Author and Illustrator: Fred Koehler
Published October 9th, 2018 by Boyds Mills Press
Summary: Mr. Popli, the mouse mayor of Garbage Island, is always at odds with Archibald Shrew, a brilliant but reckless inventor. When Garbage Island, their home in the Great Pacific Garbage Patch, splits apart, they are trapped together in Mr. Popli’s houseboat, desperate to find their way back home. At first, they only argue, but when they face a perilous thunderstorm and a series of predators, they begin to work together and recognize – in themselves and in each other – strengths they didn’t know they had.
About the Author: Fred Koehler won a Boston Globe/Horn Book Honor Award for his illustrations for One Day, The End. He is the author-illustrator of How To Cheer Up Dad, which received three starred reviews, and he is the illustrator of This Book Is Not About Dragons and Puppy, Puppy, Puppy and Flashlight Night. He lives with his children in Lakeland, Florida.
Visit the Garbage Island Boyds Mills Press page to view an interview about his inspirations and what’s coming next!
“In this series opener, a mouse and a shrew find themselves unlikely allies as they unite to save Garbage Island. The clever pairing of opposites adds humor, making the gradual emergence of friendship…all the sweeter. Dramatic black-and-white illustrations highlight key action. Exciting, fast-paced adventure and unexpected friendship in a “trashy” venue.” –Kirkus Reviews
“This adventurous tale is packed with action, examples of creative thinking, and ingenuity. Use this as an introduction to STEM thinking, a science fair project, a lesson on ecology, or simply read it for the enjoyment the story provides. This book will appeal to the adventure seeker, animal lover, explorer, and just about everyone else. A must-read for readers ready to strap in for a great ride!” – School Library Connection, starred review
“(With) fast-paced action and danger… this entertaining animal adventure stands out… because of its strong characters and an underlying message of environmental awareness.”–School Library Journal
Review: I love Archibald Shrew. He actually reminds me of Tinkerbell, specifically from the movie Tinkerbell and the Lost Treasure. Archie is a genius; he just is a genius that sometimes makes a mess when he is creating or may forget something essential if he’s brainstorming or might put him or someone else in danger if trying something new. But he is just so gosh darn lovable! From the very first page when we meet him, and he’s trying out his bicycle invention. Archie is obviously just ahead of his time. And while Mr. Popli starts off as a bit of a stern, uptight character, he is forced to see what is most important through this journey. Lastly, Merri. She is a special character who I connect with so much. She tries so hard to take care of everyone. She is never not helping or doing something; everyone can rely on her. But she also feels a lot of pressure to be a caregiver in so many different ways; so much that she pushes herself way too hard sometimes. It is because of these three characters plus the plot arc of Mr. Popli and Archie’s nearly always perilous adventure that this book is hard to put down. I know this is going to be one that Trent and I will read when he is a bit older: so much to unpack and just so entertaining!
Teachers’ Tools for Navigation: There is an Educator Guide available:
- How did Mr. Popli change over the course of the book?
- What did the egg teach Archie and Mr. Popli?
- What are the differing character traits between Archie, Mr. Popli, Merri, and Edward? Similarities?
- How does Archie effect the other characters at the beginning of the book? The end?
- What part of the book surprised you?
- How does the book promote environmental awareness?
- Which of the opponents was the biggest foe for Archie and Mr. Popli? Explain why you think that foe was the toughest?
Flagged Passages: Chapter 3
“A week into his punishment for the sea-cycle incident, Archie had taken to his new routine with all the enthusiasm of a one-armed starfish. During the day, he did everything that was asked of him, but the work made him hungry, and the hunger made him grumpy. And still, his yearning for his workshop rose in his throat each evening like the moon in the sky.
Merrie had come to visit Archie each night at the Watchtower. She was the only bird left on Garage Island. He was the only shrew. In many ways, they were kindred. But Merri was an outsider because of her species. And she was sure that Archie was treated as an outsider because of his actions. If she could get him to see that, perhaps his life could improve. Her attempts to convince him turned into another argument.” (p. 30)
Read This If You Love: Anthropomorphic stories like Redwall by Brian Jacques, Silverwing by Kenneth Oppel, Seekers series by Erin Hunter, Mez’s Magic by Eliot Schrefer, Good Dog by Dan Gemeinhart, An Army of Frogs by Trevor Pryce;Fiction that promotes environmental awareness; Plastics Ahoy! by Patricia Newman
Don’t Miss Out on the Other Blog Tour Stops!:
Mon 10/1 Always in the Middle
Tue 10/2 Miss Marple’s Musings
Wed 10/3 Inkygirl
Thu 10/4 Storymamas
Fri 10/5 Teen Librarian Toolbox
Mon 10/8 Librarian in Cute Shoes
Tue 10/9 KidLit Frenzy
Wed 10/10 Middle Grade Book Village
Thu 10/11 Mrs. Knott’s Book Nook
Fri 10/12 Middle Grade Minded
Fri 10/12 Unleashing Readers
**Thank you to Boyds Mills for providing copies for review and giveaway and for hosting the blog tour!**
The Astonishing Color of After
Author: Emily X. R. Pan
Published: March 20, 2018 by Little, Brown
Goodreads Summary: Leigh Chen Sanders is absolutely certain about one thing: When her mother died by suicide, she turned into a bird.
Leigh, who is half Asian and half white, travels to Taiwan to meet her maternal grandparents for the first time. There, she is determined to find her mother, the bird. In her search, she winds up chasing after ghosts, uncovering family secrets, and forging a new relationship with her grandparents. And as she grieves, she must try to reconcile the fact that on the same day she kissed her best friend and longtime secret crush, Axel, her mother was taking her own life.
Alternating between real and magic, past and present, friendship and romance, hope and despair, The Astonishing Color of After is a novel about finding oneself through family history, art, grief, and love.
My Review: I just finished discussing this book with my class, and they loved it. It is a bit of a longer book and moves somewhat slowly, but even my students who didn’t finish it in time insisted that I should use it again next year. The writing is absolutely stunning. Pan depicts humanity in ways that are very powerful. She integrates color and emotion to connect readers to the characters. We had two one-hour class periods to discuss this book, and there were so many things to talk about. Discussion was easy, and students made meaningful connections with the book. This book is simply unforgettable. I recommend it highly and hope it wins some awards in January!
Teachers’ Tools for Navigation: My students said that they Googled the colors within the text as they read. We spent a lot of time talking about the colors as an effective writing tool. I asked students to think of a moment in their lives that they’d be willing to share. Then, I asked them to attach a color with the moment. They shared beautiful stories of working at drive-ins, meeting their SOs, visiting places with friends, etc. The colors they attached with the images were fascinating and made the stories come alive.
- How does the author incorporate magical realism in the text? Is it effective?
- Did Leigh and Axel’s relationship feel realistic to you? Why or why not?
- Which scenes are beautifully written, and how do they demonstrate excellent writing?
- Should we forgive Leigh’s father? Why might he make the decisions he makes?
We Flagged: “Once you figure out what matters, you’ll figure out how to be brave.”
Read This If You Loved: Goodbye Days by Jeff Zentner, When the Moon Was Ours by Anna-Marie McLemore, Miles Away From You by A. B. Rutledge, All the Bright Places by Jennifer Niven, Looking for Alaska by John Green, Forgive Me, Leonard Peacock by Matthew Quick
Vincent and Theo: The Van Gogh Brothers
Author: Deborah Heiligman
Published April 18th, 2017 by Henry Holt and Co.
Summary: The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers’ lives. Confidant, champion, sympathizer, friend, Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the love of the Van Gogh brothers.
About the Author: Deborah Heiligman has written many books for children, including National Book Award Finalist Charles and Emma: The Darwins’ Leap of Faith and The Boy Who Loved Math. She lives with her family in New York City.
Accolades: Michael L. Printz Award – Honor, School Library Best Books of the Year, CPL: Chicago Public Library Best of the Best, NYPL Books for the Teen Age, Booklist Editors’ Choice, YALSA Award for Excellence in Nonfiction Finalist, YALSA Award for Excellence in Nonfiction Winner, BCCB Blue Ribbon Award, Boston Globe – Horn Book Award, Kirkus Best Teen Books of the Year, Publishers Weekly Best Books of the Year, Texas TAYSHAS High School Reading List, Horn Book Magazine Fanfare List
“A remarkably insightful, profoundly moving story of fraternal interdependence and unconditional love.” —Kirkus, starred review
“A breathtaking achievement that will leave teens eager to learn more.” —School Library Journal, starred review
“In fittingly painterly language, Heiligman offers vivid descriptions of Vincent’s artwork and life, which grow more detailed and colorful as Vincent’s own artistic style becomes richer and more refined . . . This illuminating glimpse into the van Goghs’ turbulent life and historical period will add compelling depth to readers’ understanding of the iconic painter. ” —Booklist, starred review
“A unique and riveting exploration of art, artists, and brotherly love.” —The Horn Book, starred review
“An intensive exploration of their turbulent lives” —Publishers Weekly, starred review
“This title is a treasure for readers who want to immerse in a roiling domestic drama and who don’t back away from a good cry” —The Bulletin, starred review
Review: I could not stop talking about this book while I was listening to it. That, and that I couldn’t stop listening to the book–I would listen whenever I could, show me what a fabulous book it was. Hieligman does an amazing job making Vincent and Theo’s story come to life through such emotional narrative that the reader cannot help but feel as if we are living alongside the Van Gogh brothers. As someone who loves learning about history and art as well as an interest in brain health, this was a story that was more fascinating than I can even describe.
Also, I feel personally connected to this book in a fun way. In November, 2016 Deborah Heiligman and I had a dinner at NCTE, and we got talking about art since she had just finished Vincent and Theo. If you didn’t know, my dad has a BA in Art History and a MFA in Museumology and runs art museums (currently the LSU Museum of Art), so I have grown up around art museums my whole life and with art as a big part of it. One of the things we spoke about is the new information that a painting thought to be a self-portrait (right below) was actually the only known painting of Theo Van Gogh that Vincent painted. One thing that made it hard to determine this was that Theo is wearing the straw hat that Vincent is known to wear while Vincent is wearing Theo’s business felt hat. And this is where Deborah’s question came in: “The hats on the cover matched the hats the men are wearing in the photo although those are not actually their hats. Does it matter?” Now although I love art, I am not the expert, so I offered to ask my dad, and he responded with, “I like the cover as it is. I think it causes a questioning that evidences the new research in an interesting way. It defies previous thoughts and expectations.” Thus the cover stayed as is with an explanation on the jacket (below).
But I think what can show you about the book more than just me raving is all of the awards it received, ⇑ see above, and all of the amazing information about how Deborah researched for the book, ⇓ see below, and of course an excerpt from the book, ⇓ also below.
Teachers’ Tools for Navigation: View Deborah Hieligman’s research for Vincent and Theo and view all the articles & interviews about the book to use with students when reading this nonfiction text. There is so much that can be done with this story and the author’s writing process; use this amazing text in your classrooms, have it in your libraries, read it yourself–however you see fit, but read and share it!
- How were Vincent and Theo’s life parallel with each other?
- In what way were Vincent and Theo’s view of love part of their downfall emotionally?
- Looking at the two portraits above and after reading the article about the portrait being of Theo, what do you believe? What similarities and differences do you see between the two?
- How did Deborah Hieligman take all of the letters and research she did and turn them into a narrative?
- I described this book to my sister as “A love story about two brothers.” Why would I call it a love story?
- How did Theo’s short but mighty marriage set up for the current popularity of Vincent Van Gogh?
- Why did it take so long for Vincent to find art?
- In what way did finding friends in the impressionist art community help Vincent as an artist?
Flagged Passages: “1. TWO BROTHERS, ONE APARTMENT, PARIS, 1887
There was a time when I loved Vincent very much, and he was my best friend, but that’s over now. —Theo van Gogh to his sister Willemien, March 14, 1887
THEO’S BROTHER VINCENT has been living with him for just over a year, and Theo cannot take it anymore.
It is “almost intolerable for me at home,” he writes to their sister Wil in March 1887. Even though Theo has moved them to a larger apartment, this one still feels too small to hold Vincent’s outsized personality and Theo’s desperate need for quiet. He’s dying to tell Vincent to move out, but he knows if he does, Vincent will just be more determined to stay.
Dogged. Contrary. Stubborn. Vincent.
Theo van Gogh is the manager of Goupil & Cie, a successful art gallery on the fashionable Boulevard Montmartre in Paris. Theo is good at his job, but it’s terrifically frustrating for him right now. The owners of the gallery want him to sell paintings in the traditional style because they’re popular and bring in money. Though Theo certainly needs to make money—he has to support himself and Vincent and help their mother—he wants to sell art that is truly exciting to him, paintings by the Impressionists and their crowd, friends of his and Vincent’s: Émile Bernard, Paul Gauguin, Claude Monet, and Henri de Toulouse-Lautrec. Soon, maybe even paintings by Vincent himself.
But these modern painters don’t bring in enough money, so it’s a constant battle with his bosses. Theo haspersuaded them to let him set up a little display of Impressionists on the entresol. The entresol is not the ground floor, and it’s not the first floor. It’s the floor in between. It’s as if the paintings are there, but not quite yet, a glimpse into the future. It’s a start. But he spends his days working hard and comes back to the apartment at 54 Rue Lepic exasperated and exhausted. What he needs at home is rest and peace, but instead he gets VINCENT.
Theo loves his brother’s brilliant mind, his gregariousness, even his fiery temperament. Vincent can be a good antidote to Theo’s own inwardness and tendency to melancholy.
But after so many months of the cold Parisian winter spent indoors with Vincent, Theo is a wreck both mentally and physically. A few months back, in December, he was actually paralyzed—he couldn’t move at all for a few days. Although Theo knows he can’t blame his bad health on his brother, to get better he needs a break from Vincent’s gusts, his squalls, his constant talking and lecturing.
And, to make matters worse, lately Vincent has been furious at him. “He loses no opportunity to let me see that he despises me and I inspire aversion in him,” Theo tells Wil.
A portrait done of the brothers at this time would be sizzling with streaks of red-orange paint.
* * *
WHEN VINCENT AND THEO were young, growing up in the village of Zundert in the Netherlands, their father, a pastor, had written a special prayer. All the Van Gogh children had to memorize it and recite it when they left home:
“O Lord, join us intimately to one another and let our love for Thee make that bond ever stronger.”
Theo has valiantly been living up to that prayer. He’s been Vincent’s best friend for most of the last fifteen years, ever since they made a pledge to each other on a walk. And through many ups and downs and storms, for the past seven years, Theo has been giving Vincent money for paint, pencils and pens, ink, canvases, paper, clothing, food, and, until he moved in, rent.
On March 30 Vincent turns thirty-four; on May 1 Theo will be thirty. They’ve made it this far in their journey together—how can Theo kick him out now?
* * *
VINCENT AND THEO VAN GOGH look a lot alike: They both have red hair, though Vincent’s is redder, Theo’s more reddish blond. Vincent has freckles; Theo does not. They are both medium height—around five feet seven—but Vincent is broader, bigger; Theo slighter, thinner. They have pale blue eyes that sometimes darken to greenish blue. They are definitely brothers.
But they couldn’t give more different impressions.
Vincent in his workman’s clothes spends his days painting, outside if it’s not too cold, or inside the apartment. He is covered with Parisian soot and grime, overlaid with splatters and spatters of paint: ochre, brick red, orange, lemon chrome, cobalt blue, green, black, zinc white.
He doesn’t bathe often, which is typical for a nineteenth-century man, but it’s even less often than he should. He stinks—of body odor, dirt, food, paint, turpentine, wine, and tobacco. He usually has a pipe in his mouth, though he has very few teeth left, and those that are left are rotten.
And yet Vincent looks healthy: he’s robust, sturdy, and vehemently alive. Passion pours from him, as if the world he’s trying to capture is inside him, bursting to come out.
Theo is tidy, well dressed in a suit, looking very much the proper Parisian businessman. His features are finer, more refined. He would be handsome if he weren’t so sick: he’s thin and pale; he looks as though the life is being sucked out of him. He feels that way, too.
* * *
IN MANY WAYS, Vincent’s move to Paris has been good for both brothers. Thanks to Theo’s influence, to the artists he’s met, and to his own tenacious work, Vincent’s paintings are better than ever: they are imbued with color and light and Vincent’s own particular style.
And Vincent has given Theo more of a life. He’d been lonely in Paris, so lonely, and now, even though he doesn’t have a wife and family, Theo at least has a circle of friends through Vincent. For that he is grateful. So even though he’s desperate, Theo doesn’t kick out his brother. Yet.
In April, Theo acknowledges to another sister, Lies, that he’s been ill, “particularly in my spirit, and have had a great struggle with myself.” If he were well, he could deal with Vincent.
In fact both brothers do better with sun and warm air and hours spent outside. The Parisian days are getting longer—by minutes, anyway. If only spring would arrive! But there’s still too much gloom outside and in.
Gloom and fire.
It’s as if there are two Vincents, Theo has told Wil. He knows both sides of his brother very well. Sometimes Vincent is ebulliently happy and kind, sometimes furiously angry and difficult. He has a huge heart, but he’s stubborn and argumentative.
Vincent argues not only with Theo, and with himself, but also with friends and people he admires. One cold and fiery night in the near future, Vincent will fight with another roommate. And that argument will end in blood.
Read This If You Love: History, Art, Brain health, Van Gogh, Heiligman’s writing
Serafina Loves Science #1: Cosmic Conundrum
Author: Cara Bartek, Ph.D.
Published by Absolute Love Publishing
Summary: In Cosmic Conundrum, sixth grader Serafina Sterling finds herself accepted into the Ivy League of space adventures for commercial astronauts, where she’ll study with Jeronimo Musgrave, a famous […]
Serafina Loves Science #1: Cosmic Conundrum
Author: Cara Bartek, Ph.D.
Published by Absolute Love Publishing
Summary: In Cosmic Conundrum, sixth grader Serafina Sterling finds herself accepted into the Ivy League of space adventures for commercial astronauts, where she’ll study with Jeronimo Musgrave, a famous and flamboyant scientist who brought jet-engine minivans to the suburbs. Unfortunately, Serafina also meets Ida Hammer, a 12-year-old superstar of science who has her own theorem, a Nobel-Prize-winning mother, impeccable fashion sense—and a million social media followers. Basically, she’s everything Serafina’s not. Or so Serafina thinks.
Even in an anti-gravity chamber, Serafina realizes surviving junior astronaut training will take more than just a thorough understanding of Newton’s Laws. She’ll have to conquer her fear of public speaking, stick to the rules, and overcome the antics of Ida. How will Serafina survive this cosmic conundrum?
About the Author: Cara Bartek, Ph.D. lives in Texas with her husband and two daughters. The Serafina Loves Science! series was inspired in part by her career path and in part by her two little girls. Her hope is to make this world a more equitable and opportune place for her daughters one silly story at a time. Visit www.carabartek.com.
Also, stop by on Sunday for an author guest post by Cara Bartek including information about the second book in the series!
Praise: “Through the quirky character of Serafina, Cosmic Conundrum shows us that science can be fascinating! Girls, you can embrace your curiosity, follow your passions, and most importantly, just be you! As an environmental scientist, I love this series!” -Emily Thompson, Edwards Aquifer Authority Environmental Scientist
Review: Serafina is a genius. And eleven. Both things that can cause strife which leads us to her story. At its heart, it is a story of an eleven year old navigating a new situation and a new bully with the help of her friends and brains. At its brains, it is a story of a genius young woman who wants to do amazing things with her life and uses her brains in ways that are unexpected and important. Combined, you get a wonderful middle grade story that shows how interesting science can be and how important it is to just be yourself! I am looking forward to reading the second book in the series and getting both for my classroom.
Teachers’ Tools for Navigation: First, the book belongs in libraries so that kids can read them. So many readers are going to enjoy Serafina: your realistic fiction readers who love to read about school and other things they relate to, your science fans, ya=our sci-fi fans who want to think about inventions for the future. It is definitely going to find some readers!
As a cross-curricular text, one way it could be used is to use it to examine science. The back matter of the book shares the science behind much of the book in a “blog post” by Serafina about Newton’s Laws of Motion. While still being told in the voice of Serafina, the blog post is filled with information about all three laws. This blog would be a great place to start then as students read the book, they can look for times when these laws were in effect and also connect them to real life.
- Why was Serafina’s invention so different than everyone else’s?
- How does friendship play a role in Serafina’s story?
- How does the zero gravity plane work?
- What does the story say about money and influence versus brains and hard work?
- How did Newton’s Laws of Motion fit into the story?
- What do you think is going to happen in the next Serafina story?
Flagged Passages: “I took another deep breath and straightened my shoulders. ‘I got into Musgrave Space Adventure!’ My face-splitting smile returned. ‘It’s the best news ever!’
It was. The Musgrave Space Adventure was not an ordinary space adventure. It was the Ivy League of space adventures, founded by the great scientific entrepreneur Jeronimo Musgrave himself. The Jeronimo Musgrave! The man who, legend has it, personally greeted visitors from space and studied a real-life spaceship while working at the Los Alamos Laboratory in New Mexico in 1995…
Six months earlier, Jeronimo had issued an open call to all scientists under the age of 13 to apply for 50 open spots for a grueling scientific competition to see who could earn a coveted spot in his junior astronaut development program. The application had been killer. Wannabe commercial astronauts had to submit notarized transcripts; a 10-page autobiography complete with philosophical stances on such topics as politics, the environment, and the role of the Kardashian family in modern society; a DNA sample; a fully executed last will and testament; and an original working invention designed to make space travel more bearable.
I had struggled for months trying to think of an invention. While space food definitely left something to be desired–it looked like cat food squeezed out of a toothpaste tube–at least you got to eat it while performing back flips in midair. That seemed bearable enough, even if those flips were just about the only real activities you could enjoy in the shuttle. They seemed to have the water and pooping things down pretty well, too, so I was at a loss. Until it hit me: The hardest part of space travel would be missing everyone back home.” (Chapter 1)
Read This If You Love: Frank Einstein series by Jon Sciezska, Ellie Engineer by Jackson Pearce, Galaxy Girls by Libby Jackson, Hidden Figures by Margot Lee Shetterly, Finding Wonders by Jeannine Atkins, Women in Science by Rachel Ignotofsky, Almost Astronauts by Tanya Lee Stone
**Thank you to Absolute Love Publishing for providing a copy for review!**
When the Moon Was Ours
Author: Anna-Marie McLemore
Published October 4, 2016 by Thomas Dunne
Goodreads Summary: To everyone who knows them, best friends Miel and Sam are as strange as they are inseparable. Roses grow out of Miel’s wrist, and rumors say that she spilled out of a water tower when she was five. Sam is known for the moons he paints and hangs in the trees, and for how little anyone knows about his life before he and his mother moved to town. But as odd as everyone considers Miel and Sam, even they stay away from the Bonner girls, four beautiful sisters rumored to be witches. Now they want the roses that grow from Miel’s skin, convinced that their scent can make anyone fall in love. And they’re willing to use every secret Miel has fought to protect to make sure she gives them up.
My Review: This book appears again and again on English department lists for courses about gender and sexuality. After I saw it for the dozenth time, I realized that I had to read it. I loved it so much that I adopted it for my course, and my students read it along with three other texts when we talked about gender and sexuality as they pertain to adolescence. I will admit that a few of my students had difficulty with the magical realism of the book, but overall, they found this book to be incredibly powerful and recommended I continue to use it in the course. There is so much to discuss, and it offers beautiful insight. I attach so many emotions to this book, which proves how much I cared deeply for the characters and content. If you missed this one, you should read it. I promise it will be different than any other book that you’ve read.
Teachers’ Tools for Navigation: The third of my class that read this book developed a great activity to inspire their peers to want to read it. They asked the students: “If an egg could cure your heartsickness, what color would it be? If a flower grew from your wrist, what type of flower would it be? If you could hang a moon from the trees to help you sleep at night, what would it look like? Or, pick another object to connect with.” We had a lot of fun discussing the great possibilities.
- Why is this book used often in college English courses? What makes it so impactful?
- What does this book teach you about people, places, life, and quite frankly, humanity as a whole?
- There are a very many magically realistic objects in the text. If you examine them closely, what does each mean? For example, why are glass pumpkins growing in the town?
We Flagged: “Miel was a handful of foil stars, but they were the fire that made constellations” (p. 12).
Read This If You Love: Magical realism, books that make you think, books that push binary traditions of gender
Astronaut, Aquanaut: How Space Science and Sea Science Interact
Author: Jennifer Swanson
Foreword by Fabien Cousteau and Kathryn D. Sullivan
Published January 9th, 2018 by National Geographic Society
Summary: Journey from the deepest trenches in the oceans to the farthest humans have ventured into space and learn what it takes to explore the extremes. You might just be surprised by how similar the domains of ASTRONAUTS and AQUANAUTS really are.
Space and the ocean. If you don’t think they go together, think again! Both deep-sea and space explorers have to worry about pressure, temperature, climate, and most importantly, how to survive in a remote and hostile environment. Join us on an amazing journey as we go up in space with astronauts and dive deep down in the ocean with aquanauts to explore the far-off places of our planet and the solar system.
With a strong tie into STEM topics–such as making connections, making comparisons, and recognizing patterns across content areas–readers will discover the amazing science and incredible innovations that allow humans (and sometimes only machines) to survive in these harsh environments.
Review: First, I want to share this image because it is one of my favorites ever, and I want a poster of it for Trent’s room!
I love the idea of this book! First, from a personal point of view: my son loves animals and space, so this is a perfect book for him. We didn’t read word for word together, but we spent hours over the last couple of weeks flipping through the book, looking at different spreads, reading parts of the book, and answering any questions that Trent had. Also, from a educator point of view: this text is so full of information told in such an interesting way with fun facts, activities, and so much fascinating information! Swanson did a beautiful job making connections between the two professions and scientists and giving equal looks into both. And since the book is for middle grade students, it is essential for it to be written in a way that will be intriguing to readers, and this book is definitely that!
Teachers’ Tools for Navigation: Throughout the book there are questions that can lead to inquiry (see below) and many topics that are introduced that could be further researched. Additionally, there are a few activities throughout such as one on submersibles, docking the ISS, and design your own space suit. The book is also set up for comparing and contrasting looking at exploration in both space and the sea and how they differ and overlap.
Discussion Questions: The text is FILLED with books that can lead to phenomenal discussions or inquiry projects such as
- How does studying the topography of the ocean floor help us understand the space?
- Why is it important for astronauts to train underwater?
- What does it feel like during blastoff?
- What is it like to live in space/under water for a long time?
- Why and how do we explore?
- How can studying the ocean help astronauts better understand conditions in space?
- What can space teach us about the ocean?
Read This If You Love: Space travel, Science, Marine biology
**Thank you to the author for providing a copy for review!**
Author: Eliot Schrefer
Published September 25th, 2018 by Scholastic Press
Summary: Before humans, and before human history, there were the apes.
Snub is a young gorilla, living in the heart what will eventually be known as Africa. She is jealous of her mother’s new baby . . . and restless in her need to explore. When a natural disaster shakes up her family, Snub finds herself as the guardian of her young sibling . . . and lost in a reshaped world.
Snub may feel orphaned, but she is not alone. There are other creatures stalking through the woods — a new form of predator, walking on two legs. One of their kind is also orphaned, and is taken in by Snub. But the intersection of the human world and the gorilla world will bring both new connections and new battles.
In his boldest work yet, two-time National Book Award finalist Eliot Schrefer shows us a riveting, heartbreaking early encounter between ape and man — told from the ape’s point of view. It is a journey unlike any other in recent literature.
About the Author: Eliot Schrefer is a New York Times-bestselling author, and has twice been a finalist for the National Book Award. In naming him an Editor’s Choice, the New York Times has called his work “dazzling… big-hearted.” He is also the author of two novels for adults and four other novels for children and young adults. His books have been named to the NPR “best of the year” list, the ALA best fiction list for young adults, and the Chicago Public Library’s “Best of the Best.” His work has also been selected to the Amelia Bloomer List, recognizing best feminist books for young readers, and he has been a finalist for the Walden Award and won the Green Earth Book Award and Sigurd Olson Nature Writing Award. He lives in New York City, where he reviews books for USAToday.
Praise: “Scientific accuracy paired with lyrical, subjective language describing the young gorilla’s impressions of her surroundings and bodily needs make this book an imaginative, eloquent evocation of a little-known era in prehistory from an animal’s viewpoint. A plausibly authentic account skillfully avoiding risk of excessive anthropomorphism.” – Kirkus Reviews
Review: What a fascinating book! Orphaned is so different than Schrefer’s other novels but in a way that is new and so well done. Where Endangered, Rescued, and Threatened were about humans interacting with apes in a contemporary setting, Orphaned is about apes interacting with early humans in a pre-historic setting. There is no book like this! And it is done beautifully.
When we visited virtually with Eliot Schrefer he shared with us that the story was originally told in prose but his editor, David Levithan, pointed out to him that apes, though intelligent, would not think the way that Eliot writes prose. That their thoughts would be focused on immediate needs and would lack in descriptive and fluffy language. He then completely rewrote the story in verse and WOW! Snub’s voice is perfect.
While I originally thought that the point of view and setting would make the story a challenge, but it was the contrary–it made it just that more interesting!
Teachers’ Tools for Navigation: What a great mentor text for point of view and setting! Have students write a story with an animals main character in an interesting setting. Then have them change from prose to verse to hone in on the point of view of the animal and make sure they are including the setting as a main aspect of the story.
- How does the inclusion of the ape “language” help with the realism of the story?
- Why do you think the author included the illustrations of what apes were currently in the story at the top of the page?
- How did the change from prose to verse storytelling impact the way the story was perceived?
- How do you think the early humans perceived the gorillas when they interacted with them?
- How does the point of view shape this story?
- How did the eruption change the life of the gorillas and early humans?
- How are gorillas and early humans similar and different?
“Central Eastern Africa
600,000 Years Ago
Until this time, gorillas lived by the millions in a broad band of jungle across Africa. Then a series of volcanic eruptions, many times more foreful than any the modern world has experience, occurred in the Great Rift Valley. The shift in landscape allowed tribes of early humans to travel south into this area for the first time.
It would be the first meeting between ape and human.
Part One: Home
Snub looks between the two, thinking.
This tree keeps its nuts high in its branches–
a fallen one is a lucky treat.
She imagines rolling the inside nugget in her mouth,
biting its oily flesh.
Tongue between her teeth, brow scrunched,
she raps the rock on top of the nut.
It does not crack.
She licks the rock.
The rock tastes like rock.
She licks the nut.
The nut tastes like dirt.
Snub twists the woody halves.
They will not part.
Opening nuts is Mother’s job,
but Mother let Snub go off alone.
Fresh fury surges.
Snub hurts the nut, aiming
at a pair of magpies.
It goes wide and disappears into the foliage.
Snub looks to see if anyone has
been impressed by her rage.
But this only reminds her:
Her family is not here.”
Read This If You Love: The Ape Quartet books #1-3, Early humans, Gorillas
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