace-Wells didn’t combine everything and just throw it all at the reader. Each of the four parts are broken up into smaller topics where he focuses on just those aspects. For example, climate changes’ effect on hunger, wild fires, air, plagues, etc. This allows the reader to process each part and not get too overwhelmed.

I also appreciate that he added an afterword which has updates since the original book was published. I think this shows readers that science changes and needs to be updated and make the book more reliable.

I do need to add a warning: The book will not help with eco-anxiety. If anything, it will make it worse. I had to pause the book sometimes to take a breath.

Tools for Navigation: This text could definitely be used in a high school course looking at global warming and climate change since he does a great job of connecting the science to reality. I would love to see this text used in English class as the science is studied in science: a cross-curricular gem of an opportunity.

Most importantly, though, this book needs to get into kids’ hands. It reminds them of the importance of the decisions that our current and future generations need to make about our environment.

Discussion Questions: 

  • What are some actions that we could begin doing to help with the future?
  • Why did the author add to the book when he rewrote it for Young Readers?
  • How has human progression been the downfall for our Earth?
  • Why does climate change seem so daunting to many and thus leads to doing nothing?
  • What do you think is the most important thing that humans need to do now?
  • How will climate change directly impact where you live?

Flagged Passages: Chapter 1: Cascades

The world will be what we make it–perhaps what you make it. The timelines are indeed that short.

Consider the speed of change. The earth has experienced five mass extinctions before the one we are living through now, each so complete a wiping of the fossil record that it functioned as an evolutionary reset, the planet’s phylogenetic tree first expanding, then collapsing, at intervals, like a lung: 86 percent of all species dead 450 million years ago; 70 million years later, 75 percent; 125 million years later, 96 percent; 50 million years later, 80 percent; 135 million years after that, 75 percent again. All but one of these involved climate change produced by greenhouse gas. The most notorious was 250 million years ago; it began when carbon dioxide warmed the planet by five degrees Celsius, accelerated when that warming triggered the release of methane, another greenhouse gas, and ended with all but a sliver of life on Earth dead. We are currently adding carbon to the atmosphere at a considerably faster rate–by most estimates, at least ten times faster. The rate is one hundred times faster than at any point in human history before the beginning of industrialization. And there is already, right now, fully a third more carbon in the atmosphere than at any point in the last 800,000 years–perhaps in as long as 15 million years. There were no humans then. The oceans were more than a hundred feet higher.

Many perceive global warming as a sort of moral and economic debt, accumulated since the beginning of the Industrial Revolution and now come due after several centuries. In fact, more than half the carbon exhaled into the atmosphere by the burning of fossil fuels has been emitted in just the past three decades. The United Nations established its climate change framework in 1992, building a political consensus out of a scientific consensus and advertising it unmistakably to the world; this means we have now done as much damage to the environment knowingly as we ever managed in ignorance. Global warming may seem like a distended morality tale playing out over several centuries and inflicting a kind of Old Testament retribution on the great-great-grandchildren of those responsible, since it was carbon burning in eighteenth-century England that lit the fuse of everything that has followed. But that is a fable about historical villainy that acquits those of us alive today–unfairly. The majority of the burning has come since the 1994 premiere of Friends. A quarter of the damage has been done since Barack Obama was elected president, and Joe Biden vice president, in 2008. Since the end of World War II, the figure is about 90 percent. The story of the industrial world’s kamikaze mission is the story of a single lifetime–the planet brought from seeming stability to the brink of catastrophe in the years between a baptism or bar mitzvah and a funeral.

It is the lifetime of many of the scientists who first raised public alarm about climate change, some of whom, incredibly, remain working–that is how rapidly we have arrived at this promontory, staring down the likelihood of three degrees Celsius of warming by the year 2100. Four degrees is possible as well–perhaps more. According to some estimates, that would mean that whole regions of Africa and Australia and the United States, parts of South America north of Patagonia, and Asia south of Siberia would be rendered brutally uncomfortable by direct heat, desertification, and flooding. Certainly, it would make them inhospitable, and many more regions besides. Which means that, if the planet was brought to the brink of climate catastrophe within the lifetime of a single generation, the responsibility to avoid it belongs with a single generation, too. We all also know that second lifetime. It is ours.

I am not an environmentalist and don’t even think of myself as a nature person. I’ve lived my whole life in cities, enjoying gadgets built by industrial supply chains I hardly think twice about. I’ve never gone camping, not willingly anyway, and while I always thought it was basically a good idea to keep streams clean and air clear, I also always accepted the proposition that there was a trade-off between economic growth and its cost to nature–and figured, well, in most cases I’d probably go for growth. I’m not about to personally slaughter a cow to eat a hamburger, but I’m also not about to go vegan. In these ways–many of them at least–I am like every other American who has spent their life fatally complacent, and willfully deluded, about climate change, which is not just the biggest threat human life on the planet has ever faced but a threat of an entirely different category and scale. That is, the scale of human life itself.

A few years ago, I began collecting stories of climate change, many of them terrifying, gripping, uncanny narratives, with even the most small-scale sagas playing like fables: a group of Arctic scientists trapped when melting ice isolated their research center, on an island populated also by a group of polar bears; a Russian boy killed by anthrax released from a thawing reindeer carcass, which had been trapped in permafrost for many decades. My file of stories grew daily, but very few of the clips, even those drawn from new research published in the most pedigreed scientific journals, seemed to appear in the coverage about climate change the country watched on television and read in its newspapers. In those places, climate change was reported, of course, and even with some tinge of alarm. But the discussion of possible effects was misleadingly narrow, limited almost invariably to the matter of sea-level rise. Just as worrisome, the coverage was sanguine, all things considered. As recently as the 1997 signing of the landmark Kyoto Protocol, two degrees Celsius of global warming was considered the threshold of catastrophe: flooded cities, crippling droughts and heat waves, a planet battered daily by hurricanes and monsoons we used to call “natural disasters” but will soon normalize as simply “bad weather.” More recently, the foreign minister of the Marshall Islands offered another name for that level of warming: “genocide.”

This is not a book about the science of warming; it is about what warming means to the way we live on this planet. But what does that science say? It is complicated research, because it is built on two layers of uncertainty: what humans will do, mostly in emitting greenhouse gases, but also in how we adapt to the environment we have transformed and how the climate will respond, both through straightforward heating and a variety of more complicated and sometimes contradictory feedback loops. But even shaded by those uncertainty bars, it is also very clear research, in fact terrifyingly clear. The United Nations’ Intergovernmental Panel on Climate Change (IPCC) offers the gold-standard assessments of the state of the planet and the likely trajectory for climate change. In its latest report, the IPCC suggested the world was on track for about 3 degrees of warming, bringing the unthinkable collapse of the planet’s ice sheets not just into the realm of the real but into the present.

Because these numbers are so small, we tend to trivialize the differences between them–one, two, four, five. Human experience and memory offer no good analogy for how we should think of those thresholds, but, as with world wars or recurrences of cancer, you don’t want to see even one.

At two degrees of warming, the ice sheets will likely begin their collapse, 400 million more people could suffer from water scarcity, and major cities in the equatorial band of the planet will become lethally hot in summer. There would be thirty-two times more extreme heat waves in India, and each would last five times as long, exposing ninety-three times more people. This is our best-case scenario.

At three degrees, southern Europe would be in permanent drought, and the average drought in Central America would last nineteen months longer and in the Caribbean twenty-one months longer. In northern Africa, the figure is sixty months longer–five years. The areas burned each year by wildfires would double in the Mediterranean and sextuple, or more, in the United States.

At four degrees, damages from river flooding could grow thirtyfold in Bangladesh, twentyfold in India, and as much as sixtyfold in the United Kingdom. In certain places, six climate-driven natural disasters could strike simultaneously. Conflict and warfare could double.

Even if we pull the planet up short of two degrees by 2100, we will be left with an atmosphere that contains 500 parts per million of carbon–perhaps more. The last time this was the case, sixteen million years ago, the planet was not two degrees warmer; it was somewhere between five and eight, giving the planet about 130 feet of sea-level rise, enough to draw a new American coastline as far west as I-95. Some of these processes take thousands of years to unfold, but they are also irreversible and therefore effectively permanent. You might hope to simply reverse climate change; you can’t. It will outrun all of us.

This is part of what makes climate change what the theorist Timothy Morton calls a “hyperobject”–a conceptual fact so large and complex that, like the internet, it can never be properly comprehended. There are many features of climate change–its size, its scope, its brutality–that alone satisfy this definition; together, they might elevate it into a higher and more incomprehensible conceptual category yet. But time is perhaps the most mind-bending feature, the worst outcomes arriving so long from now that we reflexively discount their reality.

Read This If You Love: Nonfiction, specifically about climate change

Recommended For: 

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**Thank you to Nicole Banholzer PR and the Publisher for providing a copy for review!**

Frankie and Friends: Breaking News by Christine Platt, Illustrated by Alea Marley

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Frankie and Friends: Breaking News
Author: Christine Platt
Illustrator: Alea Marley
Published October 10th, 2023 by Walker Books

Summary: Frankie’s mama is leaving to cover a breaking news story. Frankie, Papa, and Frankie’s teenage sister, Raven, are all proud of Mama, even though they miss her when she’s away. But Frankie has a great idea: she can make her own news show! After all, Mama has told her that news is happening around her all the time. With a little assistance from her friends—including her doll Farrah, Robert the toy robot, and her tabby cat, Nina Simone—Frankie prepares for her first “broadcast.” And when she hears someone crying in the house, she knows that’s the developing story she must cover. With humor, empathy, and imagination, Frankie gets the scoop—and learns that even mature older sisters can miss Mama sometimes. With sweet illustrations throughout, this engaging new series embraces communication and compassion and is a refreshing portrayal of Black women in journalism. Young reporters will learn the terms of the trade, which are clearly presented in the text and reinforced in a glossary at the end of the book.

In a charming new chapter-book series by a social-change advocate, young Frankie emulates her journalist mama by reporting on household news with the help of her sister and an unlikely news crew.

About the Creators: 

Christine Platt is a literacy advocate and historian who believes in using the power of storytelling as a tool for social change. She holds a BA in Africana studies, an MA in African American studies, and a JD in general law. Although her only daughter is now in college, Christine Platt continues to draw on their adventures together as inspiration for her children’s literature. She has written more than thirty books for young readers and currently resides in Washington, DC.

Alea Marley is an award-winning illustrator of many books for children, including Phoebe Dupree Is Coming to Tea! by Linda Ashman. She loves creating whimsical scenes that are filled with patterns, texture, and bursts of color. Alea Marley lives in northern England.

Review: I love when I read a book, and I can immediately see it being loved by readers and how educators can utilize it in the classroom. Breaking News did exactly that–readers are going to love Frankie, her family, her group of stuffed animals, and her go-get-em attitude. They will also connect with Frankie’s emotions and curiosity.  Then, on top of that, educators can easily grab so much from the book to use in the classroom, especially the journalism aspects. And all of this is done in a early chapter book that is age appropriate, full of family dynamics, promotes imagination, and has beautiful full-page color illustrations!

Tools for Navigation: The author does a great job intertwining journalism terminology with the story and also has back matter which delves deeper into the different terms. I would love to see these aspects used to help a class get started on a class newspaper or, like Frankie and her mom, an oral report that is news-based.

Discussion Questions: 

  • How does Frankie’s curiosity help her start the important conversation with her sister?
  • What emotions does Frankie, and her family, go through when her mom needs to leave to cover a news story?
  • How does Frankie’s mom inspire Frankie?
  • What traits does Frankie have that will make her a good journalist?
  • What journalistic terms did you learn from the book?
  • What do you think was the author’s purpose in this book?

Flagged Spreads: 

Read This If You Love: Polly Diamond series by Alice Kupiers, Illustrated by Diana Toledano; Pigeon Private Detectives series by Christee Curran-Bauer; King and Kayla series by Dori Hillestad Butler, Illustrated by Nancy Meyers

Recommended For: 

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**Thank you to Nicole Banholzer PR for providing a copy for review!**

There Was a Party for Langston by Jason Reynolds, Illustrated by Jerome Pumphrey & Jarrett Pumphrey

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There Was a Party for Langston
Author: Jason Reynolds
Illustrators: Jerome Pumphrey & Jarrett Pumphrey
Published October 3rd, 2023 by Atheneum/Caitlyn Dlouhy Books

Summary: New York Times bestselling and award-winning author Jason Reynolds’s debut picture book is a snappy, joyous ode to Word King, literary genius, and glass-ceiling smasher Langston Hughes and the luminaries he inspired.

Back in the day, there was a heckuva party, a jam, for a word-making man. The King of Letters. Langston Hughes. His ABCs became drums, bumping jumping thumping like a heart the size of the whole country. They sent some people yelling and others, his word-children, to write their own glory.

Maya Angelou, Amiri Baraka, and more came be-bopping to recite poems at their hero’s feet at that heckuva party at the Schomberg Library, dancing boom da boom, stepping and stomping, all in praise and love for Langston, world-mending word man. Oh, yeah, there was hoopla in Harlem, for its Renaissance man. A party for Langston.

Praise:

Melding celebratory text and kinetic, graphical art, the creators underscore the power of the subject’s poetry to move and to inspire. – Publishers Weekly, *STARRED REVIEW*, 8/14/2023

Evocative and celebratory words float around the dancers like strains of music, all the way to a culminating whirl of letters, laughter, and joy. Who knew these esteemed literary lions could cut the rug like that? – Booklist, *STARRED REVIEW*, 08/01/2023

Reynolds and the Pumphrey brothers take readers on a dazzling journey through Langston Hughes’ legacy … A bar set stratospherically high and cleared with room to spare. – Kirkus Reviews, *STARRED REVIEW*, 08/01/2023

This book is an absolute textual and pictorial glory of people, places, word-making, song-singing, storytelling, history-making moments, and images that are unforgettable. A beguiling, bedazzling collaboration that will send children to the shelves to learn more about all the names within, especially Hughes. – School Library Journal, *STARRED REVIEW*, July 2023

About the Creators: 

Jason Reynolds is a #1 New York Times bestselling author, a Newbery Award Honoree, a Printz Award Honoree, a two-time National Book Award finalist, a Kirkus Award winner, a UK Carnegie Medal winner, a two-time Walter Dean Myers Award winner, an NAACP Image Award Winner, an Odyssey Award Winner and two-time honoree, the recipient of multiple Coretta Scott King honors, and the Margaret A. Edwards Award. He was also the 2020–2022 National Ambassador for Young People’s Literature. His many books include All American Boys (cowritten with Brendan Kiely); When I Was the GreatestThe Boy in the Black SuitStampedAs Brave as YouFor Every One; the Track series (Ghost, Patina, Sunny, and Lu); Look Both WaysStuntboy, in the MeantimeAin’t Burned All the Bright (recipient of the Caldecott Honor) and My Name Is Jason. Mine Too. (both cowritten with Jason Griffin); and Long Way Down, which received a Newbery Honor, a Printz Honor, and a Coretta Scott King Honor. He lives in Washington, DC. You can find his ramblings at JasonWritesBooks.com.

Jerome Pumphrey is a designer, illustrator, and writer, originally from Houston, Texas. His work includes It’s a Sign!Somewhere in the BayouThe Old Boat, and The Old Truck, which received seven starred reviews, was named a Best Book of the Year by Publishers Weekly, and received the Ezra Jack Keats Writer Award Honor—all of which he created with his brother Jarrett. They also illustrated Jason Reynolds’s There Was a Party for Langston. Jerome works as a graphic designer at The Walt Disney Company. He lives near Clearwater, Florida.

Jarrett Pumphrey is an award-winning author-illustrator who makes books for kids with his brother, Jerome. Their books include It’s a Sign!Somewhere in the BayouThe Old Boat, and The Old Truck, which received seven starred reviews, was named a Best Book of the Year by Publishers Weekly, and received the Ezra Jack Keats Writer Award Honor. They also illustrated Jason Reynolds’s There Was a Party for Langston. Jarrett lives near Austin, Texas.

Review: This book may just be perfection. All of it–the words, the story, the inspiration, and the art.

First, we have Jason Reynolds’s verse, written with a rhythm that is screaming to be read aloud (I can’t wait for the audiobook). The story is a celebration of Hughes about a celebration of Hughes, so the love is truly emanating off the pages. And the story of Reynolds’s inspiration is just so wholesome and a snapshot into history that deserves this book.

Second, the cherry on top is the pieces of art that illustrate Reynolds’s words. The Pumphrey brothers use handmade stamps to create spreads that complete the book into the complete package that it is. I loved how they included Hughes’s words and Reynolds’s words within the art as well.

I highly recommend reading Betsy Bird’s Goodreads review because she is so much more articulate and detailed than I am about this book in all of its glory.

Tools for Navigation: This text should be combined with Hughes’s work. His words are intertwined within the book which lends directly into picking up Hughes’s work to read alongside it. Readers could also find words within the illustrations and find which of Hughes’s work it comes from and look at why that particular section would be included at that point.

Additionally, other beloved authors were introduced to the readers, not only Maya Angelou and Amiri Baraka but James Baldwin, Gwendolyn Brooks, Ashley Bryan, Octavia Butler, Countee Cullen, W.E.B. DuBois, Paul Laurence Dunbar, Alice Dunbar Nelson, Ralph Ellison, Nikki Giovanni, Alex Haley, Zora Neale Hurston, Claude McKay, Toni Morrison, Alice Walker, and Richard Wright. These introductions could lend themselves to be the start of an author study, including asking why Reynolds and the Pumphreys would have chosen to include these specific authors.

Discussion Questions: 

  • Why did Langston Hughes have a party at the library?
  • What are some ways that Reynolds captured the excitement and glory of the evening with his words?
  • How did the illustrators use words in their art? What does it add to the book?
  • How did some of Hughes’s purposes relate to issues we’re still facing in America?
  • What inspired Jason Reynolds to write this book?
  • How is this picture book biography different than others?

Flagged Spreads: 

Read This If You Love: Poetry, Langston Hughes, Jason Reynolds

Recommended For: 

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**Thank you to Simon & Schuster’s Children’s Publishing for sharing a copy for review!**

Educators’ Guide for Last Gate of the Emperor by Kwame Mbalia and Prince Joel Makonnen

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Last Gate of the Emperor
Authors: Kwame Mbalia & Prince Joel Makonnen
Published: May 4th, 2021 by Scholastic Press

Summary: An Afrofuturist adventure about a mythical Ethiopian empire. Sci-fi and fantasy combine in this journey to the stars.

Yared Heywat lives an isolated life in Addis Prime — a hardscrabble city with rundown tech, lots of rules, and not much to do. His worrywart Uncle Moti and bionic lioness Besa are his only family… and his only friends.

Often in trouble for his thrill-seeking antics and smart mouth, those same qualities make Yared a star player of the underground augmented reality game, The Hunt for Kaleb’s Obelisk. But when a change in the game rules prompts Yared to log in with his real name, it triggers an attack that rocks the city. In the chaos, Uncle Moti disappears.

Suddenly, all the stories Yared’s uncle told him as a young boy are coming to life, of kingdoms in the sky and city-razing monsters. And somehow Yared is at the center of them.

Together with Besa and the Ibis — a game rival turned reluctant ally — Yared must search for his uncle… and answers to his place in a forgotten, galaxy-spanning war.

Teachers’ Tools for Navigation and Discussion Questions: 

Please view and enjoy the educators’ guide I created for Last Gate of the Emperor:

You can also access the educators’ guide here.

Recommended For: 

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Saints of the Household by Ari Tison

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Saints of the Household
Author: Ari Tison
Published: March 28, 2023 by Farrar, Straus and Giroux (BYR)

Summary: Saints of the Household is a haunting contemporary YA about an act of violence in a small-town–beautifully told by a debut Indigenous Costa Rican-American writer–that will take your breath away.

Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down.

But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school’s star soccer player to a pulp. This act of violence threatens the brothers’ dreams for the future and their beliefs about who they are. As the true details of that fateful afternoon unfold over the course of the novel, Max and Jay grapple with the weight of their actions, their shifting relationship as brothers, and the realization that they may be more like their father than they thought. They’ll have to reach back to their Bribri roots to find their way forward.

Told in alternating points of view using vignettes and poems, debut author Ari Tison crafts an emotional, slow-burning drama about brotherhood, abuse, recovery, and doing the right thing.

Review: This gorgeous novel alternates two brothers’ perspectives, one in prose (similar to short vignettes) and one in verse. I was captivated by this book and felt really connected to the two characters. The story begins immediately following a violent altercation between the brothers and their cousin’s girlfriend. The boys (Jay and Max) also experience domestic abuse at home. Jay and Max are less than a year apart in age and very close, yet they negotiate the altercations in very different ways. I highly recommend this book and am really glad that I read it and got to know Jay’s and Max’s stories.

Tools for Navigation: This book inspires creative writing. Teachers might ask students to try writing alternating perspectives of two people who are negotiating a conflict in different ways. They might also try writing one voice in prose and one in verse.

Discussion Questions: 

  • Did you find yourself feeling more empathetic toward one of the brothers? If yes, why might this be? If no, do you think audiences might be more empathetic to a brother, and why or why not?
  • How does the domestic abuse impact each of the brothers?
  • How did the different forms enhance your reading of the text?

Flagged Passage: “‘Sadness is not uncommon for our people,’ he tells me. ‘We have been hurt by many. People have been murdered. Our lands taken. But, in turn, when you are so hurt, you cannot let them win again by allowing them to take your mind. We’ve got everything against us, dawö’chke, but we’re still here, aren’t we? Each one of us made it. And we will still make it through all we’re facing'” (p. 186).

Read This If You Love: Angeline Boulley, Amber McBride, Ibi Zoboi

Recommended For: 

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Educators’ Guide for Symptoms of a Heartbreak by Sona Charaipotra

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Symptoms of a Heartbreak
Author: Sona Charaipotra
Published: July 2nd, 2019 by Imprint

Summary: The youngest doctor in America, an Indian-American teen makes her rounds―and falls head over heels―in the contemporary romantic comedy Symptoms of a Heartbreak.

Fresh from med school, sixteen-year-old medical prodigy Saira arrives for her first day at her new job: treating children with cancer. She’s always had to balance family and friendships with her celebrity as the Girl Genius―but she’s never had to prove herself to skeptical adult co-workers while adjusting to real life-and-death stakes. And working in the same hospital as her mother certainly isn’t making things any easier.

But life gets complicated when Saira finds herself falling in love with a patient: a cute teen boy who’s been diagnosed with cancer. And when she risks her brand new career to try to improve his chances, it could cost her everything.

It turns out “heartbreak” is the one thing she still doesn’t know how to treat.

In her solo debut, Sona Charaipotra brings us a compelling #ownvoices protagonist who’s not afraid to chase what she wants. Symptoms of a Heartbreak goes from romantic comedy highs to tearjerker lows and is the ultimate cure-all for young adult readers needing an infusion of something heartfelt.

Tools for Navigation and Discussion Questions: 

Please view and enjoy the educators’ guide I created for Symptoms of a Heartbreak:

You can also access the educators’ guide here.

Recommended For: 

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The Fire, the Water, and Maudie McGinn by Sally J. Pla

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The Fire, the Water, and Maudie McGinn
Author: Sally J. Pla
Published July 11th, 2023 by Quill Tree Books

Summary: Neurodivergent Maudie is ready to spend an amazing summer with her dad, but will she find the courage to tell him a terrible secret about life with her mom and new stepdad? This contemporary novel by the award-winning author of The Someday Birds is a must-read for fans of Leslie Connor and Ali Standish.

Maudie always looks forward to the summers she spends in California with her dad. But this year, she must keep a troubling secret about her home life–one that her mom warned her never to tell. Maudie wants to confide in her dad about her stepdad’s anger, but she’s scared.

When a wildfire strikes, Maudie and her dad are forced to evacuate to the beach town where he grew up. It’s another turbulent wave of change. But now, every morning, from their camper, Maudie can see surfers bobbing in the water. She desperately wants to learn, but could she ever be brave enough?

As Maudie navigates unfamiliar waters, she makes friends–and her autism no longer feels like the big deal her mom makes it out to be. But her secret is still threatening to sink her. Will Maudie find the strength to reveal the awful truth–and maybe even find some way to stay with Dad–before summer is over?

Praise: 

“A vulnerable portrait of one girl seeking to empower and redefine herself outside of her personal traumas.” — Publishers Weekly (starred review)

“Through Maudie’s earnest, occasionally poetic narration, Pla vividly explores the ways that physical and verbal abuse can distort self-perception. A perceptive, poignant tale of self-discovery.” — Kirkus Reviews

“A heartfelt story of courage and hope about Maudie, who navigates the world in her own unique divergent way, even while struggling with challenging family dynamics and loss. Readers will cry, cheer, and celebrate, and not soon forget, Maudie McGinn.”  — Pam Muñoz Ryan, Newbery Honor-winning author

“A gorgeous, bighearted, beautiful book. I loved it.”   — Elana K. Arnold, award-winning author of A Boy Called Bat

“A powerful and deeply affecting story that will carry readers along like the perfect wave.” — Barbara Dee, author of Maybe He Just Likes You 

“A breathtakingly beautiful ride of a story about an unforgettable, neurodivergent heroine.” — Jess Redman, award-winning author of The Miraculous

About the Author: Sally J. Pla writes stories for young people. Her books have been translated into many languages, garnered starred reviews, appeared on many ‘best book’ and state lists, and picked up a few awards, but the best thing they’ve done has been to connect her to readers like you. The Someday Birds; Stanley Will Probably Be Fine; Benji, The Bad Day, And Me; and her latest, The Fire, The Water, and Maudie McGinn, all portray characters who see the world a bit differently. Because we are all stars shining with different lights.

Sally has English degrees from Colgate and Penn State, and has worked as a journalist and in public education. You can find her at sallyjpla.com.

Review: This book, y’all. I am so glad that it was put on my radar because it is more than I could have guessed from the summary–I am so glad that I read it. It was a one-sitting read; I couldn’t put it down.

Sally J. Pla has crafted a book that pulls at heartstrings; has moments written in prose AND verse that are mentor texts in craft; will be a window, mirror, or sliding glass door (Sims-Bishop, 1990) for so many readers; touches on a tough subject that I truly think will help some readers with talking about their own situation; and has an amazing cast of characters!

Teaching Tools for Navigation: This book will be loved by so many readers. It is a must buy for middle school libraries and classrooms and may even be a good book club choice, just make sure to discuss the content triggers before choosing. Help the right readers find this book, help the right ones talk about it, and help the book get the love it deserves.

Discussion Questions: 

  • Why do you think the author chose not to tell Maudie’s secret from the beginning?
  • How does surfing both help and hurt Maudie’s situation?
  • How is Maudie treated differently with her mom versus her dad?
  • Why does her dad seem to understand her better than her mom?
  • Why did the author include sections in verse throughout the book?
  • Why do you think Etta helps Maudie?
  • Why does Maudie begin to find her voice more now that she is with her dad?
  • How is Paddi’s school different than Maudie’s school in Texas?
  • Masks are talked about figuratively within the book. Why does Maudie and her mom feel like they have to wear a mask?
  • What type of character traits does Maudie and her dad show by starting over after the fire?

Flagged Passage:

Chapter 2 Wowowowowowowowow

The Molinas emergency shelter is packed with stressed-out neighbors, grim-looking police, and frantic aid workers handing out things like bottles of water and crinkly silver blankets.

It’s not cold, but I can’t stop shivering.

There’s an old clipboard perched on a table under a stale copy cup–leftover from some meeting. I take it with me to one of the cots the volunteers have set up. Its thing blue mattress crunches underneath me; it feels like it’s filled with plastic pellets.

I unclip an old paper from the clipboard and turn it over. And just like Mr. Parris taught me, back at that noisy dance, I do his calm-down trick. I start to catalog the too-muchness.

SMELLS
stale coffee
stale soup
industrial carpeting
body odor
ashes
smoke
fabric softener

SOUNDS
kids crying
a couple arguing in staccato Spanish
an old man coughing and hacking up something wet and gross into a Kleenex, ugh
some lady shouting “Who took my phone? Who took my phone?” over and over
distant sirens: wowowowo-wowowowowo-wowwwwwwww

TOUCH
this silver emergency blanket, which feels like slippery aluminum foil
this sweaty plastic-pellet mattress under my butt and legs
burning eyes, like my lashes are gunked with hot grit
headache, blaring and pounding at my temples like a vise
a strange iron-band feeling around my chest, keeping me breathless
B R E A T H E
B R E A T H E
B R E A T H E

SIGHTS
The curve of my dad’s back

Read This If You Love: A Work in Progress by Jarrett Lerner; Me and Sam-Sam Handle the Apocalypse by Susan Vaught; Get a Grip, Vivy Cohen! by Sarah Kapit; The Ship We Built by Lexie Bean; Tornado Brain by Cat Patrick

Recommended For: 

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**Thank you to Blue Slip Media for providing a copy of review!**